Con Donald Byrd, Johnny Coles, Bob Cranshaw, Walter Perkins. New York 1962.
Il nuovo album, il primo di Berne per la ECM. 2012. Con Oscar Noriega, Matt Mitchell, Ches Smith.
2 CD. Doppio dal vivo, registrato nel Luglio 2009, al mitico Village Vanguard, per il trio di Bill Carrothers
Il nuovo album del trombettista, con un trio in cui ci sono Lenny White alla batteria e Vicente Archer al basso. Otttanta minuti di grande jazz
Il nuovo album della super band, formata da Bob James, Nathan East, Harvey Mason e Chuck Loeb. Partecipano al disco, in veste di ospiti, Larry Carlton, Lee Ritenour e Kirk Walhum.
Ristampa rimasterizzata di un classico album dal vivo, registrato nel 1972. Grande successo all'epoca. Dave Brubeck, Gerry Mulligan, Paul Desmond, Alan Dawson e Jack Six. Mitica la versione di Take Five di 16 minuti.
Live at the Village Vanguard, 26 Novembre 1988. Super quartetto cpmpletato da Buster Williams ed Al Foster. Resonance Records, bella edizione in digipack.
Trio jazz che proviene da Manchester, elevato ai massimi sistemi dalla criticA d'oltre manica. Il trio mischia bellamente jazz, rock e musica elettronica, in un cocktail sonoro innovativo ed affascinante. The Next Big Thing, per certa stampa inglese
Più di 30 dischi a suo nome, 44 anni di carriera, William Hooker un batterista jazz di grande valore. Questo nuovo album, dove è accompagnato da una serie di musicisti di spessore (Jimmy Lopez, Charles Compo, Jai-Rohm Parker Walls, Stephan Gauci etc), è un lavoro intrigante, trasversale, innovativo. Un disco nuovo, in tutti i sensi, da parte di un musicista che non ha mai smesso di darci grande musica.
Debutto per Blue Note al quarto album a proprio nome per il batterista di Filadelfia Jonathan Blake, uno fra i musicisti più versatili ed apprezzati della scena statunitense, con esperienze a fianco di riferimenti del jazz come Tom Harrell, Kenny Barron, Dr. Lonnie Smith, Maria Schneider e la Mingus Big Band, così come di rapper (Q tips) e musicisti house, che gli hanno procurato, nella stampa oltreoceano, il titolo di “vero modernista”.
Nuovo album per la ECM per il pianista Kit Downes. Questa volta Downers suona assieme a Petter Eldh al basso e James Maddren alla batteria.
Dedicated to the memory of German Goldenshteyn (1934-2006)
Recorded at Avatar Studios, New York City January 14th-17th 2008
Edited and mixed at Bova Sound Ottowa, Ontario
Mastered at Kevorkian Mastering Inc, NYC
This is a digisleeve release
Made in E.U.
Recorded at Bell Sound Studios, New York City; January 27 (2-3, 7, 9-10), February 21 (5, 6), and March 13 (1, 4, 8), 1961.
This Edition Is Limited To 10,000 Copies
Edizione giapponese
Digitally recorded and mixed at Bauer Studios, Ludwigsburg March 1990
Total Time: 53:55
Recorded Live at Frank Collymore Hall, Barbados Feb 17th & 18th, 1990 using DAT Direct to digital two track.
A McJazz Barbados Festival '90 Presentation.
Recorded at The Boiler Room, New Orleans, Louisiana, on June 20-22, 1995
Mixed at The Manhattan Center, New York City, on July 27-29, 1995
Recorded live at Willibrord Studios, Veenendaal, Holland on February 9 & 10, 1999.
Recorded August 30, 1995 - August 31, 1995.
Grandi interpreti jazz cantano il repertorio del compositore americano: Cassandra Wilson, Sheila Jordan, Chet Baker, Peggy Lee, Nat King Cole e altri.
Recorded at Clinton Studio "B" in New York on March 28 & 29, 1996.
Recorded live at Sandy's Jazz Revival, Beverly, Mass., August 25-26, 1978. Con The Muse All Stars: Buddy Tate al sassofono tenore, Eddie "Cleanhead" Vinson al sassofono alto, Ray Bryant al piano, George Duvivier al basso e Alan Dawson alla batteria.
Recorded January 1999
Forde Abbey, Dorset
[72:34]
An ECM Production
? 1999 ECM Records GmbH
© 1999 ECM Records GmbH
Printed in Germany
Con Mal Waldron e Tiziana Ghiglioni.
Incisioni dal vivo effettuate in Svezia tra il 1949 e il 1951 di Stan Getz, James Moody, Lars Gullin e altri.
2CD. Il secondo volume della retrospettiva completa del periodo Verve
Kenny Garrett sassofoni alto e soprano, Geri Allen al piano, Charnett Moffett al basso e Charles Moffett alla batteria.Recorded on June 19, 1993 at Crossroad Studio, NYC
Recorded on November 21, 2004 in New York City.
Mixed on January 13 & 14, 2005 in Hamburg, Germany.
Mastered on April 11, 2005 in Hamburg, Germany.
Recorded Live at the Big Mama in Rome on January 26-27, 2000 con David Liebman, Daniel Humair e Furio Di Castri
Engineers Massimo Simonetti, Giovanni Onofri
Mixed on April 10-11-20, 2000 at Villariccio Sound Recording in Rome
Engineers Gianrico La Rosa, Andrea Camilletti
Recorded "live" at The Ronnie Scott Club, London on 17-18th May 1962
2CD.
Music from a Prague manuscript c 1500
Recorded January 1993
Stadtkirche Gönningen
An ECM Production
©? 1995 ECM Records
Printed in Germany
Recorded in 1959 in Los Angeles.
