Concerto inedito, registrato alla Carnegie Hall nel 1982. Gerry Mulligan, Mel Tormè e George Shearing.
Chris Cheek, affermato tenor sassofonista, accompagnato per l'occasione da Brad Mehldau e dal suo trio. Registrato 2005.
Nuovissimo lavoro, 2008, per il sassofonista di colore.
Nuovo lavoro, 2009, per il figlio di Coltrane. Con Drew Gress, Luis Perdomo, Charlie Haden e EJ Strickland
2 CD. Il nuovo lavoro dell'alto sassofonista, registrato dal vivo al Village Vangaurd, con Jonathan Finlayson, Miles Okazaki, Anthony Tidd, Sean Rickman. 2018
Nuovo lavoro del clarinettista, 2012, con il trio con Benjamin Moussay e Gilles Coronado.
2 CD. Registrato in New Jersey nel 1986, pubblicato solo ora
Jarrett, solo nel suo studio, suona ogni strumento, in questa esplorazione di spazio e tempi..
Altro disco nuovo, 2017, per il batterista jazz. Qui con Damian Erskine, Vardan Ovsepian, Artyom Manukyan e Judd Miller
Esordio come solista, via ECM, da parte del bassista straordinario Larry Grenadier. Dedicato al uo mito Oscar pettiford, il disco vede Grenadier interpretare brani di George Gershwin, John Coltrane, Paul Motian, Rebecca Martin e Wolfgang Muthspiel. Un lavoro decisamente personale.
con Phil Woods, Art Farmer, Bob Berg, Tito Puente, John Scofield, Robben Ford, Benny Golson, Charlie Haden, Bernard Purdie etc
Trobettista emergente, uno dei migliori nella scena jazz attuale. Nel disco suonano anche Jeff Jenkins, Seth Lewis e Paa Kow
LP. ECM, 1978, DE. Copia nuova e originale del disco realizzato dal celebre batterista in quartetto con John Abercrombie(chitarra e mandolino), Lester Bowie (tromba) e Eddie Gomez (basso). Non sigillato e in buone condizioni.
Il nuovo album dello straordinario chitarrista del Minnesota in cui si unisce con il vecchio compagno di mille avventure Marc Anderson, il quale si districa tra percussioni, gong e ben strutturati loop, e con il batterista JT Bates. Le 20 tracce dell'album suonano come un'estatica, quasi ieratiforme, suite sulla vicinanza di galassie, universi, mondi e persone in cui la musica più che comporsi, progressivamente succede. Il disco si compone di parchi baluginii di folgori elettriche, come se una parte della cifra stilistica di Jim Hall incontrasse le estetiche di Leo Kottke, Robbie Basho e Jack Rose, sviluppando il tutto alla maniera di Ustad Sultan Khan, che rappresenta una delle fonti ispirative del chitarrista americano.
?&? 2008 Lone Hill Jazz
Made in EU
2 albums on one CD + bonus tracks
Recorded:
- Tracks 1, 4, 8, 11 April 20, 1955
- Tracks 2, 3, 7, 9 June 1, 1955
- Tracks 5, 6. 10 May 17, 1955
- Track 12 May 9, 1955
- Track 13 April 5, 1955
- Tracks 14, 18 July 5, 1955
- Tracks 15, 21 December 12, 1952
- Track 16 May 15, 1951
- Tracks 17, 24 August 10, 1954
- Track 19 February 20, 1951
- Track22 December 13, 1954
- Tracks 25 to 27 November 2, 1954
- Track 28 July 3, 1954
Recorded live at the World Fair, Brussels, Belgium, July 29/August 3, 1958.
Bonus Tracks:
10-17: Paris, March 12, 1957.
con Jon Hassel, Manu Katche,, Martial Solal, Mike Stern, Steve Swallow e Toots Thielemans.
Il re del mambo
Recorded at Mu Rec Studio, Milan, Italy, on December 19/20, 1993. Disco in classico piano trio evansiano con Paolino Dalla Porta al basso e Aldo Romano alla batteria.
These recordings are completely "Live" performances, which were recorded directly to 2 track stereo tape masters. Every selection you hear is unedited, and is not re-mixed, nor do they contain over-dubbed or punched-in phrases.
