Includes the band's 1980 debut album [m35465] and its 1982 follow-up [m48562]. Tracks 1-9 to 1-12 and 2-9 are bonus tracks. 1-9 and 1-10 originally issued on 12" in 1981. Rear sleeve and booklet track listings both erroneously list 1-10 as one of the 1983 live tracks - it is a studio recording from 1981.

Tracks 1-1 to 1-8 recorded at Big Apple Studios, New York
Tracks on Disc 2 engineered at Olympic Studios (Chelsea), London; Vanguard Studios, New York, Electric Ladyland, New York
Mastered at Peerless Mastering, Boston, MA

This compilation ?&? 2005 Rykodisc, Inc.
Printed and manufactured in the EU.

Recorded February 11 & 12, 2004 at Sound On Sound Recording, New York, NY

Recorded at Atlantic Studios, New York, NY.

Originally released in 1971.

Recorded between August 1991 and February 1993.

? 1994 Sony Music Entertainment Inc.
© 1994 Sony Music Entertainment Inc.

Recording location: TELDEC Studio Berlin • April 1996
? 1997 Teldec Classics International GmbH, Hamburg, Germany
© 1997 Teldec Classics International GmbH, Hamburg, Germany
A Warner Music Group Company
Made in Germany
Total Timing: 79.23

CD is packaged in a standard plastic clear-tray jewel case along with a 10-page (10-panel, foldout) booklet, notes in English, German, French; all inside a printed O-Card
The case has Warner logo embossed on the right bottom of the front side.

Track publishers:
Track 1: Edition Peters, Frankfurt
Track 2: Universal-Edition, Wien
Tracks 3-7, 9: Musikverlag Hans Sikorski, Hamburg
Track 8: Schott's Söhne, Mainz
Track 12: Eres Edition, Lilienthal/Brehmen

Corrected track durations:
Track 1: (5:30 » 5:37)
Track 2: (10:57 » 11:03)
Track 9: (27:54 » 28:00)

Recorded on May 19, 1965 at the Van Gelder Studio, Englewood Cliffs, New Jersey

Live at the U. J. C.
Recording Date: November 6th & 7th, 1987.

Composed for a radio series sponsored by the Los Angeles Museum of Contemporary Art, Three Penitential Visions utilizes tape technology and samples to create a three-movement electronic soundscape. The St. Louis Post-Dispatch hailed it and Hidden Voices, also featured here, as "quietly potent essays, as gorgeous in their subtle details as they are haunting in overall effect.”