Nuovissimo album del pianista jazz. Prodotto dall'esperto Jeff Levenson, questo album ci presenta Tyner accompagnato da Joe Lovano, Christian Mcbride e Jeff Watts. Tyner torna al format sonoro del quartettto di Coltrane, con una super band alle spalle.
Nuovo album per il trombettista di colore: con Dan Nimmer, Carlos Henriquez, Quincy Davis e Riza Hequibal. 2010.
ECM 2010, Con Tim Berne
Una delle più interessanti voci della attuale scena jazz, con Eric Reed, Hamilton Price e Ralph Penland.
2010. Il nuovo lavoro del pianista jazz.
Tra i pianisti più interessanti della attuale generazione jazz, Green esordisce per la Jazz Legacy, con un album in trio, accompagnato da Peter e Kenny Washington.
Con Maynard Ferguson
Eccellente album, registrato dal vivo al Blue Note di NewYork. Il sassofonista Donald Harrison, accompagnato da Ron Carter e Billy Cobham.
Eliane Elias e Marc Johnson, moglie e marito nella vita reale, uniscono le forze con Joey Baron e Joe Lovano per un disco di grande classe. Già in Shades of Jade, 2005, i quattro avevano suonato assieme. In questo nuovo disco si ripete la collaborazione, con risultati più che positivi. Le composizioni vanno da brani scritti dalla pianista brasiliana a classici della tradizione americana come Shenandoah. Affascinante.
Torna la sophisticated lady con un bel disco, elegante e raffinato, costruito come omaggio a Frank Sinatra e Stan Getz. Infatti Diane interpreta brani che i due grandi avevano già registrato nel corso della loro carriera. La accompagna una stellare band diretta da Alan Broadbent, che vede la partecipazione di Ben Wolfe, Ulysses Owens, Jr., Romero Lubambo e Joel Frahm.
Primo disco nuovo, da diversi anni a questa parte, per il famoso pianista Jazz. Con la sua Electric Band, Lewis presenta dieci nuove composizioni, tra le quali citiamo Tambura, Intimacy, Betcha By Golly Wow, Sun Goddess. Un crossover tra passato e presente, sempre molto gradevole. Edizione DeLuxe con tre canzoni in più, tra cui Jungle Strut con Dr John.
Un classico album dei sessanta, edito dalla Pacific Jazz.
Con il quinto disco per la Savant il tenor sassofonista di colore amplia i suoi orizzonti, porrtando la sua band (Gregg August e Rudy Royston), in ambito blues. Le sue aperture tra jazz e blues sono decisamente innovative ed interessanti, sopratutto in brani quali Cotton, Sugar Free, Lillie Mae Jones, Americana etc. Un disco che si stacca decisamente dal resto della produzione attuale.
Il nuovo lavoro del pianista italiano. Sempre per la ECM, con la partecipazione di Gianluca Petrella, Louis Sclavis, Gerald Cleaver. 2016.
Il nuovo lavoro del trombettista jazz, con Victor Gould, Jonathan Barber, Jacquelene Acevedo e Vicente Archer. Highnote Records, 2017
Il nuovo atteso album del sassofonista di colore. Con Liberty Ellman, Gregg August e Rudy Royston. Savant, 2017.
Nuovo album per la ECM di Tim Berne, con il suo quintetto: Oscar Noriega al clarinetto, Matt Mitchell al piano, Ryan Ferreira.alla chitarra e Chas Smith alla batteria. Berne, noto per le sue idee, prosegue una ricerca musicale su temi innovativi e creativi, cercando sempre nuove vie per la sua musica.
Nuovo lavoro per Brian Blade and The Fellowship Band: con Jon Cowheard, Chris Thomas, Melvin Butler, Dave Devine, Myron Walden. Già autori dell'eccellente Landmarks, Blade e la sua band continuano un percorso jazz intrigante, uscedo spesso da schemi prefissati per creare suoni decisamente innovativi.
CD / DVD. Cory Henry è un organista, tastierista, jazz e funk emergente. Lavora con gli Snarky Puppy, ma ha anche una sua carriera come solista ( ha da poco suonato al Blue Note a Milano ). Questo album, che contiene musica sia sul CD che sul DVD, è stato premiato come uno dei migliori album open jazz dell'anno in Usa.
Nuovo album per il pianista vocalist Billy Childs, inciso per la Mack Avenue. Questa volta Childs suona assieme a musicisti titolati, come Steve Wilson, Hans Glawishinig, Eric Harland.
Ristampa, album edito nel 2011
Il nuovo lavoro di Andrew Cyrille per la ECM, con Bill Frisell, David Virelles, Ben Street. 2022
Paul Bley / Gary Peacock / Tony Oxley / John Surman - ECM 1993
Le registrazioni dei due grandi sassofonisti, assieme
Concerto in omaggio a Charlie Parker, con Ray Brown, Milt Jackson, Hank Jones, Philly Joe Jones, James Moody.
