Una delle più interessanti voci della attuale scena jazz, con Eric Reed, Hamilton Price e Ralph Penland.
Torna la sophisticated lady con un bel disco, elegante e raffinato, costruito come omaggio a Frank Sinatra e Stan Getz. Infatti Diane interpreta brani che i due grandi avevano già registrato nel corso della loro carriera. La accompagna una stellare band diretta da Alan Broadbent, che vede la partecipazione di Ben Wolfe, Ulysses Owens, Jr., Romero Lubambo e Joel Frahm.
Con il quinto disco per la Savant il tenor sassofonista di colore amplia i suoi orizzonti, porrtando la sua band (Gregg August e Rudy Royston), in ambito blues. Le sue aperture tra jazz e blues sono decisamente innovative ed interessanti, sopratutto in brani quali Cotton, Sugar Free, Lillie Mae Jones, Americana etc. Un disco che si stacca decisamente dal resto della produzione attuale.
Chanteuse sofisticata, musicista di classe, performer di grande spessore, Madeleine Peyroux esce dal suo seminato con un disco diverso, coraggioso ma decisamenter godibile. Un disco in trio, con il chitarrista degli Steely Dan ed un bassista. Due strumenti e la sua voce. Il resto lo fanno le canzoni, covers per lo più. Madeleine interpreta da par suo brani di Eric Clapton, Townes Van Zandt, Tom Waits, Willie Dixon, Stephen Foster, Alen Toussaint, Sister Rosetta Tharpe. Tutto da scoprire.
Il nuovo lavoro del pianista italiano. Sempre per la ECM, con la partecipazione di Gianluca Petrella, Louis Sclavis, Gerald Cleaver. 2016.
Nuovo lavoro per Brian Blade and The Fellowship Band: con Jon Cowheard, Chris Thomas, Melvin Butler, Dave Devine, Myron Walden. Già autori dell'eccellente Landmarks, Blade e la sua band continuano un percorso jazz intrigante, uscedo spesso da schemi prefissati per creare suoni decisamente innovativi.
?&? 2008 Lone Hill Jazz
Made in EU
2 albums on one CD + bonus tracks
Recorded:
- Tracks 1, 4, 8, 11 April 20, 1955
- Tracks 2, 3, 7, 9 June 1, 1955
- Tracks 5, 6. 10 May 17, 1955
- Track 12 May 9, 1955
- Track 13 April 5, 1955
- Tracks 14, 18 July 5, 1955
- Tracks 15, 21 December 12, 1952
- Track 16 May 15, 1951
- Tracks 17, 24 August 10, 1954
- Track 19 February 20, 1951
- Track22 December 13, 1954
- Tracks 25 to 27 November 2, 1954
- Track 28 July 3, 1954
Total Time: 43:22
Recorded On July 17th & 18th, 1987 at the FMP Studio, Berlin.
In trio con Marcus McLaurine al basso e George Gray alla batteria con ospite Feya Faku alla tromba
Recorded on February 15, 17 & March 4, 1997 at Systems Two Recording Studios, Brooklyn, NY.
Recorded February 6, 1994 in the Music Theatre at the Arizona State University of Music, Temple [sic], Arizona for Tempest Studios.
CD 1 recorded live at Rote Fabrik, Zürich on October, 21, 1993
CD 2 recorded at Großer Sendesaal WDR Köln on October 22/23, 1993
?+© 1995
Total times:
CD 61601: 65:00
CD 61601: 65:13
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 2, 1961.
"Ancorar" and "Pra Que Chorar" previously unreleased.
2CD. Recorded at the Blue Note Jazz Club, New York, May 4–17, 2010
This compilation ? © 1998 PolyGram Records, Inc.
Tracks 1, 3, 11 and 13 recorded 1957 at Capitol Studios, Hollywood. Tracks 1 and 11 on August 18; tracks 3 and 13 on August 19. Original LP issue: Porgy And Bess
Tracks 2, 6, 7 and 14 recorded 1959 at Capitol Studios, Hollywood. Track 2 on January 5; tracks 6 and 14 on July 16; track 7 on July 17. Original LP issue: Ella Fitzgerald Sings The George And Ira Gershwin Song Book
Tracks 4 and 9 recorded August 16, 1956 at Capitol Studios, Hollywood. Original LP issue: Ella And Louis
Tracks 5, 8, and 12 recorded July 23, 1957 at Radio Recorders, Hollywood. Original LP issue: Ella And Louis Again
Tracks 10 and 15 recorded October 14, 1957 at Capitol Studios, Hollywood. Original LP issue: Louis Armstrong Meets Oscar Peterson
Track 16 recorded Ocrober 7, 1957 at the Shrine Auditorium, Los Angles. Original LP issue: At The Opera House
1-1 to 1-7: Los Angeles, September 23, 1957.
