Due classici LP Atlantic in un CD: Western Man, 1971, e Mose in Your Ear, 1972.
Con Harry Sweets Edison e Jimmy Forrest. Un classico dello swing, registrato dal vivo al Birdland, New York, nel 1962.
Piano e basso, Filippini e Mencarelli si propongono come duo jazz di sicuro avvenire.
Nuovo album per il pianista, con Gary Versace e Danny Gottlieb. 2007.
Con Donald Byrd, Johnny Coles, Bob Cranshaw, Walter Perkins. New York 1962.
In trio, con Francois Moutin e Louis Moutin, 2008
Nuovo lavoro per il famoso chitarrista soft jazz. Uno dei più famosi musicisti di smooth jazz.
Songs for saxophone and piano. ECM 2010.
Nuovo lavoro, 2011, per il trombettista
Il nuovo album, il primo di Berne per la ECM. 2012. Con Oscar Noriega, Matt Mitchell, Ches Smith.
Il nuovo, attesissimo, lavoro del trio di Mark Turner con Larry Grenadier e Jeff Ballard.
Nuovissima collaborazione tra due maestro del soft jazz. 2012
2 CD. Doppio dal vivo, registrato nel Luglio 2009, al mitico Village Vanguard, per il trio di Bill Carrothers
Inglese, bandleader di un ensemble che richiama le grandi orchestre degli anni trenta e quaranta, Page è un anacronismo vivente.Infatti la sua visione musicale è ancorata ad un periodo determinato, quello a cavallo della seconda guerra mondiale. Spettacolare nei suoni, Page offre un deja vu di grande classe.
John Medeski, leader del trio Medeski, Martin & Wood, esordisce come solista con un disco di piano. Diverso da quanto ha fatto sino ad ora, diverso anche dal disco in duo con Matthew Shipp, Medeski offre un lavoro in cui prevale la sua vena intimista.
Il nuovo album del trombettista, con un trio in cui ci sono Lenny White alla batteria e Vicente Archer al basso. Otttanta minuti di grande jazz
Jazz, soul, electronic music fusi in unico suono, una nuova dimensione jazz. Si tratta di un giovane gruppo ingelse che mette assieme musicisti di varie esperienze, guidati dal pianista Dave Stapleton. Altri musicisti: Deri Roberts, la cantante Dionne Bennett ed il batterista Elliott Bennett. Hanno già un seguito notevole in Inghilterra ed in Germania.
Musiche di Copland, Husa, Vaughan Williams, Hindemith
Ristampa rimasterizzata di un classico album dal vivo, registrato nel 1972. Grande successo all'epoca. Dave Brubeck, Gerry Mulligan, Paul Desmond, Alan Dawson e Jack Six. Mitica la versione di Take Five di 16 minuti.
Il nuovo lavoro del trombettista jazz, con Victor Gould, Jonathan Barber, Jacquelene Acevedo e Vicente Archer. Highnote Records, 2017
Tra i migliori pianisti della attuale scena jazz Usa, Childs è anche noto per avere pubblicato, di recente, un tributo a Laura Nyro, molto lodato dalla critica d'oltre oceano, Map to the Treasure: Reimagining Laura Nyro. In questo nuovo album Childs suona con un quartetto, formato da Steve Wilson, Hans Glawischnig e Eric Harland.
Sesto volume per le session di Art Pepper. Una serie di registrazioni edite, parzialmente, solo in Giappone.- Ed ora disponibili nel resto del mondo. Questo volume contiene registrazioni del Maggio 1981, con la partecipazione di Shelly Manne, batterista extraordinaire.
