3CD. Cofanetto con una selezione di classici eseguiti al pianoforte: What a wonderful world, Somewhere Over The Rainbow, Yesterday e decine di altri
Tracks 1-2, 10-15 recorded in Chicago, February 18, 1965
Tracks 3-8 recorded in Chicago, January 18, 1966
Track 9 recorded in Chicago, October 28, 1960
Tracks 16-17 recorded in Chicago, December, 1965.
Tracks 3-8, 16-17 originally released on [m=808829] (Cadet LPS-766).
Tracks 1-2, 10-15 originally released on [m=1131680] (Argo LP-753).
Track 9 originally released on [m=691866] (Exodus Records EX-6001).
1989. Raccolta di cantanti blues e jazz come Leadbelly, Louis Armstrong, Mildred Bailey, Fats Waller, Little Richard e molti altri.
recorded April 1982 at Van Gelder Studios, Englewood Cliffs, NJ
copyright 1982 Trio Kenwood Corp.
Tracks 1-1 to 2-19 recorded June 1954
Tracks 2-20, 2-32, 2-33 recorded April 18, 1928
Tracks 2-21 to 2-23 recorded June 6, 1927
Tracks 2-24 to 2-31 recorded April 17, 1928
Tracks 2, 7, 9 recorded March 3, 1956
Tracks 3, 6, 10 recorded April 3, 1956
Tracks 1, 5, 8 recorded April 4, 1956
Tracks 4, 11 recorded December 31, 1956
Recording dates
1, 2: Mar 31, '37
2: Mar 31, '37
3 to 7: Jan 11, '39
8, 9: Jan 16, '41
10, 11: Jan 15, '46
12 to 15: Jan 3, '49
Registrato al Magister Studio, Preganziol, Italia, il 4 e 5 Giugno 2004
This compilation ? & © 1998 PolyGram Records, Inc.
Discs one and two present vocal interpretations of classic Mercer songs while disc three provides instrumental versions.
These three discs were originally issued and are still available as individual CDs:
Blues in the Night: The Johnny Mercer Songbook 314 553 268-2
Trav'lin' Light: The Johnny Mercer Songbook 314 555 402-2
Too Marvelous for Words: The Johnny Mercer Songbook 314 557 140-2
Disc One: Total playing time: 58:07
This compilation ? & © 1997 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Richard Cook, Deborah Hay, Malcolm Laycock, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
1-1. Recorded October 14, 1957 at Capitol Studios, Hollywood
1-2. Recorded September 3, 1954 in Los Angeles
1-3. Recorded April 6, 1959 in Los Angeles
1-4. Recorded April 23, 28, or 29, 1959 at Radio Recorders, Hollywood
1-5. Recorded February 9, 1950 at United Recorders, Hollywood
1-6. Recorded January 5, 1956 at Capitol Studios, Hollywood
1-7. Recorded October 20, 1964 at Radio Recorders, Hollywood
1-8. Recorded July 16, 1952 at Radio Recorders, Los Angeles
1-9. Recorded between July 18 and 21, 1963 at Tivoli Garden, Copenhagen
1-10. Recorded July 7, 1952 in New York City
Instrumental introduced in 1948 by Woody Herman; vocal version introduced on this recording
Courtesy of Discovery Records
1-11. Recorded in 1959 at Fine Recording, New York City
1-12. Recorded August 25, 1987 at Clinton Recording Studio, New York City
1-13. Recorded May 8, 1987 at Vine St. Bar and Grill, Hollywood
1-14. Recorded December 8, 9, or 10, 1992 at Plus XXX Studios, Paris
(orig. Les Feuilles Mortes) Instrumental theme introduced in 1946 in the film "Les Portes de la Nuit"; vocal version introduced in 1947 by Yves Montand
1-15. Recorded January 8, 1957 at Capitol Studios, Hollywood
1-16. Recorded June 11, 1956 at Capitol Studios, Hollywood
Disc Two: Total playing time: 53:32
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Campbell Burnap, Richard Cook, Deborah Hay, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
2-1. Recorded October 21, 1964 at Radio Recorders, Hollywood
2-2. Recorded December 15, 1963 at A&R Studios, New York City
2-3. Recorded September 3, 1954 at Capitol Studios, Hollywood
2-4. Recorded January 5, 1956 at Capitol Studios, Hollywood
2-5. Recorded February 15, 1960 at United Recorders, Hollywood
2-6. Recorded October 20, 1964 at Radio Recorders studio 10-H, Hollywood
2-7. Recorded August 3, 1954 at Capitol Studios, Hollywood
2-8. Recorded June 4, 1962 probably at Webster Hall, New York City
2-9. Recorded October 7, 1946 at the Shrine Auditorium, Los Angeles
Transferred from a disc source. Surface noise is audible.
