Bill Charlap è uno dei migliori pianisti jazz, della nuova generazione Usa. Charlap ha sempre avuto una debolezza per gli standard della musica Americana, infatti eccolo di nuovo assieme alla cantante Sandy Stewart, che nella vita reale è sua madre. Una coppia incredibilmente affiatata che rilegge classici come Smoke Gets in Your Eyes, Where or When, Solitude, When You Wish Upon a Star etc.

Rielaborazione in salsa musette / jazz di brani resi celebri da Edith Piaf

Le famose sessions del 1982 di Art Pepper e Bill Watrous, edite solo in Giappone al tempo. Nuova edizione Omnivore Usa, curata da Laurie Pepper, rimasterizzata e con due tracce inedite aggiunte.

2 CD. Il nuovo album del musicista brasiliano, il primo nuovo lavoro da 5 anni a questa parte. Doppio CD limitato con Hermeto Pascoal, Joe Pizzulo, Gracinha Leporace ed altri

2 LP. Registrato dal vivo a Stoccolma, Novembre 2018, con Renee Rosnes, Jimmy Greene,Payton Crossley. Splendido vinile in edizione audiofila. 180 grammi permium virgin vinyl, state of the art pressing, made in Germany. Fold out cover.

Super Audio CD Hybrid. Direct Stream Digital.

Recorded New York City February 4, 5, 6 2000

con Archie Shepp al sassofono tenore e Henry Threadgill al sassofono alto

Recorded live at the Newport Jazz Festival, Newport, Rhode Island, July 3rd, 1958.
Track 8 (bonus track) recorded in Berlin, Germany, February 22nd, 1958
(c)&(p) Gambit Records D.L. AND 425-2009. Made in the EU

Note: Tracks 4, 5 & 6 are actually studio performances with overdubbed applause, according to Tom Lord's Jazz Discography. If you listen to these tracks on headphones, you will notice the differences in the audio. There were also technical issues with the Duke Ellington set that same year and some of the songs from that set were re-recorded for the LP that was released.

Here is a link to a review of this unofficial CD: https://www.allmusic.com/album/newport-1958-brubeck-plays-ellington-mw0000898412/releases

Recorded and mixed at RBY Recording Studio, Southbury, Connecticut, between June 1987 and December 1988. (Except track 3 and 5: recorded at RBY in 1985.)

Con The American Jazz Orchestra

Recording Dates:
- Tracks 1 to 5 New York, October 1958
- Tracks 6 to 10 New York November 1958
- Tracks 11 1o 25 Los Angeles September 1958

Tracks 1 to 10 previously released as [r=15359581].
Tracks 11 to 22 previously released as [m=386774]

Complete album ASPECTS as bonus added

Original recording made in Nov. 14, 1986

Improvviso IV registrato con John Carter al clarinetto e Vinnie Golia agli ottoni a KPFK, Los Angeles, July 16, 1979.
Ostinato in Blue reguistrato in duo con Gregg Goodman a the Finger Palace, Berkeley, December 10, 1978.

All improvisations by the musicians

? 1969 MPS Records © 2004 Universal Jazz Germany - a division of Universal Music GmbH.
Made in the EU

Recorded May 28th 1969 at Lindström Studios Cologne.
Musicians listed behind individual tracks below indicate soloists

Tra jazz, funk e psichedelia

Con Max De Aloe, Daniele Di Bonaventura e Featuring Manuela Loddo
Recorded at JaneStudio, Cagliari, in November 2016
Mixed and mastered at Studio della Giraffa, Cagliari, in January 2017

Recorded on September 6, 1999 at Chiesa di San Pietro, A.S.A.M. Auditorium Siracusa

Thanks to Gigi Mortellaro, Mario Fillioley

All tracks are improvised compositions by Marilyn Crispell - BMI & Stefano Maltese, IREC S.p.A. - SIAE

© 2000 Black Saint
? 2000 Black Saint

Made in Italy

Track 10: The Way Of Pure Sound
(for Joe Maneri)


Recorded and mixed March 2008
at Nevessa Production, Woodstock
Mastering: MSM Studios, München

An ECM Production

Album title courtesy of Peter Handke
Some song titles based on poems by Robert Gibbons

? 2010 ECM Records GmbH
© 2010 ECM Records GmbH

Recorded on June 9, 1993 at Bill Wray's Skyline Studio in Mechanisburg, PA (USA)
Mixed on June 15, 1993 at Sound Techniques in Boston, MA (USA)
Mastered at Phonocomp - Milano (Italy)

Tracks 11 to 14 are the "The Josephine Baker Suite", from the musical, "La Bakair", for which Herb Geller has written the score

Recorded at Sage & Sound Studio, Hollywood, February 25-26, 1997
Editado y distribuido por Blue Moon Producciones Distográfias

Album del 1987 della vocalist jazz con Cecil Bridgewater alla tromba, Kenny Barron al piano, Rufus Reid al basso e Ben Riley alla batteria.

Track 11 is a bonus track

con Christian Scott alla tromba, Javon Jackson al sax tenore, Kenny Barron e Eric Reed al piano, Vicente Archer al basso e Carl Allen alla batteria.

Recorded live at "Guldhattan", Stockholm, Sweden, February 18, 1972.
Previously unissued.

Con Houston Person. Recorded live at Salt Peanuts, New York, NY in 1980. Previously unreleased.