Trio jazz che proviene da Manchester, elevato ai massimi sistemi dalla criticA d'oltre manica. Il trio mischia bellamente jazz, rock e musica elettronica, in un cocktail sonoro innovativo ed affascinante. The Next Big Thing, per certa stampa inglese
Karin Krog, formidabile jazz singer norvegese, unisce le sue forze con il grande Georgie Fame, per rileggeree le composizioni di Tadd Dameron. Il disco ha già vinto numerosi premi nel nord Europa
2 CD. Attesissimo, ecco il nuovo album di Keith Jarrett. Si tratta di una formidabile esibizione da solista, Keith Jarrett ed il suo pianforte, registrata a il 16 Luglio 2016 alla Philarmonic Hall di Monaco. Una suite dirompente, che si svolge attraverso una performance spontanea, dove l'artista modula scale melodiche ed introspettive attraverso una serie di straordinari monologhi. La parte finale della performance vede poi l'artista concedersi delle riletture classiche, atraverso brani quali Somewhere Over The Rainbow, It's A Lonesome Old Town, Answer Me My Love.
Registrato all'età di 91 anni, come omaggio per i suoi nipoti, LUllabies rimane l'ultima registrazione del grande pianista. Un disco particolare in cui Brubeck rilegge classici e standards, brani dedicati ai bambini, ninne nanne, ma anche jazz standards e classici tratti dal great American songbook. L'album, suonato con il suo inimitabile stile, è un disco piacevolissimo, tutto da godere. Brubeck rilegge brani come Brahms Lullaby, Danny Boy, Over The Rainbow, There No Place Like Home, When It's Sleepy Time Down South, Summertime, All Through The Night, Koto Song.
John Beasley, dopo due dischi dedicati a Monk ( MONK'estra Vol 1 e 2 ) mette a punto un terzo disco, sempre assecondato dal suo gruppo MONK'estra. Questa volta rilegge le sue composizioni, ma ci aggiunge ancora quattro brani di Monk, uno di Ellington ed uno di Parker.
Kenny Burrell in trio, Newport Jazz Festival 1976. Performance inedita, incisione ottima. Burrell si esibisce con Lisle Atkinson, basso, e Freddie Waits, batteria.
EP 12". Record Store Day Black Friday 2020.
Vinile colore rosso fuoco, con alberi natalizi sulla copertina. Originale pubblicazione, tratta dal recente album di Brubeck, in tiratura estremamente limitata
Nuovo album per il grande jazzista. Questa volta Holland ha registrato il disco con un trio di all stars formato, oltre che da lui, da Kevin Eubanks e Obed Calvaire. Another Land è un disco interessante, come confermano brani dalla struttura intensa quali Grave Walker, Gentle Warrior, la title track Another Land, The Village e Bring it Back Home.
Debutto per Blue Note al quarto album a proprio nome per il batterista di Filadelfia Jonathan Blake, uno fra i musicisti più versatili ed apprezzati della scena statunitense, con esperienze a fianco di riferimenti del jazz come Tom Harrell, Kenny Barron, Dr. Lonnie Smith, Maria Schneider e la Mingus Big Band, così come di rapper (Q tips) e musicisti house, che gli hanno procurato, nella stampa oltreoceano, il titolo di “vero modernista”.
Le registrazioni dei due grandi sassofonisti, assieme
Concerto in omaggio a Charlie Parker, con Ray Brown, Milt Jackson, Hank Jones, Philly Joe Jones, James Moody.
Edizione giapponese
2LP. Album natalizio per il pianista californiano.
Tracks 1 and 2: recorded July 1993 at BBC Studios, Manchester, England.
Tracks 3 and 4: recorded December 1995 at Abbey Road Studios, London, England.
Recorded in concert September 19-24, 2002, at Avery Fisher Hall, Lincoln Center, New York City.
Recorded, 1993, New York City, USA.
Recorded at Bell Sound Studios, New York City; January 27 (2-3, 7, 9-10), February 21 (5, 6), and March 13 (1, 4, 8), 1961.
This Edition Is Limited To 10,000 Copies
Recorded live at The Jazz Workshop, San Francisco, September 22/23 1962
2001 Capitol Records, Inc.
4 CD: Cofanetto che include gli album: Spontaneous Combuustion, Jubilation, Blue Funk e Hi-Fly.
"Emptiness": Dedicated to Olivier Messiaen.
"10th of February": Dedicated to Efim Alperin.