Con Lester Bowie alla tromba
Tracks 1, 2, 4, 5, 8 and 9 recorded live February 25th 1994, Oslo
Tracks 3, 6 and 7 recorded live November 11th 1994, Bergen Jazzforum
Recorded at Wesleyan University, October 26, 2002.
Mixed and mastered December 28, 2002.
Compositions by Andrew Cyrille ( Major-A-Music, ASCAP ) and Anthony Braxton ( Synthesis Music, BMI ).
Produced by Intakt Records. Published and Copyright by Intakt Records ( except The Loop and Composition No. 310 ).
Includes 20 pages booklet.
CD 1 recorded live at Rote Fabrik, Zürich on October, 21, 1993
CD 2 recorded at Großer Sendesaal WDR Köln on October 22/23, 1993
?+© 1995
Total times:
CD 61601: 65:00
CD 61601: 65:13
Recorded on 3 November 1999 during the Total Music Meeting at Podewil, Berlin
Total time: 70:09
? + © 2002
Made in U.S.A
"A lost gem of West Coast jazz by one of the most underrated tenor players. From the original master tapes."
Originally issued as [r8124000] (1957).
Published:
1, 3, 6 and 8 Copyright Control
2 & 5 Rockin' Music
4 Warner Chappell Music Ltd.
7 EMI United Partnership Ltd.
Post Production at Sound Mastering Ltd.
Comes in a jewel case with 6-page folded booklet.
Made in the UK
Track 10: The Way Of Pure Sound
(for Joe Maneri)
Recorded and mixed March 2008
at Nevessa Production, Woodstock
Mastering: MSM Studios, München
An ECM Production
Album title courtesy of Peter Handke
Some song titles based on poems by Robert Gibbons
? 2010 ECM Records GmbH
© 2010 ECM Records GmbH
2CD. La raccolta definitiva del sassofonista jazz: 31 brani con un inedito e con la partecipazione di Ray Charles, George Benson, Dr. John, B.B. King e Etta James.
Recorded (June 18-19, 1984) and mixed at JAC Studio, New York City.
Remastering, 1997-(Fantasy Studios, Berkeley)
2CD. 4LP su 2 CD: More Soul, From The Heart, Soul Of The Ballad e Dig These Blues.
Recorded by David Becker at Sear Studio, NYC in December 1993
Recorded July 14-16, 2009 at Studio P4, Berlin
Featuring Hamza El Din e Paul McCandless degli Oregon.
Recorded January 31, 2003 and October 27 & 28, 2004.
Recorded live on November 12th at the 1993 Percussive Arts Society Convention, Columbus, OH
20-BIT Original Recording.
Track 13: Actual duration is 5:58 (CD Player) because there is a 'ghost' incomplete take of "Too Close For Comfort" after eight mute seconds.
In bonus tracks 11, 12 and 13 the composers are uncredited.
Tracks 1 to 7, 10, 11 and 13 recorded January and June 1956 at Fine Sound, New York City; tracks 2 and 3 recorded January 4; tracks 4 and 6 recorded January 5; track 1 recorded June 25; track 5 recorded June 26; tracks 7, 10, 11 and 13 recorded June 27.
Tracks 8, 9 and 12 probably recorded between April 23 and 30, 1957 in Hollywood.
Tracks 1 to 10 original-LP issue: "One O'Clock Jump" Verve MGV-8288 (Tracks 1 to 10 are in their original-LP sequence).
Track 12 original-EP issue: Verve EPV 5062
Tracks 11 and 13 previously unissued.
Master Numbers and Take: #1; 2901-1 #2; 2920-6 #3; 2625-6 #4; 2626-10 #5; 2906-3 #6; 2627-4 #7; 2911-2 #8; 21447 #9; 21448 #10; 2913-2 #11; 2910-5 #12; 21449 #13; 2911-1.
Mastered at PolyGram Studios.
? & © 1999 PolyGram Records, Inc.
Recorded December 10 & 12 1959. Recorded at the same session that produced "All the Gin Is Gone" (Delmark 404)
Music from the Soundtrack of Mickey One
Con Gerry Mulligan, Harry Edison, Louis Bellson e Oscar Peterson Trio.