Recorded and Mixed at BMG Studios A & B, NYC
Mastered at Sterling Studio

Recorded June and September 2000
Edison Studios, New York

An ECM Production

? 2004 ECM Records GmbH
© 2004 ECM Records GmbH

Digital Recordings Lockenhaus Festival 1985 (String Quartet No. 13 op. 138) / 86

? 1988 ECM Records GmbH
© 1988 ECM Records GmbH

Includes a 36-page booklet with liner notes in German, English and French

on back tray card: CD is manufactured by PolyGram in Hanover, West Germany
on matrix/ring areas of both discs: MADE IN W. GERMANY BY PDO

Track 1: recorded June 2000 at Angelika-Kauffmann-Saal, Schwarzenberg, Austria
Tracks 2-4 and 6-9: recordedOctober 1999 at St. Johannis-Kirche Harvestehude, Hamburg, Germany
Tracks 5, 10 and 11-13: recorded September at Feldkirch Conservatory Chapel, Feldkirch, Austria
Made in Germany
? & © 2001 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States
Jewel case with clear tray and a 28-page booklet, housed in an O-card

Octet, op. 7 recorded June 2000 at Angelika-Kauffmann-Saal, Schwarzenberg Austria
Quintet, op. 29 recorded November 2001 at Probesaal der Philharmonie Rheinland-Pfalz, Ludwigshafen, Germany

? & © 2002 Nonesuch Records for the United States and WEA International Inc. for the world outside the United States

26-p. booklet, jewel case in cardboard slip cover.

Made in Germany.

Recorded on the 30th of november and on the 1st of december Theatre Poliziano in Montepulciano, Italy
© 1997 Label Bleu

Tracks #1-11 from "Legrand Jazz" (Columbia CS 8079). Recorded in New York, June 25 (#1-4), 27 (#5-8), 30 (#9-11), 1958.
Tracks #12-21 from the 10" LP "Ascenseur pour l´échafaud" (Fontana 660 213). Recorded in Paris, France, December 4 & 5, 1957.

Total playing time 49:15

© + ? 1999 Firma Ltd. Exclusively licensed to Rykodic Limited
Recorded at Fun Machine Studios, NYC and Gi's house in Salvador, Bahia.
Additional recording at Sear Sound and Magic Shop, NYC.
Mixed at Kampo Studios, NYC.
Mastered at Sterling Sound.

All songs © 1999 Arto Lindsay/Firma Ltd. (BMI); Melvin Gibbs/Archetext Music (BMI); Andres Levin/Cool Banana Music (ASCAP).
"Pre-Feelings" © 1999 Arto Lindsay/Firma Ltd. (BMI); Melvin Gibbs/Archetext Music (BMI); Andres Levin/Cool Banana Music (ASCAP); Robert Stewart/Ot Music (SESAC).
"Modos" © 1999 Arto Lindsay/Firma Ltd. (BMI); Vinicius Cantuàra/Tucumã Publishing (BMI).
"O Nome Dela" © 1996 Arto Lindsay/Firma Ltd. (BMI); Vinicius Cantuàra/Sony Music Pub. Brazil (BMI).
"E Aí Esqueço" © 1999 Arto Lindsay/Firma Ltd. (BMI); Amadeo Pace (BMI)

Con Tullio De Piscopo Quartet, Dado Moroni, Anna Sini Quartet, Riccardo Zegna, Ray Brown, Ray Bryant, Jimmy Cobb, Mal Waldron, Sal Nistico e molti altri.

Recorded April 15-17, 2003 at Reaction Sound, Toronto, Canada.

Remixed from the original three-track tapes in 1996.

Disc 1, #1-7 originally issued as "[r=10456841]" (United Artists UAS 6336).
Disc 1, #8-11 and Disc 2, #1 & 8 originally issued as "[r=2019500]" (United Artists UAS 15015).
All other titles previously unissued.

Disc 1, #1-7 recorded on May 27, 1963.
Disc 1, #8-12 recorded on September 4, 1962.
Disc 2, #1 & 2 recorded on August 31, 1962.
Disc 2, #3-9 recorded on June 11, 1962.

In jewel case with Doubletime Series sticker (57200) to shrink.

Recorded and mixed on June 2007. Total time 50:02

Recorded in 1946 except 15 recorded in 1941.
14 is a first release.

Recorded live in concert at the Student Union Bar, University College, London December 12, 1966

Private recording engineered using three microphones mixed to mono reel-to-reel tape at 3&3/4 IPS. No compression or noise reduction used during mastering

Remastered and glass mastered in real time
? Reel Recordings 2010
© George Foster 2010

Issued in digipak.

2LP su 1 CD: Ann Richards with the Bill Marx trio - Live At The Losers e Mavis Rivers - We remember Mildred Bailey

? © 2007 The Blue Note Label Group.
Manufactured by The Blue Note Label Group. Printed in USA.

Recorded direct to 2-track analogue tape April 26 & 27, 1999 at Nola Recording Studio, NYC.
Mastered to 24 bit digital at Northeastern Digital Recording, Southborough, Massachusetts.

2CD:
1-1 to 1-9: March 13, 1958.
1-10 to 2-4: May 13, 1958.
2-5 to 2-9: June 24, 1958.

All surviving takes of all three Savoy sessions led by Wilbur Harden and including John Coltrane have previously been issued, although this is the first time all have been compiled in the same package. The earliest original-Savoy album also used the name of Tommy Flanagan; two of the partial reissues have jointly featured Coltrane and Harden; a third was under Coltrane only.

1-2 to 1-5 and 1-7 originally issued on Savoy MG 12127 ([m313950]).
2-6 to 2-8 originally on MG 12131 ([m313934]).
1-10, 2-3, 2-4 and 2-9 originally MG 12136 ([m313945]).
1-1, 1-6, 1-8 and 1-9 first appeared on Savoy SJL 2203 ([m75940]).
2-2 was first on Savoy SJL 1110 ([m328133]).
2-1 and 2-5 were first released on SJL 1115 ([m442052]).

Comes in a Digipak format