Recorded July 2, 1944 at Philharmonic Auditorium, Hollywood.
Original recording produced by Norman Granz
This landmark concert was Verve Records' founder Norman Granz's first presentation - a concert hall jazz program planned as a jam session. This recording stands as the first recording in Verve's catalog as well - marking its fiftieth anniversary this year [i.e., the year this recording was released]
Total Playing Time 62:41
Tracks 1 & 3: Original 10"-LP issue: "Jazz at Carnegie Hall" Mercury / Clef MG 35005 (although this LP's title referred to Carnegie Hall, this selection came from the Los Angeles concert.)
Tracks 2 & 5: Original 10"-LP issue: "Jazz at the Philharmonic Volume 7" Mercury / Clef MG 35008
Tracks 4, 6 & 7: Original 10"-LP issue: "Jazz at the Philharmonic Volume 5" Mercury / Clef MG 35006
Reissued in 1994 at the time of Verve's 50th Anniversary.
Made in U.S.A.
Printed in the USA.
Recorded 17th December 1999
at Artisten, Göteborg
Brass quartet recorded 2nd October 2000
at Studio Bohus, Kungälv
Mixed and edited
at Studio Bunkern, Gothenburg
An ECM Production
? 2001 ECM Records GmbH
© 2001 ECM Records GmbH
Tracks 1-1 to 2-19 recorded June 1954
Tracks 2-20, 2-32, 2-33 recorded April 18, 1928
Tracks 2-21 to 2-23 recorded June 6, 1927
Tracks 2-24 to 2-31 recorded April 17, 1928
Teo Macero Conducts London Philharmonic Orchestra Featuring Lounge Lizards
Recorded July 17th and 18th, 2006
Recorded at Power Station, NYC on October 9 & 10, 1991
Strings recorded at Sound On Sound, NYC on October 7, 1991.
?,? 1992 Disk Union
Track 5 "Back Talk" is a variation of "Baby Talk" from release [r519346], maybe a typo on this release.
Tracks 1-9: Recorded June 19, 1959 at Adriano Theatre, Rome. Previously released on [r4053079] & [r4053105].
Track 10 (*Bonus Track): Recorded May 19, 1959 in Stockholm.
Tracks 1-1 to 1-6 recorded at Gold Star Studios, Hollywood, February 27, 1954
Tracks 1-7 to 1-12 recorded at Western Recorders, Hollywood, March 25, 1954
Tracks 1-13 to 1-19 recorded at Western Recorders, Hollywood, April 18, 1954
Tracks 2-1 to 2-7 recorded at Western Recorders, Hollywood, July 14 & 18, 1954
Tracks 2-9, 2-11, 2-12, 2-16 recorded at Western Recorders, Hollywood, September 16, 1954
Tracks 2-8, 2-10, 2-13 to 2-15 recorded at Western Recorders, Hollywood, September 27, 1954
Tracks 2-17 to 2-22 recorded at Western Recorders, Hollywood, September 29, 1954
Tracks 3-1 to 3-8 recorded at Western Recorders, Hollywood, August 29, 1954
Tracks 3-9 to 3-19 recorded at Western Recorders, Hollywood, December 13, 1954
Comes with 84 page booklet.
Recorded November 1957 in New York City.
© 1958, 1994, 2001 Avenue Jazz, a Division of Audio Visual Entertainment Inc.
Manufactured and Distributed by Rhino Records Inc. through WEA.
Piano (1977)
Palais De Mari (1986)
Universal Editions, Londres
Recording: Studio La Buissonne, Pernes -Les-Fontaines June 12 2001.
Total time: 79'10.
Recorded in New York City on March 31 (tracks 1 to 4), October 17 (tracks 5, 6, 8, 12, 14), December 21 (tracks 7, 9 to 11, 13), 1956
Original LP issue: RCA Victor LPM 1372
? 1957 BMG Music ? 1987 BMG Music (13,14) © 1998 BMG France
1 to 8 recorded on 1 May 1999 at The Percussion Studio, Toronto, Canada
9 recorded August 5, 1999
Recorded May 1991 at Estudios Ion, Buenos Aires
Mixed at Rainbow Studio, Oslo
An ECM Production
©? 1992 ECM Records (on tray card and in booklet)
? 1992 ECM Records GmbH (on disc)
"Polygram Records Inc. (New York)" printed as "Polygram Records, Inc., NY, NY".
Made in USA
Printed in USA
The company name used on this release "PolyGram Records Inc. (New York)" refers to [l129352]
Recorded September 17, 1966 at the Monterey Jazz Festival, California
Tracks 1-3 original-LP issue: Bola Sete at the Monterey Jazz Festival Verve V6-8689
Tracks 4-6 previously unissued
To hear the pieces in the order of their performance, program the sequence 4, 5, 6, 2, 3, 1.
Wrongly credited Drums: Paulinho Da Costa
Wrongly credited Vocals (track 1): Da Costa
Tracks 6 to 9: previously unreleased concert from 1970.
Recorded at Sierra Sound Studios, Berkeley, Ca., February 10, 1969 (tracks 1 to 5) and live at the Newman Center, Berkeley, Ca., November 6, 1970.
Gleason's booklet notes are dated 1969, Strachwitz's "1969 (up-dated March 2000)" and "March 2000"
Recorded 31/3/2003
Mixed 9/6/2003
The original project of "Mingus,Cuernavaca" was commissioned by "METASTADIO JAZZ" - Prato, Italy
So what ?
Recorded at Baby Moster Studio, New York City, March 5, 6 & 7, 1992.
The date on this is 1981.
Attendere...