Concerto inedito, registrato alla Carnegie Hall nel 1982. Gerry Mulligan, Mel Tormè e George Shearing.

Nuovissimo lavoro, 2008, per il sassofonista di colore.

Registrato dal vivo in Svizzera, 1977

2 CD. Il nuovo lavoro dell'alto sassofonista, registrato dal vivo al Village Vangaurd, con Jonathan Finlayson, Miles Okazaki, Anthony Tidd, Sean Rickman. 2018

Con Brad Mehldau e Kurt Rosenwinkel.

Christian Mc Bride è il bassista che conta più registrazioni in carriera di chiunque altro, considerando il periodo in cui le ha fatte. Più di 300, in arco di tempo molto breve. Leader di una sua band, in questo caso gli Inside Straight, Mc Bride è anche un band leader di indubbia qualità. Come conferma questo nuovo album, dalla musicalità estroversa, con la sua innata abilità nel comunicare le sue proposte musicali.

2 CD. Registrato in New Jersey nel 1986, pubblicato solo ora
Jarrett, solo nel suo studio, suona ogni strumento, in questa esplorazione di spazio e tempi..

Il nuovo album del sassofonista, con la big band. Con Antonio Hart, Mark Gross, Charles Davis, Roy Hargrove, Lewis Nash, Peter Washington, Bobby Lavell, Frank Greene ed altri.

Cyrus Chesnut per le Smoke sessions, con la partecipazione di Curtis Lundy e Victor Lewis.

Nuovo lavoro per Tim Berne, con gli Snakeoil. ECM 2015

Altro disco nuovo, 2017, per il batterista jazz. Qui con Damian Erskine, Vardan Ovsepian, Artyom Manukyan e Judd Miller

Nuovo album per il formidabile pianista jazz americano. Questa volta Chestnut viene accompagnato da Buster Williams, Lenny White e Steve Nelson. Tra i brani proposti, segnaliamo: Christina, The Littlest One of All, You Make Me Feel Brand New, Easy Living, There's A Sweet Sweet Spirit.

CD / DVD. Cory Henry è un organista, tastierista, jazz e funk emergente. Lavora con gli Snarky Puppy, ma ha anche una sua carriera come solista ( ha da poco suonato al Blue Note a Milano ). Questo album, che contiene musica sia sul CD che sul DVD, è stato premiato come uno dei migliori album open jazz dell'anno in Usa.

Esordio come solista, via ECM, da parte del bassista straordinario Larry Grenadier. Dedicato al uo mito Oscar pettiford, il disco vede Grenadier interpretare brani di George Gershwin, John Coltrane, Paul Motian, Rebecca Martin e Wolfgang Muthspiel. Un lavoro decisamente personale.

Tributo alla musica del grande Louis Armstrong, fatto dalla crema dei musicisti di New Orleans. Il disco, prodotto (e suonato) da Wycliffe Jordan, Jackie Harris, e Nicholas Payton vede anche musicisti del calibro di Wynton Marsalis partecipare alle sessions.Nel disco, dove vengono riletti alcuni classici del grande trombettista, c'è anche un inedito di Armstrong, scoperto da poco.

Tributo a Clyde Stubblefield e Lonnie Smith. Oltre a Dan Trudell, pianista jazz emergente, nell'album suonano Joel Adams, Dana Hall, Pat Mallinger, Mike Standal ed altri.

Trobettista emergente, uno dei migliori nella scena jazz attuale. Nel disco suonano anche Jeff Jenkins, Seth Lewis e Paa Kow

Il nuovo album di John Foxx, il primo che incide per solo pianoforte.

Esordisce su etichetta Blue Note, la new trumpet sensation Brandon Woody, un ventisettenne ragazzzo di Baltimora nel Maryland, che con una band dall'organico cangiante suona 6 tracce che si rifanno alla lezione dei classici come Art Blakey oppure virano verso territori più contemporanei. Woody si dimostra un artista di sostanza e da tenere d'occhio.

