Con Harry Sweets Edison e Jimmy Forrest. Un classico dello swing, registrato dal vivo al Birdland, New York, nel 1962.
Tributo a Frank Mantooth. Le canzoni sono eseguite da Oleta Adams, Karrin Allyson, Paula West, Jay Clayton, Rebecca Parris, Anne Hampton Callaway, Sheila Jordan e Diane Schuur. La crema delle nuove vocalist jazz.
Wayne Horvitz Gravitas Quartet, con ospiti come Peggy Lee, Ron Miles, Sara Schoenback
ECM 2010, Con Tim Berne
Songs for saxophone and piano. ECM 2010.
Eccellente album, registrato dal vivo al Blue Note di NewYork. Il sassofonista Donald Harrison, accompagnato da Ron Carter e Billy Cobham.
The Missouri Connection, con John Hicks
Inglese, bandleader di un ensemble che richiama le grandi orchestre degli anni trenta e quaranta, Page è un anacronismo vivente.Infatti la sua visione musicale è ancorata ad un periodo determinato, quello a cavallo della seconda guerra mondiale. Spettacolare nei suoni, Page offre un deja vu di grande classe.
John Medeski, leader del trio Medeski, Martin & Wood, esordisce come solista con un disco di piano. Diverso da quanto ha fatto sino ad ora, diverso anche dal disco in duo con Matthew Shipp, Medeski offre un lavoro in cui prevale la sua vena intimista.
Uno dei più famosi sassofonisti smooth jazz, con Bob Baldwin ospite.
Jazz, soul, electronic music fusi in unico suono, una nuova dimensione jazz. Si tratta di un giovane gruppo ingelse che mette assieme musicisti di varie esperienze, guidati dal pianista Dave Stapleton. Altri musicisti: Deri Roberts, la cantante Dionne Bennett ed il batterista Elliott Bennett. Hanno già un seguito notevole in Inghilterra ed in Germania.
Composizioni di Dino Saluzzi, suonate al piano da Horacio Lavandera, ECM 2015.
Musiche di Copland, Husa, Vaughan Williams, Hindemith
Il formidabile trio jazz composto da Reid Anderson, Ethan Iverson e David King, invece di interpretare brani propri, come fa di solito, rilegge questa volta brani di altri. E con risultati egregi. Infatti Iverson e co danno un nuovo volto a canzoni composte da Johnny Cash, Richard Kerr, Ornette Coleman, Prince, Neil Finn, Cyndi Lauper, Peter Gabriel, Brian Chase ed altri.
Il nuovo lavoro del trombettista jazz, con Victor Gould, Jonathan Barber, Jacquelene Acevedo e Vicente Archer. Highnote Records, 2017
Tra i migliori pianisti della attuale scena jazz Usa, Childs è anche noto per avere pubblicato, di recente, un tributo a Laura Nyro, molto lodato dalla critica d'oltre oceano, Map to the Treasure: Reimagining Laura Nyro. In questo nuovo album Childs suona con un quartetto, formato da Steve Wilson, Hans Glawischnig e Eric Harland.
Sesto volume per le session di Art Pepper. Una serie di registrazioni edite, parzialmente, solo in Giappone.- Ed ora disponibili nel resto del mondo. Questo volume contiene registrazioni del Maggio 1981, con la partecipazione di Shelly Manne, batterista extraordinaire.
Il nuovo disco di Omar Sosa, con la NDR Bigband, arrangitata da Jaques Morelenbaum
2 CD. Il nuovo album del pianista jazz Harold Mabern, per la serie Smoke Sessions. Registrato dal vivo assieme ad Eric Alexander, John Webber e Joe Farnsworth.
Karin Krog, formidabile jazz singer norvegese, unisce le sue forze con il grande Georgie Fame, per rileggeree le composizioni di Tadd Dameron. Il disco ha già vinto numerosi premi nel nord Europa
2 CD. Attesissimo, ecco il nuovo album di Keith Jarrett. Si tratta di una formidabile esibizione da solista, Keith Jarrett ed il suo pianforte, registrata a il 16 Luglio 2016 alla Philarmonic Hall di Monaco. Una suite dirompente, che si svolge attraverso una performance spontanea, dove l'artista modula scale melodiche ed introspettive attraverso una serie di straordinari monologhi. La parte finale della performance vede poi l'artista concedersi delle riletture classiche, atraverso brani quali Somewhere Over The Rainbow, It's A Lonesome Old Town, Answer Me My Love.
