Il secondo album della flautista americana
Recorded February 6, 1994 in the Music Theatre at the Arizona State University of Music, Temple [sic], Arizona for Tempest Studios.
#1-8: recorded January 12, 1987 at Concordia College, Bronxville, NY
#9: Recorded February 4, 1987 at RCA Studio A, NYC
Mastered at Amigo Studios, Los Angeles
Recorded at East Side Sound Studio, NYC June 21, 1994 and at Systems Two Recording Studios, Ltd., NYC June 23, 1994.
Recorded at MGM Recording Studios And Group IV In Hollywood, California.
Kenny Garrett sassofoni alto e soprano, Geri Allen al piano, Charnett Moffett al basso e Charles Moffett alla batteria.Recorded on June 19, 1993 at Crossroad Studio, NYC
Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on January 27, 1966.
1990 10 (+1) CD box.
Comes with a 58 page booklet.
Recorded at Chez Sons Franck, Montréal, Canada.
Recorded at Studio de la Grande Armée, Paris, France on February 12/13, 1990
Mastered at TopMaster Studio, Paris, France
Setting: Tygra, France
1: Famous Music, 1930
2: Embassy Music Corp. 1941 USA
Dorsey Brothers Music Ltd. London
3: Chappell and Co. Inc. 1937
4: Mills Music, 1931
5, 6: T.B. Harms and Co. 1933
7: T.B. Harms and Co. 1942
8: Warner Chappell and Co. 1963
Warner Chappell Music, France
9.a: Irving Berlin Music, 1935
9.b: Irving Berlin Music, 1938
10: Harms Inc., 1932
11: 20th Century Music Corp. 1945
12: Dorsey Brothers Music a division of Music Sales Corp., 1946
DDD live recording at Carlos Gomes Theatre August, 1996 con Os Batutas
© 1998 Blue Jackel Entertainment, Inc.
Track 8 is misspelled "Misura E Manda".
Track 1 Universal Edition Wien
Tracks 2, 3, 8 Universal Editions Wien
Track 4 Crawford Music
Tracks 5-7 Kurt Weill Foundation For Music
Track 9 Schott's B. Söhne
20 bit digitally recorded - live to two track - at Power Station, NYC, December 1994.
? & © 1995 Polydor K.K., Tokyo Japan.
JMT Productions, Stefan F. Winter, Postfach 190 925, 80609 München, Germany.
1994 Capitol Records, Inc.
Recorded March 1-3, 1995
Recorded and mixed at Bennett Studios, Englewood, NJ.
Jim McNeely is the composer in residence for the Vanguard Jazz Orchestra.
This recording was made possible through generous grants from: The National Endowment for the Arts; The Aaron Copland Fund for Music; The Mary Flagler Cary Charitable Trust; and The New York State Council of the Arts.
Produced by Sixteen as One Music Inc., The Vanguard Jazz Orchestra.
Total play time: 68.08
©&? 2000 D.E.T.S.
Total time (CD1): 64:36.
Total time (CD2). 59:06.
Sessions location and date:
# 1-1 to 1-16: Treasury Broadcast No. 1, 400 Restaurant, NYC, April 7th, 1945.
# 1-17 to 1-21: Duke Ellington performing at War Bond Rally, NBC - Studio 6B - Radio City, May 1st, 1943.
# 2-1 to 2-8: Duke Ellington's Treasury Broadcast - 400 Restaurant, NYC, April 14th, 1945.
# 2-9 to 2-16: Treasury Star Parade No. 231 (transcribed in June 1943, NYC).
# 2-17 to 2-24: Treasury Star Parade No. 232 (transcribed in June 1943, NYC).
Duke Ellington is incorrectly credited with co-writing track 2-23. Mercer Ellington wrote this piece alone, with a lyric added later by Ted Persons.
Verified by ASCAP research.
Tracks 1-8: New York City, August 23, 1946
Tracks 9-12: New York City, September 25, 1946
Tracks 13-16: New York City, December 18, 1946
Tracks 17-20: New York City, December 20, 1946
Con Ron Carter, Herbie Hancock, Candido, Thad Jones.
Nuovo album per il pianista, con Gary Versace e Danny Gottlieb. 2007.
2 CD. Registrato dal vivo a Tokyo nel 2002. Keith Jarrett solo al piano tenta di rinnovare i fasti del concerto di Colonia. Genio allo stato puro.