La pianista orientale esegue musiche di Chopin e Jobim.

?&? 2008 Lone Hill Jazz
Made in EU
2 albums on one CD + bonus tracks

Recorded:
- Tracks 1, 4, 8, 11 April 20, 1955
- Tracks 2, 3, 7, 9 June 1, 1955
- Tracks 5, 6. 10 May 17, 1955
- Track 12 May 9, 1955
- Track 13 April 5, 1955
- Tracks 14, 18 July 5, 1955
- Tracks 15, 21 December 12, 1952
- Track 16 May 15, 1951
- Tracks 17, 24 August 10, 1954
- Track 19 February 20, 1951
- Track22 December 13, 1954
- Tracks 25 to 27 November 2, 1954
- Track 28 July 3, 1954

Recorded in June 1992 at Power Station, New York.

#1-5: recorded at Studio Pathé-Magellan, Paris, October 11, 1955
#6-9: recorded at Studio Pathé-Magellan, Paris, October 14, 1955
#10-13: recorded at Villa Berg, Stuttgart, October 15, 1955 (Bonus Track)

(P)&(C) 2004 Lone Hill Jazz

Total Time: 43:22

Recorded On July 17th & 18th, 1987 at the FMP Studio, Berlin.

Il re del mambo

Recorded at Barigozzi Studio, Milan, on Feb. 11, 1990 con Tony Oxley alla batteria.

con Gerald Clayton al piano, Doug Weiss al basso e Bill Stewart alla batteris

Registrato dal vivo Théâtre de Beaulieu, Lausanne, December 8, 1960

Recorded at Sear Sound, NYC in 1994
Mastered at Foothill Digital, NYC

Executive Producer: DIW / Disk Union

These recordings are completely "Live" performances, which were recorded directly to 2 track stereo tape masters. Every selection you hear is unedited, and is not re-mixed, nor do they contain over-dubbed or punched-in phrases.

Recorded at Wesleyan University, October 26, 2002.
Mixed and mastered December 28, 2002.
Compositions by Andrew Cyrille ( Major-A-Music, ASCAP ) and Anthony Braxton ( Synthesis Music, BMI ).
Produced by Intakt Records. Published and Copyright by Intakt Records ( except The Loop and Composition No. 310 ).

Includes 20 pages booklet.

CD 1 recorded live at Rote Fabrik, Zürich on October, 21, 1993
CD 2 recorded at Großer Sendesaal WDR Köln on October 22/23, 1993

?+© 1995

Total times:
CD 61601: 65:00
CD 61601: 65:13

Recorded @ Sweet Basil, NYC on August 11-12, 2000

"In these reunions the cool-toned tenor blends in very well with the valve trombonist. These sessions are often quite memorable." - John Sumilliani, Jazz Sounds

This collection comprises all the master takes of the quintet leaded by Stan Getz during the years 1953 and 1954 with pianist Johnny Williams and trombonist Bob Brookmeyer.

? & ? 2004 by Disconforme
disconforme sl

Tracks 1-1 to 1-4 May 16, 1953, New York City
Tracks 1-5 to 1-9 July 30, 1953, Hollywood
Tracks 1-10 to 1-12 August 15, 1953, Hollywood
Tracks 2-1 to 2-4 August 22, 1953, Hollywood
Tracks 2-5 to 2-10 November 9, 1954, Los Angeles

Includes an 8-page booklet.

Made in Spain.

Originally recorded in 1964. Original LP issue: CS 9037 in 1965.
(*) Tracks# 9-11 recorded May 26, 1964 at Columbia 30th Street Studio, New York.
Tracks# 1-8 recorded May 27, 1964.

