Nuova jazz singer di colore, 2005
2 CD. Il meglio del periodo d'oro di Brubeck. Contiene classici come Take Five. 31 brani.
Sun Ra e la sua Arkestra, con John Gilmore, Charles Davis, Pat Patrick, Julian Priester etc. Registrato a Chicago nel 1956.
Musica di Uri Caine adattata su spartiti di Giuseppe Verdi.
Torna la super band di sassofoni prodotta dalla Telarc. Joe Lovano, Dave Liebman e Ravi Coltrane assieme per un disco totale, dedicato a Michael Brecker, dove lirismo ed improvvisazione sono un tutt'uno.
Giovane trombettista jazz di cui si fa già un gran parlare.
Risdtampa rimasterizzata, edizione giapponese
La grande cantante riprende alcuni classici della musica country e li rilegge con il suo stile unico. Un cocktail intrigante di musica tradizionale e moderna, con la produzine di Steve Buckingham.
3 CD. Retrospettiva sul grande organista jazz, con Melvin Sparks, Carlos Garnett, Bernard Purdie, Irene Reid etc
Nuovo lavoro, 2011, per il trombettista
Registrato dal vivo al Dizzy's Coca -Cola di New York, un disco brillante, colorito, in cui il pianista mischia jazz e musica caraibica.
Il duo anomalo Trovesi / Coscia, clarinetto e fisarmonica, trae ispirazione dalla musica di Jacques Offenbach: La Belle Helene, I Racconti di Hoffmann, La VIe Parisienne etc. ECM 2011
Il nuovo album del trombettista di New Orleans. Payton mischia jazz e sonorità locali, soul e voodoo music. E, ad aiutarlo, troviamo Cassandra Wilson, Chinah Blac, Esperanza Spalding, N'Dambi e Saunders Sermons.
2 CD. Il nuovo lavoro, 2012, del promettente jazzista di colore.
Registrazioni anni trenta, con l'orchestra. Con Charlie Parker e Walter Brown
Nuovo album per la Blue Note, 2012. Prodotto da Robert Glasper
2 CD. Undicesimo volume delle registrazioni inedite del sassofonista, serie curata dalla moglie. Registrato nel Novembre 1980. Con George Cables, Tony Dumas e Carl Burnett.
Nuovo lavoro per il brillante jazzista africano, 2013.
2 CD. Antologia di registrazioni inedite, dal vivo. Con Baker che reinterpreta brani dei Cream, e di altri.
Un classico di Scott, 1999, ristampato.
Primo volume di una serie di tre CD, inediti, registrati dal vivo. Questo contiene due lunghe suites. Red Car (16.52) e Blues for Blanche (17.57). Registrato a Seattle, 28 Gennaio 1981, con Micho Leviev, David Williams e Carl Burnett.
Primo disco nuovo, da diversi anni a questa parte, per il famoso pianista Jazz. Con la sua Electric Band, Lewis presenta dieci nuove composizioni, tra le quali citiamo Tambura, Intimacy, Betcha By Golly Wow, Sun Goddess. Un crossover tra passato e presente, sempre molto gradevole. Edizione DeLuxe con tre canzoni in più, tra cui Jungle Strut con Dr John.
Un classico album dei sessanta, edito dalla Pacific Jazz.
Ristampa rimasterizzata del disco più famoso del chitarrista jazz. Blue Note Usa. Con Stan Getz.
Storica band che rappresenta la grande tradizione musicale di New Orleans. Esistono da moltissimo tempo ed hanno cambiato i musicisti diverse volte. Ma lo spunto originario della band rimane sempre quello di preservare le tradizioni musicali della Crescent City. In questo nuovo album, i due leaders Ben Jaffe ( che è anche il produttore, assieme a Dave Sitek) e Charlie Gabriel, dopo un viaggio a Cuba, hanno deciso di unire le due culture e creare un suono che è molto influenzato dalla musica cubana, ma che mantiene comunque profonde radici in quello di New Orleans. Un cocktail intrigante che mischia antico e moderno.
