2 CD. Noto album del band leader e jazzista inglese, registrato dal vivo al Ronnie Scott, Londra, nel 1972.
Nuovo album per il promettente bassista jazz, qui con Shane Endsley, Jenny Scheinman, Steve Cardenas, Rudy Royston.
Intrigante album per sassofonista di colore, con Kim Thompson, Miriam Sullivan, Shamie Royston etc
Già edito, parzialmente, in DVD lo scorso anno, questo concerto dal vivo vede i due grandi, in compagnia di Norah Jones, rifare il repertorio del grande Ray Charles. Ma ci sono delle differenze, infatti alcune canzoni sono prese dalla sera diversa ( il CD è stato tratto da due serate sold out ), il tutto per rendere più appetibile il prodotto. A monte di tutto, un concerto splendido, classe adamantina, tre grandi interpreti alle prese con un repertorio formidabile.
Tra i pianisti più interessanti della attuale generazione jazz, Green esordisce per la Jazz Legacy, con un album in trio, accompagnato da Peter e Kenny Washington.
Uno dei classici del jazzista californiano, ristampa rimasterizzata 2011
Nuovo lavoro, 2013, del grande pianista, questa volta accompagnato da bassista acustico Harvie S.
Un classico per il chitarrista, con la partecipazione di Paul Desmond, Chet Baker, Ron Carter, Steve Gadd e Roland Hanna.
Il nuovo lavoro per la High Note, 2015. Con Bruce Barth, Steve Nelson, Freddie Hendrix, Ray Mantilla etc
Pat Metheny registra assieme al trio condotto dal trombettista orientale Cuong Vu. Il jazzista, che nel corso della sua carriera ha suonato con musicsti di vario genere e stile (Laurie Anderson, David Bowie, Dave Douglas, Myra Melford, Cibo Matto e Mitchell Froom) fa un salto di qualità, grazie alla partecipazione del chitarrista statunitense.
4 CD. Norman Granz, uno dei più grandi produttori jazz, aveva creato la Verve attorno alla figura di Ella Fitzgerald. Ma, a parte la straordinaria cantante, aveva un rooster splendido di artisti jazz, che aveva per lo più scoperto lui stesso:: Dizzy Gillespie, Stan Getz, Billie Holiday, Coleman Hawkins, Gerry Mulligan, Art Tatum, Mel Torme, Count Basie, Bud Powell, Lester Young, Herb Ellis, Oscar Peterson e molti altri. Questa collezione di quattro CD presenta il meglio delle registrazioni in studio, ma anche dal vivo, le jam sessions ed altre chicche create dal grande Norman Granz.
Un disco di piano, solo strumentale, non è certamente quello che ci si aspetta da uno come Daniel Lanois. Invece il musicista e produttore ha fatto una cosa diversa ma anche decisamente personale. Un disco nato dai suoi viaggi, dalle frequentazioni con artisti come Bob Dylan, Brian Eno, Emmylou Harris, Robbie Robertson, Peter Gabriel, Neil Young. Un disco dove l'immaginazione e la sua voglia di esplorare la musica vanno ben oltre quanto era stato fatto in passato. Un disco dalle tonalità cinematografiche dove la musica contemporanea si mischia alle sonorità cameristiche del passato.
Johnny Hawksworth & Hampton Hawes, inglese il primo, americano il secondo. L'incontro tra due pianisti Jazz, due musicisti di grande esperienza. Hawksworth aveva lavorato con l'orchestra di Ted Heat dal 1951 al 1965. Hampton Hawes, pianista storico, è stato uno dei più prestigiosi pianisti jazz di colore, ed è scomparso nel 1977. Un incontro di grande valore storico.
Incontro tra il pianista Bill Laurance ed il leader degli Snarky Puppy, Michael League. Un disco sicuramente molto interessante
Non sigillato
Recorded at Capitol Studios, Los Angeles on October 20, 1966.
© ? 1995 Capitol Records, Inc. Manufactured by Capitol Records, Inc.
Questa versione contiene le registrazioni complete di Piero Umiliani con Chet Baker registrate tra il 1959 e il 1962.
