3CD. Cofanetto con una selezione di classici eseguiti al pianoforte: What a wonderful world, Somewhere Over The Rainbow, Yesterday e decine di altri
2CD. Selezione rigorosamente dal vivo degli artisti ospiti della prima edizione del Fandango Jazz Festival tra cui Enrico Rava, Stefano Bollani, Scott Henderson, Nana Vasconcelos e molti altri.
Recorded at Sound On Sound Studios, New York, New York on September 12 & 13 and October 6, 1997
Mixed at Kampo Audio/Video, New York
Mastered at Sterling Sound, New York
Joe Beck & Danny Gottlieb appear courtesy of Wavetone Records.
Avishai Cohen appears courtesy of Stretch Records, Inc.
Herbie Hancock appears courtesy of Verve Records.
Bob Mintzer appears courtesy of DMP Records.
Dave Valentin appears courtesy of Tropijazz Records.
? ©1998 Concord Records, Inc.
Made in USA
Tracks 1-2, 10-15 recorded in Chicago, February 18, 1965
Tracks 3-8 recorded in Chicago, January 18, 1966
Track 9 recorded in Chicago, October 28, 1960
Tracks 16-17 recorded in Chicago, December, 1965.
Tracks 3-8, 16-17 originally released on [m=808829] (Cadet LPS-766).
Tracks 1-2, 10-15 originally released on [m=1131680] (Argo LP-753).
Track 9 originally released on [m=691866] (Exodus Records EX-6001).
Recorded on September 24 & 25, 1991 in New York City.
1989. Raccolta di cantanti blues e jazz come Leadbelly, Louis Armstrong, Mildred Bailey, Fats Waller, Little Richard e molti altri.
Recorded at the Recital Hall, UBC School Of Music, Vancouver on June 9 & 10, 2003
The disk is gold/bronze, rather than silver, and Made in Hong Kong.
Recorded October 12 & 13, 2000
recorded April 1982 at Van Gelder Studios, Englewood Cliffs, NJ
copyright 1982 Trio Kenwood Corp.
Recorded 17th December 1999
at Artisten, Göteborg
Brass quartet recorded 2nd October 2000
at Studio Bohus, Kungälv
Mixed and edited
at Studio Bunkern, Gothenburg
An ECM Production
? 2001 ECM Records GmbH
© 2001 ECM Records GmbH
Tracks 1-1 to 2-19 recorded June 1954
Tracks 2-20, 2-32, 2-33 recorded April 18, 1928
Tracks 2-21 to 2-23 recorded June 6, 1927
Tracks 2-24 to 2-31 recorded April 17, 1928
Avi Lebo aka Avi Lebovich
From the album notes: " 'Bones In Contrast: One Lush, One Brassy-A Beautiful step Beyond Kai And J.J.
Tracks 2, 7, 9 recorded March 3, 1956
Tracks 3, 6, 10 recorded April 3, 1956
Tracks 1, 5, 8 recorded April 4, 1956
Tracks 4, 11 recorded December 31, 1956
Recording dates
1, 2: Mar 31, '37
2: Mar 31, '37
3 to 7: Jan 11, '39
8, 9: Jan 16, '41
10, 11: Jan 15, '46
12 to 15: Jan 3, '49
Registrato al Magister Studio, Preganziol, Italia, il 4 e 5 Giugno 2004
This compilation ? & © 1998 PolyGram Records, Inc.
Discs one and two present vocal interpretations of classic Mercer songs while disc three provides instrumental versions.