Il nuovo lavoro, 2017, del jazzista alternativo newyorkese. Si tratta del suo primo disco come solista, da 13 anni a questa parte. Lindsay mischia jazz, noise, musica tropicale, sonorità astratte e glamour in un cockail di suoni strano quanto affascinante.
Le famose sessions del 1982 di Art Pepper e Bill Watrous, edite solo in Giappone al tempo. Nuova edizione Omnivore Usa, curata da Laurie Pepper, rimasterizzata e con due tracce inedite aggiunte.
Nuovo album per la ECM di Tim Berne, con il suo quintetto: Oscar Noriega al clarinetto, Matt Mitchell al piano, Ryan Ferreira.alla chitarra e Chas Smith alla batteria. Berne, noto per le sue idee, prosegue una ricerca musicale su temi innovativi e creativi, cercando sempre nuove vie per la sua musica.
Il nuovo album del grande bassista, questa volta con la Big Band. Una super band in cui suonano musicisti come James Burton, Steve Davis, Ron Blake, Rodney Jones, Brandon Lee, Dan Pratt, Melissa Walker, Steve Wilson, Brandee Younger. Tra i brani interpretati: Mr. Bojangles, Full House, In The Wee Small Hours, Optimism, Gettin' to It.
Nuovo lavoro per Brian Blade and The Fellowship Band: con Jon Cowheard, Chris Thomas, Melvin Butler, Dave Devine, Myron Walden. Già autori dell'eccellente Landmarks, Blade e la sua band continuano un percorso jazz intrigante, uscedo spesso da schemi prefissati per creare suoni decisamente innovativi.
Nuovo lavoro, 2018, per il promettente trombettista ECM, qui supportato da Hakon Aase, violin, Andreas Ulvo, piano, Audun Erlien, basso, Torstein Lofthus, batteria, Helger Andreas Norbakken, batteria.
Nuovo lavoro per Daniel Lanois, questa volta assieme alla band avant garde / jazz Venetian Snares. Un cocktail originale di rock e jazz, gospel e musica elettronica. Fuori da ogni catalogazione.
Registrato dal vivo a Stoccolma, Novembre 2018, con Renee Rosnes, Jimmy Greene,Payton Crossley.
Il nuovo album della Preservation Hall Jazz Band, mitico gruppo pre jazz di New Orleans. Il disco è stato registrato a Cuba.
Jaco Pastroius e la sua band (Alex Foster, Ron Tooley, Delmar Brown, Kenwood Dennard, Don Alias), dal vivo a Tokyo, il 22 Maggio 1983. Eccellente broadcast
Il nuovo album di Dino Saluzzi, ECM 2020.
Il nuovo lavoro del chitarrista jazz, John Pizzarelli interpreta Pat Metheny.
LP. Edito in origine nel 1991, Dingo è una colonna sonora, in cui Miles Davis ha un ruolo primario, essendo autore ed esecutore di buona parte dei brani. Altri musicisti coinvolti: Chuck Findley, Michel Legrand, Mark Rivett ed altri. Il film è anche l'uncio in cui Miles Davis ha recitato come attore. Edizione limitata, vinile 180 grammi, LIMITED EDITION DEEP-RED VINYL
Il nuovo lavoro di Andrew Cyrille per la ECM, con Bill Frisell, David Virelles, Ben Street. 2022
Nuovo album per Quentin Angus, uno dei più promettenti c chitarristi della attuale scena jazz. Con Michael Mayo, Czan IOlgun, Desmond White, Nate Smith.
