Bell'esordio per il trombonista di Sonny Rollins. Prodotto dallo stesso Rollins, con Larry Willis, Bob Cranshaw, Kenny Garrett, Stephen Scott, Christian McBride, Steve Jordan etc
Nuovo album per il batterista di colore, con Eric Alexander, Xavier Davis, Dwayne Burno, Steve Berrios, Helen Sung etc
Intrigante album per sassofonista di colore, con Kim Thompson, Miriam Sullivan, Shamie Royston etc
Il nuovo lavoro del giovane chitarrista jazz, figlio d'arte. Come al solito John rilegge classici di vario genere: da In Memory of Elizabeth Reed a Free Man in Paris.
Con il Quintet Hot Club de France. Un classico.
La Preservation Hall Jazz Band, un gruppo che ha più di cinquanta anni di attività alle spalle, è sinonimo, oltre che di grande musica, della città di New Orleans. Un gruppo che suona old time jazz ma anche blues, una band che ha le radici inculcate in ogni nota, ritorna tra noi con il primo disco di musica originale, da molti anni a questa parte. E la produzione è di Jim James, leader dei My Morning Jacket, che ha suonato spesso con la PHJB negli anni scorsi. Un cocktail di antico e moderno, per un album originale che mette la tradizione al pari dell'attualità.
Il nuovo lavoro per la High Note, 2015. Con Bruce Barth, Steve Nelson, Freddie Hendrix, Ray Mantilla etc
Filmworks XVI
Il bassista Michael Benita, a capo del suo quintetto ( con Philippe Garcia, Elvin Aarset, Mieko Miyazaki, Matthieu Michel ). ECM 2016
Daniel Lanois, produttore extraordinaire (Bob Dylan, U2, Neil Young, Willie Nelson, Emmylou Harris, per citarne alcuni) è, sopratutto, un musicista. Autore, compositore, cantante. Un musicista completo, a 360 gradi. E lo dimostra a tutti gli effetti in questo disco dove usa la pedal steel guitar e lavora a stretto contatto con la lap steel di Rocco DeLuca. Un disco fuori da ogni schema che mischia folk e musica contemporanea, intuizioni sperimentali e ricerche sulla melodia. Un disco che trascende i generi musicali.
Storica band che rappresenta la grande tradizione musicale di New Orleans. Esistono da moltissimo tempo ed hanno cambiato i musicisti diverse volte. Ma lo spunto originario della band rimane sempre quello di preservare le tradizioni musicali della Crescent City. In questo nuovo album, i due leaders Ben Jaffe ( che è anche il produttore, assieme a Dave Sitek) e Charlie Gabriel, dopo un viaggio a Cuba, hanno deciso di unire le due culture e creare un suono che è molto influenzato dalla musica cubana, ma che mantiene comunque profonde radici in quello di New Orleans. Un cocktail intrigante che mischia antico e moderno.
Live at the Village Vanguard, 26 Novembre 1988. Super quartetto cpmpletato da Buster Williams ed Al Foster. Resonance Records, bella edizione in digipack.
Golden Striker Trio Live at the Theaterstübchen in Kassel, con Donald Vega e Russell Malone, 2017.
Nuovo album per la ECM per il pianista Kit Downes. Questa volta Downers suona assieme a Petter Eldh al basso e James Maddren alla batteria.
2 CD.L'ultimo lavoro del grande jazzista, 2020.
Un classico di Lester Young, registrato nel 1958, con Harry Sweets Edison ( il disco è stato edito come Pres e Sweets, i due soprannomi ). E con Oscar Peterson, Herb Ellis, Roy Brown, Lou Sttein, Louie Bellson etc.
Il primo album del chitarrista jazz americano
Recorded & mixed at East Hill Studios, NYC, November 1991
Recorded at Van Gelder Studio, Hackensack, NJ; June 20, 1958.
All transfers were made from the analog master tapes to digital at 24-bit resolution.
? & © 2006 Concord Music Group, Inc.
Recorded in Englewood Cliffs, New Jersey on April 25, 1969.
Originally issued as Blue Note BST 84318.
Recorded at Sound On Sound Studios, New York, NY on April 20, 21 and 23, 2000
Additional recording at Atomic K Studios, Minneapolis, MN
Mixed at G Studio Digital, Studio City, CA
Mastered at Classic Sound, New York, NY
Sounds of Blackness appears courtesy of Zinc Records
Take 6 appears courtesy of Reprise Records
Kirk Whalum appears courtesy of WArner Bros. Records
Beverly Botsford plays Latin Percussion
Ed Thigpen uses Remo drums, Sabian Cymbals and Calato Sticks and Brushes
?© 2000 Concord Records, Inc., 2450-A Stanwell Drive, Concord, CA 94520. Manufactured in the E.U.
Recorded December 17, 1959
Printed in JAPAN
Digitally recorded live on March 3-6, 1991 at the Café Montmartre, Copenhagen.
