Chris Cheek, affermato tenor sassofonista, accompagnato per l'occasione da Brad Mehldau e dal suo trio. Registrato 2005.

Nuovo album per il jazzista di colore. Christian Scott è il miglior nuovo trombettiosta jazz in scena in questo periodo. Qui lavora con Milton Fletcher, Matthew Stevens, Kris Funn e Jamire Williams. Il trombettista esegue le sue composizioni ed una cover di Eraser di Thom Yorke.

Registrato dal vivo in Svizzera, 1977

Inglese, bandleader di un ensemble che richiama le grandi orchestre degli anni trenta e quaranta, Page è un anacronismo vivente.Infatti la sua visione musicale è ancorata ad un periodo determinato, quello a cavallo della seconda guerra mondiale. Spettacolare nei suoni, Page offre un deja vu di grande classe.

Nuovo album, 2012, per il promettente chitarrista jazz.

Nuovo lavoro per il brillante jazzista africano, 2013.

Madeleine Peyroux, una delle migliori interpreti nella scena soft jazz attuale, torna a fare quello che le riesce meglio: interpretare alla sua maniera i grandi della musica. Da Ray Charles a Leonard Cohen a Randy Newman. Di Charles poi interpreta un classico del 1962, Modern Sounds in Country & Western Music. La produzione accurata di Larry Klein è la ciliegina sulla torta.

Il nuovo album del trombettista, con un trio in cui ci sono Lenny White alla batteria e Vicente Archer al basso. Otttanta minuti di grande jazz

Atteso nuovo lavoro per la sophisticated lady canadese. Diana, qui in grande spolvero, rivede brani molto noti con il suo stile unico. Desperado, California Dreamin'. Wallflower (con Blake Mills), Alone Again Naturally (con Michael Bublè), Operator, Feels Like Home (con Bryan Adams ) ed altre.

Volume 2: with Pete Jolly. Secondo volume di registrazioni caiforniane, con Rob Magnusson e Roy McCurdy. Contiene due tracce inedit. Ristampa rimasterizzata Omnivore 2017.

Altro disco nuovo, 2017, per il batterista jazz. Qui con Damian Erskine, Vardan Ovsepian, Artyom Manukyan e Judd Miller

Debutto per Blue Note al quarto album a proprio nome per il batterista di Filadelfia Jonathan Blake, uno fra i musicisti più versatili ed apprezzati della scena statunitense, con esperienze a fianco di riferimenti del jazz come Tom Harrell, Kenny Barron, Dr. Lonnie Smith, Maria Schneider e la Mingus Big Band, così come di rapper (Q tips) e musicisti house, che gli hanno procurato, nella stampa oltreoceano, il titolo di “vero modernista”.

2CD. Disc One: Originally released as "150 MPH", CCD-4036, 1979
Disc Two: Originally released as "Dynamite!", CCD-4105, 1980

Total Time 52'02

Recorded November 30 and December 1, 2001 by [...] at Radio Studio DRS, Zürich

Recorded at Jazzwerkstatt Peitz Nr. 42 September 19, 1981

2CD. Albert Ammons, Pete Johnson e Meade Lux Lewis

Track 9 Bonus track not on original album but completes the session

Recorded on 3 November 1999 during the Total Music Meeting at Podewil, Berlin

Total time: 70:09

? + © 2002

Made in U.S.A

Solo piano. Recorded in Carriage House Studio, Stanford, Connecticut, June 29, 1994; Studio A, Power Station, New York, NYC, February 15, 1994; and Performing Arts Center, State University of New York, January 4, 1994.

Mastered by Joseph Bartoldus at Current Sounds 2350 Broadway, Suite 224, New York, NY.

In quartetto con Harold Mabern al piano, Jamil Nasser al basso e Billy Higgins alla batteria.

Recorded at Clinton Studio "B" in New York on March 28 & 29, 1996.

Recorded at Systems Two, Brooklyn, NY on Mitsubishi X-800 32 Track, April 29, 1991.

