Eccellente nuovo album del batterista, con Bill Frisell e Joe Lovano.
Rare registrazioni, effettuate alla Capitol di Los Angeles, alla fine degli anni sessanta. Con Bill Henderson ospite.
Nuovo album dal vivo dell'attuale line up dei Soft Machine Legacy: John Etheridge, Theo Travis, Roy Babbington e John Marshall.
Già edito, parzialmente, in DVD lo scorso anno, questo concerto dal vivo vede i due grandi, in compagnia di Norah Jones, rifare il repertorio del grande Ray Charles. Ma ci sono delle differenze, infatti alcune canzoni sono prese dalla sera diversa ( il CD è stato tratto da due serate sold out ), il tutto per rendere più appetibile il prodotto. A monte di tutto, un concerto splendido, classe adamantina, tre grandi interpreti alle prese con un repertorio formidabile.
Con Brad Mehldau e Kurt Rosenwinkel.
2 CD. Registrazione inedita del 26 Dicembre 1967. L'ultima volta assieme del mitico quartetto di Dave Brubeck, Paul Desmond, Joe Morello ed Eugene Wright. La registrazione, che arriva dagli archivi di Brubeck, è la testimonianza finale di un formidabile gruppo di musicisti, che rileggono classici senza tempo come Take Five, Saint Louis Blues, Cielito Lindo, Take The A Train, Swanee River etc.
Uno dei classici del jazzista californiano, ristampa rimasterizzata 2011
Formanek, leader in un disco nuovo di Tim Berne, con Gerald Cleaver e Craig Taborn. ECM 2012.
Bill Charlap è uno dei migliori pianisti jazz, della nuova generazione Usa. Charlap ha sempre avuto una debolezza per gli standard della musica Americana, infatti eccolo di nuovo assieme alla cantante Sandy Stewart, che nella vita reale è sua madre. Una coppia incredibilmente affiatata che rilegge classici come Smoke Gets in Your Eyes, Where or When, Solitude, When You Wish Upon a Star etc.
Il nuovo album del sassofonista, con la big band. Con Antonio Hart, Mark Gross, Charles Davis, Roy Hargrove, Lewis Nash, Peter Washington, Bobby Lavell, Frank Greene ed altri.
Rielaborazione in salsa musette / jazz di brani resi celebri da Edith Piaf
Le famose sessions del 1982 di Art Pepper e Bill Watrous, edite solo in Giappone al tempo. Nuova edizione Omnivore Usa, curata da Laurie Pepper, rimasterizzata e con due tracce inedite aggiunte.
Trio jazz che proviene da Manchester, elevato ai massimi sistemi dalla criticA d'oltre manica. Il trio mischia bellamente jazz, rock e musica elettronica, in un cocktail sonoro innovativo ed affascinante. The Next Big Thing, per certa stampa inglese
Carù consigliaIn offertaImportatiUn classico della Verve. Questo disco vede per la prima volta assieme in studio Louis Armstrong ed Ella Fitzgerald. Un classico assoluto, edito nel 1956. Un disco di grande valore. Nuova edizione rimasterizzata usando i nastri analogici originali. Vinile 180 grammi.
2 CD. Il nuovo album del pianista jazz Harold Mabern, per la serie Smoke Sessions. Registrato dal vivo assieme ad Eric Alexander, John Webber e Joe Farnsworth.
4 CD. Norman Granz, uno dei più grandi produttori jazz, aveva creato la Verve attorno alla figura di Ella Fitzgerald. Ma, a parte la straordinaria cantante, aveva un rooster splendido di artisti jazz, che aveva per lo più scoperto lui stesso:: Dizzy Gillespie, Stan Getz, Billie Holiday, Coleman Hawkins, Gerry Mulligan, Art Tatum, Mel Torme, Count Basie, Bud Powell, Lester Young, Herb Ellis, Oscar Peterson e molti altri. Questa collezione di quattro CD presenta il meglio delle registrazioni in studio, ma anche dal vivo, le jam sessions ed altre chicche create dal grande Norman Granz.
Chick Corea & The Spanish Heart Band. Il geniale pianista rilegge brani da due dei suoi dischi più famosi: My Spanish Heart e Touchstone. Con la Spanish Heart Band, un brillante ensemble con cui è in tour a livello mondiale.