Recorded at home
by Misha Alperin, February 1998
Edited and mastered
at Rainbow Studio, Oslo
An ECM Production
? 2001 ECM Records GmbH
© 2001 ECM Records GmbH
Printed in Germany
Recorded July 2006
Auditorio Radio Svizzera, Lugano
An ECM Production
In collaboration with RSI Rete Due, Lugano
? 2008 ECM Records GmbH
© 2008 ECM Records GmbH
Printed in Germany
Recorded in Los Angeles in March 1958.
Originally released as a High Fidelity recording RCA Victor LPM-1215
Orchestra arranged and conducted by Luis Arcaráz
Recorded in Los Angeles, 1956
Edizione giapponese
Digitally recorded and mixed at Bauer Studios, Ludwigsburg March 1990
Total Time: 53:55
?&? 2007
2LP su 1 CD: Worried Mind e I Almost Lost My Mind
Recorded at The Boiler Room, New Orleans, Louisiana, on June 20-22, 1995
Mixed at The Manhattan Center, New York City, on July 27-29, 1995
Recorded November 1964
Track 11-13 are previously issued bonus tracks from the same sessions.
Track 14 and 15 are previously unissued bonus tracks.
? © 1999 Polygram Records, Inc.
#1-7: Recorded September 23, 1954; probably at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-3.
#8-14: Recorded in 1954-55 at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-6.
? 1983 & © 1998, Fantasy, Inc.
Recorded November 1, 1982 at PRT Studios, London.
Remastered 1998.
Tracks #1-11 originally issued on Roulette SR 52061.
#12 & 13 originally issued as Roulette single 4273.
#14 previously unissued.
Tracks 12 to 14 are bonus tracks.
Recorded at Capitol Studios in New York in July, 1960 (tracks 12 to 14) and January, 1961 (tracks 1 to 11)
2CD. Con The Copenhagen Art Ensemble, Herb Robertson e Marc Ducret.
Title also appears on the release as “The E.P. Collection”.
Recording locations, recording dates, ? and original [l47558] matrix Nr.:
. Track 1: New York, Jan 10, 1951, ? 1951 GML Inc., K9007-1
. Track 2: New York, Jan 23, 1951, ? 1951 GML Inc., K9018
. Track 3: Los Angeles, Apr 23, 1956, ? 1956 GML Inc., K9756-1
. Track 4: Cincinnati, Oct 4, 1951, ? 1951 GML Inc., K9085
. Track 5: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8202
. Track 6: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9172
. Track 7: New York, Jan 23, 1951, ? 1951 GML Inc., K9020
. Track 8: New York, Dec 17, 1952, ? 1953 GML Inc., K9225
. Track 9: New York, Mar 23, 1950, ? 1950 GML Inc., K5878
. Track 10: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9325
. Track 11: New York, Oct 13, 1950, ? 1950 GML Inc., K5978
. Track 12: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8200
. Track 13: Los Angeles, May 4, 1955, ? 1955 GML Inc., K9628
. Track 14: New York, Jan 23, 1951, ? 1951 GML Inc., K9021
. Track 15: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8203
. Track 16: Cincinnati, Oct 4, 1953, ? 1953 GML Inc., K9341
. Track 17: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8201
. Track 18: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9173
. Track 19: Los Angeles, June 6, 1953, ? 1953 GML Inc., K9294-1
. Track 20: Los Angeles, Feb 2, 1957, ? 1957 GML Inc., K9935-4
. Track 21: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10076
. Track 22: New York, Oct 8/9, 1954, ? 1954 GML Inc., K8506-1
. Track 23: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9328
. Track 24: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9439
. Track 25: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9436
. Track 26: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10074
The tracks on this collection are taken from the following EP's:
. Tracks 1, 4 Parlophone Earl Bostic EP GEP 8506
. Tracks 5, 7 Parlophone Earl Bostic EP GEP 8513
. Tracks 6, 8, 10 Parlophone Earl Bostic EP GEP 8520
. Tracks 11, 12, 18 Parlophone EP "Wrap It Up - Chop It Down" GEP 8539
. Tracks 2, 14 Parlophone EP "Earl's Imagination" GEP 8548
. Tracks 9, 15 Parlophone EP "Music A La Bostic" GEP 8571
. Tracks 21, 26 Parlophone EP "Alto Magic" GEP 8754
. Tracks 17, 19 Parlophone EP "Music A La Bostic No.2" GEP 8574
. Tracks 16, 23, 25 Parlophone EP "Music A La Bostic No.3" GEP 8603
. Tracks 3, 13, 20, 22 Parlophone EP "Bostic In Harlem" GEP 8637
. Tracks 24 Parlophone EP "Alto Sax And Mambo Strings" GEP 8565
This compilation:
? 1999 See For Miles Records Ltd. / G.M.L. Inc.