2-10. Recorded December 1964 at United Recorders, Hollywood
2-11. Recorded December 23, 1965 in New York City
This is a French song Mercer adapted, his English lyrics replacing the original ones. The music is by Michel Legrand, and the original lyrics were by Eddie Marnay. Its French title is "La Valse des Lilas".
2-12. Recorded February 1952 in Los Angeles
2-13. Recorded October 12, 1962 in New York City
2-14. Recorded October 17 or 18, 1986 at Media Sound Studio, New York City
2-15. Recorded March 20, 1957 in London
2-16. Recorded July 31, August 1 or 2, 1991 at BMG Studios, New York City
Disc Three: Total playing time: 72:42
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Jim Davis, Dave Gelly, Deborah Hay, Johnny Pate, Phil Schaap, Cynthia Sesso, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
3-1. Recorded July 30, 1953 at Fulton Studio, New York City
3-2. Recorded July 25 or 27, 1960 in Hollywood
3-3. Recorded September 17, 1949 in New York City
3-4. Recorded February 3, 1965 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
3-5. Recorded probably May 1, 1969 at Webster Hall, New York City
3-6. Recorded September 20, 1954 at Fine Sound, New York City
3-7. Recorded April 5, 1958 in New York City
3-8. Recorded July 27, 1954 at Universal Recording Studios, Chicago
3-9. Recorded October 16, 1957 at Capitol Studios, Hollywood
3-10. Recorded February 6, 1964 at A&R Studios, New York City
3-11. Recorded April 10, 1952 in Paris
3-12. Recorded probably November 10 or 13, 1970 at MPS-Studio, Villingen, Germany
3-13. Recorded August 1991 at Sigma Sound, New York City
3-14. Recorded January 20, 21, or 22, 1961 at The Summit, Hollywood
3-15. Recorded November 13, 1966 at Salle Pleyel, Paris
3-16. Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore
Some of these tracks were transferred from disc sources. Surface noise is audible.
Tracks 1-9: Recorded June 19, 1959 at Adriano Theatre, Rome. Previously released on [r4053079] & [r4053105].
Track 10 (*Bonus Track): Recorded May 19, 1959 in Stockholm.
This is a posthumous tribute by four musicians who worked with Gerry Mulligan, including both of his last two pianists and the bassist and drummer of his final quartet. Jazzspeak is an audio track featuring commentary by the musicians related to working with Gerry Mulligan.
Recorded June 6 & 7, 1996.
Original issue glass mastered by [l809818] on November 24, 1996 according to runout.
Recorded on September 30th and October 1, 1997
Piano (1977)
Palais De Mari (1986)
Universal Editions, Londres
Recording: Studio La Buissonne, Pernes -Les-Fontaines June 12 2001.
Total time: 79'10.
© 1998 Sony Music Entertainment Inc./? 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211
Recorded January,1997
Kazumi Watanabe (chitarra), Vagabonde Suzuki (basso), Rikiya Higashihara (batteria), Tomoshiro Yahiro (percussioni), Masanori Shimada (tastiere).
Tributo a Django Reinhardt da parte dei chitarristi Sarane & Matelo Ferret.
Registrazioni dal vivo al Festival Newyorkese effettuate tra il 29 novembre e il 2 dicembre 2000. Con Bireli Lagréne, Regina Carter, Bucky Pizzarelli, Babik Reinhardt, Frank Vignola e altri
3CD. The first disc consists of the recordings Django made with the original [a355185] between 1934 and 1940.