2 LP. Registrato dal vivo a Stoccolma, Novembre 2018, con Renee Rosnes, Jimmy Greene,Payton Crossley. Splendido vinile in edizione audiofila. 180 grammi permium virgin vinyl, state of the art pressing, made in Germany. Fold out cover.
2 CD. Seconda parte del famoso concerto. Steve Coleman ( alto saxophone) è accompagnato da Jonathan Finlayson ( tromba ), Kokayi ( voce ), Anthony Tidd ( basso), Sean Rickman ( batteria).
LP. ECM, 1978, DE. Copia nuova e originale del disco realizzato dal celebre batterista in quartetto con John Abercrombie(chitarra e mandolino), Lester Bowie (tromba) e Eddie Gomez (basso). Non sigillato e in buone condizioni.
LP. Chiaroscuro Records, 1976, USA. Registrazioni inedite, con Lee Konitz, Marvin Peterson, Harry Edison, Vic Dickerson, Buddy Tate, Budd Johnson, Bob Wilber, Hank Jones etc. Copia americana sigillata
Edizione giapponese
© 2014 Columbia Records. Contiene 20 classici.
Super Audio CD Hybrid. Direct Stream Digital.
Recorded New York City February 4, 5, 6 2000
Luigi Bonafede, Marcello Tonolo & Carla Marcotulli, Paolo Fresu & Paolo Birro, Pietro Tonolo & Luigi Bonafede, Luisa Longo & Marc Abrams, Paolo Fresu & Renato Chicco, David Boato Quintet
Recorded "live" by Andrea Gamba at Teatro Toniolo and Teatro Del Parco, Venezia - Mestre, Italy, on November 12 / 13 / 14, 1998.
Mixed, mastered and edited at Blue Train's Recording Studio, Mira (Venezia), in December 2001.
Cantante jazz che viene paragonata a Ella Fitzgerald e Sarah Vaughan per il grado di creatività e immaginazione con cui usa la voce.
2CD. CD 1 & CD 2 Track 1 recorded live at Bee Hive, Chicago, November 7, 1955.
CD 2 Tracks 2-6 recorded live at Basin Street Club, New York City, April 28, 1956.
CD 2 Track 7 recorded live at Copenhagen, November 12, 1953.
CD 2 Track 7: Bonus track
Total Time CD1: 73:24
Total Time CD2: 58:09
Recorded May 6-7, 1991
Con Gary Peacock, Paul Bley e Michel Lambert
Recorded June 23, 2003 at Studio Victor, Montreal, Quebec, Canada
The Hoagy Carmichael Show 1/11/45, NBC Studios, Hollywood
Recorded on 18 & 19 September 1996
Con The American Jazz Orchestra
Dal vivo a Montreux con Roy Eldridge alla tromba, Zoot Sims al tenore, Clark Terry alla tromba e al flauto, Joe Pass alla chitarra, Tommy Flanagan al piano, Keter Betts al basso e Bobby Durham alla batteria. Prodotto da Norman Granz.
This Compilation ? & ? 1997 by Fresh Sound Records
Recorded:
- Tracks 1 to 3 Hollywood 1956
- Tracks 4 to 9 Paris 1963
- Tracks 10 to 13 Hollywood 1956 + 1957
Original recording made in Nov. 14, 1986
Recorded April 4th and 5th, 1955
Registrato dal vivo con Mitteleuropa Orchestra.
Improvviso IV registrato con John Carter al clarinetto e Vinnie Golia agli ottoni a KPFK, Los Angeles, July 16, 1979.
Ostinato in Blue reguistrato in duo con Gregg Goodman a the Finger Palace, Berkeley, December 10, 1978.
All improvisations by the musicians
© 1990 Soul Note
? 1990 Soul Note
IREC Milano
Recorded April 30, 1988 at the Jazz Action Center, Nuremberg by the Aurophon Multi-track Mobile Studio.
Mixed at Jingle Machine Studio, Milano.
Mastered at PhonoComp, Tribiano - Milano.
