Nuovo album per il jazzista di colore. Christian Scott è il miglior nuovo trombettiosta jazz in scena in questo periodo. Qui lavora con Milton Fletcher, Matthew Stevens, Kris Funn e Jamire Williams. Il trombettista esegue le sue composizioni ed una cover di Eraser di Thom Yorke.
Registrato dal vivo in Svizzera, 1977
Il nuovo lavoro del pianista di colore, con Sunny Cowell alla voce e la sezione ritmica di Victor Lewis e Mike Richmond.
CD / DVD. Nuovo lavoro per l'eclettico tastierista americano, ora in coppia con la giapponese Keiko Matsui. Un meeting unico di musica classica e jazz. Il DVD contiene un concerto dal vivo.
Nuovo lavoro del clarinettista, 2012, con il trio con Benjamin Moussay e Gilles Coronado.
Inglese, bandleader di un ensemble che richiama le grandi orchestre degli anni trenta e quaranta, Page è un anacronismo vivente.Infatti la sua visione musicale è ancorata ad un periodo determinato, quello a cavallo della seconda guerra mondiale. Spettacolare nei suoni, Page offre un deja vu di grande classe.
Madeleine Peyroux, una delle migliori interpreti nella scena soft jazz attuale, torna a fare quello che le riesce meglio: interpretare alla sua maniera i grandi della musica. Da Ray Charles a Leonard Cohen a Randy Newman. Di Charles poi interpreta un classico del 1962, Modern Sounds in Country & Western Music. La produzione accurata di Larry Klein è la ciliegina sulla torta.
John Medeski, leader del trio Medeski, Martin & Wood, esordisce come solista con un disco di piano. Diverso da quanto ha fatto sino ad ora, diverso anche dal disco in duo con Matthew Shipp, Medeski offre un lavoro in cui prevale la sua vena intimista.
Atteso nuovo lavoro per la sophisticated lady canadese. Diana, qui in grande spolvero, rivede brani molto noti con il suo stile unico. Desperado, California Dreamin'. Wallflower (con Blake Mills), Alone Again Naturally (con Michael Bublè), Operator, Feels Like Home (con Bryan Adams ) ed altre.
Album in duo per papà Ellis al piano, con il figlio Branford, al sax, presente in alcune canzoni. I duo esguono una bella serie di classici
Nuovo lavoro per il pianista nordico, considerato ormai uno dei migliori pianisti jazz sulla scena mondiale. Questa volta Tord è accompagnato da Simin Tander e Jarle Vespestad. Il classico trio jazz con, in più, la voce della Tander.
Il bassista Michael Benita, a capo del suo quintetto ( con Philippe Garcia, Elvin Aarset, Mieko Miyazaki, Matthieu Michel ). ECM 2016
Volume 2: with Pete Jolly. Secondo volume di registrazioni caiforniane, con Rob Magnusson e Roy McCurdy. Contiene due tracce inedit. Ristampa rimasterizzata Omnivore 2017.
Live at the Village Vanguard, 26 Novembre 1988. Super quartetto cpmpletato da Buster Williams ed Al Foster. Resonance Records, bella edizione in digipack.
Con Eric Alexander, Nat Reeves, Jimmy Cobb, Freddie Hendrix, Cyro Baptista. Nuovo volume delle acclamate Smoke Sessions. 2017
Disco edito con scopi benefici, il cui ricavato va tutto al Jazz Foundation of America's COVID-19 Musicians' Emergency Fund,
Hanno partecipato le più importanti case discografiche di Jazz ( Verve, Concord, Blue Note, Nonesuch, Mack Avenue etc ). Il disco contiene solo materiale inedito, con brani di Herbie Hancock, Charles Lloyd, Christian McBride, Kenny Garrett, Hiromi, Joshua Redman etc
Incontro tra il pianista Bill Laurance ed il leader degli Snarky Puppy, Michael League. Un disco sicuramente molto interessante
Il primo album del chitarrista jazz americano
2CD. Disc One: Originally released as "150 MPH", CCD-4036, 1979
Disc Two: Originally released as "Dynamite!", CCD-4105, 1980
Recorded & mixed at East Hill Studios, NYC, November 1991
con l'ensemble Enten Eller. Recorded on March 31st, 2000 at Teatro di Soresina CR - Italy
Track 8: live concert at Cremona Palazzo Cittanova, March 30th, 2000
Track 9: Music for trio Barbieri, Brunod, Mandarini on May 5th, 2000 at Ivrea TO - Italy
Total time: 56:53
© 2001 ?