CD1: Recorded at Systems Two Recording Studio, Brooklyn, NY on April 24-27, 1997 and June 9, 10 & 18, 1997. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.

CD2: Recorded at Systems Two Recording Studio, Brooklyn, NY on March 7-10, 1997. Additional recording at Studio Acousti in Paris, France on November 18, 1996. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.

Mastered at Sterling Sound, NYC on August 18, 1997.

? 1997 BMG France © 1997 BMG France.
Manufactured and distributed by BMG Entertainment, New York, NY
Made in USA
Printed in USA

The Conga Kings Jazz Descargas.

In quartetto con Francesco Nastro al piano, Vittorio Pepe al basso e Pietro Iodice alla batteria.

2CD.

52 page booklet with complete lyrics and jewel case CD housed inside slipcase.

Subtitle for track 7 in the booklet: (Improvisation on Mozart's Sonata No. 2 in F Major, K.280/189e: II. Adagio)

Booklet:
[Track 1a & 4a] a cappella vocal & piano improvisation
[Liner notes] © 1996 Tony Scherman

Thanks to Shure Microphones.

Chick Corea plays a Yamaha CF IIIS Concert Grand Piano exclusively.
Chick Corea appears courtesy of Stretch Records, Inc.

Recorded in Donald Benson Great Hall at Bethel College St. Paul, MN, February 5-7, 1996 and Masonic Grand Lodge, New York City, May 21, 1996

For this recording 20-bit technology was used for "high definition sound." SBM

© 1996 Sony Music Entertainment Inc.

On disc:
01-062601-10
MADE IN AUSTRIA
? 1996 Sony Music Entertainment Inc.
[logo] and SONY CLASSICAL are trademarks of Sony Corporation.

On back cover:
© 1996 Sony Music Entertainment Inc.
? 1996 Sony Music Entertainment Inc.
Manufactured in Austria.
Printed in Holland

Sticker:
SBM ™
Super Bit Mapping

This recording was made at the Carnegie Free Library Concert Hall, Carnegie, Pennsylvania in February 1992.

Originally released as 2-LP in 1973 [Blue Thumb Records ?BTS 7000].

Includes the band's 1980 debut album [m35465] and its 1982 follow-up [m48562]. Tracks 1-9 to 1-12 and 2-9 are bonus tracks. 1-9 and 1-10 originally issued on 12" in 1981. Rear sleeve and booklet track listings both erroneously list 1-10 as one of the 1983 live tracks - it is a studio recording from 1981.

Tracks 1-1 to 1-8 recorded at Big Apple Studios, New York
Tracks on Disc 2 engineered at Olympic Studios (Chelsea), London; Vanguard Studios, New York, Electric Ladyland, New York
Mastered at Peerless Mastering, Boston, MA

This compilation ?&? 2005 Rykodisc, Inc.
Printed and manufactured in the EU.

Recorded January 1999
Forde Abbey, Dorset

[72:34]


An ECM Production

? 1999 ECM Records GmbH
© 1999 ECM Records GmbH

Printed in Germany

?© 1998 Shirley Eikhard Music Inc. Artisan Music is a trade mark of EMI Music Canada. Bluenote is a registered trade mark of Capitol Records, Inc.

3CD. Cofanetto con una selezione di classici eseguiti al pianoforte: What a wonderful world, Somewhere Over The Rainbow, Yesterday e decine di altri

This Compilation ? & ? by Fresh Sound Records

All tracks recorded at Capitol Studios, Hollywood, CA, USA:
1-1 to 1-6 April 25, 1955; 1-7 to 1-9 April 27, 1955; 1-10 to 1-13 August 26, 1955.
2-1 to 2-4 November 7, 1955; 2-5 to 2-8 November 10, 1955; 2-9 to 2-12 May 12, 1956.
Made in Spain.

