Special Guests: [a=Tower Of Power Horn Section] ([a=Greg Adams], [a=Lee Thornburg], [a=Stephen Kupka], [a=David Mann], [a=Emilio Castillo])
Recorded on August 28 & 29 1993 at the Carriage House, August 31 1993 at Interactive Sound
Jewel case with 6-page leaflet containing 2-page DMP label catalog & request form. Durations mentioned on rear cover and leaflet.
La brava cantante accompagnata dal Massimo Faraò trio
In trio con Red Mitchell al basso e Frankie Capp alla batteria
Recorded December 1996 and October 1997
WDR Cologne and Immanuelkirche Wuppertal
Co-production ECM Records /
Wetsdeutscher Rundfunk Köln
? 1999 ECM Records GmbH
© 1999 ECM Records GmbH
Recorded at The Bottom Line New York, March 31, 1999
Total Time: 59:20
High Resolution Technology 128x Oversampling
? & © 1996
Jim Galloway ai sassofoni, Milt Hinton al basso, Gus Johnson alla batteria e Ralph Sutton al piano.
Nuovo lavoro per il brillante pianista brasiliano. Undici brani tra jazz e ritmi brasiliani, con un tocco di classe, tipico di Camilo
Album del 1999 del cantante jazz americano.
Con Crhis Potter, Scott Colley e Eric Harland.
Super formazione di jazz italiano: Rosario Giuliani, Fabrizio Bosso, Enzo Pietropaoli e Marcello Di Leonardo.
Un classico del grande trombettista, live nel 1964, rimasterizzato
Recorded: Zagreb,Yugoslavia, October 25, 1985.
Total Time: 55:42
Recorded at Plaza Sound Studios, New York City; October 23 and 24, 1962.
Reissue of the original 1963 album
Recorded at Studios Europe Sonor, Paris, France.
Recorded directly-to-two-track-analog at Mastersound Studio, New York, on November 29 & 30, 1995
Cooldaddy's Perspective recorded at Mastersound Studio, New York, on November 28, 1995
Cooldaddy's Perspective mixed at Sony Studios, New York, by Joe Ferla
Piano: Hamburg Steinway D #350 provided by ProPiano
Eddie Allen appears courtesy of Enja Records
©? 1996 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Printed in U.S.A.
This record is dedicated to the memory of my Grandmother, Ruth Britton.
Recorded January 14 &15, 2002 at Maggie's Farm.
Previously released material recorded between 1958 and 1978.
"into the blue" is a "live studio session" recorded at Barigozzi studio in November 1987
all compositions published by crepuscule-siae
Recorded on March 27-29, 1994 at Sears Sound, N.Y.C.
Thelonious Monk: brani 1-9 registrati a Parigi il 7 giugno 1954.
Joe Turner: brani 10-22 registrati a Parigi nel Marzo del 1952.
Selezione effettuata da Alan Paul dei Manhattan Transfer
Recorded in March 1995 in Stamford, Connecticut.
Packaging: standard jewel case with a 12-page booklet including pictures and lyrics.
con Charlie Haden al basso e Don Cherry agli ottoni. Edizione giapponese.
4CD:
1-1 to 1-4: New York City, October 3, 1935.
1-5 to 1-8: New York City, November 21, 1935.
1-9, 1-10: New York City, December 13, 1935.
1-11 to 1-14: New York City, December 19, 1935.
1-15, 1-16: New York City, January 18, 1936.
1-17, 1-18: New York City, February 4, 1936.
1-19 to 1-21: New York City, April 28 & 29, 1936.
1-22 to 1-27: New York City, May 18, 1936.
2-1 to 2-5: Los Angeles, August 7, 1936.
2-6, 2-7: Los Angeles, August 17, 1936.
2-8, 2-9: Los Angeles, August 18, 1936.
2-10, 2-11: New York City, March 24, 1937.
2-12, 2-13: New York City, April 7, 1937.
2-14, 2-15: New York City, June 29, 1937.
2-16 to 2-18: New York City, July 2, 1937.
2-19 to 2-23: New York City, July 7, 1937.
3-1, 3-2: Los Angeles, November 15, 1937.
3-3 to 3-10: Los Angeles, January 12, 1938.
3-11 to 3-14: New York City, May 13, 1938.
3-15 to 3-18: New York City, May 18, 1938.
3-19: New York City, June 10, 1938.
3-20, 3-21: New York City, June 13, 1938.
3-22 to 3-25: New York City, June 14, 1938.
4-1 to 4-4: New York City, June 24, 1938.
4-5, 4-6: New York City, January 18, 1939.
4-7, 4-8: New York City, February 20, 1939.
4-9 to 4-12: New York City, April 5, 1939.