These three discs were originally issued and are still available as individual CDs:
Blues in the Night: The Johnny Mercer Songbook 314 553 268-2
Trav'lin' Light: The Johnny Mercer Songbook 314 555 402-2
Too Marvelous for Words: The Johnny Mercer Songbook 314 557 140-2
Disc One: Total playing time: 58:07
This compilation ? & © 1997 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Richard Cook, Deborah Hay, Malcolm Laycock, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
1-1. Recorded October 14, 1957 at Capitol Studios, Hollywood
1-2. Recorded September 3, 1954 in Los Angeles
1-3. Recorded April 6, 1959 in Los Angeles
1-4. Recorded April 23, 28, or 29, 1959 at Radio Recorders, Hollywood
1-5. Recorded February 9, 1950 at United Recorders, Hollywood
1-6. Recorded January 5, 1956 at Capitol Studios, Hollywood
1-7. Recorded October 20, 1964 at Radio Recorders, Hollywood
1-8. Recorded July 16, 1952 at Radio Recorders, Los Angeles
1-9. Recorded between July 18 and 21, 1963 at Tivoli Garden, Copenhagen
1-10. Recorded July 7, 1952 in New York City
Instrumental introduced in 1948 by Woody Herman; vocal version introduced on this recording
Courtesy of Discovery Records
1-11. Recorded in 1959 at Fine Recording, New York City
1-12. Recorded August 25, 1987 at Clinton Recording Studio, New York City
1-13. Recorded May 8, 1987 at Vine St. Bar and Grill, Hollywood
1-14. Recorded December 8, 9, or 10, 1992 at Plus XXX Studios, Paris
(orig. Les Feuilles Mortes) Instrumental theme introduced in 1946 in the film "Les Portes de la Nuit"; vocal version introduced in 1947 by Yves Montand
1-15. Recorded January 8, 1957 at Capitol Studios, Hollywood
1-16. Recorded June 11, 1956 at Capitol Studios, Hollywood
Disc Two: Total playing time: 53:32
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Campbell Burnap, Richard Cook, Deborah Hay, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
2-1. Recorded October 21, 1964 at Radio Recorders, Hollywood
2-2. Recorded December 15, 1963 at A&R Studios, New York City
2-3. Recorded September 3, 1954 at Capitol Studios, Hollywood
2-4. Recorded January 5, 1956 at Capitol Studios, Hollywood
2-5. Recorded February 15, 1960 at United Recorders, Hollywood
2-6. Recorded October 20, 1964 at Radio Recorders studio 10-H, Hollywood
2-7. Recorded August 3, 1954 at Capitol Studios, Hollywood
2-8. Recorded June 4, 1962 probably at Webster Hall, New York City
2-9. Recorded October 7, 1946 at the Shrine Auditorium, Los Angeles
Transferred from a disc source. Surface noise is audible.
2-10. Recorded December 1964 at United Recorders, Hollywood
2-11. Recorded December 23, 1965 in New York City
This is a French song Mercer adapted, his English lyrics replacing the original ones. The music is by Michel Legrand, and the original lyrics were by Eddie Marnay. Its French title is "La Valse des Lilas".
2-12. Recorded February 1952 in Los Angeles
2-13. Recorded October 12, 1962 in New York City
2-14. Recorded October 17 or 18, 1986 at Media Sound Studio, New York City
2-15. Recorded March 20, 1957 in London
2-16. Recorded July 31, August 1 or 2, 1991 at BMG Studios, New York City
Disc Three: Total playing time: 72:42
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Jim Davis, Dave Gelly, Deborah Hay, Johnny Pate, Phil Schaap, Cynthia Sesso, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
3-1. Recorded July 30, 1953 at Fulton Studio, New York City
3-2. Recorded July 25 or 27, 1960 in Hollywood
3-3. Recorded September 17, 1949 in New York City
3-4. Recorded February 3, 1965 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
3-5. Recorded probably May 1, 1969 at Webster Hall, New York City
3-6. Recorded September 20, 1954 at Fine Sound, New York City
3-7. Recorded April 5, 1958 in New York City
3-8. Recorded July 27, 1954 at Universal Recording Studios, Chicago
3-9. Recorded October 16, 1957 at Capitol Studios, Hollywood
3-10. Recorded February 6, 1964 at A&R Studios, New York City
3-11. Recorded April 10, 1952 in Paris
3-12. Recorded probably November 10 or 13, 1970 at MPS-Studio, Villingen, Germany
3-13. Recorded August 1991 at Sigma Sound, New York City
3-14. Recorded January 20, 21, or 22, 1961 at The Summit, Hollywood
3-15. Recorded November 13, 1966 at Salle Pleyel, Paris
3-16. Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore
Some of these tracks were transferred from disc sources. Surface noise is audible.
Recorded at Avatar, NYC.
Mastered at Classic Sound, NYC.
