Colonna sonora originale del film con musiche di Carlo Rustichelli. Rimasterizzata e con bonus tracks.

Colonna sonora originale del film con il singolo "Hit Between The Eyes" degli Scorpions e brani di Ministry, Jesus & MAry Chain, Little Feat, Jesus Jones e altri.

Track 2 mix engineered at Olympic Studios, London. Additional mixing at The Record Plant, Los Angeles.
Track 3 mix engineered at Abbey Road Studios, London.
Track 9 recorded and mixed at Todd-A-O Scoring.
Track 12 recorded at Sonic Innovation and Real World Studios, England. Additional production and mix at Townhouse, England.

Total time 50:19

© Disney
? 1997 ABC, Inc.
Printed in Italy

Track1 from KFI 50th Anniversary Show, 16 April 1972
Track 2 from Chase And Sanborn Show, 10 June 1945
Track4 from G.I. Journal #85, 9 March 1945
Track 10 from Command Performance #13, 9 September 1944
Track 12 from Philco Radio Time, 12 February 1947

Tracks 6, 8, 9, 11 can also be found on "3hrs, 59 min, 51 secs...".

Tracks 3, 5, 7, 10 & 13 are songs from various movies by the Marx Brothers.

Issued by arrangement with:
Radio Transcription Licensing Services (USA)

Date of recording: 1966 - 1970. Part Of the "Schema Easy Series".

Track 5 from Un Uomo Una Donna
Track 7 from Il Grande Colpo Dei 7 Uomini D'Oro
Track 8 from Jekyll TV series
Track 17 from Il Mondo Di Notte 2
Track 19 from Metti Una Sera A Cena
Track 20 from Scacco Alla Regina

Original Music Score Composed and Produced by Michael Convertino
Performed By The Hollywood Symphony Orchestra
Conducted By Artie Kane

Released in The US by Milan Records on December 1, 1994
Has been reissued by Amazon.com as part as MOD title through their website. Looks almost identical to original Milan release but a CDR.

This compilation ? 1999 London Records USA. Motion Picture Artwork and artwork title © 1998 Touchstone Pictures. Manufactured and marketed by Polygram Records Inc. NY, NY.
Made and printed in the USA.
Wes Anderson & Randall Poster are listed as the producers for the entire soundtrack on the artwork.

Wes Anderson writes in a booklet:
"I originally wanted to score the whole movie of 'Rushmore' with songs by the Kinks. I thought this made sense because the Kinks played loud, angry, teenage rock songs, and they wore blazers and ties; and our movie is about a teenager who is loud and angry, and he is almost never seen without his blazer and tie (until he switches to a green velvet suit). I eventually expanded this concept to include the whole British invasion, because they all basically dressed like that.Then we did some research and started making tapes labeled SCHOOL MOVIE MUSIC, which I listened to on road trips while we were writing the script. Sometimes I put the same song on a tape five or six times in a row, because your mind wanders when you're on the road, and repetition helps you focus your concentration. We played lots of this music on the set during the shot in Houston with a Bose stereo that Bill Murray got for us. My assistant had to lug the Bose around and get electricians to give her extension cables, and the inconvenience of that eventually led her to quit, although there were probably other factors which i don't know about. At the end of the shoot Murray gave the Bose to one of the make-up people. The only song we used* that's not British Invasion is the Yves Montand rendition of 'Rue St. Vincent', but I think that's a good one to stand on its own.
Thanks very much, and I hope you enjoy this album."
Wes Anderson
*(Except Zoot Sims and Mark Mothersbaugh.)

Featuring new music by Amanda Marshall, Bruce Hornsby, Mary Chapin Carpenter, Chris Isaak, and Shawn Colvin.