European Quartet Live
2 CD.L'ultimo lavoro del grande jazzista, 2020.
Justin Time 1995 con Herbie Spanier & Geordie McDonald
Paul Bley / Gary Peacock / Tony Oxley / John Surman - ECM 1993
4 CD. The essentiasl Keynote Collection. Registrazioni con Teddy Wilson ed Earl Hines.
All Star Big band, con James Moody, Jimmy Heat, Slide Hampton, Roy Hargrove, Antonio Hart, Cyrus Chestnut, Lewis Nash etc
Un classico di Dizzy, 1964, con James Moody, Kenny Barron,
Mitica session del 1959, con Sonny Rollins, Sonny Stitt e Dizzy Gillespie. Ristampa Verve, digipack
Dizzy Gillespie And The Mitchell-Ruff Duo
Live 1974
Carù consigliaImportatiI grandi trombettisti incontrano Joe Turner.
Alumni All Star Big Band, con Jon faddis, James Moody, Slide Hampton, Jimmy Heath, Frank Wess, Antonio Hart, John Lee e molti altri
Il sassofonista e compositore Charles Lloyd è sempre stato uno spirito libero, un master musician ed un visionario. A 84 anni compiuti, è ancora al meglio della sua forza esecutiva ed è più prolifico che mai. Come ricercatore di suoni Lloyd ha trovato il modo di manifestarsi al meglio con il Trio ed i suoi progetti, rappresentati da tre dischi con formazioni differenti Il terzo, Trios: Sacred Thread, vede coinvolti il chitarrista Julian Lage ed il percussionista Zakir Hussain
LP. Durium, 1976, IT. Raccolta di registrazioni rare e inedite del sassofonista con varie formazioni che includono James Moody, Howard McGhee, Milton Jackson, Sonny Criss, Dodo Marmarosa, Teddy Edwards e Count Basie.
Record Store Day 2025.
Concerto inedito del trombettista americano registrato nel club del Bronx nel 1967 con un quintetto che comprende Sonny Red al sassofono, Cedar Walton al piano, Paul Chambers al basso e Denis Charles alla batteria. Edizione limitata Record Store Day 2025.
Nel 2013 il contrabbassista friulano Giovanni Maier e il pianista britannico pubblicarono un disco dedicato allo scrittore James Joyce che avrebbe avuto un seguito se il musicista inglese non fosse mancato nel 2020. Per dare continuità al progetto, oggi Maier collabora con il pianista britannico Alexander Hawkins, molto devoto alla poetica di Tippet. Il disco è un intenso dialogo tra i due musicisti con un fittissimo pungolarsi reciproco alternando momenti di furia e rilascio saggiamente trovati grazie a un'empatica intesa che a momenti ha dello sbalorditivo.
Il primo album del chitarrista jazz americano
CD. Il combo italiano con ospite Enrico Rava, dal vivo al Festival Jazz di Forlì nel novembre 2024, tra esplorazioni meditative, paesaggi cinematografici e sperimentazioni sonore.
Ultimate High Quality CD. Il tempo e i problemi sembrano dissolversi durante i 15 minuti incantevoli di Idle Moments, il brano di apertura del sublime album di Grant Green dallo stesso titolo del 1963. Mentre il brano si dispiega senza fretta, tutti i colori unici dell'ensemble si presentano con la chitarra soul di Green accompagnata dall'elegante pianoforte di Duke Pearson, dal vibrafono cristallino di Bobby Hutcherson, dal rassicurante contrabbasso di Bob Cranshaw, dalla batteria sottile di Al Harewood e, infine, dal magnifico sassofono tenore di Joe Henderson. Il ritmo accelera per il resto del set, che include l'originale di Green “Jean de Fleur”, una versione blues del classico MJQ di John Lewis ‘Django’ e l'originale di Pearson “Nomad”.
Gli UHQ-CD riproducono il suono dei nastri master originali nel modo più fedele possibile, utilizzando nuove tecnologie di trasferimento e materiali migliorati per produrre un suono di alta qualità con una migliore rappresentazione dell'intero palcoscenico. Gli UHQ-CD sono conformi agli standard CD e possono essere riprodotti sui lettori esistenti. Ogni titolo è presentato in una custodia UHQ-CD con una striscia obi e le note originali della copertina riprodotte sul retro dell'inserto.