Recorded December 10 & 12 1959. Recorded at the same session that produced "All the Gin Is Gone" (Delmark 404)

Recorded in Los Angeles July 22, 1957 [1-3], August 13, 1957 [4, 5, 9], September 24, 1957 [6 -8, 10], August 15, 1957 [11-18], June 19, 1956 [19]



Total time: 77:48

Tracks 1-2, 10-15 recorded in Chicago, February 18, 1965
Tracks 3-8 recorded in Chicago, January 18, 1966
Track 9 recorded in Chicago, October 28, 1960
Tracks 16-17 recorded in Chicago, December, 1965.

Tracks 3-8, 16-17 originally released on [m=808829] (Cadet LPS-766).
Tracks 1-2, 10-15 originally released on [m=1131680] (Argo LP-753).
Track 9 originally released on [m=691866] (Exodus Records EX-6001).

Recorded at Fine Sound, NYC: track 4 on April 12; tracks 1-3 and 5-8 on April 13, 1954.

Recorded in 1959 in Los Angeles.

Digitally recorded on March 18 & 19, 1996. Edited and mastered on April 12, 1996

Tracks 1-1 to 2-19 recorded June 1954
Tracks 2-20, 2-32, 2-33 recorded April 18, 1928
Tracks 2-21 to 2-23 recorded June 6, 1927
Tracks 2-24 to 2-31 recorded April 17, 1928

Recorded December 1999 at Cello Studios, Los Angeles.

An ECM Production.

? 2000 ECM Records GmbH.
© 2000 ECM Records GmbH.

Made in USA.

© 1997 Fuzzy Music

On front cover:

Music For The New Millennium

Recorded October 1997
Hardstudios, Winterthur

An ECM Production

? 1998 ECM Records GmbH
© 1998 ECM Records GmbH

Printed in Germany


Mat Maneri's electric instruments made by Tucker Barrett of Vermont

O-card package with standard jewel case

Compilation of two albums:

-Jazz Gunn (1967, released as Atlantic ?SD 1487)
-Portrait Of Carmen (1967, released as Atlantic SD 8157)

Part of the "Collectables Jazz Classics", "2 Original LPs on 1 CD, 19 Classic Tracks".

Registrato al Magister Studio, Preganziol, Italia, il 4 e 5 Giugno 2004

This compilation ? & © 1998 PolyGram Records, Inc.

Discs one and two present vocal interpretations of classic Mercer songs while disc three provides instrumental versions.

These three discs were originally issued and are still available as individual CDs:
Blues in the Night: The Johnny Mercer Songbook 314 553 268-2
Trav'lin' Light: The Johnny Mercer Songbook 314 555 402-2
Too Marvelous for Words: The Johnny Mercer Songbook 314 557 140-2

Disc One: Total playing time: 58:07
This compilation ? & © 1997 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Richard Cook, Deborah Hay, Malcolm Laycock, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios

1-1. Recorded October 14, 1957 at Capitol Studios, Hollywood
1-2. Recorded September 3, 1954 in Los Angeles
1-3. Recorded April 6, 1959 in Los Angeles
1-4. Recorded April 23, 28, or 29, 1959 at Radio Recorders, Hollywood
1-5. Recorded February 9, 1950 at United Recorders, Hollywood
1-6. Recorded January 5, 1956 at Capitol Studios, Hollywood
1-7. Recorded October 20, 1964 at Radio Recorders, Hollywood
1-8. Recorded July 16, 1952 at Radio Recorders, Los Angeles
1-9. Recorded between July 18 and 21, 1963 at Tivoli Garden, Copenhagen
1-10. Recorded July 7, 1952 in New York City
Instrumental introduced in 1948 by Woody Herman; vocal version introduced on this recording
Courtesy of Discovery Records
1-11. Recorded in 1959 at Fine Recording, New York City
1-12. Recorded August 25, 1987 at Clinton Recording Studio, New York City
1-13. Recorded May 8, 1987 at Vine St. Bar and Grill, Hollywood
1-14. Recorded December 8, 9, or 10, 1992 at Plus XXX Studios, Paris
(orig. Les Feuilles Mortes) Instrumental theme introduced in 1946 in the film "Les Portes de la Nuit"; vocal version introduced in 1947 by Yves Montand
1-15. Recorded January 8, 1957 at Capitol Studios, Hollywood
1-16. Recorded June 11, 1956 at Capitol Studios, Hollywood

