2 LP. Il soffitto va a fuoco..... malgrado l'età, Mitch Ryder ha compiuto 75 anni, il suo rock è in ossidabile, ha una voce poderosa ed ancora la voglia e la forza di fare dei concerti infuocati. Come dimostra questo doppio dal vivo, inciso in Germania, tra il il 2019 ed il 2020. Un disco dal suono vibrante, cantato con forza al punto da mostrare una performance, a dire poco, nfuocata. Ryder canta i suoi classici, ma anche brani di altri, con un occhio particolare a Bob Dylan (Subterranean Homesick Blues, From A Buick Six ), Fabulous Thunderbirds (Tuff Enuff ), Rolling Stones (Heart of Stone ), Jimmy Cliff (Many Rivers to Cross ) e Doors (Soul Kitchen).Edizione limitata in vinile, stampa Usa, 180 grammi.
LP. Record Store Day. 2024.
The Top edito nel 1984, Nuova edizione, questa volta in picture disc. Tiratura limitata a 3000 copie.
2LP. Record Store Day 2024.
Edizione limitata, vinile bianco.
LP. Record Store Day 2024.
Ristampa per il 40° anniversario di uno dei dischi più famosi dei Sisters of Mercy. Vinile Blue Smoky.
Track 1: Engineered at Keap Hope.
Track 4: Recorded at Fish St. Studios, Dunedin, New Zealand on the 21st December 1992. Martin (Phillipps) appears courtesy of Slash Records.
Track 5: Produced and engineered at Toxic. Mixed at Acme Recorders, Chicago.
Track 6: Recorded on 16 trk at Slaughterhouse, Hadley, MA.
Track 7: Track title incorrectly printed on back sleeve and in the booklet as "Which Witch Is Witch".
Track 8: Engineered at Toxic Recording.
Track 9: Engineered at Toxic Shock.
Track 10: Engineered at Waterworks.
Track 12: Engineered at Word Of Mouth.
Track 13: Recorded on a Tascam Porta One.
Track 14: Engineered at Toxic.
Track 15: Recorded July 1992 at Idful Music, Chicago.
Track 16: Recorded at Toxic Studios, NYC.
Track 17: Engineered at Toxic Shock.
Track 18: Recorded at Kramer's about 3 years ago.
Track 20: Engineered at Toxic.
Track 21: Engineered at Sync City, London.
General transferring etc.: Idful Studios, Chicago.
More transferring: Acme Recorders Chicago.
? & © 1994 Alias Records.
All songs published by Trio Music Co., Inc. o/b/o itself & Grass Root Productions (BMI) except track 6 Breadcrust Music (BMI) / Peer International Corporation (BMI).
LP. Record Store Day 2023.
Rimasterizzato agli Abbey Road Studios per vinile a 180gm. Edizione limitata in vinile giallo.
Eugene Chadbourne recorded live at Roulette Foundation, New York City, N.Y., December, 1994. "This Newt Is Made For Squawking" based on Lee Hazlewood's "Boots" (Screen Gems/EMI).
Unknown Hinson recorded at SDB Studios, Charlotte, NC.
Zen Frisbee recorded at Yellow Recording rehearsal room, Chapel Hill, NC, January 19, 1996 (Plop 'Em Doos Music, 1996).
Tom Montefusco's "Blackberry Blossom" recorded on eight track at Centipede, Charlotte, NC. (FireAnt Music, 1991, BMI).
Tom Montefusco's "Who Broke The Lock" recorded live at the Milestone Club, Charlotte, NC June 13, 1992. (FireAnt Music, 1992, BMI).
Mr. Peters Boom & Chime recorded live in Belize City, Belize, Central America, September 9, 1992. (Combine Music, 1971, BMI).
Backsliders recorded live at Jack Straw's, Charlotte, NC, May 27, 1995. "Cowboy Boots" published by McGuinn Music.
Raccolta di registrazioni country blues uscite su etichetta Specialty con brani di Big Joe Williams, Little Temple, Country Jim Bledsoe, Pete McKinley e altri.
Eccellente panoramica sulla scena di New Orleans con 6 brani inediti.
Materiale dal vivo di Charlie Musselwhite, John Hammond, Tracy Nelson, Duke Robillard e molti altri.
Colonna sonora originale del film con canzonii di Peter Gabriel, Edith Piaf, Dean Martin, The Mavericks, The Chieftains e altri.
Tracks 2, 3, 6, 9, 13, 15 Recorded at The Iwaki Auditorium, ABC Southbank Centre, Melbourne, Australia
Tracks 1, 11, 14, 16 Recorded at Air Lyndhurst, London
Mastered at The Mastering Lab, Los Angeles, CA
Tracks 10, 11, 12, 14, 16 - song does not appear in film
? & © 1998 Geffen Records, Inc.
Made in U.S.A.
Songwriting credit for Track 24, "Say Hey (The Willie Mays Song)”, is incorrectly attributed to (Segall) in the Booklet.
In actuality, when Mays returned from the army in 1954, a New York public relations man, Ted Worner, thought it would be a good idea to have a song about the player known as the “Say Hey Kid.” So Worner arranged for columnist [a=Dick Kleiner] to write some lyrics and then for [a=Jane Douglass White] create the music and the chorus.
Colonna sonora originale del film con canzoni di Leigh Nash dei Sixpence None The Richer, Morcheeba, Delerium con Sarah McLachlan, Sophie B. Hawkins, Carli Simon e altri.
LP. Giovane cantautrice di Los Angeles al debutto con Wandering Star, un disco che la elegge a nuova Lady Of The Canyon con una manciata di ariose ballate folk rock che combinano la poesia del Laurel Canyon e la calda musicalità della West Coast, lo stile del Brill Buirding e il country cosmico di Gram Parsons. Prodotto dal cantautore Sam Burton e da Alex Amen dei Drugdealer, Wandering Star sembra un disco d'altri tempi e fa venire in mente la magia di capolavori come If I Could Only Remember My Name di David Crosby e Sweetheart of the Rodeo dei Byrds.
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