© ? 2002 Tzadik
A Project of Hips Road
Recorded by MCG Jazz at Manchester Craftsmen's Guild, Pittsburgh, PA, October 1-3, 1993
Tracks 1-9: Recorded June 19, 1959 at Adriano Theatre, Rome. Previously released on [r4053079] & [r4053105].
Track 10 (*Bonus Track): Recorded May 19, 1959 in Stockholm.
This is a posthumous tribute by four musicians who worked with Gerry Mulligan, including both of his last two pianists and the bassist and drummer of his final quartet. Jazzspeak is an audio track featuring commentary by the musicians related to working with Gerry Mulligan.
Recorded June 6 & 7, 1996.
Original issue glass mastered by [l809818] on November 24, 1996 according to runout.
Recorded on September 30th and October 1, 1997
Piano (1977)
Palais De Mari (1986)
Universal Editions, Londres
Recording: Studio La Buissonne, Pernes -Les-Fontaines June 12 2001.
Total time: 79'10.
© 1998 Sony Music Entertainment Inc./? 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211
Recorded at the Music Box Theatre in Los Angeles on February 9 (1-4, 9) and February 16 (5-8), 1956.
[email protected]
Heads Up is a division of Telarc International Corp.
©? 2006 Head Up International
Made In U.S.A
Publishers:
1, 4, 8 Piecesjazz Publishing Inc. (ASCAP)
1, 4, 8 Boom Camp Publishing (BMI)
2, 3, 6, 7, 9 to 12 Piecesjazz Publishing (ASCAP)
2 Panjaya Music Publishing (ASCAP)
5 BMG Songs Inc. (BMI)
Released as a jewel case with a 10-panel foldout cover booklet, the last two panels being a Heads Up registration form.
A Compilation of tracks from Phillips' Kudu label releases
Recorded January,1997
Recorded on June 16 to 18, 2003.
Mixed on July 3 and August 25, 2003.
Total Time 49:17
Recorded & mixed in April & July 1999
Made in the E.U.
? & © 1999 EMI Music France
Kazumi Watanabe (chitarra), Vagabonde Suzuki (basso), Rikiya Higashihara (batteria), Tomoshiro Yahiro (percussioni), Masanori Shimada (tastiere).
Tributo a Django Reinhardt da parte dei chitarristi Sarane & Matelo Ferret.
Registrazioni dal vivo al Festival Newyorkese effettuate tra il 29 novembre e il 2 dicembre 2000. Con Bireli Lagréne, Regina Carter, Bucky Pizzarelli, Babik Reinhardt, Frank Vignola e altri
3CD. The first disc consists of the recordings Django made with the original [a355185] between 1934 and 1940.
The second disc covers '40 through '47.
The third disc spans '47 through '53, and finds Reinhardt moving away somewhat from his "gypsy jazz" and more toward a mainstream swing sound.
1934-40:
Track 1-1 taken from the [r=4336357] 10" shellac (Ultraphone AP-1422).
Track 1-2 taken from the 10" shellac (Ultraphone AP-1444).
Track 1-3 taken from the [r=11060610] 10" shellac (Ultraphone AP-1479).
Track 1-4 taken from Gramophone K-7706.
Track 1-5 taken from the [r=5256735] 10" shellac (Swing SW 2).
Track 1-6 taken from the [r=15579996] 10" shellac (His Master's Voice B-8737).
Track 1-7 taken from the [r=5257181] 10" shellac (Swing SW 7).
Track 1-8 taken from the [r=5259747] 10" shellac (Swing SW 23).
Track 1-9 taken from the [r=5288074] 10" shellac (Swing SW 77).
Track 1-10 taken from the [r=7973018] 10" shellac (Decca F.6616).
Track 1-11 taken from Decca F.9428.
Track 1-12 taken from Brunswick 505269.
Track 1-13 taken from the [r=10747465] 10" shellac (Decca F.6675).
Track 1-14 taken from the [r=7369389] 10" shellac (Decca F.6875).
Track 1-15 taken from the [r=6230314] 10" shellac (Decca F.6935).
Track 1-16 taken from the [r=13720751] 10" shellac (Decca F.7027).
Track 1-17 taken from the [r=5323107] 10" shellac (Swing SW 211)
Track 1-18 taken from the [r=6904177] 10" shellac (Decca F.7390).