© 1999 See For Miles Records Ltd./ G.M.L. Inc.
Original sound recordings made by G.M.L. Inc.
The trademark Parlophone is the property of EMI Records Ltd. and is used with their kind permission.
Issued in standard jewel case incl. transparent tray and a 10-panel booklet.
Made in the EC.
Country of origin UK
Buddy Miles and Wilber Campbell miscredited on track 4.
Track 8 "Steamwhistle Jump" has unknown Kaye-Mann as writers but it's indeed "Take The A Train" written by Billy Strayhorn.
Recorded live at Willibrord Studios, Veenendaal, Holland on February 9 & 10, 1999.
Total playing time 74:01.
Recorded live at the SJU Jazzpodium in Utrecht, February 12, 2000.
Tracks 12, 13 and 23 are previously unissued.
Tracks 16 and 22 are alternative takes.
Recorded February 6, 1994 in the Music Theatre at the Arizona State University of Music, Temple [sic], Arizona for Tempest Studios.
Center for the Arts, Wesleyan University, 18 November 1994
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 2, 1961.
Recorded live at the Blue Note, New York, NYC, October 5-10, 1993.
- Original CD release mastered and pressed by DADC, no SID codes.
- Issued in standard jewel case with black tray including a 12-page booklet.
- Copies imported and distributed in Canada by Sony Music Canada Inc. have a sticker directly applied on the back inlay, under the plastic case.
- "Nice Price / Joli Prix" round sticker on cellophane.
Digitally remastered directly from the original analog masters.
Digital restoration and engineering at Sony Music New York Studio.
Contains previously released material.
Tracks 1 to 8 from the album [m121539].
Tracks 9 to 12 from the album [m110103].
© 1991 Sony Music Entertainment Inc. / ? 1991 Sony Music Entertainment Inc. / Manufactured by Columbia Records
2CD. CD 1 & CD 2 Track 1 recorded live at Bee Hive, Chicago, November 7, 1955.
CD 2 Tracks 2-6 recorded live at Basin Street Club, New York City, April 28, 1956.
CD 2 Track 7 recorded live at Copenhagen, November 12, 1953.
CD 2 Track 7: Bonus track
Total Time CD1: 73:24
Total Time CD2: 58:09
Recorded August 30, 1995 - August 31, 1995.
Grandi interpreti jazz cantano il repertorio del compositore americano: Cassandra Wilson, Sheila Jordan, Chet Baker, Peggy Lee, Nat King Cole e altri.
Recorded in Los Angeles late summer 1958.
Originally issued in 1959.
Recording Dates:
- Tracks 1 to 5 New York, October 1958
- Tracks 6 to 10 New York November 1958
- Tracks 11 1o 25 Los Angeles September 1958
Tracks 1 to 10 previously released as [r=15359581].
Tracks 11 to 22 previously released as [m=386774]
Complete album ASPECTS as bonus added
Con All-Star Sax Ensemble. Recorded October 18 and 19, 1988 at RCA Studios, New York, NY, USA.
Digitally remastered on 24-bit.
Reissue of the Club Français du Disque 10" LP's 6 (1-9) and 13 (10-15).
? 1954 (1-9) & 1956 (10-15) Universal Music S.A. France.
In quartetto con Harold Mabern al piano, Jamil Nasser al basso e Billy Higgins alla batteria.