? © 1998 Storyville Records
Recorded live at Copenhagen Jazz House, 30 November 1994 by Danish Broadcast Corporation, Jazz Dept.

in trio con Thomas Morgan al contrabbasso e Joey Baron alla batteria.
Recorded live July 2017
at Jazz Standard, New York
Mixed July 2018 at Studios La Buissonne

An ECM Production

? © 2018 ECM Records GmbH

Comes in a standard jewel case (transparent tray) with an O-card and 12-page booklet.

2CD. Recording date, recording location, master number, original LP issue:
1-1: February 25, 1955 at Capitol Studios, NYC, 11366-2, original LP issue: [r1146247] EmArcy MG 36037
1-2: August 6, 1954 at Capitol Studios, Hollywood, 10877-4, original LP issue: [r=4869491] EmArcy MG 36036
1-3: January 18, 1955 at Fine Recording Studio, NYC, 11117-5, original LP issue: [r=2727146] EmArcy MG 36005
1- 4: August 6, 1954 at Capitol Studios, Hollywood, 10878, original LP issue: [r=4869491] EmArcy MG 36036
1-5: December 16, 1954 at Fine Recording Studio, NYC, 11077-8, original LP issue: [r=3050687] EmArcy MG 36004
1-6: February 25, 1955 at Capitol Studios, NYC, 11365, original LP issue: [r1146247] EmArcy MG 36037
1-7: February 25, 1955 at Capitol Studios, NYC, 11368-4, original LP issue: [r1146247] EmArcy MG 36037
1-8: August 6, 1954 at Capitol Studios, Hollywood, 10880, original LP issue: [r=4869491] EmArcy MG 36036
1-9: December 22, 1954 at Fine Recording Studio, NYC, 11088-3, original LP issue: [r=2795830] EmArcy MG 36006
1-10: August 3, 1954 at Capitol Studios, Hollywood, 10859-3, original LP issue: [r1146247] EmArcy MG 36037
1-11: January 4, 1956 at Capitol Studios, NYC, 12421-4, original LP issue: [r5294048] EmArcy MG 36070
1-12: January 20, 1955 at Fine Sound Studio, NYC, 11127-7, original LP issue: [r=2727146] EmArcy MG 36005
1-13: August 2, 1954 at Capitol Studios, Hollywood, 10858-2, original LP issue: [r=4869491] EmArcy MG 36036
1-14: February 24, 1955 at Capitol Studios, NYC, 11364-8, original LP issue: [r=4869491] EmArcy MG 36036
2-1: September 19, 1956 NYC, 13767, original LP issue: [r2947617] EmArcy MG 36098
2-2: September 17, 1956 NYC, 13770, original LP issue: [r2947617] EmArcy MG 36098
2-3: March 20, 1957 NYC, 15189, original LP issue: [r=8149640] EmArcy SR 80002
2-4: December 20, 1957 at Fine Recording Studio, NYC, 16637-1, original LP issue: [r=6557192] Mercury (Japan) 195J-39
2-5: December 23, 1957 at Fine Recording Studios, NYC, 16647, original LP issue: [r=3585945] EmArcy SR 80019
2-6: July 6, 1958 at Newport Jazz Festival, Rhode Island, 17646, original LP issue: [r=4655492] EmArcy SR 80010
2-7: July 6, 1958 at Newport Jazz Festival, Rhode Island, 17645, original LP issue: [r=4655492] EmArcy SR 80010
2-8: August 1958 at the Music Inn, Lenox, Massachusetts,17925-6, original LP issue: [r=3191113] EmArcy MG 36144
2-9: September 22, 1959 probably at Universal Studios, Chicago, 18137-5, original LP issue: [r=7924224] Mercury SR 60911
2-10: January 1960 at Fine Recording Studio, NYC, 18785, original LP issue: [r=3738769] EmArcy MG 20491
2-11: January 1960 at Fine Recording Studio, NYC, 18780, original LP issue: [r=3738769] EmArcy MG 20491
2-12: March 1960 in Paris, 19902, original LP issue: [r=4123645] Mercury SR 60760
2-13: October 1960 at Universal Studios, Chicago, 19317-7, original LP issue: [r=2777178] Mercury SR 60215

This compilation:
? 1995 Polygram Records, Inc.
© 1995 Polygram Records, Inc.
CDs pressed in Germany.
Comes in a 2-CDs standard jewel case with a 16-page booklet including 1994 liner notes in English only and B&W photographs from the sessions.

