Nuovo lavoro per il brillante jazzista africano, 2013.
Album in duo per papà Ellis al piano, con il figlio Branford, al sax, presente in alcune canzoni. I duo esguono una bella serie di classici
Nuovo lavoro per il pianista nordico, considerato ormai uno dei migliori pianisti jazz sulla scena mondiale. Questa volta Tord è accompagnato da Simin Tander e Jarle Vespestad. Il classico trio jazz con, in più, la voce della Tander.
Nuovo album per il formidabile pianista jazz americano. Questa volta Chestnut viene accompagnato da Buster Williams, Lenny White e Steve Nelson. Tra i brani proposti, segnaliamo: Christina, The Littlest One of All, You Make Me Feel Brand New, Easy Living, There's A Sweet Sweet Spirit.
Live at the Village Vanguard, 26 Novembre 1988. Super quartetto cpmpletato da Buster Williams ed Al Foster. Resonance Records, bella edizione in digipack.
Il nuovo disco di Omar Sosa, con la NDR Bigband, arrangitata da Jaques Morelenbaum
Debutto per Blue Note al quarto album a proprio nome per il batterista di Filadelfia Jonathan Blake, uno fra i musicisti più versatili ed apprezzati della scena statunitense, con esperienze a fianco di riferimenti del jazz come Tom Harrell, Kenny Barron, Dr. Lonnie Smith, Maria Schneider e la Mingus Big Band, così come di rapper (Q tips) e musicisti house, che gli hanno procurato, nella stampa oltreoceano, il titolo di “vero modernista”.
Incontro tra il pianista Bill Laurance ed il leader degli Snarky Puppy, Michael League. Un disco sicuramente molto interessante
Il primo album del chitarrista jazz americano
? 1983 & © 1998, Fantasy, Inc.
Recorded November 1, 1982 at PRT Studios, London.
Remastered 1998.
2CD. Disc One: Originally released as "150 MPH", CCD-4036, 1979
Disc Two: Originally released as "Dynamite!", CCD-4105, 1980
Recorded in Paramus, New Jersey on October 9, 2000.
These recordings are completely "Live" performances, which were recorded directly to 2 track stereo tape masters. Every selection you hear is unedited, and is not re-mixed, nor do they contain over-dubbed or punched-in phrases.
A Blues suite by Dave Brubeck - Performed by The Dave Brubeck Quartet (tray insert)
Reissue of the 1961 LP album [m110100], tracks 10 and 11 not on original LP.
The album is a jazz interpretation of the Joan Miró painting "1925".
Every piece has different time signature ranging vom 3/4 to 9/8.
Digitally mastered at Sony Music Studios, NYC
Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211
*Bonus Tracks.
Tracks 1-12 recorded New York, January 18-20, 1955.
Tracks 13-14 recorded New York, August 28, 1953.
Track 15 recorded New York, June 9, 1953.
Track 16 recorded Paris, France, October 8, 1953.
Track 17 recorded September 29, 1953.
Track 18 recorded Paris, France, October 15, 1953.
Standard clear jewel case release including a twelve page booklet.
Made in EU
Live concerts from the late fifties! No performance dates are given on release.
Joe Dodge and Norman Bates are erroneously credited for each other's actual roles.
Additionally, the track given as "Eleven Four" is actually "Three to Get Ready" from the 1959 album Time Out (along with the included "Take Five" and "Blue Rondo aka Turk"). The composition "Eleven Four" wasn't released until 1962 for the album Countdown-Time in Outer Space, well-past the late fifties.
Recorded September 15, 16, 1975 at CI Recording Studios, New York.
Mixed October 3, 4, 1975 at CI Recording Studios.
"You Go To My Head" was recorded June 10, 1975 aboard the S.S. Rotterdam.
A&M gratefully acknowledges the cooperation of the BBC for making this tape available.
? 2002 The Verve Music Group.
© 2002 The Verve Music Group. A Division of UMG Recordings, Inc.
Made in the EU.
Issued in a gatefold cardboard sleeve.
? 1992 Nippon Columbia Co. Ltd. Japan. Printed in Japan.
Mastered by Joseph Bartoldus at Current Sounds 2350 Broadway, Suite 224, New York, NY.