Tracks 1 to 4:
Recorded in New York July 29, 1950
Tracks 5 to 9:
Recorded in Hackensack June 23, 1953
Recorded March 2001. In quartetto con Bob Malach al sassofono tenore, Calvin Hill al basso e Jeff Hirshfield alla batteria.
1993 JMT Productions
Recorded at United Recording, Los Angeles, CA
Strings Recorded at Capitol Studios, Los Angeles, CA
Mixed at Universal Music Studios, Nashville, TN
Mastered at The Bakery, Los Angeles, CA
Piano by Steinway & Sons
A Verve Records release.
?© 2019 Connick Performances, Inc. under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
Universal International Music B.V., Gerrit Van Der Veenlaan 4, 3743 DN, Baarn, Netherlands. Made in the EU.
Recorded live at The Village Vanguard on October 1, 1967.
Recorded at Bell Sound, New York City on May 11, 12 and 13, 1969
Mastered at the Malcolm Addey Studio, New York City
Registrazioni in quartetto e quintetto con il trombettista Flavio Boltro
In trio con Paolino Dalla Porta al basso e Bill Elgart alla batteria
Trio (fge) (tracks 4, 5, 9)
Digitally recorded at Studio MM Recording Lab, Parma, Italy, on April 15, 1994.
Trio (ftr) (tracks 1, 3, 7, 10)
Digitally recorded at Studio Acousti, Paris, France, on November 13, 1993.
Trio (fcb) (tracks 2, 6, 8, 11)
Recorded at Studio 7, Milan, Italy, on June 5, 1993.
Mixing: Bips Studio, Milan, Italy
Recorded live in August 1976 in Concord, California. con Hank Jones al piano, Red Norvo al vibrafono, Ray Brown al basso e Jake Hanna alla batteria.
Con Chris Potter ai sassofoni, Drew Gress al basso e Jack DeJohnette alla batteria
Registrazioni dal vivo con Swedish All Stars del 1951
Incisioni dal vivo effettuate in Svezia tra il 1949 e il 1951 di Stan Getz, James Moody, Lars Gullin e altri.
Recorded live at Keystone Korner, San Francisco (USA) May 11-16,1976
Con Kenny Clarke - Francy Boland Big band. Recorded June 14, 1971 at Cornet Studios, Cologne, Germany.
Comes in mini LP replica with insert.
2CD. Recorded live at the Ronnie Scott Club, London, on March 15, 16 & 17 1971.
Track 2-6 Previously unreleased.
? & © 1990 A & M Records Inc., Los Angeles.
Tanglewood, Lenox, MA, 2-3, 8, 1966.
Recorded March 3rd, 1972 in A&R Studios, New York. A Shadowbrook Production.
Recorded live at Keystone Korner, San Francisco, California, May 1981
Remix at PER, San Francisco, California
? © 1981 Concord Jazz, Inc.
2CD. Il secondo volume della retrospettiva completa del periodo Verve
? 1990 Polygram S.A. France
Recorded on November 4, 1981 at Studio Davout, Paris, France.
Digitally mixed on May 10, 1989 in Los Angeles.
Stan Getz plays both tenor and soprano sax on tracks 3 & 5.
Kenny Garrett sassofoni alto e soprano, Geri Allen al piano, Charnett Moffett al basso e Charles Moffett alla batteria.Recorded on June 19, 1993 at Crossroad Studio, NYC
Recorded on November 21, 2004 in New York City.
Mixed on January 13 & 14, 2005 in Hamburg, Germany.
Mastered on April 11, 2005 in Hamburg, Germany.
compilation of two Terry Gibbs LPs, " Swingin'" and "plays The Duke" plus tracks from an ABC TV show from1958
This compilation © & ? By Fresh Sound Records
Recorded Live at the Big Mama in Rome on January 26-27, 2000 con David Liebman, Daniel Humair e Furio Di Castri
Engineers Massimo Simonetti, Giovanni Onofri
Mixed on April 10-11-20, 2000 at Villariccio Sound Recording in Rome
Engineers Gianrico La Rosa, Andrea Camilletti
Track 12 is Tiziana Ghiglioni introducing the musicians by spoken word on a background of inside piano playing.