4-13 to 4-16: New York City, April 25, 1939.
4-17 to 4-19: New York City, June 15, 1939.
4-20 to 4-23: New York City, December 18, 1939.
4-24, 4-25: New York City, August 11, 1938.
Il maestro della chitarra blues incontra il violinista jazz. Un disco intatteso in cui due stili si mischiano e danno luogo ad un suono innovativo.
Branford Marsalis, fratello di Wynton, è un musicista di grande valore, Si esibisce in varie formazioni, ma il suo quartetto presenta sicuramente la sua migliore espressione sonora. Jazz moderno, piacevole e ben strutturato, sostenuto, oltre che dal suono del sax di Branford, dal piano di Joey Calderazzo e dalla sezione ritmica formata da Eric Revis e Justin Faulkner. Secret Between the Shadow and the Soul contiene 7 brani lunghi che documentano alla perfezione il suono del quartetto e la voglia di esprimere le proprie idee innovative, pur restando in un ambito di classic jazz. Kurt Elling appare come ospite.
Recorded at the Nine Of Cups, Tulsa, Oklahoma, December 24, 1982.
SACD Hybrid Multichannel
Recorded at A&R Recording Studios, NYC, July 23, 1970 (tracks 1 to 5)
Atlantic Recording Studios, NYC, June 2, 1969 (tracks 7, 8, 12), June 3, 1969 (tracks 6 & 9), June 4, 1969 (tracks 10, 11, 13, 14), June 5, 1969 (overdubs on tracks 8 & 12).
Remixed at Regent Sound Studios, NYC (tracks 6 to 14).
Remastered at DB Plus, NYC.
Originally issued as Atlantic #1577, Feb. 22nd, 1971 (tracks 1 to 5); and as Atlantic #1531, Sept. 4th, 1969 (tracks 6 to 14).
(P) & (C) 1994 Atlantic Recording Corp.
Produced under license from Atlantic Recording Corp.
Manufactured and distributed by Rhino Records Inc.
Made in Europe by Warner Music Manufacturing Europe
Con Claude Thornhill And His Orchestra With Lee Konitz
Track 1: New York City, November 17, 1941
Track 2: New York City, February 6, 1942
Track 3: New York City, June 19, 1942
Tracks 4-6: New York City, July 25, 1942
Tracks 7-8: New York City, July 17, 1946
Track 9: New York City, November 11, 1946
Track 10: New York City, March 10, 1947
Track 11: New York City, June 30, 1947
Tracks 12-13: New York City, September 4, 1947
Track 14: New York City, October 17, 1947
Tracks 15-18: New York City, November 6, 1947
Tracks 19, 22: New York City, December 17, 1947
Tracks 20, 23: New York City, May 26, 1941
Track 21: New York City, June 4, 1947
Copyright 1999
Total running time 74:34
Standard jewel case with clear tray and two page folded insert
Recorded live on April 16, November 28, and December 12, 1964.
1-11 Recorded in New York City on January 28, 1954.
12-15 Recorded at Théâtre des Champs Elysées, Paris on October 14, 1960.
? & © 1996 GRP Records, Inc.
Recorded Live at Chelsea Studios, NYC, on December 16, 1989
Recorded in New York; June 1-2, 1959.
Digital remastering, 1989 (Fantasy Studios, Berkeley)
Bonus tracks: 4, 5
?&© 1989, Fantasy, Inc.
Made in the EU.
Tenutosi dal 16 al 24 ottobre 1987 in Olanda, October Meeting fu un festival d'avanguardia che allineò ben 50 artisti europei e americani concentrati nell'abbattimenti di confini geografici e stilistici. Tra questi, nella raccolta sono inclusi i progetti di John Zorn (Total Loss) e Guus Janssen (Et On T'a Fait Douter) e l'esibizione in duo di Christian Marclay e Louis Sclavis.
Recorded: BMG Studios, New York, 5/1991.
? 1992.
© 1992 Philips Classics Productions.
Made in U.S.A.
Recorded July 1992
Hardstudios, Winterthur
An ECM Production
©? 1993 ECM Records
Total Time 40:39
Recorded at Group IV, Hollywood, CA, August 14th, December 10th and 11th 1979 and RCA Recording Studios, New York, May 13th 1980.
Il percussionista giapponese con Albert Mangelsdorff al trombone, Takashi Kako al piano e Jenny Clark al basso. Edizione giapponese
In trio con Renato Sellani al piano e Massimo Moriconi al basso. Recorded at Mu-Rec Studio Milano, June 6, 1994, except for Track 10 recorded live Ponte di Brera Club, June 5, 1994.