Made in Italy
Track 9 Bonus track not on original album but completes the session
Made in U.S.A
Recorded May 9, 1979 at the Orpheum Theater in Minneapolis, Minnesota.
Solo piano. Recorded in Carriage House Studio, Stanford, Connecticut, June 29, 1994; Studio A, Power Station, New York, NYC, February 15, 1994; and Performing Arts Center, State University of New York, January 4, 1994.
Mastered by Joseph Bartoldus at Current Sounds 2350 Broadway, Suite 224, New York, NY.
con Dizzy Gillespie e Quincy Jones
Con All-Star Sax Ensemble. Recorded October 18 and 19, 1988 at RCA Studios, New York, NY, USA.
In quartetto con Harold Mabern al piano, Jamil Nasser al basso e Billy Higgins alla batteria.
Recorded at Clinton Studio "B" in New York on March 28 & 29, 1996.
Recorded at Systems Two, Brooklyn, NY on Mitsubishi X-800 32 Track, April 29, 1991.
CD1: Recorded at Systems Two Recording Studio, Brooklyn, NY on April 24-27, 1997 and June 9, 10 & 18, 1997. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.
CD2: Recorded at Systems Two Recording Studio, Brooklyn, NY on March 7-10, 1997. Additional recording at Studio Acousti in Paris, France on November 18, 1996. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.
Mastered at Sterling Sound, NYC on August 18, 1997.
? 1997 BMG France © 1997 BMG France.
Manufactured and distributed by BMG Entertainment, New York, NY
Made in USA
Printed in USA
2CD.
52 page booklet with complete lyrics and jewel case CD housed inside slipcase.
Tracks 1-1 to 1-6 recorded at Jackson Studios, Rickmansworth, South West Hertfordshire, UK.
Tracks 1-7 to 2-2 recorded at R.G. Jones Studios, Wimbledon, London, on November 16 & 17, 1972.
Tracks 2-3 to 2-6 recorded at The Torrington, North Finchley, London, on December 12, 1970.
"Deep Dark Blue Centre" originally released in 1967 [Deram ?SML 1005] credited to The Graham Collier Septet.
"Portraits" originally released in 1973 [Saydisc ?SDL 244] credited to Graham Collier Music.
"The Alternate Mosaics" is another performance of "Mosaics" from the same evening as the version that was originally released in 1970 [Philips ?6308 051]. Previously unreleased.
According to Discogs:
"Mosaics" original LP was recorded at The Torrington, North Finchley, December 8th 1970 and released in 1971. Also it is credited to Graham Collier Music featuring Harry Beckett.
Phonographic copyright (p): The Decca Record Co. Ltd (tracks 1-1 to 1-6)
Phonographic copyright (p): Saydisc (tracks 1-7 to 2-2)
Phonographic copyright (p): Jazzcontinuum (tracks 2-3 to 2-6)
Subtitle for track 7 in the booklet: (Improvisation on Mozart's Sonata No. 2 in F Major, K.280/189e: II. Adagio)
Booklet:
[Track 1a & 4a] a cappella vocal & piano improvisation
[Liner notes] © 1996 Tony Scherman
Thanks to Shure Microphones.
Chick Corea plays a Yamaha CF IIIS Concert Grand Piano exclusively.
Chick Corea appears courtesy of Stretch Records, Inc.
Recorded in Donald Benson Great Hall at Bethel College St. Paul, MN, February 5-7, 1996 and Masonic Grand Lodge, New York City, May 21, 1996
For this recording 20-bit technology was used for "high definition sound." SBM
© 1996 Sony Music Entertainment Inc.
On disc:
01-062601-10
MADE IN AUSTRIA
? 1996 Sony Music Entertainment Inc.
[logo] and SONY CLASSICAL are trademarks of Sony Corporation.
On back cover:
© 1996 Sony Music Entertainment Inc.
? 1996 Sony Music Entertainment Inc.
Manufactured in Austria.
Printed in Holland
Sticker:
SBM ™
Super Bit Mapping
Includes the band's 1980 debut album [m35465] and its 1982 follow-up [m48562]. Tracks 1-9 to 1-12 and 2-9 are bonus tracks. 1-9 and 1-10 originally issued on 12" in 1981. Rear sleeve and booklet track listings both erroneously list 1-10 as one of the 1983 live tracks - it is a studio recording from 1981.