Terzo album dell'ensemble creato nel 1981 da Christian Gentet, che raggruppa sei virtuosi sia compositori che interpreti. L'ensemble suona una musica molto personale tra musica classica contemporanea, jazz, soul e musica latina.
Con Dianne Reeves, John Scofield, Jackie Terrasson, Cassandra Wilson, Holly Cole, Kurt Elling, Ron Carter e molti altri
Con Randy e Michael Brecker, Steve Lukather, Dennis Chambers e altri
? 1994 Ramses Studio.
© 1994 Polydor / Polygram S. A. France.
Made in France by PMDC.
The tracks on this collection are taken from the following EPs:
Tracks 1, 2, 5, 11 --- King EP 306
Tracks 4, 10, 12, 14 --- King EP 208
Tracks 13, 15, 17, 18 --- King EP 248
Tracks 16, 19, 20, 21 --- King EP 307
Tracks 22, 23, 24, 25 --- King EP 351
Tracks 26, 27, 28, 29 --- King EP 360
Tracks 3, 6, 7, 8, 9 --- Bonus Tracks
All tracks originally recorded 1950-1955.
Recorded in Paramus, New Jersey on October 9, 2000.
In duo con Stewart Gillmor al piano, al corno francese e alla tromba
Recorded live at Yoshi's, 20 August 1997
Disc One and Disc Two 1, 2
Private recording, live at the Bee Hive, Chicago, IL, June 30, 1955.
Disc Two 3 to 7
Private recording, live in New York, February 1956.
Tracks 2-3 to 2-7 are listed as bonus tracks.
Total time (Disc One): 68:44
Total time (Disc Two): 69:15
All issued here for the first time ever.
2 CDs come in all-clear double jewel case with 8-page booklet.
? & © 2006 by Rare Live Recordings
Made in E.U.
Disco dell'ex sassofonista di Tom Waits e zio del batterista Patrick dei Black Keys.
Recorded at Rugbeaters Studio, San Francisco. Mastered at Radical House Studios, San Francisco.
© and ? 1999 Akron Cracker Records
Recorded on 10 May 1998
Inspired by Béla Bartók's progressive piano pieces "Mikrokosmos"
2CD. "Greetings Fellow Pickers"
August 19 - 22, 1999 Tonic, NYC
Dr. Eugene Chadbourne's Adventures At The Guitar Festival
Recorded in New York, Summer 1999
© & ? Leo Records 2004 (on discs)
© & ? Leo Records 2003 (on tray card)
Disc Two:
"Greetings Fellow Pickers"
In this extended track, the following playing configurations occur. There is no pause in the music during any of these personnel changes. The timings of the configurations are approximate.
Dr. Chadbourne/Alan Licht/Jim O'Rourke - 17'00
Dr. Chadbourne/Alan Licht/Lee Renaldo - 16'00
Dr. Chadbourne/Lee Renaldo/Don Fleming - 12'00
Lee Renaldo/Don Fleming/Thurston Moore - 3'00
Lee Renaldo/Don Fleming/Thurston Moore/Kenta Nagai - 6'00
Don Fleming/Thurston Moore/Kenta Nagai - 8'00
Thurston Moore/Alan Licht/Loren Mazzacane Connors - 12'00
Total time: 67'18".
? & © 2004 by Fresh Sound Records.
CD1: Recorded at Systems Two Recording Studio, Brooklyn, NY on April 24-27, 1997 and June 9, 10 & 18, 1997. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.
CD2: Recorded at Systems Two Recording Studio, Brooklyn, NY on March 7-10, 1997. Additional recording at Studio Acousti in Paris, France on November 18, 1996. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.
Mastered at Sterling Sound, NYC on August 18, 1997.
? 1997 BMG France © 1997 BMG France.
Manufactured and distributed by BMG Entertainment, New York, NY
Made in USA
Printed in USA
Recorded on November 8, 1999 at "Podewil" in Berlin.
Celebri temi di pellicole Disney interpretati da Esperanza Spalding, Roy Hargrove, Dave Brubeck, Joshua Redman, Regina Carter, Diane Reeves, Bad Plus e molti altri jazzisti.