2CD. "Greetings Fellow Pickers"
August 19 - 22, 1999 Tonic, NYC
Dr. Eugene Chadbourne's Adventures At The Guitar Festival
Recorded in New York, Summer 1999
© & ? Leo Records 2004 (on discs)
© & ? Leo Records 2003 (on tray card)
Disc Two:
"Greetings Fellow Pickers"
In this extended track, the following playing configurations occur. There is no pause in the music during any of these personnel changes. The timings of the configurations are approximate.
Dr. Chadbourne/Alan Licht/Jim O'Rourke - 17'00
Dr. Chadbourne/Alan Licht/Lee Renaldo - 16'00
Dr. Chadbourne/Lee Renaldo/Don Fleming - 12'00
Lee Renaldo/Don Fleming/Thurston Moore - 3'00
Lee Renaldo/Don Fleming/Thurston Moore/Kenta Nagai - 6'00
Don Fleming/Thurston Moore/Kenta Nagai - 8'00
Thurston Moore/Alan Licht/Loren Mazzacane Connors - 12'00
2CD.
This recording was made at the Carnegie Free Library Concert Hall, Carnegie, Pennsylvania in February 1992.
Includes the band's 1980 debut album [m35465] and its 1982 follow-up [m48562]. Tracks 1-9 to 1-12 and 2-9 are bonus tracks. 1-9 and 1-10 originally issued on 12" in 1981. Rear sleeve and booklet track listings both erroneously list 1-10 as one of the 1983 live tracks - it is a studio recording from 1981.
Tracks 1-1 to 1-8 recorded at Big Apple Studios, New York
Tracks on Disc 2 engineered at Olympic Studios (Chelsea), London; Vanguard Studios, New York, Electric Ladyland, New York
Mastered at Peerless Mastering, Boston, MA
This compilation ?&? 2005 Rykodisc, Inc.
Printed and manufactured in the EU.
Recorded live to digital two-track on the night of December 22nd, 1990.
The songs are presented in the same sequence that they were performed.
The numbering on the rear cover excludes a track 9.
Recorded in Englewood Cliffs, New Jersey on April 25, 1969.
Originally issued as Blue Note BST 84318.
All recorded in New York City except as indicated:
#1: July 7, 1936, Los Angeles
#2 & #3: July 27, 1936, Los Angeles
#4: March 3, 1937, Los Angeles
#5 & #6: March 16, 1938
#7: March 29, 1938
#8 to #10: April 29, 1938
#11: March 3, 1939
#12: April 30, 1940
#13: July 17, 1940
#14: December 9, 1940
#15 & #16: February 2, 1941
#17: August 1, 1941
#18: December 10, 1941
#19: June 2, 1942
#20: October 7, 1943, Los Angeles
Recorded on June 8, 9 & 10, 1992 at Paramount Recording Studios, Hollywood, CA.
Recorded at Columbia Studios, New York, N.Y. from October 30 - November 2, 1978.
3CD. Cofanetto con una selezione di classici eseguiti al pianoforte: What a wonderful world, Somewhere Over The Rainbow, Yesterday e decine di altri
This Compilation ? & ? by Fresh Sound Records
All tracks recorded at Capitol Studios, Hollywood, CA, USA:
1-1 to 1-6 April 25, 1955; 1-7 to 1-9 April 27, 1955; 1-10 to 1-13 August 26, 1955.
2-1 to 2-4 November 7, 1955; 2-5 to 2-8 November 10, 1955; 2-9 to 2-12 May 12, 1956.
Made in Spain.
Recorded at Sound On Sound Studios, New York, New York on September 12 & 13 and October 6, 1997
Mixed at Kampo Audio/Video, New York
Mastered at Sterling Sound, New York
Joe Beck & Danny Gottlieb appear courtesy of Wavetone Records.
Avishai Cohen appears courtesy of Stretch Records, Inc.
Herbie Hancock appears courtesy of Verve Records.
Bob Mintzer appears courtesy of DMP Records.
Dave Valentin appears courtesy of Tropijazz Records.
? ©1998 Concord Records, Inc.
Made in USA
Digitally recorded live on March 3-6, 1991 at the Café Montmartre, Copenhagen.
Mastered at A&M Studios, Hollywood, California
?&© 1992 PolyGram S.A. France
Produced By Nicola Conte
Recorded December 15, 2001 at Systems Two Recording Studios, Brooklyn, NY
Tracks 1-2, 10-15 recorded in Chicago, February 18, 1965
Tracks 3-8 recorded in Chicago, January 18, 1966
Track 9 recorded in Chicago, October 28, 1960
Tracks 16-17 recorded in Chicago, December, 1965.