Registrato all'età di 91 anni, come omaggio per i suoi nipoti, LUllabies rimane l'ultima registrazione del grande pianista. Un disco particolare in cui Brubeck rilegge classici e standards, brani dedicati ai bambini, ninne nanne, ma anche jazz standards e classici tratti dal great American songbook. L'album, suonato con il suo inimitabile stile, è un disco piacevolissimo, tutto da godere. Brubeck rilegge brani come Brahms Lullaby, Danny Boy, Over The Rainbow, There No Place Like Home, When It's Sleepy Time Down South, Summertime, All Through The Night, Koto Song.
John Beasley, dopo due dischi dedicati a Monk ( MONK'estra Vol 1 e 2 ) mette a punto un terzo disco, sempre assecondato dal suo gruppo MONK'estra. Questa volta rilegge le sue composizioni, ma ci aggiunge ancora quattro brani di Monk, uno di Ellington ed uno di Parker.
Il nuovo lavoro di Tim Berne, 2022
Le registrazioni dei due grandi sassofonisti, assieme
Concerto in omaggio a Charlie Parker, con Ray Brown, Milt Jackson, Hank Jones, Philly Joe Jones, James Moody.
Nuovo album del Charles Lloyd Trios, con Gerald Clayton e Anthony Wilson. 2022.
Batterista, ottanta anni, Joe Chambers sta vivendo una seconda giovinezza. Creativo, pieno di idee, mischia jazz con vari generi musicali. Dance Kobina contiene nove brani nei quali sostanza jazzistica, facilità melodica e tribalismi ben temperati (africani, cubani e brasiliani ) creano un mix contagiso, che non ti aspettersti da un ottuagenario.
LP. Un classico del musicista latino, contiene la versione originale di Oye Como Va, poi resa celebre dai Santana. Rimasterizzato, usando le matrici originali, da Kevin Gray. Vinile 180 grammi, Craft Records, stampa Usa.
Nuovo album Blue Note di Ethan Iverson, pianista e compositore della nuova scena jazz Usa. Il disco offre personali versioni di classici come Round Midnight e Killing Me Softly with His Song e si conclude con un tour de force molto particolare di Iverson con Piano Sonata, una melodia intensa di quasi cinque minuti.
Raccolta del periodo Vanguard.
Il disco congiunto di due geniali violinista come Grappelli in ambito jazz e Vassar Clements in ambito bluegrass. Accompagnati da Martin Taylor alla chitarra acustica, Doug Jernigan alla pedal steel, Jim Ferguson al basso, Kenny Malone alla batteria e Davis Causey alle chitarre elettriche, i due violinisti combinano gli strumenti con disinvoltura e grazia come avessero sempre suonato insieme.
Edizione giapponese
ECM 2842. In Time Is A Blind Guide è in atto una rara alchimia acustica. I cambiamenti nella formazione hanno guidato e contribuito a plasmare il carattere musicale dell'ensemble del batterista norvegese Thomas Strønen e nella terza registrazione del gruppo assistiamo ancora una volta ad un cambiamento, con Leo Svensson Sander che sostituisce Lucy Railton al violoncello. La nuova voce si fonde perfettamente con il suono tranquillo dell'ensemble, con una Ayumi Tanaka precisissima che si muove con empatia sulla tastiera, rispondendo agli strati percussivi di Strønen, al contrabbasso di Ole Morten Vågan e al violino lirico di Håkon Aase. A volte i tre strumenti a corda del gruppo formano un solido trio che entra in un dialogo riflessivo con il pianoforte e le percussioni, ma per la maggior parte il ritmo del gruppo funziona come un tutt'uno, con ogni strumento che entra ed esce dinamicamente dalla scena, catturato nella ben nota acustica del Rainbow Studio di Oslo, sotto la produzione di Manfred Eicher.