Digitally Recorded in Paris, France on November 13 & 14, 1994, By Dominique Samarcq at Studio SYSMO, Paris.
Produced by Dany Doriz and by Jean-Michel Proust & Jean-Marc Fritz for Black & Blue Records
Recorded on April 27, 1961 at the Van Gelder Studio, Englewood Cliffs, New Jersey
Originally issued as Blue Note BST 84079
#8,9: previously unissued bonus tracks
Total playing time: 54:02
E=Recorded on December 19, 2001, in New York City.
3CD. Cofanetto con una selezione di classici eseguiti al pianoforte: What a wonderful world, Somewhere Over The Rainbow, Yesterday e decine di altri
1 to 6 (October 22, 1955)
7 to 10 (October 15, 1955)
In trio con Eddy Louiss all'organo e Jean-Luc Ponty al violino
1989. Raccolta di cantanti blues e jazz come Leadbelly, Louis Armstrong, Mildred Bailey, Fats Waller, Little Richard e molti altri.
Recorded at Westrax Recording Studio, New York on February 2, 1999.
Total time: 59:36
Recorded during actual performances at Birdhouse, Chicago, IL on May 15, 1961.
96 kHz, 24-bit digital transfer
? 2002 The Verve Music Group. © 2002 The Verve Music Group, a division of UMG Recordings, Inc.
Made in the EU.
The Black Hawk, San Francisco, CA in 1953 (tracks 8 to 14).
San Francisco, CA in 1955 (tracks 6, 7).
Tracks 1 to 7 originally released as [r=5328718]; tracks 8 to 14 on The Charlie Mariano Sextet (Fantasy 3-224).
Additonal info (tracks 6, 7) taken from online discography at jazzdisco (.org).
Total time: 69:06
Remastering, 2000 - Joe Tarantino (Fantasy Studios, Berkeley).
The Mariano cuts are in stereo.
? & © 2001 Fantasy, Inc.
Printed in U.S.A.
con il pianista Benny Green
recorded April 1982 at Van Gelder Studios, Englewood Cliffs, NJ
copyright 1982 Trio Kenwood Corp.
Recorded in USA 1975
Karmapack
Made in Italy
Recorded December 21, 1998.
Tracks 1 to 7 Recorded in New York, November 9, 1956 and originally issued as "Triple Threat"
Tracks 8 to 13 Recorded in Chicago, June 7, 1960 and originally issued as "Introducing Roland Kirk"
Musiche di Roland Kirk eseguite da Eric Alexander, Jaki Byard, Joe Lovano, Justin Robinson, Hasheet Waits e altri. Recorded on September 2 & 3, 1998 at RPM Studio, N.Y.C.
Mixed at RPM Studio on October 6, 1998.
Recorded live at Sugar Hill Recording Studios, Houston, TX, except track 6, recorded at Spectrum Sound Studios, Portland, OR
Track 15 is indicated as a CD bonus track.
Recorded Live at Birdland, Neuburg, Germany in November 1999
©? 2000
Recorded April 1997 con il sassofonista tenore Rich Perry.
Recorded on September 22 & 23, 2007.
? & © 2008
5CD. Recorded at Lockenhaus Festival
CD 1: 2001 and 2008
CD 2/3: 1984 / 1981 and 1982
CD 4/5: 1985 and 1986
An ECM Production
? 1985, 1988, 2011 ECM Records GmbH (on box backside and in booklet)
© 2011 ECM Records GmbH
? 2011 ECM Records GmbH (on disc 1)
? 1985 ECM Records GmbH (on discs 2 and 3)
? 1988 ECM Records GmbH (on discs 4 and 5)
Recorded in New York, 1963
Recorded at Davout Studio, Paris, June 1985
? 1986 Universal Music S.A France
© 2001 Universal Music S.A France
Track 1: recorded June 2000 at Angelika-Kauffmann-Saal, Schwarzenberg, Austria
Tracks 2-4 and 6-9: recordedOctober 1999 at St. Johannis-Kirche Harvestehude, Hamburg, Germany
Tracks 5, 10 and 11-13: recorded September at Feldkirch Conservatory Chapel, Feldkirch, Austria
Made in Germany
? & © 2001 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States
Jewel case with clear tray and a 28-page booklet, housed in an O-card
Octet, op. 7 recorded June 2000 at Angelika-Kauffmann-Saal, Schwarzenberg Austria
Quintet, op. 29 recorded November 2001 at Probesaal der Philharmonie Rheinland-Pfalz, Ludwigshafen, Germany
? & © 2002 Nonesuch Records for the United States and WEA International Inc. for the world outside the United States
26-p. booklet, jewel case in cardboard slip cover.