Track 1-19 taken from the [r=9569123] 10" shellac (Swing SW 83).
1940-47:
Track 2-1 taken from the [r=13208705] 10" shellac (Swing SW 88).
Track 2-2 taken from the [r=13615934] 10" shellac (Swing SW 218).
Track 2-3 taken from the [r=5822979] 10" shellac (Swing SW 137).
Track 2-4 taken from the [r=8653176] 10" shellac (Rythme D 5017).
Track 2-5 taken from the [r=5316311] 10" shellac (Swing SW 183).
Track 2-6 taken from the [r=5442463] 10" shellac (Swing SW 158).
Tracks 2-7 and 2-8 taken from the [r=6542521] 10" shellac (Swing SW 254).
Tracks 2-9 and 2-10 taken from the [r=5336873] 10" shellac (Swing SW 229).
Track 2-11 taken from the [r=3665844] 10" shellac (Swing SW 242).
Tracks 2-12 and 2-13 taken from the [r=6564653] 10" shellac (Decca F.8604).
Track 2-14 taken from the [r=5397136] 10" shellac (Swing SW 253).
Track 2-15 taken from Decca (MB) 9243.
Track 2-16 taken from the [r=15275818] 10" shellac (Decca (MB) 9244).
Track 2-17 taken from Blue Star B.S. 37.
Track 2-18 taken from the [r=11845587] 10" shellac (Blue Star B.S. 38).
Track 2-19 has no additional information.
1947-1953:
Track 3-1 taken from the [r=6189674] 10" shellac (Blue Star B.S. 53).
Tracks 3-2 and 3-3 were recorded 11.08 or 11.13.1947 at the Studio Montparnasse, Paris.
Tracks 3-4 and 3-5 taken from the [r=5425117] 10" shellac (Swing SW 270).
Tracks 3-6 and 3-7 were recorded 11.21 or 11.28.1947 at the Studio Montparnasse, Paris.
Tracks 3-8 to 3-13 were recorded January or February 1949 the R.A.I. Studios, Rome.
Track 3-14 was recorded 10.25.1949 at the Radio Geneve Studios.
Tracks 3-15 and 3-16 taken from the [r=12499244] 10" shellac (Decca 21719).
Track 3-17 taken from Decca 36124.
Tracks to 3-20 were recorded 30.01.1953, Paris.
"Uno dei percussionisti più fantasiosi del decennio" secondo Miles Davis
2CD. Recorded December 12-16, 1994 at Edison Studio, New York, New York
2LP su 1 CD
Disc 1 recorded in London, 3/12/1968 & 2/01/1969.
Disc 2 recorded in London, 1/03 & 17/04/1970.
Recorded at the Van Gelder Studio, Englewoods Cliffs, New Jersey on November 29 and December 9, 1963.
(P)(C)2000 Capitol Records, Inc.
Printed in USA
Recorded in performance at The Pori International Jazz Festival in Pori, Finland, on July 25, 1994
Printed in U.S.A.
Mixed and mastered by Jim Fox at LION and FOX recording studios, Washington DC. Produced and arranged by Marcus Urani and Harrison Stafford. Additional intro and groove arrangements by Leroy "Horsemouth" Wallace. Executive produced by Jonathan McDonald.
Recorded live January 31, 1987 at Mohren, Willisau, Switzerland
Edited at Tonstudio Bauer
(on tray card:)
? 1987 JMT Productions • Stefan F. WInter • Postfach 14 03 06 • 8000 München 5 • Printed in West Germany
CD is manufactured by PDO, Hanover, West Germany
(on disc:)
? 1987 JMT Prod.
Stefan F. Winter,
München,
West Germany
Manufactured by PDO Hanover,
West Germany
Reissue of [r=4011723]
Recorded at RCA Studios, (Studio A), New York, NY, July 26-27, 1988
Mixed at Mission Control Studios, Westford, MA, August 29-31, 1988
Recorded and mixed using the Acoustisonic Process E.
CD face:
? 1989 BMG Music
Made in U.S.A.
Back inlay:
© 1989 BMG Music
Printed in the U.S.A.