Recorded after the world premiere performance at the Théâtre du Châtelet, Paris December 2000.
Comes with a 76 pages booklet into an outer card slipcase.
Recorded September 1999 at Clinton Studio, NYC
In quintetto con Antonio Hart al sassofono, Rob Bargad al piano, Walter Booker al basso e Jimmy Cobb alla batteria.
Julian Cannonball Adderley And Strings - 1955, recorded October 27th & 28th Fine Sound, New York City.
Jump For Joy - 1958
Tracks 15 to 17, 20 and 21 recorded August 20, 1958 in New York City.
Tracks 13, 14, 18, 19, and 22 recorded August 21, 1958 in New York City.
Twelve page booklet includes replicas of the original back covers.
(P) 1995 Verve Records - Universal Music Group Inc.
Originally released in 1965 [Capitol Records ?ST 2203]
Track 9 originally released on LP " The Cannonball Adderley Quintet And Orchestra " ( 1970 ) [Capitol Records ?ST 484] credited to The Cannonball Adderley Quintet
Tracks 1 to 8 recorded at Capitol Studios, New York City, April 26, 1965
Track 9 recorded at Capitol Studios, Los Angeles, CA, May 20, 1970
Tracks published:
1 to 3 Upam Music ( BMI )
4 Second Floor Music ( BMI )
5 Two Jays Music ( BMI )
6 Helios Music ( BMI )
7 Harms, Inc. ( ASCAP )
8 New Fangled Music ( BMI )
9 Zawinul Music ( BMI ) / Ready Productions ( ASCAP )
See artwork
Originally released in 1974.
Recorded at Fantasy Studios, Berkeley, CA, 1974
Recorded on May 21, 1960 at Fugazi Hall, San Francisco (#1-3) and on June 5, 1960 at United Recording Studios, Los Angeles (#4-7).
#1-6 originally issued as Riverside 9355.
1981 Concord Jazz,Inc.
Originally released as a High Fidelity recording RCA Victor LPM-1215
Orchestra arranged and conducted by Luis Arcaráz
Recorded in Los Angeles, 1956
© & ? 1996 Hollywood Records.
Printed in U.S.A.
?&? 2007
Recorded at MDV Studio, Turin, on May 7-8, 1995.
Recorded at Pacific Jazz Studios, Los Angeles in March 1962.
Tracks 9-11: previously unissued bonus tracks.
Con la Pocket Brass Band che comprende Lew Soloff alla tromba, Matt Perrine al sausaphone e Bobby Previte alla batteria.
Con il Denver Jazz Quintet e come ospite il sassofonista James Carter
Recorded on February 25th, 1985 at Ronnie Scott's, London.
Recorded on August 23 and 24, 1993 at Kampo Audio, New York City and on September 1, 1993, at Sorcerer Sound, New York City.
Mixed at Kampo Audio, Sorcerer Sound and 39th Street Music, New York City.
Mastered at Foothill Digital, New York City.
Recorded in Paolo Casati's home (Milano) in June 2009
Total playing time 74:01.
Recorded live at the SJU Jazzpodium in Utrecht, February 12, 2000.
Tracks 12, 13 and 23 are previously unissued.
Tracks 16 and 22 are alternative takes.
con The Creative Jazz orchestra diretta da Nick Purnell.
Recorded live in London, May 15, 1994, Sadler's Wells Theatre as part of the London Jazz Festival
Recorded at Air Wave Studios, Chicago on February 24, 1997.
Edition of 2000 CDs in Digisleeve.
P + C 1998
Made in Switzerland.
Recorded 18-20 January 1955 in New York City.
"Meticulous restoration, high-resolution 20-bit digital transfer, new liner notes with photographs, original cover art and more."
Includes original EmArcy art on front cover and disc itself, including MG-36005 catalog number.