2CD. ? & © 2005 by Rare Live Recordings
Made in E.U.

Tracks 1-1 to 2-1: "The Final Concert," Continental Restaurant, Norfolk, Virginia on June 18, 1956 (just one week before Brownie's tragic death).
Tracks 2-2 to 2-6: Newport Jazz Festival, Newport, Rhode Island on July 16, 1955 (2-2 to 2-5 is a Brown/Roach quintet evening concert, 2-6 is jam session with Brown, Chet Baker, Gerry Mulligan and the Dave Brubeck Quartet).

Total time (Disc One): 64:15
Total time (Disc Two): 64:40

Previously unissued.

Solo piano. Recorded in Carriage House Studio, Stanford, Connecticut, June 29, 1994; Studio A, Power Station, New York, NYC, February 15, 1994; and Performing Arts Center, State University of New York, January 4, 1994.

Audiophile CD

Con The American Jazz Orchestra

This Compilation ? & ? 1997 by Fresh Sound Records
Recorded:
- Tracks 1 to 3 Hollywood 1956
- Tracks 4 to 9 Paris 1963
- Tracks 10 to 13 Hollywood 1956 + 1957

2CD.

Original recording made in Nov. 14, 1986

con Big Band

Registrato dal vivo con Mitteleuropa Orchestra.

Track 10: The Way Of Pure Sound
(for Joe Maneri)


Recorded and mixed March 2008
at Nevessa Production, Woodstock
Mastering: MSM Studios, München

An ECM Production

Album title courtesy of Peter Handke
Some song titles based on poems by Robert Gibbons

? 2010 ECM Records GmbH
© 2010 ECM Records GmbH

2CD. La raccolta definitiva del sassofonista jazz: 31 brani con un inedito e con la partecipazione di Ray Charles, George Benson, Dr. John, B.B. King e Etta James.

2CD. 4LP su 2 CD: More Soul, From The Heart, Soul Of The Ballad e Dig These Blues.

5 CD: Desmond Blue, Take Ten, Glad To Be Unhappy, Bossa Antigua e Easy Living.

Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 29, 1955 (#1-5) and January 30, 1955 (#6-9)

Blue Note is a registered trademark of Capitol Records, Inc. © ? 1987 Manhattan Records, a division of Capitol Records, Inc. Manufactured for Manhattan Records by Capitol Records, Inc.

Made in U.S.A.

Recorded July 14-16, 2009 at Studio P4, Berlin

Featuring Hamza El Din e Paul McCandless degli Oregon.

Recorded live on November 12th at the 1993 Percussive Arts Society Convention, Columbus, OH
20-BIT Original Recording.

Recorded March-April 1936

Recorded Juky 16, 17, 18 2001 @ Electric Fields Studio, Warwick, NY

Recorded live at Cavò Studio, Bergamo (Italy), November 1st 2011

Recorded October 12, 1957.

Con Gerry Mulligan, Harry Edison, Louis Bellson e Oscar Peterson Trio.

Recordings from 1938-1945 by one of the most underrated and underappreciated bands of that era.

Recording Dates: 1931-1934

2LP su 1 CD

1996 GRP Records, Inc.

con la All-Stars Big Band

Alcuni deii migliori percussionisti jazz

Recorded at RCA Recording Studios, New York City; November 29 and 30, 1976.

Recorded May, 1959, N.Y.

Con Woody Herman

Performance in duo con il pianista Alan Broadbent registrata a The Jazz Bakery di Los Angeles il 21 e 22 ottobre 2000.

Recorded at East Coast Studios, New York City on June 15 and 21 (1955).

