Nuovissimo album del pianista jazz. Prodotto dall'esperto Jeff Levenson, questo album ci presenta Tyner accompagnato da Joe Lovano, Christian Mcbride e Jeff Watts. Tyner torna al format sonoro del quartettto di Coltrane, con una super band alle spalle.
Una delle più interessanti voci della attuale scena jazz, con Eric Reed, Hamilton Price e Ralph Penland.
2010. Il nuovo lavoro del pianista jazz.
Eccellente album, registrato dal vivo al Blue Note di NewYork. Il sassofonista Donald Harrison, accompagnato da Ron Carter e Billy Cobham.
Torna la sophisticated lady con un bel disco, elegante e raffinato, costruito come omaggio a Frank Sinatra e Stan Getz. Infatti Diane interpreta brani che i due grandi avevano già registrato nel corso della loro carriera. La accompagna una stellare band diretta da Alan Broadbent, che vede la partecipazione di Ben Wolfe, Ulysses Owens, Jr., Romero Lubambo e Joel Frahm.
Il nuovo atteso album del sassofonista di colore. Con Liberty Ellman, Gregg August e Rudy Royston. Savant, 2017.
Nuovo album per il pianista vocalist Billy Childs, inciso per la Mack Avenue. Questa volta Childs suona assieme a musicisti titolati, come Steve Wilson, Hans Glawishinig, Eric Harland.
Paul Bley / Gary Peacock / Tony Oxley / John Surman - ECM 1993
Le registrazioni dei due grandi sassofonisti, assieme
4 CD. The essentiasl Keynote Collection. Registrazioni con Teddy Wilson ed Earl Hines.
Concerto in omaggio a Charlie Parker, con Ray Brown, Milt Jackson, Hank Jones, Philly Joe Jones, James Moody.
con Phil Woods, Art Farmer, Bob Berg, Tito Puente, John Scofield, Robben Ford, Benny Golson, Charlie Haden, Bernard Purdie etc
Un disco di piano, solo strumentale, non è certamente quello che ci si aspetta da uno come Daniel Lanois. Invece il musicista e produttore ha fatto una cosa diversa ma anche decisamente personale. Un disco nato dai suoi viaggi, dalle frequentazioni con artisti come Bob Dylan, Brian Eno, Emmylou Harris, Robbie Robertson, Peter Gabriel, Neil Young. Un disco dove l'immaginazione e la sua voglia di esplorare la musica vanno ben oltre quanto era stato fatto in passato. Un disco dalle tonalità cinematografiche dove la musica contemporanea si mischia alle sonorità cameristiche del passato.
Recorded after the world premiere performance at the Théâtre du Châtelet, Paris December 2000.
Comes with a 76 pages booklet into an outer card slipcase.
Recorded at The Boiler Room, New Orleans, Louisiana, on June 20-22, 1995
Mixed at The Manhattan Center, New York City, on July 27-29, 1995
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 2, 1961.
Recorded at Lindström Studios, Cologne, December 2 - 3, 1968.
Digitally remastered... at Emil Berliner Studios, Langenhagen.
Recorded in new York City, May 9 (tracks 1, 4, 6 & 12), May 14 (tracks 2, 8, 9 & 10) & May 16 (tracks 3, 5, 7 & 11) 1955
Recorded live on November 12th at the 1993 Percussive Arts Society Convention, Columbus, OH
20-BIT Original Recording.
con Joe Lovano al sassofono, Randy Brecker alla tromba, Bon Mintzer al clarinetto, Jonny King al piano, Ira Coleman al basso e Billy Drummond alla batteria.
Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore.
Total playing time 70:49
Original matrix numbers; recording location, date:
1-1: 38160-1; New York, 11-3-1927
1-2: 38496-1; New York, 27-4-1927
1-3: 38496-2; New York, 27-4-1927
1-4: 38497-1; New York, 27-4-1927
1-5: 38497-3; New York, 27-4-1927
1-6: 53066-1; Camden, New Jersey, 29-4-1931
1-7: 53067-1; Camden, New Jersey, 29-4-1931
1-8: 53068-1; Camden, New Jersey, 29-4-1931
1-9: 53069-2; Camden, New Jersey, 29-4-1931
1-10: 70140-1; New York, 31-7-1931
1-11: 70141-1; New York, 31-7-1931
1-12: 70142-1; New York, 31-7-1931
1-13: 70143-1; New York, 31-7-1931
1-14: 71938-1; New York, 10-3-1932
1-15: 71939-1; New York, 10-3-1932
1-16: 71942-1; New York, 10-3-1932
1-17: 71943-1; New York, 10-3-1932
1-18: 81787-1; New York, 6-3-1934
2-1: 81788-2; New York, 6-3-1934
2-2: 81789-2; New York, 6-3-1934
2-3: 81790-1; New York, 6-3-1934
2-4: 100360-1; Chicago, 9-4-1936
2-5: 100361-1; Chicago, 9-4-1936
2-6: 100362-1; Chicago, 9-4-1936
2-7: 100363-1; Chicago, 9-4-1936
2-8: 100557-1; Chicago, 23-5-1936
2-9: 100558-1; Chicago, 23-5-1936
2-10: 100559-1; Chicago, 23-5-1936
2-11: 100560-1; Chicago, 23-5-1936
2-12: 100561-1; Chicago, 23-5-1936
2-13: 100882-1; Chicago, 4-8-1936
2-14: 100883-1; Chicago, 4-8-1936
2-15: 100884-1; Chicago, 4-8-1936
2-16: 100885-1; Chicago, 4-8-1936
2-17: 100886-1; Chicago, 4-8-1936
2-18: 100887-1; Chicago, 4-8-1936
Recorded July 2, 1944 at Philharmonic Auditorium, Hollywood.
Original recording produced by Norman Granz
This landmark concert was Verve Records' founder Norman Granz's first presentation - a concert hall jazz program planned as a jam session. This recording stands as the first recording in Verve's catalog as well - marking its fiftieth anniversary this year [i.e., the year this recording was released]
Total Playing Time 62:41
Tracks 1 & 3: Original 10"-LP issue: "Jazz at Carnegie Hall" Mercury / Clef MG 35005 (although this LP's title referred to Carnegie Hall, this selection came from the Los Angeles concert.)
Tracks 2 & 5: Original 10"-LP issue: "Jazz at the Philharmonic Volume 7" Mercury / Clef MG 35008
Tracks 4, 6 & 7: Original 10"-LP issue: "Jazz at the Philharmonic Volume 5" Mercury / Clef MG 35006
Reissued in 1994 at the time of Verve's 50th Anniversary.
Made in U.S.A.
Printed in the USA.
Recorded live at different venues between October 1992 and April 1994.
Recorded between August 1991 and February 1993.
? 1994 Sony Music Entertainment Inc.
© 1994 Sony Music Entertainment Inc.
Recorded July 1970 in California
Teo Macero Conducts London Philharmonic Orchestra Featuring Lounge Lizards
? 1994 Atlantic Recording Corporation for the United States and WEA International Inc., for the world outside of the United States.
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