Tracks 1 and 2: recorded July 1993 at BBC Studios, Manchester, England.
Tracks 3 and 4: recorded December 1995 at Abbey Road Studios, London, England.
Recorded in concert September 19-24, 2002, at Avery Fisher Hall, Lincoln Center, New York City.
Recorded, 1993, New York City, USA.
Recorded at Bell Sound Studios, New York City; January 27 (2-3, 7, 9-10), February 21 (5, 6), and March 13 (1, 4, 8), 1961.
This Edition Is Limited To 10,000 Copies
Recorded live at The Jazz Workshop, San Francisco, September 22/23 1962
2001 Capitol Records, Inc.
Made in Japan with OBI, Live at Modern Art Museum,Paris Nov 24&25,1984 con Michael Sardaby
con Sly and Robbie
Recorded June 3 & 4, 1992 At Mastersound, Astoria Queens, New York.
Special Thanks To George Cardas.
Tracks 1-3 recorded live at the Montreux Jazz Festival on July 16th, 1995
Tracks 4-8 recorded at Studios Aquarius, Geneva on July 17th & 18th, 1995
Recorded in Los Angeles in March 1958.
2LP su 1 CD: Worried Mind e I Almost Lost My Mind
#1-7: Recorded September 23, 1954; probably at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-3.
#8-14: Recorded in 1954-55 at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-6.
? 1983 & © 1998, Fantasy, Inc.
Recorded November 1, 1982 at PRT Studios, London.
Remastered 1998.
2CD. Disc One: Originally released as "150 MPH", CCD-4036, 1979
Disc Two: Originally released as "Dynamite!", CCD-4105, 1980
2CD. Con The Copenhagen Art Ensemble, Herb Robertson e Marc Ducret.
Title also appears on the release as “The E.P. Collection”.
Recording locations, recording dates, ? and original [l47558] matrix Nr.:
. Track 1: New York, Jan 10, 1951, ? 1951 GML Inc., K9007-1
. Track 2: New York, Jan 23, 1951, ? 1951 GML Inc., K9018
. Track 3: Los Angeles, Apr 23, 1956, ? 1956 GML Inc., K9756-1
. Track 4: Cincinnati, Oct 4, 1951, ? 1951 GML Inc., K9085
. Track 5: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8202
. Track 6: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9172
. Track 7: New York, Jan 23, 1951, ? 1951 GML Inc., K9020
. Track 8: New York, Dec 17, 1952, ? 1953 GML Inc., K9225
. Track 9: New York, Mar 23, 1950, ? 1950 GML Inc., K5878
. Track 10: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9325
. Track 11: New York, Oct 13, 1950, ? 1950 GML Inc., K5978
. Track 12: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8200
. Track 13: Los Angeles, May 4, 1955, ? 1955 GML Inc., K9628
. Track 14: New York, Jan 23, 1951, ? 1951 GML Inc., K9021
. Track 15: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8203
. Track 16: Cincinnati, Oct 4, 1953, ? 1953 GML Inc., K9341
. Track 17: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8201
. Track 18: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9173
. Track 19: Los Angeles, June 6, 1953, ? 1953 GML Inc., K9294-1
. Track 20: Los Angeles, Feb 2, 1957, ? 1957 GML Inc., K9935-4
. Track 21: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10076
. Track 22: New York, Oct 8/9, 1954, ? 1954 GML Inc., K8506-1
. Track 23: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9328
. Track 24: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9439
. Track 25: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9436
. Track 26: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10074
The tracks on this collection are taken from the following EP's:
. Tracks 1, 4 Parlophone Earl Bostic EP GEP 8506
. Tracks 5, 7 Parlophone Earl Bostic EP GEP 8513
. Tracks 6, 8, 10 Parlophone Earl Bostic EP GEP 8520
. Tracks 11, 12, 18 Parlophone EP "Wrap It Up - Chop It Down" GEP 8539
. Tracks 2, 14 Parlophone EP "Earl's Imagination" GEP 8548
. Tracks 9, 15 Parlophone EP "Music A La Bostic" GEP 8571
. Tracks 21, 26 Parlophone EP "Alto Magic" GEP 8754
. Tracks 17, 19 Parlophone EP "Music A La Bostic No.2" GEP 8574
. Tracks 16, 23, 25 Parlophone EP "Music A La Bostic No.3" GEP 8603
. Tracks 3, 13, 20, 22 Parlophone EP "Bostic In Harlem" GEP 8637
. Tracks 24 Parlophone EP "Alto Sax And Mambo Strings" GEP 8565
This compilation:
? 1999 See For Miles Records Ltd. / G.M.L. Inc.