Musicians behind the strings unknown.
Catalog numbers:
558 078-2 on spine, back cover, disc and booklet
MG-36005 on cover
MG 36005 A on disc
Recorded in NYC; 1955.
#1-5 originally released as "Spring Sequence" (Period 1105); #6-11 as "Bijou" (Period 1109).
"LTJ Bukem Presents Earth Volume One"
Recorded with a two microphone Cello recording system.
Recorded at Sony Studios, New York City.
Recorded in Toulouse, France, on July 23, 1973.
Track 2 previously unreleased on LP.
? 1995
© 1990 Soul Note
? 1990 Soul Note
IREC Milano
Recorded April 30, 1988 at the Jazz Action Center, Nuremberg by the Aurophon Multi-track Mobile Studio.
Mixed at Jingle Machine Studio, Milano.
Mastered at PhonoComp, Tribiano - Milano.
A1: Savoy Music - BMI
A2: Wayne Music Pub. - BMI
A3: Bregman, Vocco & Conn Inc. - ASCAP
B4.1: T.B. Harms Inc. - ASCAP
B4.2: Thelonious Music - BMI
B4.3: Marvin Music Co. - ASCAP
B5: New World Music Corp. - ASCAP
? 1969 MPS Records © 2004 Universal Jazz Germany - a division of Universal Music GmbH.
Made in the EU
Recorded May 28th 1969 at Lindström Studios Cologne.
Musicians listed behind individual tracks below indicate soloists
Tra jazz, funk e psichedelia
Recorded in New York City on June 24 (#2,3,6-8,10) & 25 (#1,4,5,9,11,12), 1955.
Digital remastering from original master tapes using 20-bit analog to digital converter at La Source Mastering, Paris
?1956 BMG Music
©1997 BMG France
Made in the E.U.
Recorded In New York City, December 22, (Tracks 4 & 5); December 23, (Tracks 1, 2, 3, 6, 7, 8 & 9), 1954
Recorded February 16-17, 1960, in Englewood Cliffs, New Jersey.
Recorded July 4 and 5, 1988 at Barigozzi Studio, Milano.
Recorded Live at the Hot Brass Club in Paris, France, March 24 and March 29, 1995.
In quartetto con Francesco Nastro al piano, Vittorio Pepe al basso e Pietro Iodice alla batteria.
The Festival Began in Osaka with two dates, October 19 and 21, continued in Hiroshima, Kurashiki, Tsukuba, Tanabe, Nagoya, Kyoto and Meebashi, with three concluding shows in Tokyo October 31 and November 1, 1978
? 1988 Concord Jazz, Inc.
Recorded live at Kan-i-Hoken Hall, Tokyo, Japan November 1987
Remote recording facility furnished by Sound Creators, Inc.
This album was recorded using the SONY 3324 Digital 24 Track Recorded
In chronological order:
New York City, August 23, 1946 (tracks 1 to 8).
WOR Studios, New York City, December 27, 1947 (tracks 16 to 19).
New York City, January 25, 1949 (tracks 9 to 11).
Studio Technisonor, Paris, May 15, 1949 (tracks 20 to 23).
New York City, May 26, 1949 (tracks 12 to 15).
Additional information from online discography at jazzdisco.org:
Tracks 1 to 8 were recorded in New York City.
Tracks 16 to 19 were recorded at WOR Studios.
Tracks 20 to 23 were recorded at Studio Technisonor.
Certain artists for tracks.
Track 21 (listed as Baby Sis) is really Maxology. Track 22 (listed as Tomorrow) is really Yesterdays (by Kern and Harbach). Both will be left as listed due to these being issued this way many times before.
Track durations (not listed on CD) taken from Windows Media Player.
Total time: 73:00
CD comes in all-clear jewel case with 4-page booklet.