Made in Germany.
Track 1 recorded December 2001 at Studio Nalepastraße, Berlin;
Tracks 2-13 recorded June 1999 at Reitschule, Grafenegg;
Tracks 14-17 & 19-25 recorded September 1999 at Jesus Christus Kirche;
Track 18 recorded November 2001 at Probesaal Der Staatsphilharmonie Rheinland-Pfalz, Ludwigshafen
? & © 2002 Nonesuch Records for the United States and WEA International Inc. for the world outside of the United States
Made in Germany
Issued in standard jewel case with a cardboard outer sleeve (O-Card).
O Domina Nostra op. 55 (1982–1985/90)
Messe des Pauvres (1895)
Prélude I (1942)
Prélude II (1942)
The Black River (1991)
Recorded June 1992
Hofkirche Luzern
An ECM Production
© ? 1993 ECM Records
Packaging:
Standard jewel case with 20-page booklet.
Copies released in Norway came with a blue sticker on the case, with the text: "- KRISTIN LAVRANSDATTER - Musikk fra filmen".
Catalog numbers:
ECM 1495 (on disc)
1495 437 956-2 (on spine)
437 956-2 (on booklet & disc)
Recorded and mixed December 1994, CMP-Studio, Zerkall, Germany (except "Trilogy" recorded by WDR, 26.04.94).
Recorded live on 24 channels (Adat) in February 1996 con Chucho Valdés e Irakere
All tracks mixed and edited at Svuga Svuga Studios, Brooklyn, NYC except:
#3 mixed at Totally Killing It, Loisada, NYC
#4 mixed at the Illbient Impound, Chinatown, NYC.
Mastered at Saidera Mastering, Tokyo.
1 & 5 (Mundo Cilizado): © 1996 Arto Lindsay/Marisa Monte
Published by Firma Ltd. (BMI) / EMI April Music o/b/o Monte Songs Edicoes Musicals Ltda.
2, 6 & 8 (Complicity), 3 & 4 (Q Samba): © 1996 Arto Lindsay/Vinicius Cantuária
Published by Firma Ltd. (BMI) / Sony/ATV Discos Music Publishing (ASCAP)
7 Traditional, PD.
Track 5: dedicated to Krista
Printed in the USA.
Total playing time 49:15
© + ? 1999 Firma Ltd. Exclusively licensed to Rykodic Limited
Recorded at Fun Machine Studios, NYC and Gi's house in Salvador, Bahia.
Additional recording at Sear Sound and Magic Shop, NYC.
Mixed at Kampo Studios, NYC.
Mastered at Sterling Sound.
All songs © 1999 Arto Lindsay/Firma Ltd. (BMI); Melvin Gibbs/Archetext Music (BMI); Andres Levin/Cool Banana Music (ASCAP).
"Pre-Feelings" © 1999 Arto Lindsay/Firma Ltd. (BMI); Melvin Gibbs/Archetext Music (BMI); Andres Levin/Cool Banana Music (ASCAP); Robert Stewart/Ot Music (SESAC).
"Modos" © 1999 Arto Lindsay/Firma Ltd. (BMI); Vinicius Cantuàra/Tucumã Publishing (BMI).
"O Nome Dela" © 1996 Arto Lindsay/Firma Ltd. (BMI); Vinicius Cantuàra/Sony Music Pub. Brazil (BMI).
"E Aí Esqueço" © 1999 Arto Lindsay/Firma Ltd. (BMI); Amadeo Pace (BMI)
Recorded at Reeves Sound Studio, New York City; March 7 (#1, 3, 4, 7) and April 10 (#2, 5, 6), 1957.