© 1999 See For Miles Records Ltd./ G.M.L. Inc.
Original sound recordings made by G.M.L. Inc.
The trademark Parlophone is the property of EMI Records Ltd. and is used with their kind permission.
Issued in standard jewel case incl. transparent tray and a 10-panel booklet.
Made in the EC.
Country of origin UK
Buddy Miles and Wilber Campbell miscredited on track 4.
Track 8 "Steamwhistle Jump" has unknown Kaye-Mann as writers but it's indeed "Take The A Train" written by Billy Strayhorn.
con Marco Detto al pianoforte e Simone Massaron alla chitarra, arrangiamenti e direzione orchestrale.
Center for the Arts, Wesleyan University, 18 November 1994
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 2, 1961.
Edizione rimasterizzata
© 1998 Sony Music Entertainment Inc.
Recorded live at the Newport Jazz Festival, Newport, Rhode Island, July 3rd, 1958.
Track 8 (bonus track) recorded in Berlin, Germany, February 22nd, 1958
(c)&(p) Gambit Records D.L. AND 425-2009. Made in the EU
Note: Tracks 4, 5 & 6 are actually studio performances with overdubbed applause, according to Tom Lord's Jazz Discography. If you listen to these tracks on headphones, you will notice the differences in the audio. There were also technical issues with the Duke Ellington set that same year and some of the songs from that set were re-recorded for the LP that was released.
Here is a link to a review of this unofficial CD: https://www.allmusic.com/album/newport-1958-brubeck-plays-ellington-mw0000898412/releases
2CD. CD 1 & CD 2 Track 1 recorded live at Bee Hive, Chicago, November 7, 1955.
CD 2 Tracks 2-6 recorded live at Basin Street Club, New York City, April 28, 1956.
CD 2 Track 7 recorded live at Copenhagen, November 12, 1953.
CD 2 Track 7: Bonus track
Total Time CD1: 73:24
Total Time CD2: 58:09
Recorded in Los Angeles late summer 1958.
Originally issued in 1959.
Recording Dates:
- Tracks 1 to 5 New York, October 1958
- Tracks 6 to 10 New York November 1958
- Tracks 11 1o 25 Los Angeles September 1958
Tracks 1 to 10 previously released as [r=15359581].
Tracks 11 to 22 previously released as [m=386774]
Complete album ASPECTS as bonus added
Con All-Star Sax Ensemble. Recorded October 18 and 19, 1988 at RCA Studios, New York, NY, USA.
Originally released as Savoy MG-12007. Printed in Japan.
Denon Digital Remastering
In quartetto con Harold Mabern al piano, Jamil Nasser al basso e Billy Higgins alla batteria.
Tracks 1 to 4:
Recorded in New York July 29, 1950
Tracks 5 to 9:
Recorded in Hackensack June 23, 1953
Recorded February 16, 1960 and February 17, 1960 (track 4 only).
Recorded at Systems Two, Brooklyn, NY on Mitsubishi X-800 32 Track, April 29, 1991.
Recorded live at The Village Vanguard on October 1, 1967.
2CD. Recorded at the Blue Note Jazz Club, New York, May 4–17, 2010
Originally released as 2-LP in 1973 [Blue Thumb Records ?BTS 7000].
Recorded on February 16, 1977 in Chicago, Illinois.
Tutte le registrazioni del Trio di Eddie Lockjaw Davis con Shirley Scott.
1-12 recorded in New York, March, 1958
13-24 recorded in New York, May, 1958
Recorded September 12, 1958.