Originally released in 1956 as Atlantic 1217 ([m393944]).

Con il pianista Alan Broadbent. Registrazioni dal vivo a Los Angeles, The Jazz Bakery del 2000.

Digitally recorded on March 18 & 19, 1996. Edited and mastered on April 12, 1996

Recorded ditect to two track at MU REC Studio, Milano, on October 17, 2007.
Con il trio di Paolo Birro

? 1999 Teldec Classics International GmbH
© 1999 Teldec Classics International GmbH
Made in Germany by Warner Music Manufacturing Europe

Recorded in February 1998 (tracks 11 to 13) and April 1998 (tracks 1 to 10)

TT 53:52

Released in a 4-panel CD book with the CD inserted into a die-cut pocket on panel 3. The 'front page' of the 32-page stapled booklet is glued onto panel 2.

There is a later similar repress with a different matrix line, ("...2.2") and a date of 06/99: [r4763162].

Recorded in 1959

4CD. Track 1-20 unissued bonus track

Tracks 2-1 & 2-15 from the album [m=334768] (1958)
Track 2-2 from the album [m=203651] (1962)
Tracks 2-3 & 2-12 from the album [m=123550] (1972)
Track 2-4 from the album [m=178726] (1977)
Track 2-5 from the album [r=415045] (1968)
Track 2-6 from the album Arturo Sandoval, Dream Come True (1993)
Track 2-7 from the album [m=404587] (1978)
Track 2-8 from the album [m=404588] (1972)
Track 2-9 from the album [m=345102] (1975)
Track 2-10 from the album [r=4933887] (1996)
Track 2-11 from the album [r=4557277] (1964)
Track 2-13 from the album [m=309947] (1974)
Track 2-14 from the album [m=477048] (1968)
Track 2-16 from the album [m=249065] (1975)

CD 4: recorded and mixed at Studio Guillaume Tell, Suresnes, Dec. 2010 - ? 2012 City Lights Entertainment

© compilation 2012 Universal Music S.A. France
? 2012 Universal Music S.A. France
Made in the EU

Registrato a Systems Two Studios, Brooklyn, NY nel settembre 2002.
Questa è una delle ultime sessioni di registrazione di Bob Berg, poiché è stato ucciso in un incidente stradale il 5 dicembre 2002.

2LP su 1 CD

? 2005 Lusafrica

Free jazz giapponese che suona come un treno lanciato a tutta velocità in prossimità di una curva che lo farà sicuramente deragliare.

Released in 6-panel Digipak.

Enregistrement les 28 et 29 septembre 2004.
Mixage le 2 novembre 2004.

© 2004 Cantabile
? 2004 Le Chant du Monde
Made in Germany

Piano Duos & Solos

Recorded at "Loft", Köln, Sunday, March 21, 1993

Recorded October/November 1995, Hardstudios, Winterthur

An ECM Production
© ? 1996 ECM Records

Total Time 66:20

Includes a 20-page booklet with notes in English.

Made in Germany
Printed in Germany

Recorded and mixed at Grog Kill Studio, Willow, New York, March through July, 1985

A Watt Production

© ? 1985 Watt Works, Inc./ECM Records GmbH

Recorded April 15-17, 2003 at Reaction Sound, Toronto, Canada.

Recording dates
1, 2: Mar 31, '37
2: Mar 31, '37
3 to 7: Jan 11, '39
8, 9: Jan 16, '41
10, 11: Jan 15, '46
12 to 15: Jan 3, '49

Track 2-5 mistyped on tray card as "Lt's Just Talk"

Tracks 14-17 are bonus selections not included in the original (LP) release of this album.

Ristampa con 2 bonus tracks. 1962 WEA International Inc., a Warner Music Group company.