A1: Savoy Music - BMI
A2: Wayne Music Pub. - BMI
A3: Bregman, Vocco & Conn Inc. - ASCAP
B4.1: T.B. Harms Inc. - ASCAP
B4.2: Thelonious Music - BMI
B4.3: Marvin Music Co. - ASCAP
B5: New World Music Corp. - ASCAP
Recorded May 13th/14th 1968 at Lindström Studios, Cologne.
Originally released as MPS 15 214.
? 1982 Sony BMG Music Entertainment
© 2007 Sony BMG Music Entertainment
"A lost gem of West Coast jazz by one of the most underrated tenor players. From the original master tapes."
Originally issued as [r8124000] (1957).
Published:
1, 3, 6 and 8 Copyright Control
2 & 5 Rockin' Music
4 Warner Chappell Music Ltd.
7 EMI United Partnership Ltd.
Post Production at Sound Mastering Ltd.
Comes in a jewel case with 6-page folded booklet.
Made in the UK
1993 JMT Productions
? 1988 Concord Jazz, Inc.
Recorded live at Kan-i-Hoken Hall, Tokyo, Japan November 1987
Remote recording facility furnished by Sound Creators, Inc.
This album was recorded using the SONY 3324 Digital 24 Track Recorded
Recorded on September 6, 1999 at Chiesa di San Pietro, A.S.A.M. Auditorium Siracusa
Thanks to Gigi Mortellaro, Mario Fillioley
All tracks are improvised compositions by Marilyn Crispell - BMI & Stefano Maltese, IREC S.p.A. - SIAE
© 2000 Black Saint
? 2000 Black Saint
Made in Italy
Track 10: The Way Of Pure Sound
(for Joe Maneri)
Recorded and mixed March 2008
at Nevessa Production, Woodstock
Mastering: MSM Studios, München
An ECM Production
Album title courtesy of Peter Handke
Some song titles based on poems by Robert Gibbons
? 2010 ECM Records GmbH
© 2010 ECM Records GmbH
2CD. 4LP su 2 CD: More Soul, From The Heart, Soul Of The Ballad e Dig These Blues.
Recorded on February 16, 1977 in Chicago, Illinois.
Tutte le registrazioni del Trio di Eddie Lockjaw Davis con Shirley Scott.
1-12 recorded in New York, March, 1958
13-24 recorded in New York, May, 1958
#1 to 8 Recorded at the Seed Studio in Valauris, France, on July 20, 1974
#9 to 11 Recorded at the Black & Blue Open Air Studio, in Nice, France, on July 14, 1978
Digitally remastered at Cargo Studio in Paris, France.
Recordings originally issued on B&B 33.072 and 33.138
? 1999 Distribution
Distribution: Night & Day
ND 215
Tracks 1 to 8 previously issued on Storyville SLP 269/4021.
Tracks 9 to 11 are previously unissued.
1997 Virgin Records Ltd.
Con Mal Waldron e Tiziana Ghiglioni.
1989 Intima Records.
Album del 1987 della vocalist jazz con Cecil Bridgewater alla tromba, Kenny Barron al piano, Rufus Reid al basso e Ben Riley alla batteria.
Recorded February 11 & 12, 2004 at Sound On Sound Recording, New York, NY
con Christian Scott alla tromba, Javon Jackson al sax tenore, Kenny Barron e Eric Reed al piano, Vicente Archer al basso e Carl Allen alla batteria.
Recorded live at "Guldhattan", Stockholm, Sweden, February 18, 1972.
Previously unissued.
Recorded at Sear Sound, New York, March 26, 1991.
Con Houston Person. Recorded live at Salt Peanuts, New York, NY in 1980. Previously unreleased.
T.J. Kirk plays the music of Thelonious Monk, James Brown & Rahsaan Roland Kirk
Recorded April 1997 con il sassofonista tenore Rich Perry.
Recorded on September 22 & 23, 2007.
? & © 2008
Recorded June and September 2000
Edison Studios, New York
An ECM Production
? 2004 ECM Records GmbH
© 2004 ECM Records GmbH
Recorded at Davout Studio, Paris, June 1985
? 1986 Universal Music S.A France
© 2001 Universal Music S.A France
Octet, op. 7 recorded June 2000 at Angelika-Kauffmann-Saal, Schwarzenberg Austria
Quintet, op. 29 recorded November 2001 at Probesaal der Philharmonie Rheinland-Pfalz, Ludwigshafen, Germany
? & © 2002 Nonesuch Records for the United States and WEA International Inc. for the world outside the United States
26-p. booklet, jewel case in cardboard slip cover.