Carù consigliaImportatiDizzy Gillespie, Freddie Hubbard, Clark Terry Meets The Oscar Peterson Big 4
Dizzy Gillespie And The Mitchell-Ruff Duo
con Phil Woods, Art Farmer, Bob Berg, Tito Puente, John Scofield, Robben Ford, Benny Golson, Charlie Haden, Bernard Purdie etc
Il nuovo album di John Foxx, il primo che incide per solo pianoforte.
Album 2021 di uno dei nuovi talenti della scena jazz inglese.
Recorded after the world premiere performance at the Théâtre du Châtelet, Paris December 2000.
Comes with a 76 pages booklet into an outer card slipcase.
?&? 2008 Lone Hill Jazz
Made in EU
2 albums on one CD + bonus tracks
Recorded:
- Tracks 1, 4, 8, 11 April 20, 1955
- Tracks 2, 3, 7, 9 June 1, 1955
- Tracks 5, 6. 10 May 17, 1955
- Track 12 May 9, 1955
- Track 13 April 5, 1955
- Tracks 14, 18 July 5, 1955
- Tracks 15, 21 December 12, 1952
- Track 16 May 15, 1951
- Tracks 17, 24 August 10, 1954
- Track 19 February 20, 1951
- Track22 December 13, 1954
- Tracks 25 to 27 November 2, 1954
- Track 28 July 3, 1954
Recorded at The Boiler Room, New Orleans, Louisiana, on June 20-22, 1995
Mixed at The Manhattan Center, New York City, on July 27-29, 1995
#1-7: Recorded September 23, 1954; probably at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-3.
#8-14: Recorded in 1954-55 at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-6.
Total Time: 43:22
Recorded On July 17th & 18th, 1987 at the FMP Studio, Berlin.
Recorded at Sear Sound, NYC in 1994
Mastered at Foothill Digital, NYC
Executive Producer: DIW / Disk Union
Title also appears on the release as “The E.P. Collection”.
Recording locations, recording dates, ? and original [l47558] matrix Nr.:
. Track 1: New York, Jan 10, 1951, ? 1951 GML Inc., K9007-1
. Track 2: New York, Jan 23, 1951, ? 1951 GML Inc., K9018
. Track 3: Los Angeles, Apr 23, 1956, ? 1956 GML Inc., K9756-1
. Track 4: Cincinnati, Oct 4, 1951, ? 1951 GML Inc., K9085
. Track 5: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8202
. Track 6: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9172
. Track 7: New York, Jan 23, 1951, ? 1951 GML Inc., K9020
. Track 8: New York, Dec 17, 1952, ? 1953 GML Inc., K9225
. Track 9: New York, Mar 23, 1950, ? 1950 GML Inc., K5878
. Track 10: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9325
. Track 11: New York, Oct 13, 1950, ? 1950 GML Inc., K5978
. Track 12: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8200
. Track 13: Los Angeles, May 4, 1955, ? 1955 GML Inc., K9628
. Track 14: New York, Jan 23, 1951, ? 1951 GML Inc., K9021
. Track 15: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8203
. Track 16: Cincinnati, Oct 4, 1953, ? 1953 GML Inc., K9341
. Track 17: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8201
. Track 18: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9173
. Track 19: Los Angeles, June 6, 1953, ? 1953 GML Inc., K9294-1
. Track 20: Los Angeles, Feb 2, 1957, ? 1957 GML Inc., K9935-4
. Track 21: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10076
. Track 22: New York, Oct 8/9, 1954, ? 1954 GML Inc., K8506-1
. Track 23: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9328
. Track 24: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9439
. Track 25: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9436
. Track 26: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10074
The tracks on this collection are taken from the following EP's:
. Tracks 1, 4 Parlophone Earl Bostic EP GEP 8506
. Tracks 5, 7 Parlophone Earl Bostic EP GEP 8513
. Tracks 6, 8, 10 Parlophone Earl Bostic EP GEP 8520
. Tracks 11, 12, 18 Parlophone EP "Wrap It Up - Chop It Down" GEP 8539
. Tracks 2, 14 Parlophone EP "Earl's Imagination" GEP 8548
. Tracks 9, 15 Parlophone EP "Music A La Bostic" GEP 8571
. Tracks 21, 26 Parlophone EP "Alto Magic" GEP 8754
. Tracks 17, 19 Parlophone EP "Music A La Bostic No.2" GEP 8574
. Tracks 16, 23, 25 Parlophone EP "Music A La Bostic No.3" GEP 8603
. Tracks 3, 13, 20, 22 Parlophone EP "Bostic In Harlem" GEP 8637
. Tracks 24 Parlophone EP "Alto Sax And Mambo Strings" GEP 8565
This compilation:
? 1999 See For Miles Records Ltd. / G.M.L. Inc.
