Bell'esordio per il trombonista di Sonny Rollins. Prodotto dallo stesso Rollins, con Larry Willis, Bob Cranshaw, Kenny Garrett, Stephen Scott, Christian McBride, Steve Jordan etc
Registrazioni metà anni settanta di Miller con Mongezi Feza, Mike Osborne, Keith Tippett, Nick Evans, Stan Tracey ed altri jazzisti inglesi.
Nuovo album per il batterista di colore, con Eric Alexander, Xavier Davis, Dwayne Burno, Steve Berrios, Helen Sung etc
Collaborazione tra Mitchel Forman, Victor Bailey, Chuck Loeb e Wolfgang Haffner.
Eleganti interpretazioni in chiave jazz di alcuni classici standards della Disney, da parte di artisti come Dave Brubeck, Joshua Redman, Roy Hargrove, Dianne Reeves, Regina Carter, Esperanza Spaulding, The Bad Plus, Mark Rapp etc. Il meglio del jazz contemporaneo ( a parte il grande Brubeck )
CD / DVD. Nuovo lavoro per l'eclettico tastierista americano, ora in coppia con la giapponese Keiko Matsui. Un meeting unico di musica classica e jazz. Il DVD contiene un concerto dal vivo.
2 CD. Eccellente pubblicazione Usa che raccoglie materiale inedito del grande sassofonista jazz. Qui con Richard Davis e Joe Chambers, una superformazione, nel primo CD. Il secondo vede Chambers, Don Friedman e Barre Phillips. Registrato a New York, 1965. Qualità audio eccellente.
Wynton Marsalis e la Jazz At Lincoln Center Orchestra rileggono le musiche natalizie in modo classico ma anche creativo. Ci sono alcuni degli standards più noti, come Jingle Bells, White Christmas, I'll Be Home For Christmas, Merry Christmas Baby, Have Yourself a Merry Little Christmas. Come ospiti, alle voci abbiamo Gregory Porter, Rene' Marie e Cecile McLorin Salvant
Con Eric Alexander, Nat Reeves, Jimmy Cobb, Freddie Hendrix, Cyro Baptista. Nuovo volume delle acclamate Smoke Sessions. 2017
Una rilettura in chiave moderna del jazz, alla Radiohead. Molto sostenuti dalla stampa di settore, sia in Usa che in Inghilterra.
Eccellente pianista, Fuller è questa volta accompagnato da due luminari come Lewis Nash e Hassan Shakur. Oltre a brani suoi, Fuller esegue composizioni di Wes Montgomery, Stevie Wonder, Ray Brown, Livingston- Evans, Ray Bryant ed altri.
Supergruppo jazz, formato da artiste donne, che esordisce per la Blue Note, Renee Rosnes è la leader, dietro di lei abbiamo Melissa Aldana, Ingrid Jensen, Noriko Ueda, Allison Miller, Anat Cohen e Cecile McLorin Salvant. Magnificato dalla critica americana, Artemis sta conquistando anche il pubblico europeo. E' considerato tra i dischi jazz più belli di quest'anno.
Il nuovo lavoro del chitarrista jazz, John Pizzarelli interpreta Pat Metheny.
Con Chris Potter, Terrell Stafford, John Beasley, Rick Margitza, Charles McNeal.
Il nuovo lavoro di Andrew Cyrille per la ECM, con Bill Frisell, David Virelles, Ben Street. 2022
Libro + CD. Book&Disc
Jelly Roll Morton, Louis Armstrong, Eubie Blake, Max Morath.
Total Playing Time 39:33
Album 2021 di uno dei nuovi talenti della scena jazz inglese.
?&? Lone Hill Jazz
2 albums on one CD
Tracks 25 & 26 bonus tracks former issued as singles.
Recording locations: 'Live' concerts at the Queen Elizabeth Hall, London, 30 & 31 May 1996; Alte Oper, Frankfurt, 5 June 1996; Philarmonie, Cologne, 6 June 1996.
4CD. Il meglio di Count Basie dal vivo, con piccoli gruppi, con Big Bands e con cantanti.
Recorded Live October 9th, 1989 at Leverkusen Jazz Festival by the German television station ZDF.
