Larry Goldings ed Harry Allen, con Vince Mendoza ed altri sidemen. 2010.
Terzo album per il musicista di New York che questa volta si sposta al Sud. Influenzato da Allman Brothers, Johnny Winter e John Fahey, Friedlander ha messo su una nuova band, con il chitarrista Doug Wamble, ed esplora le nuove alchimie tra cello e slide guitar, il tutto immerso in una profonda atmosfera southern.
Atteso nuovo lavoro della coppia di chitarristi Strunz & Farah, qui accompagnati da musicisti di valore come Al DiMeola, Carlos Del Puerto, Ron Wagner, Luis Conte, Paul Alexander Gonzales. Tra jazz, folk, musica etnica e divagazioni latineggianti.
Questo duo rappresenta un esperimento che spinge i confini della musica stessa. La loro collaborazione non si limita a generi come il free jazz o la musica improvvisativa. Invece, si erge come un'avventura sonora che esplora il potenziale del suono del basso elettrico e percussioni.
Tracks 3, 5, 9, 11 Recorded September 24 1956
Tracks 1, 2, 4, 6 to 8, 10, 12 recorded September 25, 1956.
2CD. Track 1-4 previously unreleased on CD.
1-1 recorded at Contemporary's studio, Los Angeles; June 1977. From [m548463] (Contemporary 7641/OJCCD-412-2).
1-2 recorded in performance at the Concord Jazz Festival, Concord Pavillion, Concord; August 1979. From [m852075] (Concord Jazz 4102).
1-3, 1-4 recorded in August 1984. From [m377462] (Concord Jazz 4268).
1-5, 1-6 recorded in performance at the Blue Note, New York City; November or December 1985. From [m707098] (Concord 4315).
1-7, 1-8 recorded in performance at the Fujitsu-Concord Jazz Festival, Kan-I Hoken Hall, Tokyo, Japan; December 1988. From [m360055] (Concord Jazz 4375).
1-9, 1-10 recorded in performance at The Loa, Santa Monica, CA; July 1988. From [m707099] (Concord Jazz 4426).
1-11 recorded at Coast Recorders, San Francisco; May 22, 1990. From [m1068051] (Concord Jazz 4477).
1-12 recorded at Coast Recorders, San Francisco; August 4, 1991. From [m1216232] (Concord Jazz 4520).
2-1 recorded at Kuumbwa Jazz Center, Santa Cruz, CA; April 1993. From [m2103835] (Telarc 83340).
2-2 recorded at Signet Sound, West Hollywood, CA; April 1994. From [m1340241] (Telarc 88368).
2-3 recorded at Sony Music Studios, New York City; May 1995. From [m649817] (Telarc 83384).
2-4 recorded at Power Station, New York City; November, and at Conway Studios, Los Angeles, CA; February 1996. From [m650265] (Telarc 83388).
2-5, 2-6 recorded in performance at Scullers Jazz Club, Double Tree Guest Suites Hotel, Boston, MA; October 1996. From [m1340466] (Telarc 83405).
2-7 recorded at Sony Music Studios, New York City; August 1997. From [m1749445] (Telarc 83430).
2-8 recorded at O'Henry Studios, Burbank, CA; December 1997. From [m650297] (Telarc 83441).
2-9 recorded at Starbucks, Jackson Street Store, Seattle, WA; September 1999. From [m1340747] (Telarc 83502).
2-10 recorded at Avatar Studios, New York City; January 2000. From [m791545] (Telarc 83495).
2-11 recorded at O'Henry Studios, Burbank, CA; February 2000. From [m1242612] (Telarc 83499).
2-12 recorded at Avatar Studios, New York City; January 2000. From [m1051156] (Telarc 83515).
Recorded August 1970
Sound Ideas Studio, New York
"Top O'Lin is an instrument that Marion Brown made by attaching tops of cooking pots to a board. It's played with a violin bow, or struck."
An ECM Production
© ? 1970 ECM Records
Con Beppe Fornaroli alla chitarra a 7 corde, Sandro Gibellini all'elettrica, Stefano "Cocco" Cantini al sassofono e Massimiliano Rosati alla chitarra classica.