Disc Two: Total playing time: 53:32
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Campbell Burnap, Richard Cook, Deborah Hay, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios

2-1. Recorded October 21, 1964 at Radio Recorders, Hollywood
2-2. Recorded December 15, 1963 at A&R Studios, New York City
2-3. Recorded September 3, 1954 at Capitol Studios, Hollywood
2-4. Recorded January 5, 1956 at Capitol Studios, Hollywood
2-5. Recorded February 15, 1960 at United Recorders, Hollywood
2-6. Recorded October 20, 1964 at Radio Recorders studio 10-H, Hollywood
2-7. Recorded August 3, 1954 at Capitol Studios, Hollywood
2-8. Recorded June 4, 1962 probably at Webster Hall, New York City
2-9. Recorded October 7, 1946 at the Shrine Auditorium, Los Angeles
Transferred from a disc source. Surface noise is audible.
2-10. Recorded December 1964 at United Recorders, Hollywood
2-11. Recorded December 23, 1965 in New York City
This is a French song Mercer adapted, his English lyrics replacing the original ones. The music is by Michel Legrand, and the original lyrics were by Eddie Marnay. Its French title is "La Valse des Lilas".
2-12. Recorded February 1952 in Los Angeles
2-13. Recorded October 12, 1962 in New York City
2-14. Recorded October 17 or 18, 1986 at Media Sound Studio, New York City
2-15. Recorded March 20, 1957 in London
2-16. Recorded July 31, August 1 or 2, 1991 at BMG Studios, New York City

Disc Three: Total playing time: 72:42
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Jim Davis, Dave Gelly, Deborah Hay, Johnny Pate, Phil Schaap, Cynthia Sesso, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios

3-1. Recorded July 30, 1953 at Fulton Studio, New York City
3-2. Recorded July 25 or 27, 1960 in Hollywood
3-3. Recorded September 17, 1949 in New York City
3-4. Recorded February 3, 1965 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
3-5. Recorded probably May 1, 1969 at Webster Hall, New York City
3-6. Recorded September 20, 1954 at Fine Sound, New York City
3-7. Recorded April 5, 1958 in New York City
3-8. Recorded July 27, 1954 at Universal Recording Studios, Chicago
3-9. Recorded October 16, 1957 at Capitol Studios, Hollywood
3-10. Recorded February 6, 1964 at A&R Studios, New York City
3-11. Recorded April 10, 1952 in Paris
3-12. Recorded probably November 10 or 13, 1970 at MPS-Studio, Villingen, Germany
3-13. Recorded August 1991 at Sigma Sound, New York City
3-14. Recorded January 20, 21, or 22, 1961 at The Summit, Hollywood
3-15. Recorded November 13, 1966 at Salle Pleyel, Paris
3-16. Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore

Some of these tracks were transferred from disc sources. Surface noise is audible.

Recorded at Ambient Recording Copay, Stanford, Connecticut and River Sound, New York City
Mixed at Sony Music Studios, New York City
Mastered at Masterdisk, New York City

In duo con Cliff Korman. Live at Cantar Da Costa

Recorded at Power Station, NYC on October 9 & 10, 1991
Strings recorded at Sound On Sound, NYC on October 7, 1991.

?,? 1992 Disk Union

Track 5 "Back Talk" is a variation of "Baby Talk" from release [r519346], maybe a typo on this release.