Recorded on April 2000
?&© 2001 Disques Dreyfus
Recorded as Trio on 30 November, 1 & 2 December 1998
Recorded as Trio & Fanfare on 28 & 29 November 1998
Le Destin is dedicated to [a44122]
Con Tullio De Piscopo Quartet, Dado Moroni, Anna Sini Quartet, Riccardo Zegna, Ray Brown, Ray Bryant, Jimmy Cobb, Mal Waldron, Sal Nistico e molti altri.
Recorded September 2007 at Bennett Studios, NJ.
Mixed October 2007 at Legacy Studios, NYC.
Mastered at Sterling Sound, NYC.
T
Tracks 6, 12 and 13 previously unreleased.
Tracks 13 to 16 are bonus tracks on CD only.
Recorded at Loho Studios, Sound Dimensions, Chez Lucas and National Taiwan University, Taipei.
Soundtrack album of composer Johnny Mandel's score to Vincente Minnelli's 1965 film "THE SANDPIPER" starring Elizabeth Taylor and Richard Burton.
Originally released in 1965.
UPC: 731453122925
Original Recording Produced By Quincy Jones
con Airto Moreira e Toninho Horta
Recorded June 1995
Propstei St. Gerold
An ECM Production
? 1997 ECM Records GmbH
© 1997 ECM Records GmbH
Publishers:
Stephen Hartke - Norruth Music, Inc.
George Rochberg - Galaxy Music Corporation
Recorded at Grog Kill Studio, Willow, New York, February through June, 1982
Strings recorded and album mixed at Britannia Row, London, June and July, 1982
A Watt Production
©? 1983 Watt Works, Inc./ECM Records GmbH
2CD con Robert Wyatt, Jack Bruce, Carla Bley, Don Cherry, Kevin Coyne, Chris Spedding e Ron McClure.
"No Answer"
Recorded February and July 1973
Blue Rock Studio, New York
Mixed March 1974
Jack Bruce recorded November 1973
Island Studios, London
Texts used and re-printed with permission: From "How It Is"
LP originally released 1974
"Silence"
Recorded January through June 1976
Grog Kill Studio, New York
Manor Mobile, Wiltshire, England
Virgin Mobile, Oxfordshire, England
Mixed November 1976
Grog Kill Studio, New York
Texts used and re-printed with permission: From "Silence"
LP originally released 1977
? 1974 WATT Works, Inc. / ECM Records GmbH (No Answer)
? 1977 WATT Works, Inc. / ECM Records GmbH (Silence)
© 2000 WATT Works, Inc. / ECM Records GmbH
Recorded May 23-24, 2000 at Reaction Sound, Toronto, Canada.
2CD Contiene Much Les di Les McCann e The Catbird Seat di The Mitchell-Ruff Trio
This compilation ? & © 1998 PolyGram Records, Inc.
Discs one and two present vocal interpretations of classic Mercer songs while disc three provides instrumental versions.