Similar to [r8926930] except for matrix / runout - this version was manufactured by [l28272] (and has "MFD BY JVC" in the matrix / runout).
Solo piano performances featuring the music of Jelly Roll Morton, Duke Ellington and Thelonious Monk.
Marcus Roberts is named as "Marthaniel Roberts" (his actual given name) above the track list on the tray card and on page two of the booklet.
Regular jewel case, 8-page stapled booklet.
"Recorded with only natural reverberance (no artificial additives)."
Chris Minh Doky appears courtesy of Blue Note/EMI Records
Andrew Snitzer appears courtesy of Warner Bros. Records, Inc.
Skoota Warner appears courtesy of Popular Records
Kirk Whalum appears courtesy of Sony Music
Marc Antoine appears courtesy of NYC Records
Jeff Beal appears courtesy of Triloka
Nancy Wilson & George Shearing
Recorded at Capitol Studios, New York City on June 29, 1960 (#5,8,10,13,15,16), July 5, 1960 (#1,12,14,18), July 6, 1960 (#3,9,11,17) and January 7, 1961 (#2,4,6,7,19,20)
#1-12: originally issued as LP ST-1524
#13,14,20: previously unissued
#15-19: originally issued on CD 7-99190-2
?&© 2004 Blue Note Records
Recorded July 7, 1979 at Onkel Po's Carnegie Hall, Hamburg
Recorded April 1983 at Talent Studio, Oslo.
? 1984 ECM Records GmbH
This recording of South Indian classical music features three of India's most exciting performers, each of whom was a member of the group Shakti. Raga Aberi is Shankar's original composition and is played as one continuous piece in a tala of 4 and 3/4 beats (4 kala Pallavi).
Recorded and mixed at Syntasy Studio, San Francisco.
Roy Campbell (Tromba), Alex Lodico (trombone), William Parker (basso), Josh Roseman (trombone) e Matthew Shipp (sintetizzatore Korg)
Tracks 1-3 and 6-9 recorded in Japan, July 27, 2001.
Tracks 4, 5, 10 recorded at Seltzer Sound, New York, NY January 2002.
Recorded New York City; December 1960.
1-7: Chicago; July 7, 1939.
8-12: New York; November 10, 1939.
13-18: New York; November 22, 1939.
19-24: New York; December 12, 1939.
Recorded in concert on Guam, January 17, 1952 & 1951.
Bass on tracks 4, 5, 7-11 probably by Chris...(unknown Philipino bass player)
Originally on REGENT MG-6001 ([url=www.discogs.com/release/5028788]Jazz South Pacific[/url] with Pettiford) and HILO LP 6002 as "Jazz goes to the battlefront vol.2" (with Philipino bass player)
The Billboard p. 42: "Oscar Pettiford heads a jazz sextet which has begun a tour of Army camps fot the USO. The unit is known as the "Swingin' Jamboree" and along with Pettiford includes trumpeter Howard McGhee, tramist Jay Johnson, drummer Charlie Rice, tenorist Budd Johnson and guitarist Clifton Best."
The USO unit was put together by Pettiford. It debuted at shows in New Jersey and at Pine Camp in northern New York state. They went overseas on Nov. 3 after playing a number of USO dates at camps across the United States. Then they went to Korea, Japan, and Southern Pacific islands. However, this group encountered internal problems that resulted in Pettiford leaving the tour early to return to the United States. Cf. Ralph Gleason's article in Down Beat (February 22, 1952). - "It was cold like something else," Rice said of Korea. "We'd be playing for five minutes, and the guys' lips would freeze to the mouthpieces."
Recorded November 1, 2, 3, 1995
Recorded and mixed at Clinton Recording Studio A, New York City on January 13-14, 1998
Mastered at Gerard Sound Lab, New York
Cat# on disc: RR 123292-2CD
Cat# on back inlay: RR 123292 - 2 CD
Cat# on spine: 123292 - 2 RED
Cat# on back sleeve: 123292.2
Recorded at Kenneth Nash Studios, Oakland, California, March 7, 2000
This entire album is dedicated in loving memory of the great Nat King Cole.
May his spirit and his music live through eternity. (Robert Stewart).
Total Time: 58'52".
Made in Italy.
Con Major Holley. Recorded on July 14th 1977 at Radio Monte Carlo Studio.