? & © 1999 by Disconforme
Con il Toast Man Quartet featuring Flavio Boltro
In trio con Kenny Wheeler alla tromba e J.F. Jenny Clark al contrabbasso.
In quartetto con Michael Gassmann alla tromba, Paolino Dalla Porta al contrabbasso e Gianni Bertoncini alla batteria.
Recorded at the Alibi Club, Grand Rapids, Michigan,, on December 28, 1978.
Recorded between 1993 and 1995.
Recorded August 12, 19, 22, 29 and 31, 1988 at Sound Ideas Studios, New York City.
Recorded September 2,3, 2010 at "Il Parco", Naples, Italy
Recorded November 2013
Auditorio Stelio Molo RSI, Lugano
An ECM Production
In collaboration with RSI Rete Due, Lugano
Thanks to Paolo Keller
? © 2016 ECM Records GmbH, München
Printed in Germany
Recorded January 15-17 and 29, 2002. Sear Sound, New York City
Additional recording February 16, 2002, the Sound Bunker, Darien, CT
Mixed February 13-19, 2002, the Sound Bunker, Darien, CT
Mastered at The Mastering Lab., April 2002
Gerald Veasley appears courtesy of Head Up International
Chuck Loeb appears courtesy of Shanachie Records
Nnenna Freelon uses Shure Microphones
Dave Samuels plays Yamaha vibraphones and marimbas
Gerry Niewood plays Haynes flutes and Selmer saxophones
Gerald Veasley plays Ibenez basses
Chuck Loeb plays Yamaha guitars
?© 2002 Concord Records, Inc., 100 North Crescent Drive, Suite 275, Beverly Hills, CA 90210. Manufactured in E.U.
European promo edition with promo tag integral on disc print.
Recorded Sept. 12 & 13, 1961 in New York City.
Originally issued as LP (Verve V-8418 (mono) and Verve V6-8418 (stereo)). Tracks are in their original LP-sequence.
Made and printed in the USA.
Recorded 2 and 3 August, 1966, at Tanglewood, Lenox, MA
1987 RCA / Ariola International
Recorded November 24, 1956 at Radio Recorders, Hollywood
Tracks 1-6 original-LP issue: The Steamer, Verve MGV 8294
Tracks 7-11 original-CD issue: East Of The Sun: The West Coast Sessions, Verve 531 935-2
3 CD's in double jewel case
Recorded: 1950 - 1952
? & © 1990 A & M Records Inc., Los Angeles.
Registrato a Los Angeles nel giugno del 1953 con Chet Baker alla tromba, Stan Getz al sassofono, Joe Mondragon al basso e Chico Hamilton alla batteria.
Recorded live at Keystone Korner, San Francisco, California, May 1981
Remix at PER, San Francisco, California
? © 1981 Concord Jazz, Inc.
Digitally recorded live on March 3-6, 1991 at the Café Montmartre, Copenhagen.
Mastered at A&M Studios, Hollywood, California
?&© 1992 PolyGram S.A. France
Dal vivo al famoso jazz club ‘Harlem’ di Nalen, Stoccolma nel novembre 1959 e perso per 52 anni, i nastri sono stati ritrovati nella primavera del 2011.
?&© 2011 Riverside Records
Track 1-1: Recorded August 9, 1955
Tracks 1-2 to 1-7: Recorded August 15, 1955
Tracks 1-8 to 1-13: Recorded August 19, 1955
Tracks 2-1 to 2-4: Recorded August 19, 1955
Tracks 2-5 to 2-12: Recorded November 24, 1956
Tracks 3-1 to 3-12: Recorded August 2, 1957.
Mastered at PolyGram Studios.
2LP su 1 CD: Cool Velvet del 1960 e Voices del 1966.
Album del 1987 della vocalist jazz con Cecil Bridgewater alla tromba, Kenny Barron al piano, Rufus Reid al basso e Ben Riley alla batteria.
2LP su 1 CD: Tracks 1-8 originally released in 1958 as Atlantic 1282.