Manufactured in the E.U. (on OBI and back cover) Made in the E.U. (on CD)
Additional cat# on CD: WPCR-27070

Recorded at Atlantis Studio, Stockholm

Raccolta di incisioni con Chet Baker
© 1996 GNP / Crescendo Record Co., Inc.
? 1996 EMI-Capitol Music Special Markets.
Product of EMI-Capitol Music Special Markets.

Tracks 8 to 10 are previously unissued.
Track 11 is not listed on the backcover or leaftet. It records 2 minutes of rehearsal.

Total playing time: 68:05

Tracks 1, 2, 5, and 8 to 10 recorded August 2, 1957 at Capitol Records studio, Los Angeles.
Tracks 3, 4, 6, and 7 recorded August 27, 1957 at Fine Sound studio, New York.
Original LP issue: [r=3073005] (1962 reissue: [r=6511857])

Mastered at PolyGram Studios

? © 1993 PolyGram Records, Inc.
Manufactured and marketed by Verve Records, a division of PolyGram Classics and Jazz, a division of PolyGram Records, Inc. Printed in the USA.

Booklet includes facsimile of the original LP cover.

This release presents the complete "Jazz Giants '58" album, which is the only recorded testimony of Stan Getz, Gerry Mulligan & Harry "Sweet" Edison collaborating together in a recording studio. As a bonus, two long tracks from a 1953 studio session which also included Getz and Edison.
Both these sessions were organized by producer-impressario Norman Granz.
Total time: 76:06 min.

Tracks #1-5 from "Jazz Giants '58" (Verve MGV 8248). Recorded in Hollywood, on August 1, 1957.
Tracks #6 taken from "Norman Granz' Jam Session #3" (Clef MGC 653).
Tracks #7 taken from "Norman Granz' Jam Session #4" (Clef MGC 654).
Recorded in Hollywood, on August 18, 1953.

------------------------------------------------

Notes:

-Jazz Giants '58

"Producer Norman Granz (1918-2001) had an uncanny ability to create really amazing jazz albums by experimenting with the combinative chemistry of musical minds, temperaments, and personalities. While not every Granz session resulted in recordings of equal depth or profundity, the number of artistically rewarding, genre-defining albums that came together under his supervision is almost difficult for the human mind to fully comprehend. One fine example is Jazz Giants '58, a Verve album recorded inside the rented Capitol studios in Hollywood, CA on August 1, 1957 and released almost exactly one year later [...] Although it has since come to be identified mainly with Stan Getz, Jazz Giants '58 feels a lot like a Gerry Mulligan session, with Harry "Sweets" Edison perfectly complementing the other two horns. To support and illuminate the trumpet, tenor, and baritone saxes, Granz used his preferred rhythm trio Oscar Peterson, Herb Ellis, and Ray Brown and added master percussionist Louie Bellson, fully primed after working for his wife Pearl Bailey, his hero Duke Ellington, and with Granz's internationally famous Jazz at the Philharmonic project. This was the blossoming of the great era of long-playing records, and the participants clearly relished the opportunity to stretch out and jam together in a relaxed, intimate studio environment. "Chocolate Sundae," a ten-minute collectively improvised blues of incredible warmth and irresistible texture, is followed by seven- and eight-minute sets of creative variations on a couple of tunes that were in the air during the '50s. The nearly 12-minute manifestation of the patented Norman Granz "Ballad Medley" is especially powerful by virtue of starting out with Billy Strayhorn's "Lush Life." An extended romp through the changes of Dizzy Gillespie's "Woody N You" (a tribute to the progressive sensibilities of bandleader Woody Herman penned during the 1940s) adds pure undiluted pleasure to an album that already sounds and feels like some of the best music ever recorded by any of the participants under any circumstances."