1-8 to 1-12; 2-1 to 2-3: Los Angeles, September 30, 1957.
2-4 to 2-15: New York, January 15, 1952.
2-16: Los Angeles, October 1946.
1-6 probably recorded in 1953 (some sources say March 1954), at Gold Star Studios, Hollywood.
7-15 recorded summer 1954, at Western Recorders, Hollywood.
Soundtrack for the film L'Homme à la caméra (Chelovek's kino-apparatom) directed by Dziga Vertov realized at Studio Son/Ré.
Commande d'Etat et de CinéMémoire (1993)
Création au Théâtre de la Ville à Paris le 12 novembre 1993 · Festival CinéMémoire
[Commissioned by the State (Ministère de la culture) and Ciné/Mémoire (1993)
Premiered at the Théâtre de la Ville in Paris on 12 November 1993 · Festival CinéMémoire]
Photos: extraits du film [extracts from the film] « L'Homme à la caméra »
Durée totale [Total duration]: 74'00
Recorded September 1997
at the Monastery of St. Gerold
"In Paradisum" combines music from three sources: the Officium Defunctorum of Victoria, polyphony by Palestrina, and Gregorian chant from a 17th century manuscript.
An ECM Production
? 2000 ECM Records GmbH
© 2000 ECM Records GmbH
Recorded live at the New School Jazz Performance Space, New York City, September 25, 1997
Recorded at East Coast Studios, New York City on June 15 and 21 (1955).
Originally released in 1956 as Atlantic 1217 ([m393944]).
Con Stefano Bollani al pianoforte, Pietro Ciancaglini al basso e Fabrizio Sferra alla batteria. Recorded live in Rome at La Palma on December 5 & 6, 1998
Masterd at Green Digital Studio, Macerata
High Resolution Technology - Recorded at 96/24
Issued in standard jewel case, white tray, with a 4-page booklet.
In quarettto con Marco Di Gennaro al pianoforte, Mauro Battisti al contrabbasso e Carlo Battisti alla batteria.
Recording location: TELDEC Studio Berlin • April 1996
? 1997 Teldec Classics International GmbH, Hamburg, Germany
© 1997 Teldec Classics International GmbH, Hamburg, Germany
A Warner Music Group Company
Made in Germany
Total Timing: 79.23
CD is packaged in a standard plastic clear-tray jewel case along with a 10-page (10-panel, foldout) booklet, notes in English, German, French; all inside a printed O-Card
The case has Warner logo embossed on the right bottom of the front side.
Track publishers:
Track 1: Edition Peters, Frankfurt
Track 2: Universal-Edition, Wien
Tracks 3-7, 9: Musikverlag Hans Sikorski, Hamburg
Track 8: Schott's Söhne, Mainz
Track 12: Eres Edition, Lilienthal/Brehmen
Corrected track durations:
Track 1: (5:30 » 5:37)
Track 2: (10:57 » 11:03)
Track 9: (27:54 » 28:00)
Recorded in RCA Victor's Studio "A", New York City on November 15 (2, 7 & 11), 16 (3, 9, 10, 14 & 15), and December 7 (1, 4, 5, 6, 8, 12 & 13), 1961.
Digitally remastered from original master tapes in 24-bit (La Source Mastering, Paris, France).
Tracks 12 to 15 are bonus tracks not on original LP.
? 1962 BMG Music (1 to 11)
? 1987 BMG Music (12 to 15)
© 2000 BMG France
Made in the EU
Includes an 8-page booklet with a reproduction of the original 1962 notes in English and the notes of the first French release in French.
Recorded July 1970 in California
Una band di Los Angeles con un suono di New York, secondo il sassofonista Joe Henderson.
Compilation from her Mainstream Records albums from the 1960's
Recorded at Contemporary's studio, Los Angeles; July 2 (#4, 6, 9, 12) and July 9 (#1, 3, 8, 11), 1954; January 20, 1956 (#2, 5, 7, 10).
? 1960 Ace Records Ltd. except track 12 ? 1996 Ace Records Ltd.
© 1996 Ace Records Ltd.
Originally released as Dooto LP DTL 211; re-release of Boplicity LP BOP 8, 1984.
2CD. Credited as recorded live at the "Club La Ville, Paris".
Recording date not mentioned, presumably late '90s.
Recorded April 2002
Rainbow Studio, Oslo
An ECM Production
? 2006 ECM Records GmbH
© 2006 ECM Records GmbH
Issued in a standard jewel case with a black tray and a 12-page booklet. The jewel case is protected by an O-card. Only the O-card has the barcode (on one of its sides).
Recorded at Baby Moster Studio, New York City, March 5, 6 & 7, 1992.
Recorded live to two-track on October 8 & 9, 1985.
2001. Registrato da lvivo al festival Time In Jazz di Berchidda.
Recorded at Studio G.D.S., Napoli
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