“The E.P. Collection Vol.2”
Recorded on November 18, 2003
Con Paolo Fresu e Sardegna Oltre Il Mare Ensemble
FRANCE è un nuovo capitolo della serie CENTURY XXI, una raccolta di cd dedicata ai nuovi compositori del secolo. La serie è iniziata tre anni fa, con due volumi dedicati ai compositori americani - Glenn Branca, Ben Neill, Carl Stone, Michael Gordon - per continuare con due volumi di compositori britannici - Nyman, Fitkin, Martland, Gough, Peyton Jones, a.o. - ora il nuovo numero dedicato ai compositori francesi. Il CD, compilato da Bruno Letort, compositore e conduttore di un programma di musica contemporanea su Radio France, e Renzo Pognant, curatore della serie, presenta uno spettro di nuovi compositori il cui interesse musicale è molto ampio. In questo cd i curatori hanno cercato di presentare diversi mondi musicali di artisti che sono alla ricerca di nuovi modi per mescolare i linguaggi musicali molte volte molto lontani l'uno dall’altro (canzoni inuit, ritmi africani, colori balinesi) o radicati nella stessa cultura: classico, rock e jazz.
In trio con Alvin Curran (synth, piano, tromba) e Evan Parker (sassofoni).
Recorded "live" at the Famous Ballroom, Baltimore, Maryland, October 27, 1968.
?© 2000 Label M a division of PDSE Records, Inc
In quartetto con Kenny Drew al piano, Peck Morrison al basso e Charlie Persip alla batteria.
1992 Concord Jazz, Inc.
Musiche composte per i film di Federico Fellini
Bo van de Graaf: alto + soprano sax, leader
Wim Westerveld: tenor sax, clarinet
Paul Vliueks: trumpet
Eugène Flören: vibes, marimba, xylophone, glockenspiel, chimes
Frank van Merwijk: pianp, organ
Pieter Douma: bass
Fred van Duynhoven: drums, percussion
Recorded 12-10-2001
?© 1998 Shirley Eikhard Music Inc. Artisan Music is a trade mark of EMI Music Canada. Bluenote is a registered trade mark of Capitol Records, Inc.
Recorded April 18, 1961.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on February 20 & 21, 1995
Mixed February 23, 24 & 25, 1995
©? 1995 Capitol Records, Inc.
Recorded live at the Cafe Montmartre, in Copenhagen, July 6, 1987. Quartetto con Kennyy Barron al piano, Rufus Reid al basso e Victor Lewis alla batteria.
Recorded by Gary Denton at Stagg Street Studio 3 September 1998
Recorded at A & R Studios, New York City on January 11 & 12, 1963
Recorded at Clinton Studios, New York City on June 5 & 6, 1996.
Recorded at Fine Sound, NYC: track 4 on April 12; tracks 1-3 and 5-8 on April 13, 1954.
Deluxe 5 CD package. The 42-page booklet is bound in a cardboard binder with a burlap spine. The CDs are in separate burgundy slipcases, bound in with the booklet in the cardboard binder. Slipped into the binder is a 48 x 72 cm poster. The cardboard binder fits into a carboard slipcase up to the burlap covering around the spine.
The BK01 cat# is on the back of the cardboard binder, while the QS01 cat# is on the back of the slipcase
Sticker on the slipcase box states:
"Over 6 hours of music; most tracks on CD for the first time.
Photographs by noted jazz photographer Herman Leonard.
Reproduction of original LP cover art.
A specially designed color poster.
50-page [sic] booklet with essays by two of the world's most respected jazz critics:
a comprehensive overview of Hampton's life and career by Brian Priestley and
an evaluation of the music heard here by Francis Davis.
2 previously unissued tracks."
1-1 to 1-7: Los Angeles, September 23, 1957.
1-8 to 1-12; 2-1 to 2-3: Los Angeles, September 30, 1957.
2-4 to 2-15: New York, January 15, 1952.
2-16: Los Angeles, October 1946.
Original matrix numbers; recording location, date:
1-1: 38160-1; New York, 11-3-1927
1-2: 38496-1; New York, 27-4-1927
1-3: 38496-2; New York, 27-4-1927
1-4: 38497-1; New York, 27-4-1927
1-5: 38497-3; New York, 27-4-1927
1-6: 53066-1; Camden, New Jersey, 29-4-1931
1-7: 53067-1; Camden, New Jersey, 29-4-1931
1-8: 53068-1; Camden, New Jersey, 29-4-1931
1-9: 53069-2; Camden, New Jersey, 29-4-1931
1-10: 70140-1; New York, 31-7-1931
1-11: 70141-1; New York, 31-7-1931
1-12: 70142-1; New York, 31-7-1931
1-13: 70143-1; New York, 31-7-1931
1-14: 71938-1; New York, 10-3-1932
1-15: 71939-1; New York, 10-3-1932
1-16: 71942-1; New York, 10-3-1932
1-17: 71943-1; New York, 10-3-1932
1-18: 81787-1; New York, 6-3-1934
2-1: 81788-2; New York, 6-3-1934
2-2: 81789-2; New York, 6-3-1934
2-3: 81790-1; New York, 6-3-1934
2-4: 100360-1; Chicago, 9-4-1936
2-5: 100361-1; Chicago, 9-4-1936
2-6: 100362-1; Chicago, 9-4-1936
2-7: 100363-1; Chicago, 9-4-1936
2-8: 100557-1; Chicago, 23-5-1936
2-9: 100558-1; Chicago, 23-5-1936
2-10: 100559-1; Chicago, 23-5-1936
2-11: 100560-1; Chicago, 23-5-1936
2-12: 100561-1; Chicago, 23-5-1936
2-13: 100882-1; Chicago, 4-8-1936
2-14: 100883-1; Chicago, 4-8-1936
2-15: 100884-1; Chicago, 4-8-1936
2-16: 100885-1; Chicago, 4-8-1936
2-17: 100886-1; Chicago, 4-8-1936
2-18: 100887-1; Chicago, 4-8-1936
The Fletcher Henderson All Stars under the direction of Rex Stewart
Recorded in New York in September 1958.