Tracks 9-20 originally released in 1960 as Atlantic 1322
Recorded: New York City, RPM Studio on December 14, 1993.
Con John Scofield alla chitarra
Recorded at Ambient Recording Studio, CT.
Mastered at Algo Rhythms, NYC.
Recorded on April 2 & 17, 1962.
Recorded in Clinton Recording Studio A, New York City, September 17-19, 1996
? 1995 Motown Record Company, L.P.
© 1995 Motown Record Company, L.P.
Distribution: Polydor/PolyGram.
1-6 probably recorded in 1953 (some sources say March 1954), at Gold Star Studios, Hollywood.
7-15 recorded summer 1954, at Western Recorders, Hollywood.
?© 1999 32 Kazz / Recorded on May 20 and 21, 1977 at CI Recording Studio, NYC
Ray Henderson al trombone, Mark Helias al basso e Gerry Hemingway alla batteria
Recorded November 2 and 3, 1987
at Barigozzi Studio, Milano
Digitally recorded at WDR studios, Cologne, in May 1991
Digitally mixed in August 1991
A recording by WDR Cologne
Recorded September 1997
at the Monastery of St. Gerold
"In Paradisum" combines music from three sources: the Officium Defunctorum of Victoria, polyphony by Palestrina, and Gregorian chant from a 17th century manuscript.
An ECM Production
? 2000 ECM Records GmbH
© 2000 ECM Records GmbH
Recorded November 30, and December 1 and 2, 1996 at Sound on Sound, New York City.
Track 1: Original LP issue: Lester Young: [r=3321603].
Tracks 2 & 9: Original LP issue: Jazz at the Philharmonic All-Stars: [r=3879453].
Track 3: Original LP issue: Jazz at the Philharmonic: [m=674556].
Track 4: Original LP issue: [m=701122].
Track 5: Original LP issue of this reconstructed version: [r=2645562]; original 78-rpm issue in [m=982253].
Track 6: Original LP issue: The Gene Krupa Trio [r=4227013].
Track 7: Original 10" LP: [r=7756540]; original 78-rpm issue in [r=2800663].
Track 8: Original 10" LP issue: Billie Holiday [r=4234840].
Recorded Dec 7, 1976 in the Old Town jazz Club Stampen (The Pawnshop), Stockholm, Sweden.
© & ? 1990 & 1992, Proprius Musik AB, Stockholm, Sweden.
Tracks 2,3,8,9 recorded November 7, 1957 in New York City.
Tracks 1,4-7 recorded November 11, 1957 in New York City.
Originally released in 1958 as Atlantic LP 1280.
Recorded November 1993
Hardstudios, Winterthur
An ECM Production
© ? 1994 ECM Records
? & © 2002 Skip Records GmbH. Made in Germany
Recorded July 1970 in California
Recorded October 11-12, 1996
2CD. Recorded live during the 2003 U.S. Tour
Original release Savoy MG-12024.
In trio con l'armonicista Max De Aloe e il contrabbassista Massimo Moriconi.
In duo con Cliff Korman. Live at Cantar Da Costa
Con John Adams – San Francisco Symphony diretta da Edo De Waart
Digitally recorded and mixed at Bauer Studios, Ludwigsburg
January and February 1990
A Product of JMT
© 1990 JMT Productions ? 1990 JMT Productions
Stefan F. Winter, Postfach 190 925, 8000 München 19
Printed in USA
Packaging: standard jewel case with 8 page foldout booklet
Songs 1, 2, 7, 9, 10 and 13 taken from [r=6437664].
Songs 3, 4, 8 and 15 taken from [m=1230004].
Songs 5, 6, 12 and 14 taken from [r=3692102].
Song 11 taken from [r=11079192].
Recorded live in performance during the SFJazz Collective's San Francisco residency and tour throughout California in March and April, 2005
Additional recording at Skywalker Ranch, Chicago Symphony Center, and Jazz at Lincoln Center
Packaged in a jewel case inside a printed plastic O-card to produce op art effects when the case is being moved inside it.