Recorded at Eastside Sound, NYC on December 6 & 7, 1993
Mixed at Eastside Sound, NYC on March 10 & 11, 1994
Mastered at Foothill Digital, NYC

? 1994 Disk Union
? 1994 Sony Music Entertainment Inc.
Manufactured by Columbia Records

Recorded: February 27, 1985 at 39th Street Music Studio in New York City

Piano (1977)
Palais De Mari (1986)
Universal Editions, Londres

Recording: Studio La Buissonne, Pernes -Les-Fontaines June 12 2001.
Total time: 79'10.

© 1998 Sony Music Entertainment Inc./? 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211

Furiosa (Maxixe) (1997)
Baião de Gude (1997)
Lun-Duos (1996)
Uarekena (1994)
Quartetinho (1997)
Forrobodó (1997)
Um Anjo (1999)
Forró (1997)
Escovado (1904)
Batuque (1906)

Tracks 1, 3, 5, 8, 9: dedicated to Quaternaglia


Tracks 10, 11:
Arrangements for Piano, Guitar and Orchestra by Egberto Gismonti
Adaptations for the guitar quartet by Paulo Porto Alegre

Tracks 2 to 5, 8 recorded in September, 1998
Tracks 1, 6, 7, 9 to 11 recorded in December, 1999

Estúdio Tom Brasil - São Paulo, Brasil

? © 2000 Carmo Produções Artisticas Ltda

Recorded January,1997

Tributo a Django Reinhardt da parte dei chitarristi Sarane & Matelo Ferret.

Registrazioni dal vivo al Festival Newyorkese effettuate tra il 29 novembre e il 2 dicembre 2000. Con Bireli Lagréne, Regina Carter, Bucky Pizzarelli, Babik Reinhardt, Frank Vignola e altri

3CD. The first disc consists of the recordings Django made with the original [a355185] between 1934 and 1940.
The second disc covers '40 through '47.
The third disc spans '47 through '53, and finds Reinhardt moving away somewhat from his "gypsy jazz" and more toward a mainstream swing sound.

1934-40:
Track 1-1 taken from the [r=4336357] 10" shellac (Ultraphone AP-1422).
Track 1-2 taken from the 10" shellac (Ultraphone AP-1444).
Track 1-3 taken from the [r=11060610] 10" shellac (Ultraphone AP-1479).
Track 1-4 taken from Gramophone K-7706.
Track 1-5 taken from the [r=5256735] 10" shellac (Swing SW 2).
Track 1-6 taken from the [r=15579996] 10" shellac (His Master's Voice B-8737).
Track 1-7 taken from the [r=5257181] 10" shellac (Swing SW 7).
Track 1-8 taken from the [r=5259747] 10" shellac (Swing SW 23).
Track 1-9 taken from the [r=5288074] 10" shellac (Swing SW 77).
Track 1-10 taken from the [r=7973018] 10" shellac (Decca F.6616).
Track 1-11 taken from Decca F.9428.
Track 1-12 taken from Brunswick 505269.
Track 1-13 taken from the [r=10747465] 10" shellac (Decca F.6675).
Track 1-14 taken from the [r=7369389] 10" shellac (Decca F.6875).
Track 1-15 taken from the [r=6230314] 10" shellac (Decca F.6935).
Track 1-16 taken from the [r=13720751] 10" shellac (Decca F.7027).
Track 1-17 taken from the [r=5323107] 10" shellac (Swing SW 211)
Track 1-18 taken from the [r=6904177] 10" shellac (Decca F.7390).
Track 1-19 taken from the [r=9569123] 10" shellac (Swing SW 83).