Tracks 3-8, 16-17 originally released on [m=808829] (Cadet LPS-766).
Tracks 1-2, 10-15 originally released on [m=1131680] (Argo LP-753).
Track 9 originally released on [m=691866] (Exodus Records EX-6001).
Recorded at Fine Sound, NYC: track 4 on April 12; tracks 1-3 and 5-8 on April 13, 1954.
1 to 5 originally released as LP " In Pursuit Of Blackness " (Milestone 9034) in 1971.
6 to 10 originally released as LP " Black Is The Color " (Milestone 9040) in 1972.
Tracks 1, 3 and 5 recorded at Decca Studios, New York City, May 12, 1971.
Tracks 2 & 4 recorded at The Lighthouse Cafe, Hermosa Beach, CA, September 25 & 26, 1970. Mixed at Soundwave Studios, New York City.
Tracks 6 to 10 recorded and mixed at Mercury Sound Studios, New York City, March/April 1972.
Tracks published:
1 and 4 to 10 Johen Music ( BMI )
2 EMI Robbins Cat. / Webster Music Corp. ( ASCAP )
3 EMI Unart Cat. ( BMI )
Recorded in 1959 in Los Angeles.
Recorded Dec 7, 1976 in the Old Town jazz Club Stampen (The Pawnshop), Stockholm, Sweden.
© & ? 1990 & 1992, Proprius Musik AB, Stockholm, Sweden.
Recorded Feb 7-9 1995 in KMH-studio, Stockholm
? 2001 Universal Music AB
© 2001 Universal Music AB
Registrazioni dal vivo raccolte nel tempio dell'avanguardia newyorkese.
Registrato il 16 luglio 1995 da un ensemble che comprende Oscar Klein alla tromba, Alexander Katz al trombone, Engelbert Wrobel al sassofono, Bob Barton al piano, Lino Patruno alla chitarra, Jan Jankeje al basso, Gregor Beck alla batteria e Dana Gillespie alla voce.
Recorded December 21, 1998.
Recorded on 4-6 June 1998 at Studio Zerkall, Germany.
Recorded Live at Birdland, Neuburg, Germany in November 1999
©? 2000
Recorded at Murec Studio, Milano on Febr. 10, '97 con Enrico Rava.
Recorded on October 12, 1968 in Rome.
Tracks 1-1 to 1-5 previously released as [m585114].
Tracks 2-1 to 2-5 previously released as [m1017372].
Digitally remastered special edition of 1968 LPs.
Booklet in Italian and English.
Released in US in 2004 on Savant label
Registrato a Systems Two Studios, Brooklyn, NY nel settembre 2002.
Questa è una delle ultime sessioni di registrazione di Bob Berg, poiché è stato ucciso in un incidente stradale il 5 dicembre 2002.
© & ? 2005 Millesuoni s.r.l.
Pietro Lussu al piano, Lorenzo Tucci alla batteria e Pietro Ciancaglini al basso con Mark Turner al sassofono tenore.
© 1997 Fuzzy Music
Tony Hymas, Terry Bozzio, Tony Coe e Hugh Burns. Recorded at Studio SOFT ADS at Ivry/Seine in 1992
Recorded in New York on October 22-23, 1992
Recorded using the 128x oversampling A to D Mark III converter.
Total Time: 58:36
Recorded October 1997
Hardstudios, Winterthur
An ECM Production
? 1998 ECM Records GmbH
© 1998 ECM Records GmbH
Printed in Germany
Mat Maneri's electric instruments made by Tucker Barrett of Vermont
O-card package with standard jewel case
Registrato al Magister Studio, Preganziol, Italia, il 4 e 5 Giugno 2004
This compilation ? & © 1998 PolyGram Records, Inc.
Discs one and two present vocal interpretations of classic Mercer songs while disc three provides instrumental versions.