Total time: 78:19
Liner notes: © Ermitage srl, Bologna - Italy
On CD:
? Philology
© NelJazz licensed
by Philology
Made in Italy
This original collection of concert performances has been digitally engineered to enhance sound. Maximum quality cannot be attained due to age. Consequently, some slight surface noise may be noticeable. AAD
Nuovo lavoro, 2012, per la promettete jazzista. Dopo il successo del precedente disco, Chamber Music Society,, che le è valso anche un Grammy, la Spalding propone un disco sui generis, in bilico tra jazz e rock. Le prime copie hanno un DVD in cui c'è un video per ogni nuova canzone.
Nuovissimo album, 2007, per la popolare band jazz fusion.
con il vibrafonista Wolfgang Lackerschmid
Recorded November 22 and December 17, 1958, at the Paris Olympia.
? 1959 Fontana
© 1959 Fontana
Recorded at El Pie Studio, Buenos Aires, Argentina, January 20-24, 1999
Recorded June 16-19, 2001 at Avatar Studios, New York
Mixed June 24-25, 2001 at Avatar Studios, New York
Con Laurent Cugny e Big Band Lumiere
Recorded and Mixed at Studio Acousti, Paris
#1,3: November 26, 1987
#2,5: November 3, 1987
#4: November 2, 1987
Composed fall 1994 in Big Sur, California.
Comissioned by Rova Saxophone Quartet.
Recorded February 1999 to January 2000 at Mr. Toad's, San Francisco.
Dedicated to the memory of Charles Mingus.
Recorded October 26th, 28th and 29th, 1990 (DOLBY SR Multi-Track),
mixed October 29th and November 1st, 1990 (SONY 1630),
mastered December 21st, 1990 (SONY 1630), at BMG
Studios, New York City.
Recorded on April 25, 1963 (#1-6) and October 30, 1964 (#7-9) at the Van Gelder Studio, Englewood Cliffs, New Jersey.
Tracks 1-6 originally issued as African High Life (Blue Note BST 84136).
Tracks 7-9 previously unissued bonus tracks.
Recorded May 12-13 1989 at 3361 Hall(3361*BLACK) Yamanakako Japan.
Made in Germany.
? 1991 Amerco Inc.
© 1991 MusicMasters
Recorded September 10, 11 & 12, 1990 (multi-track digital), mixed September 13 & 14, 1990 (Sony 1639), mastered September 16, 1990 (Sony 1630, BMG Studios, New York City.
? 1986 King Record Co., Ltd.
Recorded at the Five Spot Cafe, New York City; August 1958.
"Just A Gigolo" is an unaccompanied piano solo.
Recorded in San Francisco in the early 1960s.
Digital remastering, 1993 (Fantasy Studios, Berkeley)
?&© 1993 Fantasy, Inc.
On traycard:
This... CD compiles two albums by Bob Brookmeyer including important jazz stars... Sims, Edison, Cohn, Hall" from "two sessions, which were recorded during a very short period of time at the very end of the year 1958."
? & ? 2011 Jazz Beat D.L. AND. 99-2007
Made in the EU (mistyped as: UE)
Tracks 1 to 6 recorded New York, December 27, 1958.
(Recorded at Nola's penthouse from 10 am to 4pm on a Saturday afternoon in December)
Tracks 7 to 12 recorded New York, October 23, 1958.
Originally released in 1959 by United Artists as:
[m403238], tracks 1 to 6
[m493839], tracks 7 to 12.
Total time: 78:54
Comes in gatefold cardboard sleeve, mini LP-style
8 page booklet includes liner notes, credits and photographs.
Cat# on spine: JAZZBEAT 501
Catalog number of the original LP issue: V-8470.
Recorded March 5-7, 1962 in Hollywood.
In quintetto. Recorded in performance at Catalina's Bar and Grill, Hollywood, CA on September 12, 1991
Digitally recorded
Total time 70:00
? & © 1992
Verve presenta la colonna sonora del documentario biografico diretto da James Erskine, in cui la drammatica esistenza della grande voce del jazz è narrata in stile noir, sulla base di nastri inediti in cui la giornalista Linda Lipnack Kuehl nel 1970 raccolse le testimonianze di tanti personaggi che popolarono la vita tumultuosa di Billie Holiday (compresi gli agenti dell'FBI che la arrestarono...). Ma con la scomparsa repentina della giornalista, i nastri rimasero inascoltati per quasi 50 anni.Il disco contiene incisioni storiche (come il celebre atto di accusa contro il linciaggio "Strange Fruit", prima vera canzone di protesta contro la violenza sulla popolazione neroamericana, purtroppo ancora oggi attuale) e due brani strumentali realizzati appositamente per la colonna sonora
Interessante pianista, in trio.
Attendere...