Arwulf Arwulf -All Music Guide

Disc I
Duration: 68:44
DIsc II
Duration: 73:10

1-1 to 1-3 - Teatro Puccini, Firenze, Feb 8, 1996
1-4 to 2-1 - Teatro degli Animosi, Carrara, Feb 9, 1996
2-2, 2-3 - Chiesa di S.Domenico, Pistoia, Feb 10, 1996

Edited and mastered at: Shaolin Temple of Soul N.Y., N.Y. 2-6 September 1998
Concerts recorded by: Omikron, Firenze, Claudio Benelli and Gianluca Masala

Holy Sea conductions produced by: ORT-Orchestra della Toscana and Musicus Concentus of Florence for the program: Music Obliqua

Grafiche Dotti - Cernobbio modello depositato

© 1996, Butch Morris-Soundvision Collison Pub. Co. B.M.I

Splasc(H) Records, a division of Senz(H) s.c.a.r.l.
via Roma 11, 21051 Arcisante (Italy)

Feat. Tomasz Stanko, Heinz Sauer. 1999 ACT Music + Vision GmbH + Co. KG

Con Fred Hersch, Joe Lovano, Scott Colley e Billy Hart.

Con Cal Tjader

Recorded: February 27, 1985 at 39th Street Music Studio in New York City

Recorded September 1992 at Studio Gimmick, Yerres

© 1998 Sony Music Entertainment Inc./? 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211

Recorded at the Music Box Theatre in Los Angeles on February 9 (1-4, 9) and February 16 (5-8), 1956.

Verve 50th Anniversary issue
Artwork on disc styled after Clef Records LP label.

Tracks 1-4: San Francisco, February, 1952.
Tracks 5-8: New York, March 21, 1952.
Tracks 9-12: Los Angeles, June 9, 1952.
Tracks 13-16: Los Angeles, June, 1952.
Tracks 17-23: New York, December 14, 1952.

Enhanced CD has a multimedia program playable on CD-ROM

2LP su 1 CD: Suàn e Naus

CD single con 5 brani.
Reconstructed and mixed by "Little" Louie Vega and Kenny "Dope" Gonzalez for Masters At Work Productions Inc.

Made in Germany

"Uno dei percussionisti più fantasiosi del decennio" secondo Miles Davis

Recorded March 23 & 24, 1997 at Sound On Sound, in New York City.
Mastered at Medley Studio, Copenhagen.

Thanks to Koda's Kollektive Båndmidler for supporting this album.

Issued in a standard jewel case with a 12-page booklet.
Total playing time 65:33.

Recorded at the Van Gelder Studio, Englewoods Cliffs, New Jersey on November 29 and December 9, 1963.

(P)(C)2000 Capitol Records, Inc.
Printed in USA

Digitally recorded in New York City, May 13 & 14, 1992, BMG Studio B

Recorded live January 31, 1987 at Mohren, Willisau, Switzerland
Edited at Tonstudio Bauer

(on tray card:)
? 1987 JMT Productions • Stefan F. WInter • Postfach 14 03 06 • 8000 München 5 • Printed in West Germany

CD is manufactured by PDO, Hanover, West Germany


(on disc:)
? 1987 JMT Prod.
Stefan F. Winter,
München,
West Germany

Manufactured by PDO Hanover,
West Germany

Reissue of [r=4011723]

Solo piano performances featuring the music of Jelly Roll Morton, Duke Ellington and Thelonious Monk.

Marcus Roberts is named as "Marthaniel Roberts" (his actual given name) above the track list on the tray card and on page two of the booklet.

Regular jewel case, 8-page stapled booklet.

"Recorded with only natural reverberance (no artificial additives)."

Recorded September 1984
Rainbow Studio, Oslo

An ECM Production

? 1985 ECM Records GmbH
© 2008 ECM Records GmbH

Printed in Germany

Kenneth Rexroth reading the want ads recorded by Henry Jacobs for KPFA, 1957. Courtesy of Henry Jacobs.
Management for Virtual Label LLC

Tracks 4, 6, 7, 9, 11 and 12 © 2005 published by Songs of Windswept Pacific/Tweekland Music (BMI)
Tracks 1, 2, 3, 5, 8 and 10 © 2005 published by Thirsty Ear Music (ASCAP)/Songs of Windswept Pacific/Tweekland Music (BMI)

(C) and (P) 2005 Thirsty Ear Recordings, Inc. All rights reserved.