Mastered at A&M Studios, Hollywood, California
?&© 1992 PolyGram S.A. France
Recorded at Musikhögskolan i Piteå, Sweden on June 15, 2000
Mixed in March 2001
Mastered at Futuredisk in March 2001
1996 GRP Records, Inc.
Recorded Feb 7-9 1995 in KMH-studio, Stockholm
? 2001 Universal Music AB
© 2001 Universal Music AB
Recorded Dec 1961 to Feb 1962.
Ralph Reichert al sassofono tenore, Kurt Weiss alla tromba, John Mosca al trombone, Danilo Memoli al piano, Stefano Senni al basso e Mauro Beggio alla batteria.
Recorded March 1996
© 1996 by SteepleChase Productions ApS
Made in Denmark
© & P 1996
2-Disc set: CD and DVD
DVD Region: 1, 2, 3, 4, 5, 6
Blue Note Records: ?© 2020 Charles Lloyd under exclusive license to UMG Recordings, Inc.
Il pacchetto è organizzato sotto forma di un libro con copertina rigida che contiene 40 pagine con note di copertina, informazioni e fotografie più due dischi nelle tasche di carta attaccate ai passanti anteriori e posteriori.
Recorded at The Space Harajuku, Tokyo, 8th February, 1986. Mixed at Studio Sky and Two Two One. Tracks 1 & 5 remixed at 39th Street Music.
Dedicated to Miss Liz.
1, 2, 4, 5, 7: Barking Lady Music (BMI)
3: Tablehead Music (BMI)
6: Brazen & Cavalier Music (BMI)
Made in U.S.A.
Recorded in U.S.A.
Printed in U.S.A.
CMP Records 1990 Recorded at Ztudio Zerkall, December 1988. Mick Karn (basso), Michael White (tromba), Michel Lambert (batteria) e David Torn (chitarra).
Both Miles Davis and Bill Evans claim sole authorship of track 6. The BMI database credits only Miles Davis.
Recorded at Capitol Recording Studios, Hollywood, California, September & October, 1976.
Recorded April, 1995
A Compilation of tracks from Phillips' Kudu label releases
Recorded on June 16 to 18, 2003.
Mixed on July 3 and August 25, 2003.
Total Time 49:17
Chris Minh Doky appears courtesy of Blue Note/EMI Records
Andrew Snitzer appears courtesy of Warner Bros. Records, Inc.
Skoota Warner appears courtesy of Popular Records
Kirk Whalum appears courtesy of Sony Music
Marc Antoine appears courtesy of NYC Records
Jeff Beal appears courtesy of Triloka
This recording of South Indian classical music features three of India's most exciting performers, each of whom was a member of the group Shakti. Raga Aberi is Shankar's original composition and is played as one continuous piece in a tala of 4 and 3/4 beats (4 kala Pallavi).
Recorded and mixed at Syntasy Studio, San Francisco.
Roy Campbell (Tromba), Alex Lodico (trombone), William Parker (basso), Josh Roseman (trombone) e Matthew Shipp (sintetizzatore Korg)
Recorded in concert on Guam, January 17, 1952 & 1951.
Bass on tracks 4, 5, 7-11 probably by Chris...(unknown Philipino bass player)
Originally on REGENT MG-6001 ([url=www.discogs.com/release/5028788]Jazz South Pacific[/url] with Pettiford) and HILO LP 6002 as "Jazz goes to the battlefront vol.2" (with Philipino bass player)
The Billboard p. 42: "Oscar Pettiford heads a jazz sextet which has begun a tour of Army camps fot the USO. The unit is known as the "Swingin' Jamboree" and along with Pettiford includes trumpeter Howard McGhee, tramist Jay Johnson, drummer Charlie Rice, tenorist Budd Johnson and guitarist Clifton Best."
The USO unit was put together by Pettiford. It debuted at shows in New Jersey and at Pine Camp in northern New York state. They went overseas on Nov. 3 after playing a number of USO dates at camps across the United States. Then they went to Korea, Japan, and Southern Pacific islands. However, this group encountered internal problems that resulted in Pettiford leaving the tour early to return to the United States. Cf. Ralph Gleason's article in Down Beat (February 22, 1952). - "It was cold like something else," Rice said of Korea. "We'd be playing for five minutes, and the guys' lips would freeze to the mouthpieces."
Cat# on disc: RR 123292-2CD
Cat# on back inlay: RR 123292 - 2 CD
Cat# on spine: 123292 - 2 RED
Cat# on back sleeve: 123292.2
Recorded at Kenneth Nash Studios, Oakland, California, March 7, 2000
This entire album is dedicated in loving memory of the great Nat King Cole.
May his spirit and his music live through eternity. (Robert Stewart).
Total Time: 58'52".
Made in Italy.
Recorded March 1969, London. First release on Vinyl LP by DERAM with cat # DML-R1045 (UK) in 1970.
DERAM a PolyGram company
?© 1970 The Decca Record Co.Ltd. London England
Tracklisting is incorrectly given on artwork as below, but the CD actually places the second LP side (4,5) before the first (1,2,3):
1. Galata Bridge
2. Caractacus
3. Premonition
4. Event (a) Gathering (b) Ritual (c) Circle Dance
5. How Many Clouds Can You See?
Transfers ? & © 1995 ASV, Ltd.
Originally released in 2000
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