Recorded at Systems Two, Brooklyn, NY in August and December 2000
Digisleeve
? 2001 © 2001
Printed in Canada.
Total Time 52'02
Recorded November 30 and December 1, 2001 by [...] at Radio Studio DRS, Zürich
In duo con Stewart Gillmor al piano, al corno francese e alla tromba
Recorded At System Two Studios, Brooklyn, New York on 12 & 13 December 1997.
Tracks 11 to 14 are the "The Josephine Baker Suite", from the musical, "La Bakair", for which Herb Geller has written the score
Recorded at Sage & Sound Studio, Hollywood, February 25-26, 1997
Editado y distribuido por Blue Moon Producciones Distográfias
5 CD set w/5 original Blue Note albums: Our Thing (1964) In 'N' Out (1964) Inner Urge (1965) The State Of The Tenor: Live At The Village Vanguard Volume 1 (1986) The State Of The Tenor: Live At The Village Vanguard Volume 2 (1987)
Recording location: TELDEC Studio Berlin • April 1996
? 1997 Teldec Classics International GmbH, Hamburg, Germany
© 1997 Teldec Classics International GmbH, Hamburg, Germany
A Warner Music Group Company
Made in Germany
Total Timing: 79.23
CD is packaged in a standard plastic clear-tray jewel case along with a 10-page (10-panel, foldout) booklet, notes in English, German, French; all inside a printed O-Card
The case has Warner logo embossed on the right bottom of the front side.
Track publishers:
Track 1: Edition Peters, Frankfurt
Track 2: Universal-Edition, Wien
Tracks 3-7, 9: Musikverlag Hans Sikorski, Hamburg
Track 8: Schott's Söhne, Mainz
Track 12: Eres Edition, Lilienthal/Brehmen
Corrected track durations:
Track 1: (5:30 » 5:37)
Track 2: (10:57 » 11:03)
Track 9: (27:54 » 28:00)
In duo con Cliff Korman. Live at Cantar Da Costa
Recorded December 1977, Talent Studio, Oslo
Total time: 42:27
An ECM Production
© ? 1979 ECM Records
Printed in Germany
Con Stephane Grappelli. Recorded April 11, 1976; MPS-Studio, Villingen
? 1977 MPS Records GmbH, Villingen
Recorded in Brooklyn, NY, USA, June 6, 2000
Recorded and Mixed at Omega Studios, Rockville, MD
Recorded October 11, 12 and 21, 1957.
?&© 2001 D,E,T,S,
Tracks 1-1 to 1-15 recorded at 400 Restaurant, NYC, April 21st,1945 - Treasury Broadcast No.2
Tracks 2-17 to 2-22 recorded in NYC, June 1943 - Treasury Star Parade No. 233
Tracks 1-16 and 1-23 unknown studio orchestra -
Tracks 2-1 to 2-17 recorded at 400 Restaurant, NYC, April 28th,1945 - Treasury Broadcast No.3
Tracks 2-18 to 2-23 recorded at The New Zanzibar, NYC, October 7th,1943 - Duke Ellington Broadcast From The New Zanzibar (Mutual Broadcasting System)
Made in Denmark.
B sides, bonus cuts & rare remixes from Acid Jazz.
Recorded live in Europe, 1963
Piano e basso, Filippini e Mencarelli si propongono come duo jazz di sicuro avvenire.
Pianista tra i più interessanti dall'attuale scena jazz, dal vivo ad Amsterdam. Uno dei dischi migliori di Hersch
Tributo al grande Elvin Jones, da parte di Chico Freeman. Con Lonnie Plaxico, Winard Harper, George Cables etc. Special guest: Joe Lovano.
Track 1 recorded August 20, 1969; track 2 recorded July 2, 1969. Recorded at Sound Studios, Inc. Track 2 re-mixed from the original master tape.
Recorded at Jazzwerkstatt Peitz Nr. 42 September 19, 1981
con The Creative Jazz orchestra diretta da Nick Purnell.
Recorded live in London, May 15, 1994, Sadler's Wells Theatre as part of the London Jazz Festival
Recorded at Power Station Studio, N.Y., from 2/25/95 to 2/27/1995
Recorded in Los Angeles; June 19-20, 1978.
Recorded: August 19 (#1,2,6,8) & 22 (#3,4,5,7), 1955
3CD. Edizione limitata 5000 copie
The release is subtitled "Tango Operita".