The second disc covers '40 through '47.
The third disc spans '47 through '53, and finds Reinhardt moving away somewhat from his "gypsy jazz" and more toward a mainstream swing sound.
1934-40:
Track 1-1 taken from the [r=4336357] 10" shellac (Ultraphone AP-1422).
Track 1-2 taken from the 10" shellac (Ultraphone AP-1444).
Track 1-3 taken from the [r=11060610] 10" shellac (Ultraphone AP-1479).
Track 1-4 taken from Gramophone K-7706.
Track 1-5 taken from the [r=5256735] 10" shellac (Swing SW 2).
Track 1-6 taken from the [r=15579996] 10" shellac (His Master's Voice B-8737).
Track 1-7 taken from the [r=5257181] 10" shellac (Swing SW 7).
Track 1-8 taken from the [r=5259747] 10" shellac (Swing SW 23).
Track 1-9 taken from the [r=5288074] 10" shellac (Swing SW 77).
Track 1-10 taken from the [r=7973018] 10" shellac (Decca F.6616).
Track 1-11 taken from Decca F.9428.
Track 1-12 taken from Brunswick 505269.
Track 1-13 taken from the [r=10747465] 10" shellac (Decca F.6675).
Track 1-14 taken from the [r=7369389] 10" shellac (Decca F.6875).
Track 1-15 taken from the [r=6230314] 10" shellac (Decca F.6935).
Track 1-16 taken from the [r=13720751] 10" shellac (Decca F.7027).
Track 1-17 taken from the [r=5323107] 10" shellac (Swing SW 211)
Track 1-18 taken from the [r=6904177] 10" shellac (Decca F.7390).
Track 1-19 taken from the [r=9569123] 10" shellac (Swing SW 83).
1940-47:
Track 2-1 taken from the [r=13208705] 10" shellac (Swing SW 88).
Track 2-2 taken from the [r=13615934] 10" shellac (Swing SW 218).
Track 2-3 taken from the [r=5822979] 10" shellac (Swing SW 137).
Track 2-4 taken from the [r=8653176] 10" shellac (Rythme D 5017).
Track 2-5 taken from the [r=5316311] 10" shellac (Swing SW 183).
Track 2-6 taken from the [r=5442463] 10" shellac (Swing SW 158).
Tracks 2-7 and 2-8 taken from the [r=6542521] 10" shellac (Swing SW 254).
Tracks 2-9 and 2-10 taken from the [r=5336873] 10" shellac (Swing SW 229).
Track 2-11 taken from the [r=3665844] 10" shellac (Swing SW 242).
Tracks 2-12 and 2-13 taken from the [r=6564653] 10" shellac (Decca F.8604).
Track 2-14 taken from the [r=5397136] 10" shellac (Swing SW 253).
Track 2-15 taken from Decca (MB) 9243.
Track 2-16 taken from the [r=15275818] 10" shellac (Decca (MB) 9244).
Track 2-17 taken from Blue Star B.S. 37.
Track 2-18 taken from the [r=11845587] 10" shellac (Blue Star B.S. 38).
Track 2-19 has no additional information.
1947-1953:
Track 3-1 taken from the [r=6189674] 10" shellac (Blue Star B.S. 53).
Tracks 3-2 and 3-3 were recorded 11.08 or 11.13.1947 at the Studio Montparnasse, Paris.
Tracks 3-4 and 3-5 taken from the [r=5425117] 10" shellac (Swing SW 270).
Tracks 3-6 and 3-7 were recorded 11.21 or 11.28.1947 at the Studio Montparnasse, Paris.
Tracks 3-8 to 3-13 were recorded January or February 1949 the R.A.I. Studios, Rome.
Track 3-14 was recorded 10.25.1949 at the Radio Geneve Studios.
Tracks 3-15 and 3-16 taken from the [r=12499244] 10" shellac (Decca 21719).
Track 3-17 taken from Decca 36124.
Tracks to 3-20 were recorded 30.01.1953, Paris.