Tracks 1-1 to 1-8 recorded at Big Apple Studios, New York
Tracks on Disc 2 engineered at Olympic Studios (Chelsea), London; Vanguard Studios, New York, Electric Ladyland, New York
Mastered at Peerless Mastering, Boston, MA
This compilation ?&? 2005 Rykodisc, Inc.
Printed and manufactured in the EU.
Recorded live to digital two-track on the night of December 22nd, 1990.
The songs are presented in the same sequence that they were performed.
The numbering on the rear cover excludes a track 9.
Con Joe Lovano (sax tenore), Paul Motian (batteria), Franco D'Andrea (piano), Flavio Boltro (tromba) e Manhu Roche (percussioni).
Recorded at Studio Emme, Firenze (Italy) - December 1988
Recorded at Santa Croce Degli Armeni Church,Venice, on October 31 and November 1, 1995
Recorded March-April 1936
All recorded in New York City except as indicated:
#1: July 7, 1936, Los Angeles
#2 & #3: July 27, 1936, Los Angeles
#4: March 3, 1937, Los Angeles
#5 & #6: March 16, 1938
#7: March 29, 1938
#8 to #10: April 29, 1938
#11: March 3, 1939
#12: April 30, 1940
#13: July 17, 1940
#14: December 9, 1940
#15 & #16: February 2, 1941
#17: August 1, 1941
#18: December 10, 1941
#19: June 2, 1942
#20: October 7, 1943, Los Angeles
?© 1998 Shirley Eikhard Music Inc. Artisan Music is a trade mark of EMI Music Canada. Bluenote is a registered trade mark of Capitol Records, Inc.
This Compilation ? & ? by Fresh Sound Records
All tracks recorded at Capitol Studios, Hollywood, CA, USA:
1-1 to 1-6 April 25, 1955; 1-7 to 1-9 April 27, 1955; 1-10 to 1-13 August 26, 1955.
2-1 to 2-4 November 7, 1955; 2-5 to 2-8 November 10, 1955; 2-9 to 2-12 May 12, 1956.
Made in Spain.
Recorded December 10 & 12 1959. Recorded at the same session that produced "All the Gin Is Gone" (Delmark 404)
Recorded October 12, 1957.
Produced By Nicola Conte
Recorded at Fine Sound, NYC: track 4 on April 12; tracks 1-3 and 5-8 on April 13, 1954.
Recorded in 1959 in Los Angeles.
Recorded Dec 7, 1976 in the Old Town jazz Club Stampen (The Pawnshop), Stockholm, Sweden.
© & ? 1990 & 1992, Proprius Musik AB, Stockholm, Sweden.
Recorded Feb 7-9 1995 in KMH-studio, Stockholm
? 2001 Universal Music AB
© 2001 Universal Music AB
Recorded at The Shaw Theatre 13th/14th March 1987 using the Manor Mobile & The Mitsubishi X850-32tck Digital Multitrack.
Assisted at The Fallout Shelter, London.
Recorded December 21, 1998.
Recorded live at Sugar Hill Recording Studios, Houston, TX, except track 6, recorded at Spectrum Sound Studios, Portland, OR
Track 15 is indicated as a CD bonus track.
Recorded on 4-6 June 1998 at Studio Zerkall, Germany.
Recorded Live at Birdland, Neuburg, Germany in November 1999
©? 2000
In trio con Rosario Giuliani al sassofono e Dado Moroni al piano
Registrato a Systems Two Studios, Brooklyn, NY nel settembre 2002.
Questa è una delle ultime sessioni di registrazione di Bob Berg, poiché è stato ucciso in un incidente stradale il 5 dicembre 2002.
Recorded December 1999 at Cello Studios, Los Angeles.
An ECM Production.
? 2000 ECM Records GmbH.
© 2000 ECM Records GmbH.
Made in USA.
© & ? 2005 Millesuoni s.r.l.
Pietro Lussu al piano, Lorenzo Tucci alla batteria e Pietro Ciancaglini al basso con Mark Turner al sassofono tenore.
For Enoch Light.
© 1997 Fuzzy Music
Tony Hymas, Terry Bozzio, Tony Coe e Hugh Burns. Recorded at Studio SOFT ADS at Ivry/Seine in 1992
Recorded October 1997
Hardstudios, Winterthur
An ECM Production
? 1998 ECM Records GmbH
© 1998 ECM Records GmbH
Printed in Germany
Mat Maneri's electric instruments made by Tucker Barrett of Vermont
O-card package with standard jewel case
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