Musica

Rimasterizzato e con tracce aggiunte

? 1993 Prestige Records Limited © 1994 Prestige Records Limited

Recorded live In Milano, January 20, 1979
Engineered at LMC Sound, London

© & ? Golden Years Of New Jazz, 2004, GY 23

In quartetto con Francesco Nastro al piano, Vittorio Pepe al basso e Pietro Iodice alla batteria.

60 ANNIVERSARY EDITION
A MUSICAL HERITAGE

Live at the 1994 Floating Jazz Festival.

1-1 to 1-7: Los Angeles, September 23, 1957.
1-8 to 1-12; 2-1 to 2-3: Los Angeles, September 30, 1957.
2-4 to 2-15: New York, January 15, 1952.
2-16: Los Angeles, October 1946.

Music from a Prague manuscript c 1500

Recorded January 1993
Stadtkirche Gönningen

An ECM Production

©? 1995 ECM Records

Printed in Germany

Recorded at World-Pacific Studios, Hollywood, Calif., June 17 and 18, 1963.

2 CD. Il meglio del periodo d'oro di Brubeck. Contiene classici come Take Five. 31 brani.

Recorded at Sound On Sound, NYC on March 1 & 2, 1991
Mixed at Effanel Towers, NYC on May 30 & 31, 1991

©1991 Disk Union

Recorded November 19 and 25, 1987

?1989 Soul Note / ? 1989 Soulnote

Made in Italy by PhonoComp

Recorded February 1, 4, 6 and March 13, 1963.

This CD contains previously released materiel (CS 8707). Original front cover.

Tracks 5, 8 and 10 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Tuesday, January 30, 1962.
Tracks 4, 9 and 11 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Wednesday, January 31, 1962.
Tracks 1 and 13 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Tuesday, February 27, 1962.
Tracks 3 and 6 were recorded at Columbia Studio, 207 E.30th St., NYC on Thursday, June 21, 1962.
Tracks 2, 7 and 12 were recorded at Columbia Studio, 207 E.30th St., NYC on Tuesday, June 26, 1962.
This was Duke Ellington's final session for Columbia Records.

2CD. Recorded:
#1-1 to 1-7 (October 16, 1958)
#1-8 to 2-6 (November 21, 1960)
#2-7 to 2-15 (June 3, 1956)

Originally released:
#1-1 to 1-7 [r7393865] (Verve 8293)
#1-8 to 2-6 [r5333982] (Verve 1025)
#2-7 to 2-15 [r9630909] (Verve 1010)

Trobettista emergente, uno dei migliori nella scena jazz attuale. Nel disco suonano anche Jeff Jenkins, Seth Lewis e Paa Kow

Registrato assieme al pianista Kevin Hays ed al compositore Patrick Zimmerli, questa nuova opera contiene brani composti dai tre ma anche da Ornette Coleman, Philip Glass e Steve Reich. Un Mehldau diverso, ma sempre molto interessante.

1998

Registrato al Juke Joint di GB, Long Island City, NY l'11 e il 12 settembre 2024, l’ultimo progetto del trombettista americano è un album affascinante che fonde aspetti più tradizionali del jazz contemporaneo con le infinite possibilità dei suoni di sintesi elettronica. I brani, per lo più originali, mettono in luce il talento di Pelt come strumentista, ma riescono anche a far spiccare la sua determinazione nel guidare la composizione lungo sentieri più esplorativi del jazz.

Brillante vocalist, con Mike Greenhill al piano e John Witala al basso.

4CD. In quartetto con Marty Ehrlich al sax, Joe Fonda al basso, Arthur Fuller alle percussioni e Anthony Braxton al piano.

Pietro Condorelli alla chitarra, Fabrizio Bosso al flauto. Francesco Nastro al piano, Pietro Ciancaglini al basso e Pietro Iodice alla batteria.

Recorded June 10-11, 2000.

Recorded January 1962 at Webster Hall, New York City.

Tracks 1 - 11: as original 1962 LP issue Rhythm Is My Business VS-4056 (except track 7, which appears in mono as on V-4056, since no stereo tapes survive)
Tracks 12 - 13 are previously unissued.

Recorded at Fantasy Studios, Berkeley, May 9-10, 1986.

Tito Puente Appears Through The Courtesy Of Concord Picante, A Division Of Concord Picante, A Division Of Concord Records.

Recorded in March 2008

Two classic Vee Jay LPs on one CD.
Tracks 1 to 7 recorded at Universal Recorders, Chicago, 1960 and originally issued on Vee Jay LP (SR 3017).
Tracks 8 to 12 recorded at Universal Recorders, Chicago, 1958 and originally released on Vee Jay LP (SR 1005).
Track 13 originally released on Vee Jay LP (3024) entitled "Juggin' Around", which also included tracks 8, 10, 11 & 12.

Compiled & reissued by Jordi Pujol (Fresh Sound Records).
24 bit high resolution remastering.

CD comes in all-clear jewel case with 8-page foldout.

Made in Spain.