Recorded on January 9/12 and February 1/6, 1995
at Mu Rec Studio, Milano
© 1995 Soul Note
? 1995 Soul Note
A host of other session musicians play bass, drums, percussion, harmonica, and guitar on this Tom Grant album.
This album is dedicated to the memory of Wayne Brathwaite.
Recorded July, 1965.
© & ? 2008 ESP-Disk' Ltd.
In quartetto con Hugh Lawson al piano, Juni Booth al basso e Masahiro Yoshida alla batteria.
Recorded live at Manchester Craftsmen's Guild, Pittsburgh, PA, May 3-5, 2002.
Tracks 1- 9 recorded at the Newport Jazz Festival, Newport, Rhode Island on July 3, 1967 and were issued on the RCA LP Newport Uproar in January 1968.
Track 10 to 14 recorded June 30, 1956 in Madrid Spain and were issued on the RCA LP Jazz Flamenco in April 1957.
? 1995 Motown Record Company, L.P.
© 1995 Motown Record Company, L.P.
Distribution: Polydor/PolyGram.
Recorded in Los Angeles, July 1960.
Contiene una versione jazz di Fly Like an Eagle della Steve Miller Band.
Recorded "live" at The Ronnie Scott Club, London on 17-18th May 1962
2CD.
con Jack Bruce al basso, Tony Williams alla batteria, Shankar al violino, Zakir Hussain alla tabla e molti altri
Recorded May 1994 with the White Mobile, Auditorium F.L.O.G., Florence
An ECM Production
©? 1995 ECM Records
Recorded December 1988. Mixed October 1989. Master tape production assisted by the Performing Arts Board of the Australia Council.
Recorded July 2, 1944 at Philharmonic Auditorium, Hollywood.
Original recording produced by Norman Granz
This landmark concert was Verve Records' founder Norman Granz's first presentation - a concert hall jazz program planned as a jam session. This recording stands as the first recording in Verve's catalog as well - marking its fiftieth anniversary this year [i.e., the year this recording was released]
Total Playing Time 62:41
Tracks 1 & 3: Original 10"-LP issue: "Jazz at Carnegie Hall" Mercury / Clef MG 35005 (although this LP's title referred to Carnegie Hall, this selection came from the Los Angeles concert.)
Tracks 2 & 5: Original 10"-LP issue: "Jazz at the Philharmonic Volume 7" Mercury / Clef MG 35008
Tracks 4, 6 & 7: Original 10"-LP issue: "Jazz at the Philharmonic Volume 5" Mercury / Clef MG 35006
Reissued in 1994 at the time of Verve's 50th Anniversary.
Made in U.S.A.
Printed in the USA.
Recorded live to 2 track at Systems Two, Brooklyn, NY, Feb. 27-28, 2008
?© 2008 Greenleaf Music, Inc.
3CD/DVD. Cofanetto lussuoso in seta che raccoglie i tre dischi pubblicati dai Remember Shati: Remember Shakti, The Believer e Saturday Night In Bombay con l'aggiunta dell'inedi bonus track di 40 minuti Niyati e un bonus DVD con brani dallo storico concerto di Bombay deòl dicembre 2000.
2CD
Recorded at the Van Gelder Studio, Hackensack, New Jersey between 1952 and '56.
1-1 to 1-4: recorded March 2, 1952.
1-5 to 1-8: recorded January 31, 1953.
1-9 to 1-15: recorded October 25, 1953.
1-16 to 1-19, 2-1, 2-2: recorded August 5, 1954.
2-3 to 2-6: recorded February 27, 1955.
2-7 to 2-12: recorded April 1, 1956.
1-1 to 1-8: previously released on [r8216978]
1-9 to 1-14: previously released on [r8408388]
1-15: previously unreleased.