Tracks 6, 12 and 13 previously unreleased.
Tracks 13 to 16 are bonus tracks on CD only.
2CD
Recorded at the Van Gelder Studio, Hackensack, New Jersey between 1952 and '56.
1-1 to 1-4: recorded March 2, 1952.
1-5 to 1-8: recorded January 31, 1953.
1-9 to 1-15: recorded October 25, 1953.
1-16 to 1-19, 2-1, 2-2: recorded August 5, 1954.
2-3 to 2-6: recorded February 27, 1955.
2-7 to 2-12: recorded April 1, 1956.
1-1 to 1-8: previously released on [r8216978]
1-9 to 1-14: previously released on [r8408388]
1-15: previously unreleased.
1-16 to 1-19, 2-1, 2-2: previously released on [r8491120]
2-3 to 2-6: previously released on [r9912755]
2-7 to 2-12: previously released on [r3376799]
Caption for uncredited photo on page 9 of booklet: Gil Mellé playing the worlds first drum machine, Percussotron III, in 1969 - for the "Andromeda Strain" ([a=Michael Crichton]) film score. It was designed and built by Mellé as well as two earlier versions in 1965.
Cat. No. on front cover and back of obi: 95718.
Cat. No. on traycard back and spines and obi spine: 7243 4 95718 2 2.
SBM ™ Super Bit Mapping
Recorded and mixed at le studio Royal de Belgique
Con Bill Frisell. Recorded on February 17 and 18, 1994, at Electric Lady Studios, New York City.
Mixed at Electric Lady Studios and at Sound on Sound Recording, New York City.
Digitally edited and mastered at Foothill Digital, New York City.
This Compilation (P) & (C) 2002 The Verve Music Group, a Division of UMG Recordings, Inc.
Tracks 13 to 21 courtesy Capitol Records, Inc., under license from EMI-Capitol Music Special Markets.
Distributed by Universal Music & Video Distribution Corp., 100 Universal City Plaza, 4th Floor, Universal City, California 91608.
Printed in the USA.
Made in the USA.
Some tracks were transferred from disc sources. Surface noise is audible.
Recording dates / locations:
1949-02-17, NYC (tracks 1/2)
1949-07-27, NYC (track 3)
1949-12-12, NYC (track 4)
1950-04-04, NYC (track 5)
1950-07-05, NYC (tracks 6/7)
1951-02-05, NYC (track 8)
1951-10-11, LA (track 9)
1952-07-17, NYC (track 10)
1953-04-15, LA (track 11)
1954-03-28, LA (track 12)
1956-12-12, LA (track 13)
1957-07-27, NYC (track 14)
1958-03-08, Clairmont, CA, live at Clairmont College (track 15)
1958-03-27, LA, live at The Crescendo (track 16)
1959-04-29, Miami (track 17)
1960-04-28, San Francisco, live at the Masonic Temple (track 18)
1960-07-06, NYC (track 19)
1962-06-21, NYC (track 20)
1963-07-05/06, San Francisco, live at The Blackhawk (track 21)
Original Release:
1949 MGM 10426 (10" 78rpm) "[r6057213]", track 1
1949 MGM 10530 (10" 78rpm) "[r6087792]", tracks 2, 3
1949 MGM (UK) MGM.293 (10" 78rpm) "[r17624608]", track 4
1950 MGM 10859 (10" 78rpm) "[r2391320]", track 7
1950 MGM E-518 (10" LP) "[r2058218]", track 5
1951 MGM 10956 (10" 78rpm) "[r11711877]", track 8
1951 MGM 11101 (10" 78rpm) "[r6541576]", track 9
1952 MGM 11153 (10" 78rpm) "[r8129055]", track 6
1952 MGM 11354 (10" 78rpm) "[r5362659]", track 10
1954 MGM E3122 (LP) "[r2959988]", track 12
1955 MGM X3293 (3x EP 7" 45rpm) "[r5054538]", track 11
1958 Capitol T-1003 (LP) "[r2670251]", track 14
1959 Capitol ST-1187 (LP) "[r2802790]", track 15
1959 Capitol ST-1219 (LP) "[r566282]", track 17
1960 Capitol ST-1416 (LP) "[2959954]", track 16
1961 Capitol ST 1524 (LP) "[r3700752]", track 19
1962 Capitol ST-1715 (LP) "[r2845707]", track 18
1962 Capitol ST-1827 (LP) "[r3131579]", track 20
1966 Capitol ST-2447 (LP) "[r2541792]", track 21
2001 Capitol 531574-2 (CD) "[r7989037]", track 13
First LP-Release of 78rpm originals:
1950 MGM E-518 (10" LP) "[r2058218]", tracks 1, 2, 5
1954 MGM E3122 "[r2959988]", tracks 4, 12
1955 MGM E3216 "[r2970602]", track 8
1955 MGM E3265 "[r3591595]", tracks 3, 6
1955 MGM E3266 "[r3591586]", track 7
1956 MGM E3293 "[r5208528]", track 11
1956 MGM E3393 "[r6347926]", track 9
Recorded at Studio 306, Toronto, Canada, May 1987
1, 2: New York City, October 23, 1946
3 to 5: New York City, November 25, 1946
6 to 9: New York City, December 5, 1946
10, 11: New York City, December 11, 1946
12, 13: New York City, December 18, 1946
14 to 17: New York City, September 13, 1950
Credits for vocals on #10 & 11 incorrectly reversed on release
Reissue of a 1983 set.