These three discs were originally issued and are still available as individual CDs:
Blues in the Night: The Johnny Mercer Songbook 314 553 268-2
Trav'lin' Light: The Johnny Mercer Songbook 314 555 402-2
Too Marvelous for Words: The Johnny Mercer Songbook 314 557 140-2
Disc One: Total playing time: 58:07
This compilation ? & © 1997 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Richard Cook, Deborah Hay, Malcolm Laycock, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
1-1. Recorded October 14, 1957 at Capitol Studios, Hollywood
1-2. Recorded September 3, 1954 in Los Angeles
1-3. Recorded April 6, 1959 in Los Angeles
1-4. Recorded April 23, 28, or 29, 1959 at Radio Recorders, Hollywood
1-5. Recorded February 9, 1950 at United Recorders, Hollywood
1-6. Recorded January 5, 1956 at Capitol Studios, Hollywood
1-7. Recorded October 20, 1964 at Radio Recorders, Hollywood
1-8. Recorded July 16, 1952 at Radio Recorders, Los Angeles
1-9. Recorded between July 18 and 21, 1963 at Tivoli Garden, Copenhagen
1-10. Recorded July 7, 1952 in New York City
Instrumental introduced in 1948 by Woody Herman; vocal version introduced on this recording
Courtesy of Discovery Records
1-11. Recorded in 1959 at Fine Recording, New York City
1-12. Recorded August 25, 1987 at Clinton Recording Studio, New York City
1-13. Recorded May 8, 1987 at Vine St. Bar and Grill, Hollywood
1-14. Recorded December 8, 9, or 10, 1992 at Plus XXX Studios, Paris
(orig. Les Feuilles Mortes) Instrumental theme introduced in 1946 in the film "Les Portes de la Nuit"; vocal version introduced in 1947 by Yves Montand
1-15. Recorded January 8, 1957 at Capitol Studios, Hollywood
1-16. Recorded June 11, 1956 at Capitol Studios, Hollywood
Disc Two: Total playing time: 53:32
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Campbell Burnap, Richard Cook, Deborah Hay, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
2-1. Recorded October 21, 1964 at Radio Recorders, Hollywood
2-2. Recorded December 15, 1963 at A&R Studios, New York City
2-3. Recorded September 3, 1954 at Capitol Studios, Hollywood
2-4. Recorded January 5, 1956 at Capitol Studios, Hollywood
2-5. Recorded February 15, 1960 at United Recorders, Hollywood
2-6. Recorded October 20, 1964 at Radio Recorders studio 10-H, Hollywood
2-7. Recorded August 3, 1954 at Capitol Studios, Hollywood
2-8. Recorded June 4, 1962 probably at Webster Hall, New York City
2-9. Recorded October 7, 1946 at the Shrine Auditorium, Los Angeles
Transferred from a disc source. Surface noise is audible.
2-10. Recorded December 1964 at United Recorders, Hollywood
2-11. Recorded December 23, 1965 in New York City
This is a French song Mercer adapted, his English lyrics replacing the original ones. The music is by Michel Legrand, and the original lyrics were by Eddie Marnay. Its French title is "La Valse des Lilas".
2-12. Recorded February 1952 in Los Angeles
2-13. Recorded October 12, 1962 in New York City
2-14. Recorded October 17 or 18, 1986 at Media Sound Studio, New York City
2-15. Recorded March 20, 1957 in London
2-16. Recorded July 31, August 1 or 2, 1991 at BMG Studios, New York City
Disc Three: Total playing time: 72:42
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Jim Davis, Dave Gelly, Deborah Hay, Johnny Pate, Phil Schaap, Cynthia Sesso, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
3-1. Recorded July 30, 1953 at Fulton Studio, New York City
3-2. Recorded July 25 or 27, 1960 in Hollywood
3-3. Recorded September 17, 1949 in New York City
3-4. Recorded February 3, 1965 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
3-5. Recorded probably May 1, 1969 at Webster Hall, New York City
3-6. Recorded September 20, 1954 at Fine Sound, New York City
3-7. Recorded April 5, 1958 in New York City
3-8. Recorded July 27, 1954 at Universal Recording Studios, Chicago
3-9. Recorded October 16, 1957 at Capitol Studios, Hollywood
3-10. Recorded February 6, 1964 at A&R Studios, New York City
3-11. Recorded April 10, 1952 in Paris
3-12. Recorded probably November 10 or 13, 1970 at MPS-Studio, Villingen, Germany
3-13. Recorded August 1991 at Sigma Sound, New York City
3-14. Recorded January 20, 21, or 22, 1961 at The Summit, Hollywood
3-15. Recorded November 13, 1966 at Salle Pleyel, Paris
3-16. Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore
Some of these tracks were transferred from disc sources. Surface noise is audible.