1-16 to 1-19, 2-1, 2-2: previously released on [r8491120]
2-3 to 2-6: previously released on [r9912755]
2-7 to 2-12: previously released on [r3376799]
Caption for uncredited photo on page 9 of booklet: Gil Mellé playing the worlds first drum machine, Percussotron III, in 1969 - for the "Andromeda Strain" ([a=Michael Crichton]) film score. It was designed and built by Mellé as well as two earlier versions in 1965.
Cat. No. on front cover and back of obi: 95718.
Cat. No. on traycard back and spines and obi spine: 7243 4 95718 2 2.
SBM ™ Super Bit Mapping
Recorded at Power Station, NYC on October 9 & 10, 1991
Strings recorded at Sound On Sound, NYC on October 7, 1991.
?,? 1992 Disk Union
Track 5 "Back Talk" is a variation of "Baby Talk" from release [r519346], maybe a typo on this release.
Recorded at Eastside Sound, NYC on December 6 & 7, 1993
Mixed at Eastside Sound, NYC on March 10 & 11, 1994
Mastered at Foothill Digital, NYC
? 1994 Disk Union
? 1994 Sony Music Entertainment Inc.
Manufactured by Columbia Records
Tracks 1-9: Recorded June 19, 1959 at Adriano Theatre, Rome. Previously released on [r4053079] & [r4053105].
Track 10 (*Bonus Track): Recorded May 19, 1959 in Stockholm.
Gerry Mulligan Quartet - Original air date: July 18, 1962.
Art Pepper Quartet: Original air date: May 9, 1964.
Tracks 1-1 to 1-6 recorded at Gold Star Studios, Hollywood, February 27, 1954
Tracks 1-7 to 1-12 recorded at Western Recorders, Hollywood, March 25, 1954
Tracks 1-13 to 1-19 recorded at Western Recorders, Hollywood, April 18, 1954
Tracks 2-1 to 2-7 recorded at Western Recorders, Hollywood, July 14 & 18, 1954
Tracks 2-9, 2-11, 2-12, 2-16 recorded at Western Recorders, Hollywood, September 16, 1954
Tracks 2-8, 2-10, 2-13 to 2-15 recorded at Western Recorders, Hollywood, September 27, 1954
Tracks 2-17 to 2-22 recorded at Western Recorders, Hollywood, September 29, 1954
Tracks 3-1 to 3-8 recorded at Western Recorders, Hollywood, August 29, 1954
Tracks 3-9 to 3-19 recorded at Western Recorders, Hollywood, December 13, 1954
Comes with 84 page booklet.
(P) 1997 PolyGram Records S.A. (Greece)
(C) 1997 PolyGram Records S.A. (Greece)
? & ? 1998 by Fresh Sound Records
Recorded at Fox Fire Studio, Van Nuys, California on December 13 & 14, 1997
Mastered at Cactus Tree Motel, Mar Vista
Recorded at Contemporary's studio, Los Angeles; July 2 (#4, 6, 9, 12) and July 9 (#1, 3, 8, 11), 1954; January 20, 1956 (#2, 5, 7, 10).
Recorded November 1957 in New York City.
© 1958, 1994, 2001 Avenue Jazz, a Division of Audio Visual Entertainment Inc.
Manufactured and Distributed by Rhino Records Inc. through WEA.
Piano (1977)
Palais De Mari (1986)
Universal Editions, Londres
Recording: Studio La Buissonne, Pernes -Les-Fontaines June 12 2001.
Total time: 79'10.
? 1990 BMG Music
© 1990 BMG Music
Printed & Made In Germany.
This compilation ? & ? 2006 by Fresh Sound Records
Recording dates:
- Tracks 1-1 to 1-4: July 9, 1956
- Tracks 1-5 to 1-9: July 10, 1956
- Tracks 1-10 to 1-13: July 11, 1956
- Tracks 1-14 to 1-19: October 29, 1956
- Tracks 2-1 to 2-6: October 30, 1956
- Tracks 2-7 to 2-10: October 31, 1956
- Tracks 2-11 to 2-15: November 1, 1956
- Tracks 2-16 to 2-20: November 2, 1956
Recorded at Capitol Studio B, Los Angeles, April 18-19, 21-22, 1994
© ? Kokopelli Records, Inc. 1994
CD made in the USA.
