The 'Chiller' logo is treated with glow-in-the-dark ink.

Recorded in Music Hall, Cincinnati on October 23 & 24, 1988

?© 1989 Telarc
Track 2 published by The Really Useful Group. Administered by Colgems-EMI Music, Inc. (ASCAP)
Track 9 published by SBK April Inc. (ASCAP)
Track 11 published by SBK Catalog - Universal Music Corp. (ASCAP)
Track 12 published by Bourne Co. (ASCAP)
Track 13-15 published by Ensign Music Corp. (BMI)
Track 16 published by John Addison (ASCAP)
Track 18 published by SBK Affiliated Lion (BMI)
Track 19 published by EYETEECEE Music, Inc. (ASCAP) & Hollyweed Music Co. (ASCAP)

Recorded in Music Hall, Cincinnati on October 23 & 24, 1988
Microphones: Schoeps MK-2S & MK-3
Digital Recording Processor: Soundstream
Console: Neotek, custom build, wired with Monster Cable, Series III
Monitor Speakers: ADS Model 1530 wired with Monster Cable
Power amplifier: Threshold Model S/500 Stasis Series II with optical bias
The entire path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000 Series I Prolink and Series III Prolink bandwidht balanced
Control Room Acustic Treatment: Sonex from Illbruck/USA, Soundex from Monster Cable, Tube Traps by ASC, RPG diffusors
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e. compression, limiting or equalization) at any step during production.
Digital Editing: Sony DAE 3000

I grandi musicals di Hollywood suonati da Eric Kunzel e dalla Cincinnati Pops Orchestra.

20-Bit Digital Surround Sound

Recorded September 10, 1990 at Music Hall, Cincinnati, OH.

Publishing:
track 3 (The Magnificent Seven): CBS U Catalog Inc. (ASCAP)
track 4 (The Furies Suite): Famous Music Publishing Companies / Fidelio Music Company (ASCAP)
track 5.1 (Bonanza): Livingston & Evans Inc. (ASCAP)
track 5.2 (Rawhide): Volta Music Corp. (ASCAP)
track 5.3 (Wagon Train): Northern Music Co. (ASCAP)
track 5.4 (The Rifleman): John Paul Music Company (ASCAP)
track 6 (How The West Was Won): CBS Robbins Catalog Inc. (ASCAP)
track 7 (Gunfight At The O.K. Corral): Famous Music Corp. (ASCAP)
track 8 (Pops Hoedown): Mills Music Inc. (ASCAP)
track 9 (Big Country): Chappell Music (ASCAP)
track 10 (Hig Noon): CBS Feist Catalog Inc. (ASCAP)
track 12 (Western Medley): Yorkville Music Co. (ASCAP)
track 13 (Themes From Silverado): Golden Touch Music Corp. (ASCAP)

Technical Information:
Recorded in Music Hall, Cincinnati on September 15 & 16 1986.
Microphones: Schoeps MK-2S
Recorders: Sony PCM 1610 Digital Tape Recorded modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: ADS Model 1530
Power Amplifiers: Threshold S/5000 Stasis, Series II
Microphone & Interconnecting Cables: Monster Cable Prolink & Interlink
Control Room Acoustic Treatment: Sonex from illbruck/usa, Soundex from Monster Cable
Digital Editing: Soney DAE 100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any step during production.
Carillons courtesy of The I.T. Verdin Co.

In booklet (final page):
? © 1986 TELARC® All Rights Reserved
TELARC INTERNATIONAL CORPORATION
PRINTED IN JAPAN

On disc:
Manufactured by Matsushita Electric Ind. Co. Ltd. Osaka, Japan, under authority of Telarc International Corporation, Cleveland, Ohio, U.S.A.
? © 1986 TELARC®
Made in Japan

On traycard:
PURE DIGITAL! All Telarc Compact Discs are produced exclusively from Digital masters made during the recording sessions.
? © 1986 TELARC® All Rights Reserved
TELARC INTERNATIONAL CORPORATION
MADE IN JAPAN

Date of the recording: June 4, 1990
TT: 75:02