Recorded at Ambient Recording Copay, Stanford, Connecticut and River Sound, New York City
Mixed at Sony Music Studios, New York City
Mastered at Masterdisk, New York City
Recorded at Eastside Sound, NYC on December 6 & 7, 1993
Mixed at Eastside Sound, NYC on March 10 & 11, 1994
Mastered at Foothill Digital, NYC
? 1994 Disk Union
? 1994 Sony Music Entertainment Inc.
Manufactured by Columbia Records
? & ? 1998 by Fresh Sound Records
Recorded at Fox Fire Studio, Van Nuys, California on December 13 & 14, 1997
Mastered at Cactus Tree Motel, Mar Vista
Furiosa (Maxixe) (1997)
Baião de Gude (1997)
Lun-Duos (1996)
Uarekena (1994)
Quartetinho (1997)
Forrobodó (1997)
Um Anjo (1999)
Forró (1997)
Escovado (1904)
Batuque (1906)
Tracks 1, 3, 5, 8, 9: dedicated to Quaternaglia
Tracks 10, 11:
Arrangements for Piano, Guitar and Orchestra by Egberto Gismonti
Adaptations for the guitar quartet by Paulo Porto Alegre
Tracks 2 to 5, 8 recorded in September, 1998
Tracks 1, 6, 7, 9 to 11 recorded in December, 1999
Estúdio Tom Brasil - São Paulo, Brasil
? © 2000 Carmo Produções Artisticas Ltda
Tracks 1 to 8 recorded in New York City, February 25, 1957, originally issued on Dawn DLP-1118
Bonus tracks:
Tracks 9 & 10 recorded in New York City, June 13, 1956, previously unreleased
Compilation © & ? 1998 is by Blue Moon Producciones Discográficas
Released by Blue Moon, Barcelona, as part of their reissue programme for Dawn recordings.
Liner notes indicate that it is uncertain whether the bassist on tracks 2,3,4,7 is Mitchell or Pettiford. Mitchell is definitely the bassist on 9 & 10.
Label on Spine /Front & Disc: Dawn
? + © 1993 Bear Family Records
Kazumi Watanabe (chitarra), Vagabonde Suzuki (basso), Rikiya Higashihara (batteria), Tomoshiro Yahiro (percussioni), Masanori Shimada (tastiere).
Tributo a Django Reinhardt da parte dei chitarristi Sarane & Matelo Ferret.
Registrazioni dal vivo al Festival Newyorkese effettuate tra il 29 novembre e il 2 dicembre 2000. Con Bireli Lagréne, Regina Carter, Bucky Pizzarelli, Babik Reinhardt, Frank Vignola e altri
3CD. The first disc consists of the recordings Django made with the original [a355185] between 1934 and 1940.
The second disc covers '40 through '47.
The third disc spans '47 through '53, and finds Reinhardt moving away somewhat from his "gypsy jazz" and more toward a mainstream swing sound.
1934-40:
Track 1-1 taken from the [r=4336357] 10" shellac (Ultraphone AP-1422).
Track 1-2 taken from the 10" shellac (Ultraphone AP-1444).
Track 1-3 taken from the [r=11060610] 10" shellac (Ultraphone AP-1479).
Track 1-4 taken from Gramophone K-7706.
Track 1-5 taken from the [r=5256735] 10" shellac (Swing SW 2).
Track 1-6 taken from the [r=15579996] 10" shellac (His Master's Voice B-8737).
Track 1-7 taken from the [r=5257181] 10" shellac (Swing SW 7).
Track 1-8 taken from the [r=5259747] 10" shellac (Swing SW 23).
Track 1-9 taken from the [r=5288074] 10" shellac (Swing SW 77).
Track 1-10 taken from the [r=7973018] 10" shellac (Decca F.6616).
Track 1-11 taken from Decca F.9428.
Track 1-12 taken from Brunswick 505269.
Track 1-13 taken from the [r=10747465] 10" shellac (Decca F.6675).
Track 1-14 taken from the [r=7369389] 10" shellac (Decca F.6875).
Track 1-15 taken from the [r=6230314] 10" shellac (Decca F.6935).
Track 1-16 taken from the [r=13720751] 10" shellac (Decca F.7027).
Track 1-17 taken from the [r=5323107] 10" shellac (Swing SW 211)
Track 1-18 taken from the [r=6904177] 10" shellac (Decca F.7390).
Track 1-19 taken from the [r=9569123] 10" shellac (Swing SW 83).
1940-47:
Track 2-1 taken from the [r=13208705] 10" shellac (Swing SW 88).
Track 2-2 taken from the [r=13615934] 10" shellac (Swing SW 218).