Digitally recorded at WDR Studio, Cologne, February 4 - 13, 1992
A recording by WDR, Cologne
Digitally mixed at WDR, Ü 2, Cologne, April 8 - 10, 1992
Digitally edited at Bauer Studios, Ludwigsburg, April 15, 1992
(C)&(P)1995 LAIKA Records
This Album was recorded live in Germany in:
Baden-Baden (June 1, 1994)
Düsseldorf (June 10, 1994)
Bielefeld (June 12, 1994)
Con Jeff Berlin e Dennis Chambers
2 LP's on 1 CD
? 1973
© 1994
5 CD set w/5 original Blue Note albums: Our Thing (1964) In 'N' Out (1964) Inner Urge (1965) The State Of The Tenor: Live At The Village Vanguard Volume 1 (1986) The State Of The Tenor: Live At The Village Vanguard Volume 2 (1987)
Two classic Vee Jay LPs on one CD.
Tracks 1 to 7 recorded at Universal Recorders, Chicago, 1960 and originally issued on Vee Jay LP (SR 3017).
Tracks 8 to 12 recorded at Universal Recorders, Chicago, 1958 and originally released on Vee Jay LP (SR 1005).
Track 13 originally released on Vee Jay LP (3024) entitled "Juggin' Around", which also included tracks 8, 10, 11 & 12.
Compiled & reissued by Jordi Pujol (Fresh Sound Records).
24 bit high resolution remastering.
CD comes in all-clear jewel case with 8-page foldout.
Made in Spain.
Recordings from 1945
Con Ares Tavolazzi. Total time: 73' 28
Recorded in Milan 2 June 1999.
#1 and 4 recorded in Hackensack, NJ on May 27, 1958; #2-3 and 10 in Englewood Cliffs, NJ on April 8 and 12, 1960; #5-9, 11 recorded in Englewood Cliffs, NJ; March 24, 1961
Digital remastering, 1992, Fantasy Studios, Berkeley
Selections #1-6 originally released as "Workin'" (Prestige 7424); #7-11 on "Stompin'" (Prestige 7456)
Liner notes reproduced from Prestige 7424; adapted from Prestige 7456
? & © 1993, Fantasy, Inc. Printed in U.S.A.
Recorded in concert on Guam, January 17, 1952 & 1951.
Bass on tracks 4, 5, 7-11 probably by Chris...(unknown Philipino bass player)
Originally on REGENT MG-6001 ([url=www.discogs.com/release/5028788]Jazz South Pacific[/url] with Pettiford) and HILO LP 6002 as "Jazz goes to the battlefront vol.2" (with Philipino bass player)
The Billboard p. 42: "Oscar Pettiford heads a jazz sextet which has begun a tour of Army camps fot the USO. The unit is known as the "Swingin' Jamboree" and along with Pettiford includes trumpeter Howard McGhee, tramist Jay Johnson, drummer Charlie Rice, tenorist Budd Johnson and guitarist Clifton Best."
The USO unit was put together by Pettiford. It debuted at shows in New Jersey and at Pine Camp in northern New York state. They went overseas on Nov. 3 after playing a number of USO dates at camps across the United States. Then they went to Korea, Japan, and Southern Pacific islands. However, this group encountered internal problems that resulted in Pettiford leaving the tour early to return to the United States. Cf. Ralph Gleason's article in Down Beat (February 22, 1952). - "It was cold like something else," Rice said of Korea. "We'd be playing for five minutes, and the guys' lips would freeze to the mouthpieces."
Recorded and Mixed at Omega Studios, Rockville, MD
Recorded in Washington, D.C. in December 1956. All tracks previously unissued.
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