2CD. Recorded December 12-16, 1994 at Edison Studio, New York, New York
2LP su 1 CD
Disc 1 recorded in London, 3/12/1968 & 2/01/1969.
Disc 2 recorded in London, 1/03 & 17/04/1970.
Recorded at the Van Gelder Studio, Englewoods Cliffs, New Jersey on November 29 and December 9, 1963.
(P)(C)2000 Capitol Records, Inc.
Printed in USA
Mixed and mastered by Jim Fox at LION and FOX recording studios, Washington DC. Produced and arranged by Marcus Urani and Harrison Stafford. Additional intro and groove arrangements by Leroy "Horsemouth" Wallace. Executive produced by Jonathan McDonald.
Recorded live January 31, 1987 at Mohren, Willisau, Switzerland
Edited at Tonstudio Bauer
(on tray card:)
? 1987 JMT Productions • Stefan F. WInter • Postfach 14 03 06 • 8000 München 5 • Printed in West Germany
CD is manufactured by PDO, Hanover, West Germany
(on disc:)
? 1987 JMT Prod.
Stefan F. Winter,
München,
West Germany
Manufactured by PDO Hanover,
West Germany
Reissue of [r=4011723]
Solo piano performances featuring the music of Jelly Roll Morton, Duke Ellington and Thelonious Monk.
Marcus Roberts is named as "Marthaniel Roberts" (his actual given name) above the track list on the tray card and on page two of the booklet.
Regular jewel case, 8-page stapled booklet.
"Recorded with only natural reverberance (no artificial additives)."
Nancy Wilson & George Shearing
Recorded at Capitol Studios, New York City on June 29, 1960 (#5,8,10,13,15,16), July 5, 1960 (#1,12,14,18), July 6, 1960 (#3,9,11,17) and January 7, 1961 (#2,4,6,7,19,20)
#1-12: originally issued as LP ST-1524
#13,14,20: previously unissued
#15-19: originally issued on CD 7-99190-2
?&© 2004 Blue Note Records
Recorded July 7, 1979 at Onkel Po's Carnegie Hall, Hamburg
Roy Campbell (Tromba), Alex Lodico (trombone), William Parker (basso), Josh Roseman (trombone) e Matthew Shipp (sintetizzatore Korg)
Recorded New York City; December 1960.
1-7: Chicago; July 7, 1939.
8-12: New York; November 10, 1939.
13-18: New York; November 22, 1939.
19-24: New York; December 12, 1939.
Con Major Holley. Recorded on July 14th 1977 at Radio Monte Carlo Studio.
Recorded May, 1989, RPM Sound Studios, N.Y.C.
? 1989 Polydor K.K., Tokyo Japan
© 2003 Winter&Winter, München, Germany
[Disc] ? 2003 Winter & Winter, München, Germany
Recorded and mixed at Greenpoint Studio, Brooklyn, NY
Originally released in Japan by Polystar in 1995
Recorded on May 18th, 2004
at Maxine Studio, Milano
Alberto Baila alla chitarra acustica, Enrico Frongia alla voce e alla chitarra acustica, Riccardo Lai al contrabbasso e voce con ospiti Eugenio Luglié al flauto, Paolo Sanna alle percussioni e Alessandro Garau alla batteria.
Recorded March 1970.
Remastered at Sound Recording Technology, Cambridge 1994.
Catalog# "BGOCD231" on sleeve, "BGO CD231" on CDs.
? 1970
© 1994
Misspelt 'The Chronogical Classics' on the front.
Track 4 "Pickin' On Your Baby" is correctly spelled only on page 6 of the booklet. On back inlay and booklet page 2, it's misspelt "Pickin' On You Baby".
1999 by TCB Music SA
Transfers ? & © 1995 ASV, Ltd.
Recorded in Washington, D.C. in December 1956. All tracks previously unissued.
Con Roy Eldridge e Harry Edison. Recorded February 1958 in New York City.
Tracks 1-5 original-LP issiue: Laughin' To Keep From Cryin' Verve MGVS 6054
Tracks 6 and 7 are bonus tracks, original-cd issiue: [r=2506269] 314 547 087-2
Originally released in 2000
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