2LP su 1 CD
1996 GRP Records, Inc.
Con Craig Handy, Lenny White, Jerry Gonzalez
Recorded at Sound On Sound Studios, New York in March 1993.
Ralph Reichert al sassofono tenore, Kurt Weiss alla tromba, John Mosca al trombone, Danilo Memoli al piano, Stefano Senni al basso e Mauro Beggio alla batteria.
Live recording of The Jazz Passengers, featuring Deborah Harry of Blondie as guest lead-vocalist.
Alcuni deii migliori percussionisti jazz
Recorded at RCA Recording Studios, New York City; November 29 and 30, 1976.
Recorded May, 1959, N.Y.
Con Woody Herman
Recorded at East Coast Studios, New York City on June 15 and 21 (1955).
Originally released in 1956 as Atlantic 1217 ([m393944]).
Recorded at Murec Studio, Milano on Febr. 10, '97 con Enrico Rava.
High Resolution Technology - Recorded at 96/24
Issued in standard jewel case, white tray, with a 4-page booklet.
Digitally recorded on March 18 & 19, 1996. Edited and mastered on April 12, 1996
Free jazz giapponese che suona come un treno lanciato a tutta velocità in prossimità di una curva che lo farà sicuramente deragliare.
Released in 6-panel Digipak.
Enregistrement les 28 et 29 septembre 2004.
Mixage le 2 novembre 2004.
© 2004 Cantabile
? 2004 Le Chant du Monde
Made in Germany
Piano Duos & Solos
Recorded at "Loft", Köln, Sunday, March 21, 1993
Recorded July 1999
Gateway Studio, Kingston
An ECM Production
? 2001 ECM Records GmbH
© 2001 ECM Records GmbH
Recorded live in concert November 21st, 2014 at the Philharmonie, Köln, Germany; except track 7 recorded live in concert November 22nd, 2014 at the Philharmonie, Essen, Germany
Recording dates
1, 2: Mar 31, '37
2: Mar 31, '37
3 to 7: Jan 11, '39
8, 9: Jan 16, '41
10, 11: Jan 15, '46
12 to 15: Jan 3, '49
Recorded at Atlantis Studio, Stockholm
Recorded in RCA Victor's Studio A, New York City in the summer of 1962.
Tracks 8 to 10 are previously unissued.
Track 11 is not listed on the backcover or leaftet. It records 2 minutes of rehearsal.
Total playing time: 68:05
Tracks 1, 2, 5, and 8 to 10 recorded August 2, 1957 at Capitol Records studio, Los Angeles.
Tracks 3, 4, 6, and 7 recorded August 27, 1957 at Fine Sound studio, New York.
Original LP issue: [r=3073005] (1962 reissue: [r=6511857])
Mastered at PolyGram Studios
? © 1993 PolyGram Records, Inc.
Manufactured and marketed by Verve Records, a division of PolyGram Classics and Jazz, a division of PolyGram Records, Inc. Printed in the USA.
Booklet includes facsimile of the original LP cover.
Recorded at The Studio, New York City, June 9-11, 2000
Mixed at Fantasy Studios, Berkeley, California
Mastering: Fantasy Studios, Berkeley
This release presents the complete "Jazz Giants '58" album, which is the only recorded testimony of Stan Getz, Gerry Mulligan & Harry "Sweet" Edison collaborating together in a recording studio. As a bonus, two long tracks from a 1953 studio session which also included Getz and Edison.
Both these sessions were organized by producer-impressario Norman Granz.
Total time: 76:06 min.
Tracks #1-5 from "Jazz Giants '58" (Verve MGV 8248). Recorded in Hollywood, on August 1, 1957.
Tracks #6 taken from "Norman Granz' Jam Session #3" (Clef MGC 653).
Tracks #7 taken from "Norman Granz' Jam Session #4" (Clef MGC 654).
Recorded in Hollywood, on August 18, 1953.