These three discs were originally issued and are still available as individual CDs:
Blues in the Night: The Johnny Mercer Songbook 314 553 268-2
Trav'lin' Light: The Johnny Mercer Songbook 314 555 402-2
Too Marvelous for Words: The Johnny Mercer Songbook 314 557 140-2
Disc One: Total playing time: 58:07
This compilation ? & © 1997 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Richard Cook, Deborah Hay, Malcolm Laycock, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
1-1. Recorded October 14, 1957 at Capitol Studios, Hollywood
1-2. Recorded September 3, 1954 in Los Angeles
1-3. Recorded April 6, 1959 in Los Angeles
1-4. Recorded April 23, 28, or 29, 1959 at Radio Recorders, Hollywood
1-5. Recorded February 9, 1950 at United Recorders, Hollywood
1-6. Recorded January 5, 1956 at Capitol Studios, Hollywood
1-7. Recorded October 20, 1964 at Radio Recorders, Hollywood
1-8. Recorded July 16, 1952 at Radio Recorders, Los Angeles
1-9. Recorded between July 18 and 21, 1963 at Tivoli Garden, Copenhagen
1-10. Recorded July 7, 1952 in New York City
Instrumental introduced in 1948 by Woody Herman; vocal version introduced on this recording
Courtesy of Discovery Records
1-11. Recorded in 1959 at Fine Recording, New York City
1-12. Recorded August 25, 1987 at Clinton Recording Studio, New York City
1-13. Recorded May 8, 1987 at Vine St. Bar and Grill, Hollywood
1-14. Recorded December 8, 9, or 10, 1992 at Plus XXX Studios, Paris
(orig. Les Feuilles Mortes) Instrumental theme introduced in 1946 in the film "Les Portes de la Nuit"; vocal version introduced in 1947 by Yves Montand
1-15. Recorded January 8, 1957 at Capitol Studios, Hollywood
1-16. Recorded June 11, 1956 at Capitol Studios, Hollywood
Disc Two: Total playing time: 53:32
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Campbell Burnap, Richard Cook, Deborah Hay, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
2-1. Recorded October 21, 1964 at Radio Recorders, Hollywood
2-2. Recorded December 15, 1963 at A&R Studios, New York City
2-3. Recorded September 3, 1954 at Capitol Studios, Hollywood
2-4. Recorded January 5, 1956 at Capitol Studios, Hollywood
2-5. Recorded February 15, 1960 at United Recorders, Hollywood
2-6. Recorded October 20, 1964 at Radio Recorders studio 10-H, Hollywood
2-7. Recorded August 3, 1954 at Capitol Studios, Hollywood
2-8. Recorded June 4, 1962 probably at Webster Hall, New York City
2-9. Recorded October 7, 1946 at the Shrine Auditorium, Los Angeles
Transferred from a disc source. Surface noise is audible.
2-10. Recorded December 1964 at United Recorders, Hollywood
2-11. Recorded December 23, 1965 in New York City
This is a French song Mercer adapted, his English lyrics replacing the original ones. The music is by Michel Legrand, and the original lyrics were by Eddie Marnay. Its French title is "La Valse des Lilas".
2-12. Recorded February 1952 in Los Angeles
2-13. Recorded October 12, 1962 in New York City
2-14. Recorded October 17 or 18, 1986 at Media Sound Studio, New York City
2-15. Recorded March 20, 1957 in London
2-16. Recorded July 31, August 1 or 2, 1991 at BMG Studios, New York City
Disc Three: Total playing time: 72:42
This compilation ? & © 1998 PolyGram Records, Inc.
Mastered at PolyGram Studios
Special thanks to Jim Davis, Dave Gelly, Deborah Hay, Johnny Pate, Phil Schaap, Cynthia Sesso, Steve Voce, the Institute of Jazz Studies, and the staff at PolyGram Studios
3-1. Recorded July 30, 1953 at Fulton Studio, New York City
3-2. Recorded July 25 or 27, 1960 in Hollywood
3-3. Recorded September 17, 1949 in New York City
3-4. Recorded February 3, 1965 at Van Gelder Recording Studio, Englewood Cliffs, New Jersey
3-5. Recorded probably May 1, 1969 at Webster Hall, New York City
3-6. Recorded September 20, 1954 at Fine Sound, New York City
3-7. Recorded April 5, 1958 in New York City
3-8. Recorded July 27, 1954 at Universal Recording Studios, Chicago
3-9. Recorded October 16, 1957 at Capitol Studios, Hollywood
3-10. Recorded February 6, 1964 at A&R Studios, New York City
3-11. Recorded April 10, 1952 in Paris
3-12. Recorded probably November 10 or 13, 1970 at MPS-Studio, Villingen, Germany
3-13. Recorded August 1991 at Sigma Sound, New York City
3-14. Recorded January 20, 21, or 22, 1961 at The Summit, Hollywood
3-15. Recorded November 13, 1966 at Salle Pleyel, Paris
3-16. Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore
Some of these tracks were transferred from disc sources. Surface noise is audible.
Tracks 1 to 4 recorded in New York, September 3, 1963
Tracks 5 to 10 recorded in New York, September 12 & October 1 & 3, 1963
Tracks 11 to 14 recorded in New York, June 25, 1964
Track 15 is a bonus track recorded in Hollywood, Ca. October 21, 1965.