Telarc DSD master file source.
Recorded June 8-10, 2003 at Conway Studios, Studio C, Hollywood, CA.
Orchestra recorded August 12, 2003 at O'Henry Sound Studios, Studio A, Burbank, CA.
? & © 2004 TELARC
Made in U.S.A.
Recorded March 1969, London. First release on Vinyl LP by DERAM with cat # DML-R1045 (UK) in 1970.
DERAM a PolyGram company
?© 1970 The Decca Record Co.Ltd. London England
Tracklisting is incorrectly given on artwork as below, but the CD actually places the second LP side (4,5) before the first (1,2,3):
1. Galata Bridge
2. Caractacus
3. Premonition
4. Event (a) Gathering (b) Ritual (c) Circle Dance
5. How Many Clouds Can You See?
Recorded May, 1989, RPM Sound Studios, N.Y.C.
? 1989 Polydor K.K., Tokyo Japan
© 2003 Winter&Winter, München, Germany
[Disc] ? 2003 Winter & Winter, München, Germany
Recorded and mixed at Greenpoint Studio, Brooklyn, NY
Originally released in Japan by Polystar in 1995
Recorded on May 18th, 2004
at Maxine Studio, Milano
Recorded at South Lake Studios, Metairie, LA, April 17 and June 6, 1987.
Mixed and edited at Blue Jay Studios, Carlisle, Mass.
Recorded at Auditorium Giovanni XXIII di Nembro (Bergamo) January 1998
Alberto Baila alla chitarra acustica, Enrico Frongia alla voce e alla chitarra acustica, Riccardo Lai al contrabbasso e voce con ospiti Eugenio Luglié al flauto, Paolo Sanna alle percussioni e Alessandro Garau alla batteria.
Recorded March 1970.
Remastered at Sound Recording Technology, Cambridge 1994.
Catalog# "BGOCD231" on sleeve, "BGO CD231" on CDs.
? 1970
© 1994
Recorded 3-4 Dec, 1993 in NYC
Recorded at Allan Eaton Studios between November 1997 and March 1998. Tracks 4, 17, 20, 21 recorded at Adeney St Studios (1999)
Mastering at Estúdio Tom Brasil - São Paulo, Brasil
? 2000 Carmo Produções Artisticas Ltda
© 2000 Carmo Produções Artisticas Ltda
Recorded live at “J's,” New York, N.Y.,
Tracks 1 to 6: May 1, 1989.
Tracks 7 to 11: April 24, 1989.
Misspelt 'The Chronogical Classics' on the front.
Track 4 "Pickin' On Your Baby" is correctly spelled only on page 6 of the booklet. On back inlay and booklet page 2, it's misspelt "Pickin' On You Baby".
1999 by TCB Music SA
Live alla "Casa Del Jazz" di Roma con special guests Javier Girotto, Roger Biwandu, Antonello Salis e Jorge Jr. Bezerra.
Transfers ? & © 1995 ASV, Ltd.
Recorded in Washington, D.C. in December 1956. All tracks previously unissued.
8 LP su 4 CD
Con Roy Eldridge e Harry Edison. Recorded February 1958 in New York City.
Tracks 1-5 original-LP issiue: Laughin' To Keep From Cryin' Verve MGVS 6054
Tracks 6 and 7 are bonus tracks, original-cd issiue: [r=2506269] 314 547 087-2
Originally released in 2000
Alexander Zonjic plays The Muramatsu Flute. Gary King's bass is the "Atlansia" by Nabuaki Hayashi.
Box 3 CD Special Edition.
Recorded March 13, 1958
Tracks 2, 4, 5, 6 previously unissued. All other performances previously issued on Savoy 12127
?&© 1985 Savoy Jazz Records
Made in Germany.
Edizione Limitata rimasterizzata 24 bit. Copertina digipack simile LP.
Tracks 1-7 Englewood Cliffs, New Jersey, 26 September 1962.
Track 8: Hakensack, New Jersey, 13 December 1957.
Track 9: Hakensack, New Jersey, 15 November 1957.
Track 10: Hakensack, New Jersey, 10 January 1958.
Track 11: Hackensack, New Jersey, 20 September 1957.
Attendere...