Recorded January 29th & 30th at Mu-Rec, Milano.
Mastered at Disctronics, Tribiano-Milano.
2003
Registrazioni in quartetto e quintetto con il trombettista Flavio Boltro
In trio con Paolino Dalla Porta al basso e Bill Elgart alla batteria
Recorded 3-4 December 2006 at Riff Raff studio -Trevignano -Rome
Trio (fge) (tracks 4, 5, 9)
Digitally recorded at Studio MM Recording Lab, Parma, Italy, on April 15, 1994.
Trio (ftr) (tracks 1, 3, 7, 10)
Digitally recorded at Studio Acousti, Paris, France, on November 13, 1993.
Trio (fcb) (tracks 2, 6, 8, 11)
Recorded at Studio 7, Milan, Italy, on June 5, 1993.
Mixing: Bips Studio, Milan, Italy
Recorded live in August 1976 in Concord, California. con Hank Jones al piano, Red Norvo al vibrafono, Ray Brown al basso e Jake Hanna alla batteria.
Con Chris Potter ai sassofoni, Drew Gress al basso e Jack DeJohnette alla batteria
This Compilation ? & ? by Fresh Sound Records
All tracks recorded at Capitol Studios, Hollywood, CA, USA:
1-1 to 1-6 April 25, 1955; 1-7 to 1-9 April 27, 1955; 1-10 to 1-13 August 26, 1955.
2-1 to 2-4 November 7, 1955; 2-5 to 2-8 November 10, 1955; 2-9 to 2-12 May 12, 1956.
Made in Spain.
con Joe Lovano al sassofono, Randy Brecker alla tromba, Bon Mintzer al clarinetto, Jonny King al piano, Ira Coleman al basso e Billy Drummond alla batteria.
The quartet is in one continous single movement. For ease of navigation and reference, there have been included arbitrary track markers on each CD. For the most part, this has been done in five-page score increments; with exceptions due to the limitations of the CD length.
This complete work lasts 6 hours, 7 minutes and 7 seconds. There is also a DVD version of the complete 5 disc set released under the same catalog number in which one could listen to the complete work uninterrupted.
Recorded at: Crowell Hall, Wesleyan University, Middletown, Connecticut on 15-18 October 2001
This recording was made possible, in part, by the kind generosity of The Aaron Copeland Fund for Music, Inc.
Special Thanks to: Neely Bruce at Wesleyan University and Howard Stokar
32-page booklet includes notes in English, German and French
Made & Printed in USA
Con John Purcell, Kenny Kirkland, Mark Thompson, Cecil McBee e Elvin Jones
Con Mal Waldron e Tiziana Ghiglioni.
Album in quintetto con Tommy Flanagan al piano, Benny Golson al sassofono tenore, Ray Drummond al basso e Al Harewood alla batteria.
Recorded May 21, 1959.
Printed in U.S.A.
Recorded live at Keystone Korner, San Francisco (USA) May 11-16,1976
Comes in mini LP replica with insert.
2CD. Recorded live at the Ronnie Scott Club, London, on March 15, 16 & 17 1971.
Track 2-6 Previously unreleased.
Tanglewood, Lenox, MA, 2-3, 8, 1966.
Recorded March 3rd, 1972 in A&R Studios, New York. A Shadowbrook Production.
? 1990 Polygram S.A. France
Recorded on November 4, 1981 at Studio Davout, Paris, France.
Digitally mixed on May 10, 1989 in Los Angeles.
Stan Getz plays both tenor and soprano sax on tracks 3 & 5.
Recorded at Fantasy Studios, Berkeley, May 9-10, 1986.
Tito Puente Appears Through The Courtesy Of Concord Picante, A Division Of Concord Picante, A Division Of Concord Records.
compilation of two Terry Gibbs LPs, " Swingin'" and "plays The Duke" plus tracks from an ABC TV show from1958
This compilation © & ? By Fresh Sound Records
Recorded, mixed and mastered at Oneemusic Studios in Rome (March 2013)
Recorded July, 1965.
© & ? 2008 ESP-Disk' Ltd.