Recorded November 1993
Hardstudios, Winterthur


An ECM Production

© ? 1994 ECM Records

Dave Holland, Zakir Hussain e Chris Potter, nuovo album 2019, in collaborazione tra tre grandi jazzisti.

2CD. Recorded live at The Village Vanguard, New York, NY, September 22-24, 2000
Mixed at Sear Sound, New York, NY
Mastered at Sterling Sound, New York, NY
Tracks 5 & 6, Disc 2 recorded live to 2-track.

©? 2001 Warner Bros. Records Inc. (USA) and WEA International (outside USA)

Jewel case comes with card oversleeve.

Recorded at Clinton Studios, NY, January 17-18, 1996.
Mixed at Power Station Studios, NY, February 18-19, 1996.

Mastered at Foothill Digital, NY.

All selections published by Ice Nine Publishing, Inc./ASCAP, except "Shoulda Had Been Me" published by Blue Muse Publishing, Inc./ASCAP.

This high resolution recording is mastered from 20-bit digital sources.

© ? 1996 Astor Place Recordings Inc.

Recorded April, 1995

Recorded April 9 & 10, 1999.

Recorded live at Birdland, New York City in June 1962.
Remixed from the original 3-track master tape to digital at Abbey Road Studios, London in May 1990.
Tracks 11 to 14 previously unissued.
Many sources show Ray Charles as the composer of "Come Back Baby".

Recorded in 1967 in Toronto, Ellington invited by two Canadian composer organizations, working with young Canadian composers and musicians.

Billie Holiday, Mae West, Ethel Merman, Martha Rayle e molte altre

Con Don Cherry e Billy Higgins.

Eccellente collaborazione tra i due sassofonisti, con la collaborazione di Mike Ledonne, John Webber e Carl Allen. Registrato dal vivo allo Smoke di New York.

1997, con Lee Konitz e Enrico Rava

Recorded at Ipnocampus Studio, Napoli, Nov 24&25, 2003

Recorded January 31, 2003 and October 27 & 28, 2004.

Original recording produced by Norman Granz
Recorded August 1960 and January 1961 in Los Angeles

Recorded by Gary Denton at Stagg Street Studio 3 September 1998

con Michel Camilo

Recorded at Eastside Sound, NYC on December 6 & 7, 1993
Mixed at Eastside Sound, NYC on March 10 & 11, 1994
Mastered at Foothill Digital, NYC

? 1994 Disk Union
? 1994 Sony Music Entertainment Inc.
Manufactured by Columbia Records

Recorded in September 1997.

Total Playing Time 53:46

Recorded on June 26th, 1987

1-6: RCA Studios, Los Angeles, June 23, 1967.
7: RCA Studios, New York, March 29, 1966.
8-13: RCA Studios, New York, April 4, 1967.
14-22: RCA Studios, New York, March 23, 1967.
23: RCA Studios, New York, August 18, 1966.

Issued by arrangement with Lene Ellington & The Duke Ellington Masters.

"Duke Ellington's legendary "stockpile", the collection of tapes with the band, recorded at Ellington's own expense during the last 20-30 years of his life, continues to offer the most exquisite music, unissued until now. On this CD we are in the years of 1966-67."

Made in Germany

Recording Dates: 1931-1951

Sun Ra e la sua Arkestra, con John Gilmore, Charles Davis, Pat Patrick, Julian Priester etc. Registrato a Chicago nel 1956.

Nuovo album per Quentin Angus, uno dei più promettenti c chitarristi della attuale scena jazz. Con Michael Mayo, Czan IOlgun, Desmond White, Nate Smith.

Geoff Muldaur rilegge Bix Beiderbecke

Sonny Rollins quintet, Thad Jones quintet e Sextet, con Elvin Jones, Quincy Jones, Frank Foster, Frank Wess

In quintetto con Antonio Hart al sassofono, Rob Bargad al piano, Walter Booker al basso e Jimmy Cobb alla batteria.

In quartetto con Braxton al piano, Marty Erlich al sassofono, Joe Fonda la basso e Pheeroan Aklaff alla batteria.
Recorded live at the Knitting Factory, 1994

Recorded at A & R Studios, New York City on January 11 & 12, 1963

Recorded on May 20, 2003 con Dwayne Dolphin & Cecil Brooks III

All tracks recorded in New York City:
#1 & #2: September 23, 1935
#3 to #6: September 30, 1935
#7 & #8: December 239, 1935
#9: August 31, 1936
#10 & #11: September 1, 1936
#12 & #13: October 14, 1936
#13 & #15: October 26, 1936
#16: January 16, 1937
#17 to #20: June 15, 1937

Track #18 is previouly unissued.

This record is dedicated to the memory of Mehmet Ulag aka Memo, one of the pioneering figures of Istanbul's jazz scene.

Learn more about Mehmet Ulag at motema.com/artists/david-murray

Recorded on Oct. 27-29, 2015 at Babajim Studios, Istanbul, TR

Con Clark Terry. Recorded March 4, 1993 at Sound On Sound, New York City.

Jazz giapponese