Compilation ? 1995 BMG France
Compilation © 1995 BMG France
Fabriqué in France.
Issued in a slim double jewel case with LP size fold out insert.
Una registrazione dal vivo inedita, di straordinario valore e di grandissima qualità. Quel pomeriggio di fine Ottobre del 1968 è passato alla storia, almeno in California, a Palo Alto. Thelonious Monk ed il suo quartetto si sono esibiti nella scuola locale, di fronte ad un pubblico entusiasta. Era il 1968, Martin Luther King e Robert Kennedy erano stati assassinati e l'atmosfera era calda.Eppure il concerto è stato trionfale, una esibizione breve ma di straordinario impatto sonoro. Monk e il suo gruppo hanno suonato in modo splendido e la performance è stata di quelle da ricordare, sotto tutti i punti di vista.Dopo 50 anni il concerto viene finalmente pubblicato dalla Impulse, la grande etichetta jazz legata, da sempre, a John Coltrane. Palo Alto è un disco indimenticabile, sentire per credere. Disponibile dal 18 Settembre.
Recorded live in Europe, 1963
Ristampa rimasterizzata del disco più famoso del chitarrista jazz. Blue Note Usa. Con Stan Getz.
Il quartetto jazz rilegge la musica di Jimi Hendrix
Le canzoni dei nostri nonni, in versione jazz. Mille Lire al mese, Parlami D'Amore Mariù, Pino Solitario, Non Dimenticare le Mie Parole etc.
Dedicated to the memory of German Goldenshteyn (1934-2006)
Recorded at Avatar Studios, New York City January 14th-17th 2008
Edited and mixed at Bova Sound Ottowa, Ontario
Mastered at Kevorkian Mastering Inc, NYC
This is a digisleeve release
Made in E.U.
Recorded at Mapleshade Studio, Upper Marlboro, Maryland on November 18-19, 1990.
? 2010 Mapleshade Records
Recorded live at Yoshi's, 20 August 1997
Recorded at RCA Studio B, New York City, April 4,5 and 22, 1990
Recorded:
#1-4 Copenhagen, Denmark, 1966.
#5-8 Copenhagen, Denmark, December 15, 1978.
#9-12 Live at "Grock", Copenhagen, September 29, 1983.
All tracks recorded by the Danish Broadcast Corporation, Jazz Dept.
Previously unissued.
4CD.
Recorded at Atlantic Studios, New York, NY.
Originally released in 1971.
con Jack Bruce al basso, Tony Williams alla batteria, Shankar al violino, Zakir Hussain alla tabla e molti altri
? 1999 Teldec Classics International GmbH
© 1999 Teldec Classics International GmbH
Made in Germany by Warner Music Manufacturing Europe
Recorded in February 1998 (tracks 11 to 13) and April 1998 (tracks 1 to 10)
TT 53:52
Released in a 4-panel CD book with the CD inserted into a die-cut pocket on panel 3. The 'front page' of the 32-page stapled booklet is glued onto panel 2.
There is a later similar repress with a different matrix line, ("...2.2") and a date of 06/99: [r4763162].
Recorded at Rainbow Studio, Oslo on November 6 - 8, 2001.
Mixed and Mastered Jan Erik Kongshaug in January 2002.
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