Made in Germany.
Recorded live at Jazz Festival Willisau, August 27, 1992.
Total time: 62.32
Recorded in Webster Hall, New York City, December 10, 12 and 15, 1958.
Recorded on the 30th of november and on the 1st of december Theatre Poliziano in Montepulciano, Italy
© 1997 Label Bleu
Tracks #1-11 from "Legrand Jazz" (Columbia CS 8079). Recorded in New York, June 25 (#1-4), 27 (#5-8), 30 (#9-11), 1958.
Tracks #12-21 from the 10" LP "Ascenseur pour l´échafaud" (Fontana 660 213). Recorded in Paris, France, December 4 & 5, 1957.
Track 6 contains a sample, taken from "Ajaja" performed by Babatunde Olatunji, written by Babatunde Olatunji.
Track 7 contains a sample, taken from "Troglodyte", written by J. Castor, J. Thomas, D. Gibson, H. Jensen, R. Manigault, L. Fridie, performed by the Jimmy Castor Bunch
Tracks 1 to 11 Recorded at House On The Hill Studios, Belmont, MA
Track 12 Recorded at Sound Techniques, Boston, MA
Mixed at Sound Techniques, Boston, MA
Mastered at Masterdisk
Produced by Bread & Butter for Bread & Butter Production inc
Executive Producer: Preston Powell for Jazzateria Inc
?© 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Made in Germany for Warner Music Manufacturing Europe
Najee appears courtesy of EMI Records
Con Tullio De Piscopo Quartet, Dado Moroni, Anna Sini Quartet, Riccardo Zegna, Ray Brown, Ray Bryant, Jimmy Cobb, Mal Waldron, Sal Nistico e molti altri.
2CD. Recorded live during the 2003 U.S. Tour
Remixed from the original three-track tapes in 1996.
Disc 1, #1-7 originally issued as "[r=10456841]" (United Artists UAS 6336).
Disc 1, #8-11 and Disc 2, #1 & 8 originally issued as "[r=2019500]" (United Artists UAS 15015).
All other titles previously unissued.
Disc 1, #1-7 recorded on May 27, 1963.
Disc 1, #8-12 recorded on September 4, 1962.
Disc 2, #1 & 2 recorded on August 31, 1962.
Disc 2, #3-9 recorded on June 11, 1962.
In jewel case with Doubletime Series sticker (57200) to shrink.
Mixed at Red Zone Studios, Burbank, CA
Recorded at Take One Studios, Burbank, CA
Recorded at Velley Center Studios, Van Nuys, CA
Mastered at Bernie Grundman Mastering Studios, Hollywood, CA
Recorded at Trax Recordings Studios, Hollywood, CA
Computer dumping at Paramount Recording Studios, Hollywood, CA
Mixed at Studio Masters Recording Studio, Hollywood, CA
Mastered at Bernie Grundman Mastering Studio, Hollywood, CA
Recorded and mixed at le studio Royal de Belgique
This release presents the complete "Jazz Giants '58" album, which is the only recorded testimony of Stan Getz, Gerry Mulligan & Harry "Sweet" Edison collaborating together in a recording studio. As a bonus, two long tracks from a 1953 studio session which also included Getz and Edison.
Both these sessions were organized by producer-impressario Norman Granz.
Total time: 76:06 min.
Tracks #1-5 from "Jazz Giants '58" (Verve MGV 8248). Recorded in Hollywood, on August 1, 1957.
Tracks #6 taken from "Norman Granz' Jam Session #3" (Clef MGC 653).
Tracks #7 taken from "Norman Granz' Jam Session #4" (Clef MGC 654).
Recorded in Hollywood, on August 18, 1953.