Incidental info:
Part of 'The Blue Series' on Thirsty Ear Recordings.
Released in jewel case with blue transparent plastic tray.

1-7: Chicago; July 7, 1939.
8-12: New York; November 10, 1939.
13-18: New York; November 22, 1939.
19-24: New York; December 12, 1939.

Prodotto da Marcus Miller

"These and other newly recorded songs appear in "Billy Strayhorn: Lush Life", a film by Robert Levi".

Recorded in Brooklyn, NY, USA, June 6, 2000

Recorded: Tracks 1 to 4 in New York, September 4, 1943; Tracks 5 to 8, 14, 15, 17 in New York, Summer, 1947; Tracks 9 to 12, 16 in New York, December 29, 1947.
All tracks are originally from [l71694], 1 to 9, 12 are reissues, tracks 10, 11, 13 to 17 are previously not released.

Recorded May, 1989, RPM Sound Studios, N.Y.C.
? 1989 Polydor K.K., Tokyo Japan
© 2003 Winter&Winter, München, Germany

[Disc] ? 2003 Winter & Winter, München, Germany

Recorded November 1998.

Album del batterista finlandese con David Liebman al sassofono soprano, Randy Brecker alla tromba, Bob Mintzer al sassofono tenore, Bill Frisell alla chitarra, Dave Samuels al vibrafono e Michael Formanek al basso

Recorded live at Rolf Liebermann Saal (NDR Radio) 23.2.2001
Except Track 5 recorded at the NDR Studio 21.2.2001
Mixed and Pre-Mastered on August 2002 / December 2003

Sound structures by Ricardo Villalobos and Max Loderbauer based on ECM recordings, developed and produced at Laika Studio, Berlin, autumn 2009

Sources
1-1: Christian Wallumrød Ensemble - Fabula Suite Lugano - ECM 2118
1-2: Christian Wallumrød Ensemble - The Zoo Is Far - ECM 2005
1-3: Alexander Knaifel - Svete Tikhiy - ECM 1763
1-4: John Abercrombie - Timeless - ECM 1047
1-5: Miroslav Vitous - Emergence - ECM 1312
1-6: Alexander Knaifel - Blazhenstva - ECM 1957
1-7: Louis Sclavis - L'Imparfait Des Langues - ECM 1954
1-8: Wolfert Brederode Quartet - Currents - ECM 2004
1-9: Christian Wallumrød Ensemble - Fabula Suite Lugano - ECM 2118
2-1: Christian Wallumrød Ensemble - Fabula Suite Lugano - ECM 2118
2-2: Paul Giger - Ignis - ECM 1681
2-3: Enrico Rava/Stefano Bollani/Paul Motian - Tati - ECM 1921
2-4: Alexander Knaifel - Svete Tikhiy - ECM 1763
2-5: Arvo Pärt - Kanon Pokajanen - ECM 1655
2-6: Bennie Maupin - The Jewel In The Lotus - ECM 1043
2-7: Alexander Knaifel - Svete Tikhiy/Amicta Sole - ECM 1763/1731
2-8: Christian Wallumrød Ensemble - Fabula Suite Lugano - ECM 2118


An ECM Production

? 2011 ECM Records GmbH
© 2011 ECM Records GmbH

2-CD set in jewel case with a 24-page booklet, all housed in an O-card case.
Booklet pages 2 & 23 are blank

Progetto dei chitarristi Mario Otero e Stefan Schuyga

Recorded at Bell Sound Studios, New York City, April 25, 1960.
Tracks from 1 to 5 originally issued on Vee Jay LP (SR 3013).

Tracks 3 and 8 were written by Bobby Timmons. The CD has them by W. Shorter.

24 bit high resolution remastering.

This compilation © & ? 1997 is by Blue Moon.