CD / DVD. Si tratta di registrazioni inedite, fatte all'inizio degli anni ottanta nella chiesa metodista newyorkese di Washsington Square. Frippertronics, ciioè improvvisazione, cioè loop registrati su nastro e sovrapposti ad assoli e fraseggi di chitarra elettrica.Improvvisazioni fondate sulla tecnica esecutiva che prevede l'aggiunta o la sottrazione di suoni e rumori che variano l'atmosfera e l'intensità della performance, sperimentata in precedenza con brani noti e non. Mixato da David Singleton.

CD /DVD. Il classico esordio di Robert Fripp, come solista. Nuova edizione, rimasterizzata (stereo mix 2021). Contiene un DVD con i missaggi del 2021 di Exposure, la terza edizione del disco, ed un disco inedito del 1978, Last of the Great New York Hearthrobs.

2 LP. Si tratta di registrazioni inedite, fatte all'inizio degli anni ottanta nella chiesa metodista newyorkese di Washsington Square. Frippertronics, ciioè improvvisazione, cioè loop registrati su nastro e sovrapposti ad assoli e fraseggi di chitarra elettrica.Improvvisazioni fondate sulla tecnica esecutiva che prevede l'aggiunta o la sottrazione di suoni e rumori che variano l'atmosfera e l'intensità della performance, sperimentata in precedenza con brani noti e non. Mixato da David Singleton. Vinile 200 grammi, super heavy weight.

CD singolo

This compilation ? & © 1997 Robert Fripp.
(p) tracks 1 & 3: 1997.
(p) track 2: 1995.
(p) track 4: 1996.

Tracks 1, 3 & 4 were also later issued on 'The Gates Of Paradise' [April 1998].
Track 2 was also issued on 'A Blessing Of Tears (1995 Soundscapes Volume Two - Live In California)' [July 1995].

All the tracks are taken from the two performances on the evening of Saturday 8th. April, 1995 at the Goethe Institute, Buenos Aires.

All the Soundscapes are presented as live improvs with small editing for technical reasons and programming.

A Ton Prob Production by Robert Fripp & David Singleton for Discipline Global Mobile.

? & © 1996 Robert Fripp

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Issued in a standard jewel case including an 8-page booklet and an additional 6-page foldout insert.


A slipcase box to hold all 3 volumes of the 1995 Soundscapes was available through DGM

Completing the trilogy from Robert Fripp's 1995 season of live improvisation.
A slipcase box to hold all 3 volumes of the 1995 Soundscapes was available through DGM

? & © 1996 Robert Fripp
A Ton Prob Production [...] for Discipline Global Mobile.

Comes in a standard jewel case with a 10-page foldout booklet

First issue, actually on Discipline (GM).

Track 1 is the second piece from Show 1 at The House of Blues, Los Angeles, January 26th. 1995.
Track 2 is the second piece from Show 1 at Slims, San Francisco, February 1st. 1995.
Track 3 is the third piece from Show 2 at The House of Blues, Los Angeles, January 26th. 1995.
Track 4 is the second piece from Show 2 at Slims, San Francisco, February 1st. 1995.
Track 5 is the third piece from the performance at Tower Records, Sunset Blvd., Los Angeles, January 23rd. 1995.
Track 6 is the third piece from a presentation on January 21st. 1995 at the second Guitar Craft Application & Assimilation course, held at Ojai, California, January 20-25th. 1995.
Track 7 is the second piece from The Coach House, San Diego, January 27th. 1995 and is backwards.
Track 8 is a Tön Pröb remix of the second piece from The Coach House, San Diego, January 27th. 1995.
All other Soundscapes are presented as live improvs, with small editing for technical reasons and programming.

The Tour:
January 23 Tower Records, Los Angeles
January 26 The House of Blues, Los Angeles (2 shows)
January 27 The Coach House, San Diego
January 28 The Coach House, San Juan Capistrano
January 31 The Catalyst, Santa Cruz
February 1 Slim's, San Francisco (2 shows)

Recorded live to DAT during live performances in California, 21 January - 1 February 1995.
Mastered on Truth Monitors from Truth Acoustics
A Tön Pröb Production for Discipline Global Mobile.
Cover Image courtesy of David Messum Fine Art.
Sleeve Design © Bill Smith Studio, London.

In Memoriam:

Gladys Louise Green
Edith Fripp
Elizabeth Bennett
Irene Miller
Estelle Gavalas
Elizabeth Singleton

All compositions by Crimson Music / BMG Music Publishing
The DGM logo is designed by Steve Ball who owns the copyright in his work.

?&© 1996 Robert Fripp.

Title on the front cover reads [..] Volume Two [..]
On the spine [..] Volume 2 [..]

Recorded live in Dusseldorf except: T1, 3, 4, 11, 19 in Hannover; T10, 18 in Bonn (all in March 1991).
Mastered on Truth Monitors from Truth Acoustics.
Patricia Leavit (vocals) was part of the performance team but is not included in this record.

T8: BWV 825
T18: BWV 847

T19 appears with time 9:18.
Hidden track (19b) comes after 60 seconds of silence. It is an announcement (by Robert Fripp) for the press (photographers) where he states that a non-performance will follow. 19b is also followed by silence (2min 57sec).
T20 is not credited on the sleeve.

Comes with 12-page booklet.