© 1999 See For Miles Records Ltd./ G.M.L. Inc.
Original sound recordings made by G.M.L. Inc.
The trademark Parlophone is the property of EMI Records Ltd. and is used with their kind permission.
Issued in standard jewel case incl. transparent tray and a 10-panel booklet.
Made in the EC.
Country of origin UK
Buddy Miles and Wilber Campbell miscredited on track 4.
Track 8 "Steamwhistle Jump" has unknown Kaye-Mann as writers but it's indeed "Take The A Train" written by Billy Strayhorn.
Recorded on February 15, 17 & March 4, 1997 at Systems Two Recording Studios, Brooklyn, NY.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 2, 1961.
Grandi interpreti jazz cantano il repertorio del compositore americano: Cassandra Wilson, Sheila Jordan, Chet Baker, Peggy Lee, Nat King Cole e altri.
"Ancorar" and "Pra Que Chorar" previously unreleased.
Recorded at Lindström Studios, Cologne, December 2 - 3, 1968.
Digitally remastered... at Emil Berliner Studios, Langenhagen.
Total Time: 71:05
Jazz Is Universal originally released in 1962 as CS-1401
After This Message originally released in 1966 as CS-1458
Recorded live November 24, 2015 at Sear Sound, Studio C, New York City.
Recorded in new York City, May 9 (tracks 1, 4, 6 & 12), May 14 (tracks 2, 8, 9 & 10) & May 16 (tracks 3, 5, 7 & 11) 1955
Recorded in Hackensack, New Jersey, January 9, 1959.
1992 Concord Jazz, Inc.
Digitally Recorded in Paris, France on November 13 & 14, 1994, By Dominique Samarcq at Studio SYSMO, Paris.
Produced by Dany Doriz and by Jean-Michel Proust & Jean-Marc Fritz for Black & Blue Records
Recorded live on November 12th at the 1993 Percussive Arts Society Convention, Columbus, OH
20-BIT Original Recording.
Registrazioni in quartetto e quintetto con il trombettista Flavio Boltro
Recorded live at the Vatican Radio on April 19, 1995
Music from the soundtrack of "Talmage Farlow"
Recorded 5/21/80, The Sign Of The Times, Rumson, N.J.
Price Code S
Made In Canada
Recorded live at Cavò Studio, Bergamo (Italy), November 1st 2011
Con Chris Potter ai sassofoni, Drew Gress al basso e Jack DeJohnette alla batteria
con Joe Lovano al sassofono, Randy Brecker alla tromba, Bon Mintzer al clarinetto, Jonny King al piano, Ira Coleman al basso e Billy Drummond alla batteria.
Recorded December 4 & 5 1995
Recorded at Rambler studios Rome November 28, 1996
2CD. Rara antologia con la partecipazione di Jack Bruce, Taj Mahal, Bobby Womack, Allen Toussaint, Leo Nocentelli, Astor Piazzolla e molti altri. Include un libro di 40 pagine. Edizione limitata e numerata.
Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore.
Total playing time 70:49
Original matrix numbers; recording location, date:
1-1: 38160-1; New York, 11-3-1927
1-2: 38496-1; New York, 27-4-1927
1-3: 38496-2; New York, 27-4-1927
1-4: 38497-1; New York, 27-4-1927
1-5: 38497-3; New York, 27-4-1927
1-6: 53066-1; Camden, New Jersey, 29-4-1931
1-7: 53067-1; Camden, New Jersey, 29-4-1931
1-8: 53068-1; Camden, New Jersey, 29-4-1931
1-9: 53069-2; Camden, New Jersey, 29-4-1931
1-10: 70140-1; New York, 31-7-1931
1-11: 70141-1; New York, 31-7-1931
1-12: 70142-1; New York, 31-7-1931
1-13: 70143-1; New York, 31-7-1931
1-14: 71938-1; New York, 10-3-1932
1-15: 71939-1; New York, 10-3-1932
1-16: 71942-1; New York, 10-3-1932
1-17: 71943-1; New York, 10-3-1932
1-18: 81787-1; New York, 6-3-1934
2-1: 81788-2; New York, 6-3-1934
2-2: 81789-2; New York, 6-3-1934
2-3: 81790-1; New York, 6-3-1934
2-4: 100360-1; Chicago, 9-4-1936
2-5: 100361-1; Chicago, 9-4-1936
2-6: 100362-1; Chicago, 9-4-1936
2-7: 100363-1; Chicago, 9-4-1936
2-8: 100557-1; Chicago, 23-5-1936
2-9: 100558-1; Chicago, 23-5-1936
2-10: 100559-1; Chicago, 23-5-1936
2-11: 100560-1; Chicago, 23-5-1936
2-12: 100561-1; Chicago, 23-5-1936
2-13: 100882-1; Chicago, 4-8-1936
2-14: 100883-1; Chicago, 4-8-1936
2-15: 100884-1; Chicago, 4-8-1936
2-16: 100885-1; Chicago, 4-8-1936
2-17: 100886-1; Chicago, 4-8-1936
2-18: 100887-1; Chicago, 4-8-1936
Recording Dates: 1931-1934
The Fletcher Henderson All Stars under the direction of Rex Stewart
Ray Henderson al trombone, Mark Helias al basso e Gerry Hemingway alla batteria
Recorded November 2 and 3, 1987
at Barigozzi Studio, Milano
Recorded At BMG Studios, NY On January 30 & 31. March 3, 1992
Digitally recorded at WDR Studio, Cologne, February 4 - 13, 1992
A recording by WDR, Cologne
Digitally mixed at WDR, Ü 2, Cologne, April 8 - 10, 1992
Digitally edited at Bauer Studios, Ludwigsburg, April 15, 1992
Recorded July 2, 1944 at Philharmonic Auditorium, Hollywood.