Recorded live at Manchester Craftsmen's Guild, Pittsburgh, PA, May 3-5, 2002.
Tracks 1- 9 recorded at the Newport Jazz Festival, Newport, Rhode Island on July 3, 1967 and were issued on the RCA LP Newport Uproar in January 1968.
Track 10 to 14 recorded June 30, 1956 in Madrid Spain and were issued on the RCA LP Jazz Flamenco in April 1957.
Recorded in Los Angeles, July 1960.
2CD. Rara antologia con la partecipazione di Jack Bruce, Taj Mahal, Bobby Womack, Allen Toussaint, Leo Nocentelli, Astor Piazzolla e molti altri. Include un libro di 40 pagine. Edizione limitata e numerata.
Recorded in Chicago, January 17 (1 to 8) and April 14 (9 to 16), 1961.
Tracks from 1 to 8 originally issued on Vee Jay LP (SR 3016) entitled "Exodus To Jazz".
Tracks from 9 to 16 originally issued on Vee Jay LP (SR 3025) entitled "Mighty Like A Rose".
24 Bit High Resolution Remastering
1 recorded July 1984.
2 recorded October 1985.
3 recorded July 1984.
4 recorded May 1985.
5 recorded October 1985.
con Christian Scott alla tromba, Javon Jackson al sax tenore, Kenny Barron e Eric Reed al piano, Vicente Archer al basso e Carl Allen alla batteria.
#10-11 are bonus tracks
Recorded on December 1-2, 2002 at Avatar Studios
Con Dr. John, The Guardians of the Flame e Mardi Gras Indians.
con Jack Bruce al basso, Tony Williams alla batteria, Shankar al violino, Zakir Hussain alla tabla e molti altri
Music from a Prague manuscript c 1500
Recorded January 1993
Stadtkirche Gönningen
An ECM Production
©? 1995 ECM Records
Printed in Germany
Recorded live May 28 and 29, 1999 at Greenwich House Music School, New York City. In trio con Reid ANderson al basso e Billy Hart alla batteria.
Recorded May 1994 with the White Mobile, Auditorium F.L.O.G., Florence
An ECM Production
©? 1995 ECM Records
1992 Warner Bros. Records Inc., a Time Warner Company Made in Germany.
Recorded at Studios La Buissonne, December 1995.
con Eric Alexander al sassofono tenore, Jeremy Pelt alla tromba, John Webber al basso e Joe Farnsworth alla batteria.
On front cover:
Music For The New Millennium
Recorded October 1997
Hardstudios, Winterthur
An ECM Production
? 1998 ECM Records GmbH
© 1998 ECM Records GmbH
Printed in Germany
Mat Maneri's electric instruments made by Tucker Barrett of Vermont
O-card package with standard jewel case
Recorded June 1998
Hardstudios, Winterthur
An ECM Production
? 1999 ECM Records GmbH
© 1999 ECM Records GmbH
Original issue, made by PMDC, Germany, not by [l331548], the latter being a [url=https://www.discogs.com/Joe-Maneri-Barre-Phillips-Mat-Maneri-Tales-Of-Rohnlief/release/11716469]repress.[/url]
Total time: 64:56
O-card package with standard jewel case, 16-page booklet.
Recorded at Radio Recorders in Hollywood; January 19, 26 and February 2, 1956.
Recorded at Contemporary's Studio, Los Angeles, December 17-20, 1962
Remastering 2004 at Fantasy Studios
Modern Jazz Versions of Favorite Jewish and Israeli Songs
Recorded live to 2 track at Systems Two, Brooklyn, NY, Feb. 27-28, 2008
?© 2008 Greenleaf Music, Inc.
3CD/DVD. Cofanetto lussuoso in seta che raccoglie i tre dischi pubblicati dai Remember Shati: Remember Shakti, The Believer e Saturday Night In Bombay con l'aggiunta dell'inedi bonus track di 40 minuti Niyati e un bonus DVD con brani dallo storico concerto di Bombay deòl dicembre 2000.
2CD
Recorded at the Van Gelder Studio, Hackensack, New Jersey between 1952 and '56.
1-1 to 1-4: recorded March 2, 1952.