------------------------------------------------
Notes:
-Jazz Giants '58
"Producer Norman Granz (1918-2001) had an uncanny ability to create really amazing jazz albums by experimenting with the combinative chemistry of musical minds, temperaments, and personalities. While not every Granz session resulted in recordings of equal depth or profundity, the number of artistically rewarding, genre-defining albums that came together under his supervision is almost difficult for the human mind to fully comprehend. One fine example is Jazz Giants '58, a Verve album recorded inside the rented Capitol studios in Hollywood, CA on August 1, 1957 and released almost exactly one year later [...] Although it has since come to be identified mainly with Stan Getz, Jazz Giants '58 feels a lot like a Gerry Mulligan session, with Harry "Sweets" Edison perfectly complementing the other two horns. To support and illuminate the trumpet, tenor, and baritone saxes, Granz used his preferred rhythm trio Oscar Peterson, Herb Ellis, and Ray Brown and added master percussionist Louie Bellson, fully primed after working for his wife Pearl Bailey, his hero Duke Ellington, and with Granz's internationally famous Jazz at the Philharmonic project. This was the blossoming of the great era of long-playing records, and the participants clearly relished the opportunity to stretch out and jam together in a relaxed, intimate studio environment. "Chocolate Sundae," a ten-minute collectively improvised blues of incredible warmth and irresistible texture, is followed by seven- and eight-minute sets of creative variations on a couple of tunes that were in the air during the '50s. The nearly 12-minute manifestation of the patented Norman Granz "Ballad Medley" is especially powerful by virtue of starting out with Billy Strayhorn's "Lush Life." An extended romp through the changes of Dizzy Gillespie's "Woody N You" (a tribute to the progressive sensibilities of bandleader Woody Herman penned during the 1940s) adds pure undiluted pleasure to an album that already sounds and feels like some of the best music ever recorded by any of the participants under any circumstances."
Arwulf Arwulf -All Music Guide
© 1998 Sony Music Entertainment Inc./? 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211
Recorded April, 1995
? 1960 Ace Records Ltd. except track 12 ? 1996 Ace Records Ltd.
© 1996 Ace Records Ltd.
Originally released as Dooto LP DTL 211; re-release of Boplicity LP BOP 8, 1984.
Recorded at the Music Box Theatre in Los Angeles on February 9 (1-4, 9) and February 16 (5-8), 1956.
CD single con 5 brani.
Reconstructed and mixed by "Little" Louie Vega and Kenny "Dope" Gonzalez for Masters At Work Productions Inc.
Made in Germany
2LP su 1 CD: Heat e Jungle Fire
Recorded at the Van Gelder Studio, Englewoods Cliffs, New Jersey on November 29 and December 9, 1963.
(P)(C)2000 Capitol Records, Inc.
Printed in USA
Digitally recorded in New York City, May 13 & 14, 1992, BMG Studio B
#1-3: Recorded in Los Angeles on November 18, 1955; Originally issued on various Pacific Jazz Anthologies.
#4-11: Recorded at Western Recorders, Los Angeles in the summer, 1954; Originally issued on Jazz West 10" LP-1.
#12-19: Recorded at Capitol Studios, Los Angeles in the spring, 1955; Originally issued on Jazz West 10" LP-2.
©? 1998 Capitol Records, Inc.
"These and other newly recorded songs appear in "Billy Strayhorn: Lush Life", a film by Robert Levi".
Recorded May, 1989, RPM Sound Studios, N.Y.C.
? 1989 Polydor K.K., Tokyo Japan
© 2003 Winter&Winter, München, Germany
[Disc] ? 2003 Winter & Winter, München, Germany
Recorded 3-4 Dec, 1993 in NYC
Total CD time = 70:46 / CD made in USA / Package made in Japan Sleeve / Fims by Make Colors / All Rights Reserved.
© ? 1999 M • A Recordings / 4728 Park Encimo Ln. #117, Encino, CA. USA 91436.
Japan distribution by M • A Distribution.
Recorded at Sage & Sound Recording on September 6-7, 1994, Hollywood, CA
8, 10: Plymouth Music ASCAP
9: Ann Ronell Music/Bourne Co. ASCAP
11: Chappell & Co., Inc./Warner Bros. Music Corp. / L.S.Q. Music Co. ASCAP
12: WB Music Corp. ASCAP
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