Recorded and mixed at le studio Royal de Belgique
Recorded and mixed (ADD) May-June 1987 at Systems Two, Brooklyn, NY.
Originally published on 1987 by JMT Productions under license of Universal Music K.K., Tokyo.
Recorded at Studio 39, Medley Studio & Easy Sound Recording, Copenhagen
Mixed at Medley Studio and mastered at Sweet Silence
(p) (c) Sonet Dansk Grammofon A/S 1990
Recorded at Systems Two Studios in December 1999
Recorded November 19 and 25, 1987
?1989 Soul Note / ? 1989 Soulnote
Made in Italy by PhonoComp
Recorded at the Martin Luther Church, Detmold, Germany, from 14 to 17 March 1998.
Playing time 67:04
Recorded in New York City on July 16, 1956 (#1-8), August 12, 1957 (#9-13), August 13, 1957 (#14-18) and August 16, 1957 (19, 20).
Tracks 1 to 8 originally issued on [m857206]
Tracks 11, 14, 19 & 20 issued on [r1785734]
Tracks 13, 16 to 18 issued on [r1793830]
Tracks 9 & 10 issued on [r5388018]
Tracks 12 & 15 previously unreleased.
24 bit high resolution digital remastering.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 26, 1961
Tracks 1 to 8 originally issued as Blue Note BST-84093 ([r3023694])
Rare photographs & bonus track
Con Roberto Monti alla chitarra elettrica e Fabio Casali alla chitarra acustica
Recorded in 1946 except 15 recorded in 1941.
14 is a first release.
Recorded live in concert at the Student Union Bar, University College, London December 12, 1966
Private recording engineered using three microphones mixed to mono reel-to-reel tape at 3&3/4 IPS. No compression or noise reduction used during mastering
Remastered and glass mastered in real time
? Reel Recordings 2010
© George Foster 2010
Issued in digipak.
3CD. The first disc consists of the recordings Django made with the original [a355185] between 1934 and 1940.
The second disc covers '40 through '47.
The third disc spans '47 through '53, and finds Reinhardt moving away somewhat from his "gypsy jazz" and more toward a mainstream swing sound.
1934-40:
Track 1-1 taken from the [r=4336357] 10" shellac (Ultraphone AP-1422).
Track 1-2 taken from the 10" shellac (Ultraphone AP-1444).
Track 1-3 taken from the [r=11060610] 10" shellac (Ultraphone AP-1479).
Track 1-4 taken from Gramophone K-7706.
Track 1-5 taken from the [r=5256735] 10" shellac (Swing SW 2).
Track 1-6 taken from the [r=15579996] 10" shellac (His Master's Voice B-8737).
Track 1-7 taken from the [r=5257181] 10" shellac (Swing SW 7).
Track 1-8 taken from the [r=5259747] 10" shellac (Swing SW 23).
Track 1-9 taken from the [r=5288074] 10" shellac (Swing SW 77).
Track 1-10 taken from the [r=7973018] 10" shellac (Decca F.6616).
Track 1-11 taken from Decca F.9428.
Track 1-12 taken from Brunswick 505269.
Track 1-13 taken from the [r=10747465] 10" shellac (Decca F.6675).
Track 1-14 taken from the [r=7369389] 10" shellac (Decca F.6875).
Track 1-15 taken from the [r=6230314] 10" shellac (Decca F.6935).
Track 1-16 taken from the [r=13720751] 10" shellac (Decca F.7027).
Track 1-17 taken from the [r=5323107] 10" shellac (Swing SW 211)
Track 1-18 taken from the [r=6904177] 10" shellac (Decca F.7390).
Track 1-19 taken from the [r=9569123] 10" shellac (Swing SW 83).
1940-47:
Track 2-1 taken from the [r=13208705] 10" shellac (Swing SW 88).
Track 2-2 taken from the [r=13615934] 10" shellac (Swing SW 218).
Track 2-3 taken from the [r=5822979] 10" shellac (Swing SW 137).
Track 2-4 taken from the [r=8653176] 10" shellac (Rythme D 5017).