1-5 to 1-8: recorded January 31, 1953.
1-9 to 1-15: recorded October 25, 1953.
1-16 to 1-19, 2-1, 2-2: recorded August 5, 1954.
2-3 to 2-6: recorded February 27, 1955.
2-7 to 2-12: recorded April 1, 1956.
1-1 to 1-8: previously released on [r8216978]
1-9 to 1-14: previously released on [r8408388]
1-15: previously unreleased.
1-16 to 1-19, 2-1, 2-2: previously released on [r8491120]
2-3 to 2-6: previously released on [r9912755]
2-7 to 2-12: previously released on [r3376799]
Caption for uncredited photo on page 9 of booklet: Gil Mellé playing the worlds first drum machine, Percussotron III, in 1969 - for the "Andromeda Strain" ([a=Michael Crichton]) film score. It was designed and built by Mellé as well as two earlier versions in 1965.
Cat. No. on front cover and back of obi: 95718.
Cat. No. on traycard back and spines and obi spine: 7243 4 95718 2 2.
SBM ™ Super Bit Mapping
Gerry Mulligan Quartet - Original air date: July 18, 1962.
Art Pepper Quartet: Original air date: May 9, 1964.
Recorded and Mixed at Clinton Recording Studios, Studio A, New York City, April 14-16 and April 28-29, 1994.
Total playing time: 66:35
? & ? 1994 Telarc.
Printed in USA.
Made in Austria.
Recorded at Contemporary's studio, Los Angeles; July 2 (#4, 6, 9, 12) and July 9 (#1, 3, 8, 11), 1954; January 20, 1956 (#2, 5, 7, 10).
1994 Capitol Records, Inc.
? 1990 BMG Music
© 1990 BMG Music
Printed & Made In Germany.
Recorded at Capitol Studio B, Los Angeles, April 18-19, 21-22, 1994
© ? Kokopelli Records, Inc. 1994
CD made in the USA.
Cover printed in Canada.
Jewel case, black tray, 4-panel booklet.
September 26 & October 6, 1958
Richard Bona appears courtesy of Columbia Records
Chris Minh Doky appears courtesy of EMI-Medley, Denmark
Jeff Golub appears courtesy of Mesa/Bluemoon/Atlantic Recording Corp.
Angélique Kidjo appears courtesy of Island Def Jam Music Group
Jamie Myerson appears courtesy of Ruffhouse/Columbia Records Group
Andy Snitzer appears courtesy of Countdown Records/Unity Entertainment
Recorded 26 and 27 September, 2002
Recorded in sessions at Lennie Tristano's studios, Palo Alto Street, Hollis, NY.
Tracks 1, 2 and 10: May 13, 1971
Track 3: January, 1974
Tracks 4, 6 and 11: 1965
Tracks 5, 8 and 9: April, 1971
Track 7: May 14, 1971
Recorded at Palookaville (Santa Cruz, CA) in January 1995, except the bonus studio track "Northern Lights".
Total Program Time: 75:31
© 1998 Sonic Images
?© Sonic Images Records, a division of Sonic Images Enterprises, P.O. Box 691626, West Hollywood, CA 90069 U.S.A.
Recorded May 24 & 25, 1986 at Englewood Cliffs, NJ.
? ? 1989 Capitol Records Inc.
Printed in USA
"Double Play Compact Disc Equivalent To 2 Albums"
Originally released as a 2xLP set. Re-Released in 1996 with another cover.
Recorded January, 1992.
Shock Corridor is dedicated to Samuel Fuller.
Recorded January 17, 2002.
Edizione giapponese
(p) & (c) 1994 Minor Music
Made in Germany
Elington's last alto star, successor to Johnny Hodges.
Recorded at Auditorium Giovanni XXIII di Nembro (Bergamo) January 1998
Recorded April 2, 1950.
Tracks 11, 12 marked bonus track.
Recorded February 2-4, 1996
Músicas de Orfeu da Conceição
Celebrate 50 Years Bossa Nova
(P) 2006, 1956 The copyright in this sound recording is owned by EMI Music Brasil Ltda
Printed in the EU
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