------------------------------------------------
Notes:
-Jazz Giants '58
"Producer Norman Granz (1918-2001) had an uncanny ability to create really amazing jazz albums by experimenting with the combinative chemistry of musical minds, temperaments, and personalities. While not every Granz session resulted in recordings of equal depth or profundity, the number of artistically rewarding, genre-defining albums that came together under his supervision is almost difficult for the human mind to fully comprehend. One fine example is Jazz Giants '58, a Verve album recorded inside the rented Capitol studios in Hollywood, CA on August 1, 1957 and released almost exactly one year later [...] Although it has since come to be identified mainly with Stan Getz, Jazz Giants '58 feels a lot like a Gerry Mulligan session, with Harry "Sweets" Edison perfectly complementing the other two horns. To support and illuminate the trumpet, tenor, and baritone saxes, Granz used his preferred rhythm trio Oscar Peterson, Herb Ellis, and Ray Brown and added master percussionist Louie Bellson, fully primed after working for his wife Pearl Bailey, his hero Duke Ellington, and with Granz's internationally famous Jazz at the Philharmonic project. This was the blossoming of the great era of long-playing records, and the participants clearly relished the opportunity to stretch out and jam together in a relaxed, intimate studio environment. "Chocolate Sundae," a ten-minute collectively improvised blues of incredible warmth and irresistible texture, is followed by seven- and eight-minute sets of creative variations on a couple of tunes that were in the air during the '50s. The nearly 12-minute manifestation of the patented Norman Granz "Ballad Medley" is especially powerful by virtue of starting out with Billy Strayhorn's "Lush Life." An extended romp through the changes of Dizzy Gillespie's "Woody N You" (a tribute to the progressive sensibilities of bandleader Woody Herman penned during the 1940s) adds pure undiluted pleasure to an album that already sounds and feels like some of the best music ever recorded by any of the participants under any circumstances."
Arwulf Arwulf -All Music Guide
Gerry Mulligan Quartet - Original air date: July 18, 1962.
Art Pepper Quartet: Original air date: May 9, 1964.
Additional Krewe: Gloria Powers, Don Vavasseur, Jim Kelly, Katrin Rothwell.
Recorded March 23 & 24, 1997 at Sound On Sound, in New York City.
Mastered at Medley Studio, Copenhagen.
Thanks to Koda's Kollektive Båndmidler for supporting this album.
Issued in a standard jewel case with a 12-page booklet.
Total playing time 65:33.
2LP su 1 CD: Ann Richards with the Bill Marx trio - Live At The Losers e Mavis Rivers - We remember Mildred Bailey
Recorded at RPM Studio, New York City
Recorded at Reeves Sound Studios, New York City; March 31, 1960.
The copyright in this recording is owned by David Toop, and is licensed exclusively to Virgin Records Ltd.
Track durations are entered precisely: the durations listed on the sleeve are wrong for first two tracks.
Issued in a jewel case with transparent tray and 8-page booklet.
Album originally released on Odeon Records in Brasil in 1963.
This reissue features the same songs as the original release but in a different order.
? 1963 The copyright in this sound recording is owned by EMI Music Brasil Ltda.
© 2008 EMI Music Brasil Ltda.
Made in the EU.
Recorded direct to 2-track analogue tape April 26 & 27, 1999 at Nola Recording Studio, NYC.
Mastered to 24 bit digital at Northeastern Digital Recording, Southborough, Massachusetts.
2CD:
1-1 to 1-9: March 13, 1958.
1-10 to 2-4: May 13, 1958.
2-5 to 2-9: June 24, 1958.
All surviving takes of all three Savoy sessions led by Wilbur Harden and including John Coltrane have previously been issued, although this is the first time all have been compiled in the same package. The earliest original-Savoy album also used the name of Tommy Flanagan; two of the partial reissues have jointly featured Coltrane and Harden; a third was under Coltrane only.
1-2 to 1-5 and 1-7 originally issued on Savoy MG 12127 ([m313950]).
2-6 to 2-8 originally on MG 12131 ([m313934]).
1-10, 2-3, 2-4 and 2-9 originally MG 12136 ([m313945]).
1-1, 1-6, 1-8 and 1-9 first appeared on Savoy SJL 2203 ([m75940]).
2-2 was first on Savoy SJL 1110 ([m328133]).
2-1 and 2-5 were first released on SJL 1115 ([m442052]).
Comes in a Digipak format
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