Track 2-3 taken from the [r=5822979] 10" shellac (Swing SW 137).
Track 2-4 taken from the [r=8653176] 10" shellac (Rythme D 5017).
Track 2-5 taken from the [r=5316311] 10" shellac (Swing SW 183).
Track 2-6 taken from the [r=5442463] 10" shellac (Swing SW 158).
Tracks 2-7 and 2-8 taken from the [r=6542521] 10" shellac (Swing SW 254).
Tracks 2-9 and 2-10 taken from the [r=5336873] 10" shellac (Swing SW 229).
Track 2-11 taken from the [r=3665844] 10" shellac (Swing SW 242).
Tracks 2-12 and 2-13 taken from the [r=6564653] 10" shellac (Decca F.8604).
Track 2-14 taken from the [r=5397136] 10" shellac (Swing SW 253).
Track 2-15 taken from Decca (MB) 9243.
Track 2-16 taken from the [r=15275818] 10" shellac (Decca (MB) 9244).
Track 2-17 taken from Blue Star B.S. 37.
Track 2-18 taken from the [r=11845587] 10" shellac (Blue Star B.S. 38).
Track 2-19 has no additional information.
1947-1953:
Track 3-1 taken from the [r=6189674] 10" shellac (Blue Star B.S. 53).
Tracks 3-2 and 3-3 were recorded 11.08 or 11.13.1947 at the Studio Montparnasse, Paris.
Tracks 3-4 and 3-5 taken from the [r=5425117] 10" shellac (Swing SW 270).
Tracks 3-6 and 3-7 were recorded 11.21 or 11.28.1947 at the Studio Montparnasse, Paris.
Tracks 3-8 to 3-13 were recorded January or February 1949 the R.A.I. Studios, Rome.
Track 3-14 was recorded 10.25.1949 at the Radio Geneve Studios.
Tracks 3-15 and 3-16 taken from the [r=12499244] 10" shellac (Decca 21719).
Track 3-17 taken from Decca 36124.
Tracks to 3-20 were recorded 30.01.1953, Paris.
"Uno dei percussionisti più fantasiosi del decennio" secondo Miles Davis
2CD. Recorded December 12-16, 1994 at Edison Studio, New York, New York
2LP su 1 CD
Disc 1 recorded in London, 3/12/1968 & 2/01/1969.
Disc 2 recorded in London, 1/03 & 17/04/1970.
Con coro e orchestra
Recorded at Fine Recording Studio, New York City, on February 15 (tracks 1, 4), February 26 (tracks 2, 5), February 27 (tracks 3, 6), 1962.
? 1996 MCA Records, Inc.
© 1996 GRP Records, Inc. & © 1962 MCA Records, Inc.
Digitally remastered at MCA Music Media Studios, using 20-Bit Super Mapping.
Recorded live at Jazzbühne Berlin - June 16, 1984
Recorded at the Van Gelder Studio, Englewoods Cliffs, New Jersey on November 29 and December 9, 1963.
(P)(C)2000 Capitol Records, Inc.
Printed in USA
Originally released on [r5765175] (Signal 1206)
Recorded:
#1 to 3 (November 22, 1957)
#4 to 6 (November 24, 1957)
Printed in U.S.A.
Recorded live January 31, 1987 at Mohren, Willisau, Switzerland
Edited at Tonstudio Bauer
(on tray card:)
? 1987 JMT Productions • Stefan F. WInter • Postfach 14 03 06 • 8000 München 5 • Printed in West Germany
CD is manufactured by PDO, Hanover, West Germany
(on disc:)
? 1987 JMT Prod.
Stefan F. Winter,
München,
West Germany
Manufactured by PDO Hanover,
West Germany
Reissue of [r=4011723]
Recorded July 7, 1979 at Onkel Po's Carnegie Hall, Hamburg
Roy Campbell (Tromba), Alex Lodico (trombone), William Parker (basso), Josh Roseman (trombone) e Matthew Shipp (sintetizzatore Korg)
Recorded New York City; December 1960.
Recorded and mixed at Greenpoint Studio, Brooklyn, NY
Originally released in Japan by Polystar in 1995
(C) (P) 1994 Silver Wave Records.
Total Time 52:51
Recorded May 1966.
? 1966, MGM Records, Inc.
© 1966, MGM Records, Inc.
Printed in West Germany. Made in West Germany.
Originally released in 2000
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