Recorded on May and October 2010 at R&B Studio
Recorded at Il Leoncino, Milao & Som Livre, Rio De Janeiro, Brazil, January & February, 1990
Con Max De Aloe all'armonica
Recorded and mixed June-October 2002
Total time 55:21
Tracks 1 to 9 recorded in New York, February 1956
Tracks 10 to 15 recorded in New York January 29 & February 2, 1959
Con Max De Aloe, Daniele Di Bonaventura e Featuring Manuela Loddo
Recorded at JaneStudio, Cagliari, in November 2016
Mixed and mastered at Studio della Giraffa, Cagliari, in January 2017
Total music time: 59:32
Recorded March 12-13, 1994 at Elsewhere Studio, Whitstable, UK.
Tracks 2, 3, 4 recorded live November 5, 1993 at La Clef, St. Germain-en-Laye, France.
CD premastered at SAE, Phoenix, USA.
Publisher/Rights Society credits:
Rough Trade Publishing (1, 5, 7, 10)
STEMRA (2, 4)
SACEM (3)
MCPS (6, 9)
Warner Chappel Music (8)
© 1995 Hugh Hopper
? 1995 Cuneiform Records
Made In USA
Recorded directly to two-track digital tape on January 25 and 26, 1989 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey.
Digitally mastered on February 7 and 8, 1989 at Van Gelder Recording Studio.
Recorded at Beltone Studios, NYC; February 1955.
#1-6 originally released as [r11085347]; #7-12 as [r8927989].
Recorded at Bauer Studios, Ludwigsburg, October 30, 2011
Mastered at 4ohm music
The repertoire of this album was premiered on October 29, 2011, at the 42nd Deutsches Jazzfestival Frankfurt.
Tracks 1 to 4 originally released as LP " The Diverse Yusef Lateef " on January 15, 1970 [Atlantic ?SD 1548]
Tracks 5 to 15 originally released as LP " Suite 16 " on November 2, 1970 [Atlantic ?SD 1563]
Tracks 1 & 2 recorded at Regent Sound Studios, New York City, May 21, 1969
Track 3 recorded at Regent Sound Studios, New York City, May 20, 1969
Track 4 recorded at RCA Studios, New York City, April 23, 1968
Track 5 recorded at Regent Sound Studios, New York City, April 8, 1970
Track 6 recorded at Regent Sound Studios, New York City, April 9 & 28, 1970
Track 7 recorded at Regent Sound Studios, New York City, April 6, 1970
Track 8 recorded at Regent Sound Studios, New York City, April 7, 1970
Track 9 recorded at Regent Sound Studios, New York City, 1970
Tracks 10 to 15 recorded at Cornet Studio,Cologne, Germany, June 24, 1970
Remastered at DB Plus, NYC
In tracks 5 & 7 it is not known precisely if the drummer is Jimmy Johnson or Ray Lucas
This reissue/compilation ? & © 1994 Atlantic Recording Corp. Produced under license from Atlantic Recording Corp.
Recorded October 10, 1957.
?© 1993 Denon Records/Nippon Columbia Co., Ltd.
Printed in U.S.A.
Suono centinaia di strumenti provenienti da tutto il mondo. Prima studio gli stili tradizionali di suonare uno strumento e poi mi diramo per trovare la mia voce. Trovare le forme nascoste di movimento e di respirazione che sono intrinseche a uno strumento è più importante per me che suonare con astrazioni e idee. La mia musica è più del corpo che della mente.
Jaron Lanier interpreta Suling, Esraj, Sampler, Khaen, Gu Zchung, Piano, Angklung e Bowed Psaletry.
Recorded at The Studio, New York, NY, October 2, 2002.
2003 HighNote Records, Inc.
Recorded February 11, 1957, NYC
Recorded February 1949 and February 1950 in New York City.
Mastered by Kevin "nice tooth" Reeves at Universal Music Studios-East.
Recorded August 15-17, 1997 at The Groove, Schelle (Antwerp) - Belgium. Additional recordings (Judy and Soul Eyes)..., October 10, 1997 at Systems Two Recording Studios, New York USA.
High-resolution restoration, 20-bit digital transfer.
Includes booklet with new liner notes, photographs, and original cover art.
Attendere...