Cover printed in Canada.
Jewel case, black tray, 4-panel booklet.
September 26 & October 6, 1958
Richard Bona appears courtesy of Columbia Records
Chris Minh Doky appears courtesy of EMI-Medley, Denmark
Jeff Golub appears courtesy of Mesa/Bluemoon/Atlantic Recording Corp.
Angélique Kidjo appears courtesy of Island Def Jam Music Group
Jamie Myerson appears courtesy of Ruffhouse/Columbia Records Group
Andy Snitzer appears courtesy of Countdown Records/Unity Entertainment
Recorded in sessions at Lennie Tristano's studios, Palo Alto Street, Hollis, NY.
Tracks 1, 2 and 10: May 13, 1971
Track 3: January, 1974
Tracks 4, 6 and 11: 1965
Tracks 5, 8 and 9: April, 1971
Track 7: May 14, 1971
Songs 1, 2, 7, 9, 10 and 13 taken from [r=6437664].
Songs 3, 4, 8 and 15 taken from [m=1230004].
Songs 5, 6, 12 and 14 taken from [r=3692102].
Song 11 taken from [r=11079192].
Recorded at Palookaville (Santa Cruz, CA) in January 1995, except the bonus studio track "Northern Lights".
Total Program Time: 75:31
© 1998 Sonic Images
?© Sonic Images Records, a division of Sonic Images Enterprises, P.O. Box 691626, West Hollywood, CA 90069 U.S.A.
Recorded September 17, 1966 at the Monterey Jazz Festival, California
Tracks 1-3 original-LP issue: Bola Sete at the Monterey Jazz Festival Verve V6-8689
Tracks 4-6 previously unissued
To hear the pieces in the order of their performance, program the sequence 4, 5, 6, 2, 3, 1.
Wrongly credited Drums: Paulinho Da Costa
Wrongly credited Vocals (track 1): Da Costa
Tracks 6 to 9: previously unreleased concert from 1970.
Recorded at Sierra Sound Studios, Berkeley, Ca., February 10, 1969 (tracks 1 to 5) and live at the Newman Center, Berkeley, Ca., November 6, 1970.
Gleason's booklet notes are dated 1969, Strachwitz's "1969 (up-dated March 2000)" and "March 2000"
Recorded January 17, 2002.
Digital recording, March 1988
Rainbow Studio, Oslo
An ECM Production
? 1989 ECM Records GmbH
© 1989 ECM Records GmbH
2CD. Realizzato con il progetto Ark
Edizione giapponese
(p) & (c) 1994 Minor Music
Made in Germany
Recorded July 14, 2002 at Glassalen, Tivoli, Copenhagen. The DVD is a 92 minute documentary on the drummer's life with Horace Parlan, Billy Taylor, Carsten Dahl, Kasper Villaume, Jesper Bodilsen, Jens Winther, Tomas Franck, Denise Thigpen and Michael Thigpen. Featuring full performances of Sweet Mama, Like Blues, Message From Bud, Blues For H.P., Shufflin' Long.
PRODUCED AND DIRECTED BY DO McGLYN
Elington's last alto star, successor to Johnny Hodges.
Recorded at Auditorium Giovanni XXIII di Nembro (Bergamo) January 1998
Recorded in Los Angeles, 1964
Recorded April 2, 1950.
Tracks 11, 12 marked bonus track.
Originally released in 2000
Recorded at Studio G.D.S., Napoli
Tracks 1 to 3, 5 to 9, 11 and 12 recorded February 22–26, 1999, at Estudio del Abasto al Pasto, Buenos Aires, Argentina. Tracks 4 and 10 recorded February 3, 1999, at Clinton Studios, Studio A, New York City.
Recorded February 2-4, 1996
The date on this is 1981.
Músicas de Orfeu da Conceição
Celebrate 50 Years Bossa Nova
(P) 2006, 1956 The copyright in this sound recording is owned by EMI Music Brasil Ltda
Printed in the EU
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