Recorded and mixed January 7-8-9, 2009 at Artesuono Recording Studios, Cavalicco, Udine - Italy
Recorded 1968 at A&R Recording, New York City; tracks 3 and 4 prob. on September 23; tracks 2 and 5 prob. on September 27; tracks 1 and 6 prob. on November 6
Original LP issue: Orgasm Verve V6-8768
Limited Edition of 6750 copies
Incl. postcard (see images)
Recorded on December 22 & 23, 1995 at the Power Station, New York City
Mastered at Rocket Lab, San Francisco, CA
©? 1997 Qwest Records,
manufactured and distributed by Warner Bros. Records Inc., a Time Warner Company.
Made in Germany
On inlay: Made in Germany by Warner Music Manufacturing Europe
Recorded April 2002
Rainbow Studio, Oslo
An ECM Production
? 2006 ECM Records GmbH
© 2006 ECM Records GmbH
Issued in a standard jewel case with a black tray and a 12-page booklet. The jewel case is protected by an O-card. Only the O-card has the barcode (on one of its sides).
? 1996 South Africa.
© BMG Records Africa/Longfield Corporation.
Made in the EU.
Distributed by the local BMG company.
Tracks #1-8 from "[r=3785060]" (Pacific Jazz ST 71). Recorded in Los Angeles, May, 1963.
Bonus tracks #9-12 taken from "[m=515122]" (Atlantic ATL 3008). Recorded in New York, September 11, 1966.
Cat# on disc: RR 123292-2CD
Cat# on back inlay: RR 123292 - 2 CD
Cat# on spine: 123292 - 2 RED
Cat# on back sleeve: 123292.2
Recorded at Kenneth Nash Studios, Oakland, California, March 7, 2000
This entire album is dedicated in loving memory of the great Nat King Cole.
May his spirit and his music live through eternity. (Robert Stewart).
Total Time: 58'52".
Made in Italy.
Digital recording, March 1988
Rainbow Studio, Oslo
An ECM Production
? 1989 ECM Records GmbH
© 1989 ECM Records GmbH
Recorded at Water Music, Hoboken, NJ, September 24-25, 2017
Mixed and mastered at 4D Studio, Brooklyn, NY
The factor of Double-Up
having pushed me further (thank you)
...therefore this new activity
has come about
It became a clear imparative
to write plus...
a third piano added to 1+1
now 1+1+1
To put things in a little different light
I can make a yo-yo hesitate,
but to suspend a flower in mid-air
without a stem
this is more like six hands or thirty fingers
more or less
trying to do whatever
...I'm glad there is somebodies
to thank, and much thanks to Kate Chumley.
-H.T.
Track 5 not listed on the CD or cover.
Recorded July 14, 2002 at Glassalen, Tivoli, Copenhagen. The DVD is a 92 minute documentary on the drummer's life with Horace Parlan, Billy Taylor, Carsten Dahl, Kasper Villaume, Jesper Bodilsen, Jens Winther, Tomas Franck, Denise Thigpen and Michael Thigpen. Featuring full performances of Sweet Mama, Like Blues, Message From Bud, Blues For H.P., Shufflin' Long.
PRODUCED AND DIRECTED BY DO McGLYN
2CD.
Recorded at Bill Schnee an Mad Hatter Studios, Los Angeles, CA
Mixed at Soundcastle and Mama Jo's, Los Angeles, CA
Mastered at Bernie Grundman Mastering, Los Angeles, CA
© 1986 MCA Records Inc.
? 1986 MCA Records Inc.
Box 3 CD Special Edition.
Recorded March 13, 1958.
Recordings 1-3: Sept 10, 1952; 4-6: March 6, 1952; 7-9: Jan 30, 1955; 10-12: Dec 30, 1949.
Originally released on LP 1955.
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