Original recording produced by Norman Granz
This landmark concert was Verve Records' founder Norman Granz's first presentation - a concert hall jazz program planned as a jam session. This recording stands as the first recording in Verve's catalog as well - marking its fiftieth anniversary this year [i.e., the year this recording was released]
Total Playing Time 62:41
Tracks 1 & 3: Original 10"-LP issue: "Jazz at Carnegie Hall" Mercury / Clef MG 35005 (although this LP's title referred to Carnegie Hall, this selection came from the Los Angeles concert.)
Tracks 2 & 5: Original 10"-LP issue: "Jazz at the Philharmonic Volume 7" Mercury / Clef MG 35008
Tracks 4, 6 & 7: Original 10"-LP issue: "Jazz at the Philharmonic Volume 5" Mercury / Clef MG 35006
Reissued in 1994 at the time of Verve's 50th Anniversary.
Made in U.S.A.
Printed in the USA.
Recorded live at different venues between October 1992 and April 1994.
Recorded between August 1991 and February 1993.
? 1994 Sony Music Entertainment Inc.
© 1994 Sony Music Entertainment Inc.
Recorded Dec 1961 to Feb 1962.
Live recording of The Jazz Passengers, featuring Deborah Harry of Blondie as guest lead-vocalist.
Recorded at Oceanway Studios, Los Angeles, CA and at Sugar Hill Recording Studios, Houston, TX, December 1991
*CD Bonus Tracks
TOTAL TIME: 53:56
Recorded live at the New School Jazz Performance Space, New York City, September 25, 1997
Recorded at Clinton Recording Studios, NYC, February 19, 1997.
Recorded at East Coast Studios, New York City on June 15 and 21 (1955).
Originally released in 1956 as Atlantic 1217 ([m393944]).
Originally released in 1968 [Campi Records SJG 12002]. According to Discogs the release date is 1969.
Recorded in Rome on 12 October, 1968.
Digitally remastered special edition of the LP released in 1968.
Booklet in Italian and English.
con Antonello Salis alla fisarmonica e Maria Pia De Vito alla voce
Track 1 was recorded at Clinton Recording Studio, NYC, Feb. 22th, 1997
All other tracks recorded at Sorcerer Sound, NYC, March 13th-14th, 1996
Recorded July 1970 in California
2LP su 1 CD
Una band di Los Angeles con un suono di New York, secondo il sassofonista Joe Henderson.
Released in 6-panel Digipak.
Enregistrement les 28 et 29 septembre 2004.
Mixage le 2 novembre 2004.
© 2004 Cantabile
? 2004 Le Chant du Monde
Made in Germany
Con Bruno Spoerri ai sassofoni, Christy Doran alla chitarra elettrica e Reto Weber alla batteria.
Recorded June 1996
Hardstudios, Winterthur
An ECM Production
? 1997 ECM Records GmbH
© 1997 ECM Records GmbH
? 1994 Atlantic Recording Corporation for the United States and WEA International Inc., for the world outside of the United States.
Includes 8-page foldout of liner notes and credits.
?© 1996 Concord Jazz, Inc.
Made in U.S.A.
Recorded May 26, 27, 1997.
Recorded October 11-12, 1996
50 years Atlantic Records. Original sound, cover & liner notes.
Track 2-5 mistyped on tray card as "Lt's Just Talk"
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