Track 2-5 taken from the [r=5316311] 10" shellac (Swing SW 183).
Track 2-6 taken from the [r=5442463] 10" shellac (Swing SW 158).
Tracks 2-7 and 2-8 taken from the [r=6542521] 10" shellac (Swing SW 254).
Tracks 2-9 and 2-10 taken from the [r=5336873] 10" shellac (Swing SW 229).
Track 2-11 taken from the [r=3665844] 10" shellac (Swing SW 242).
Tracks 2-12 and 2-13 taken from the [r=6564653] 10" shellac (Decca F.8604).
Track 2-14 taken from the [r=5397136] 10" shellac (Swing SW 253).
Track 2-15 taken from Decca (MB) 9243.
Track 2-16 taken from the [r=15275818] 10" shellac (Decca (MB) 9244).
Track 2-17 taken from Blue Star B.S. 37.
Track 2-18 taken from the [r=11845587] 10" shellac (Blue Star B.S. 38).
Track 2-19 has no additional information.
1947-1953:
Track 3-1 taken from the [r=6189674] 10" shellac (Blue Star B.S. 53).
Tracks 3-2 and 3-3 were recorded 11.08 or 11.13.1947 at the Studio Montparnasse, Paris.
Tracks 3-4 and 3-5 taken from the [r=5425117] 10" shellac (Swing SW 270).
Tracks 3-6 and 3-7 were recorded 11.21 or 11.28.1947 at the Studio Montparnasse, Paris.
Tracks 3-8 to 3-13 were recorded January or February 1949 the R.A.I. Studios, Rome.
Track 3-14 was recorded 10.25.1949 at the Radio Geneve Studios.
Tracks 3-15 and 3-16 taken from the [r=12499244] 10" shellac (Decca 21719).
Track 3-17 taken from Decca 36124.
Tracks to 3-20 were recorded 30.01.1953, Paris.
2CD. Con Dizzy Gillespie. Recorded March 23, 1989 at the Maison de la Culture de la Seine, Bobigny, Paris as part of the Banlieues Bleues Festival.
Recorded New York City September 30 & October 1 1996
Mixed and mastered by Jim Fox at LION and FOX recording studios, Washington DC. Produced and arranged by Marcus Urani and Harrison Stafford. Additional intro and groove arrangements by Leroy "Horsemouth" Wallace. Executive produced by Jonathan McDonald.
Recorded New York City; December 1960.
Recorded October 17, 2006 in Brooklyn, New York.
Track 1 [published by] Jamie Hawkins Publishers (BMI) / Sony ATV Songs LLC (BMI). Recorded at Waterfall Stsudios, Aberdeen, MD. Mixed at Skyline Productions.
Track 2 [published by] Bass Hit Music (ASCAP) / Kim Waters Music (ASCAP). Produced for Double D Music and for Kim Waters Music. Mixed at Bass Hit Recording, NYC.
Tracks 3, 4, 6 to 9 [published by] Kim Waters Music (ASCAP). Recorded at Waterfall Studios, Aberdeen, MD. Mixed at Skyline Productions.
Track 5 [published by] Cori Tiffani Publishing (BMI) / Sony/ATV Songs LLC (BMI). Recorded at Waterfall Studios, Aberdeen, MD. Mixed at Skyline Productions.
Track 10 [published by] CuestaLoeb Music, Inc. (ASCAP) / Kim Waters Music (ASCAP). Additional production and remix for Double D Music.
? 2002 Shanachie Entertainment Corp.
The release is housed in a standard jewel case with a four-page booklet and rear inlay.
Recorded December 17, 1996 in New York City.
Recorded direct to 2-track analogue tape April 26 & 27, 1999 at Nola Recording Studio, NYC.
Mastered to 24 bit digital at Northeastern Digital Recording, Southborough, Massachusetts.
1999 by TCB Music SA
In trioo con George Tucker al basso, Frankie Dunlop alla batteria e ospite Ray Barretto alle congas.
Stan Getz, Jimmy Smith, Etta Jones, Ramsey Lewis, Count Basie, Jack McDuff, Art Blakey e molti altri.
Attendere...