1940-47:
Track 2-1 taken from the [r=13208705] 10" shellac (Swing SW 88).
Track 2-2 taken from the [r=13615934] 10" shellac (Swing SW 218).
Track 2-3 taken from the [r=5822979] 10" shellac (Swing SW 137).
Track 2-4 taken from the [r=8653176] 10" shellac (Rythme D 5017).
Track 2-5 taken from the [r=5316311] 10" shellac (Swing SW 183).
Track 2-6 taken from the [r=5442463] 10" shellac (Swing SW 158).
Tracks 2-7 and 2-8 taken from the [r=6542521] 10" shellac (Swing SW 254).
Tracks 2-9 and 2-10 taken from the [r=5336873] 10" shellac (Swing SW 229).
Track 2-11 taken from the [r=3665844] 10" shellac (Swing SW 242).
Tracks 2-12 and 2-13 taken from the [r=6564653] 10" shellac (Decca F.8604).
Track 2-14 taken from the [r=5397136] 10" shellac (Swing SW 253).
Track 2-15 taken from Decca (MB) 9243.
Track 2-16 taken from the [r=15275818] 10" shellac (Decca (MB) 9244).
Track 2-17 taken from Blue Star B.S. 37.
Track 2-18 taken from the [r=11845587] 10" shellac (Blue Star B.S. 38).
Track 2-19 has no additional information.

1947-1953:
Track 3-1 taken from the [r=6189674] 10" shellac (Blue Star B.S. 53).
Tracks 3-2 and 3-3 were recorded 11.08 or 11.13.1947 at the Studio Montparnasse, Paris.
Tracks 3-4 and 3-5 taken from the [r=5425117] 10" shellac (Swing SW 270).
Tracks 3-6 and 3-7 were recorded 11.21 or 11.28.1947 at the Studio Montparnasse, Paris.
Tracks 3-8 to 3-13 were recorded January or February 1949 the R.A.I. Studios, Rome.
Track 3-14 was recorded 10.25.1949 at the Radio Geneve Studios.
Tracks 3-15 and 3-16 taken from the [r=12499244] 10" shellac (Decca 21719).
Track 3-17 taken from Decca 36124.
Tracks to 3-20 were recorded 30.01.1953, Paris.

2CD. Recorded December 12-16, 1994 at Edison Studio, New York, New York

2LP su 1 CD
Disc 1 recorded in London, 3/12/1968 & 2/01/1969.
Disc 2 recorded in London, 1/03 & 17/04/1970.

Recorded live at Jazzbühne Berlin - June 16, 1984

Originally released on [r5765175] (Signal 1206)

Recorded:
#1 to 3 (November 22, 1957)
#4 to 6 (November 24, 1957)

Printed in U.S.A.

Recorded live January 31, 1987 at Mohren, Willisau, Switzerland
Edited at Tonstudio Bauer

(on tray card:)
? 1987 JMT Productions • Stefan F. WInter • Postfach 14 03 06 • 8000 München 5 • Printed in West Germany

CD is manufactured by PDO, Hanover, West Germany


(on disc:)
? 1987 JMT Prod.
Stefan F. Winter,
München,
West Germany

Manufactured by PDO Hanover,
West Germany

Reissue of [r=4011723]

Recorded New York City; December 1960.

1-7: Chicago; July 7, 1939.
8-12: New York; November 10, 1939.
13-18: New York; November 22, 1939.
19-24: New York; December 12, 1939.

Con Major Holley. Recorded on July 14th 1977 at Radio Monte Carlo Studio.

Recorded May, 1989, RPM Sound Studios, N.Y.C.
? 1989 Polydor K.K., Tokyo Japan
© 2003 Winter&Winter, München, Germany

[Disc] ? 2003 Winter & Winter, München, Germany

Recorded and mixed at Greenpoint Studio, Brooklyn, NY

Originally released in Japan by Polystar in 1995

Recorded April 9 & 10, 1999.

Recorded May 1966.

? 1966, MGM Records, Inc.
© 1966, MGM Records, Inc.
Printed in West Germany. Made in West Germany.

Recorded in Washington, D.C. in December 1956. All tracks previously unissued.

Con Roy Eldridge e Harry Edison. Recorded February 1958 in New York City.

Tracks 1-5 original-LP issiue: Laughin' To Keep From Cryin' Verve MGVS 6054
Tracks 6 and 7 are bonus tracks, original-cd issiue: [r=2506269] 314 547 087-2