Un classico del jazz moderno. Rimasterizzato 2005. Con Jimmy Knepper, Danny Richmond, Horace Parlan. Contiene un brano in più.

Recorded 1973
Mastered at DB Plus Digital Services, NYC

Made in USA

? & © 2005 Bethlehem Music

US CD reissue from 2005. Includes two bonus tracks.

Recorded in New York, December 1954.

Recorded live at the Nonagon Art Gallery, New York City on January 16, 1959.

1994 Capitol Records, Inc.

LP. Ristampa del classico del contrabbassista jazz americano. Vinile colorato 180gr. Edizione limitata.

LP. Atlantic, 1980, USA. Le ultime sessions di studio del grandioso contrabbassista jazz: tre brani realizzati con tre diverse formazioni e ultima tenstimonianza del suo genio straordinario come musicista e bandleader. Copia americana sigillata.

LP. Uno dei capolavori del grande contrabbassista jazz americano realizzato nel 1960 con una formazione straordinaria composta da Jackie McLean & John Handy ai sassofono alto, Booker Ervin al tenore, Pepper Adams al baritono, Jimmy Knepper e Willie Dennis al trombone, Horace Parlan o Mal Waldron al piano e Dannie Richmond alla batteria. Vinile 180gr. Arancio.

Lp. ristampa in vinile 180gr. color marmo di uno dei capolavori del contrabbassista jazz americano.

Un classico, ristampato e potenziato con diversi brani.

LP, vinile audiofilo 180g. Per lo più improvvisato al momento (Mingus non ha spiegato ai musicisti le basi di ogni brano fino all'ultimo minuto), l’album “Blues and Roots” è stato molto apprezzato all’epoca della sua pubblicazione e da allora è diventato un vero classico della discografia di Charles Mingus. L’album è stato registrato circa dieci giorni dopo il concerto di Mingus presso la Galleria d'Arte Nonagon (registrato il 16 Gennaio 1959, e pubblicato come Jazz Portraits) e precede un altro capolavoro: l’album Mingus Ah Um (registrato il 5 Maggio dello stesso anno). Al fianco del contrabbassista troviamo in questa sessione i sassofonisti Jackie Mclean, John Handy, Booker Ervin e Pepper Adams, i trombonisti Jimmy Knepper e Willie, i pianisti Horace Parlan e Mal Waldron, Dannie Richmond alla batteria.

2 CD. Con Jimmy Knepper, Bill Evans, Horace Parlan, Shafi Hadi, Clarence Shaw, Bill Hardman, Dannie Richmond & Kenny Dennis

Original issue: Tracks 1-3, 5: Debut EP-450 ("Charles Mingus Octet", EP - see cover), 7-10: Danish Debut DLP 101
Date and location: Tracks 1-6: October 28, 1953, New York City, Tracks 7-14: June 10, 1957, New York City
Discographies have listed the first date as October 27, but the tape box is marked October 28. Discographies have listed the second date as July 10, but June 10 is the correct date (both of these are according to the Complete Debut Recordings box on Mosaic).
According Per Uwe Weiler's "Debut Records Discography", Paul Bley participated at this session (tracks 1-6) as conductor.

Total Time 58,00

Mastered at Sundazed Studios, Coxsackie, New York

Antologia del periodo Atlantic.

3CD:
CD1 1951 - 1954 "Bass-ically Speak
CD2 1954 - 1955 "Haitian Fight Song"
CD3 1955 - 1964 "Meditations"

Digital Restoration/Mastering.

Tracks 1 to 4 recorded 1945.
Tracks 5 to 13 recorded 1946.
Tracks 14 and 15 recorded 1948.
Tracks 16 to 24 recorded 1949.

© Copyright 2000.

Edizione rimasterizzata con 3 bonus tracks

Tracks 1 to 3, 5 and 6 recorded May 25, 1960 probably at Plaza Sound, New York City;
Tracks 4, 7 and 8 recorded May 24, 1960 at Plaza Sound, New York City.
Notes for track 1: Interpolates "Exactly Like You" (Jimmy McHugh-Dorothy Fields)
Notes for track 6: Interpolates "I Let A Song Go Out of My Heart" (Duke Ellington-Henry Nemo-John Redmond)

High-resolution, 96kHz, 24-bit digital transfer
Original LP issue: Pre Bird (Mercury, SR 60627)
? & © 1999 PolyGram Records, Inc.

6CD:
Disc 1, 1-4: January 30, 1956, Audio-Video Studios, New York City
Disc 1, 5-8: November 12, 1956, New York City
Disc 2, 1: February 13, 1957, Audio-Video Studios, New York City
Disc 2: 2-6: March 12, 1957, Atlantic Studios, New York City
Disc 3: February 4, 1959, Atlantic Studios, New York City
Disc 4: July 13, 1960, Antibes Jazz Festival, Juan-les-Pins, France
Disc 5: November 6, 1961, Atlantic Studios, New York City
Disc 6: late 1961/early 1962, Nesuhi Ertegun's office, Atlantic Records, New York City

Original issue (year):
Disc 1, 1-4: Atlantic 1237 as "[r=732591]" (July 1956)
Disc 1, 5-8: Atlantic 1274 as Teddy Charles' "[r=4798232]" (June 1958)
Disc 2, 1,3,5,6: Atlantic 1260 as "[r=858414]" (August 1957)
Disc 2, 2,4; Disc 5, 3,4,9: Atlantic 1416 as "[r=2124452]" (June 1964)
Disc 3, 1-6: Atlantic 1305 as "[r=3496796]" (March 1960)
Disc 3, 7-10: previously unissued
Disc 4: Atlantic 2-3001 as "[r=604642]" (October 1976)
Disc 5, 1,2,5-8,10: Atlantic 1377 as "[r=708743]" (April 1962)
Disc 6: previously unissued extended interview; edited version originally appeared on CD reissue of "[r=383945]", Atlantic 90667-2 (1988)

(p) 1976 & 1997, (c) 1997 Atlantic Recording Corporation

Tracks 1 to 3, 6, 7 recorded September 20, 1963.
Tracks 4, 5, 8 recorded January 20, 1963.
Track 9 recorded July 30, 1963.

Mastered March 1997 at MCA Studios, New York City.

Recorded February 4, 1972 at Philharmonic Hall at Lincoln Center, New York City.

Recorded at the Salle Wagram in Paris on April 17, 1964.
The concert at the Salle Wagram should not be confused with a second concert the following day, Saturday, April 18, at the Theatre Champs-Elysee (which started after midnight and is often dated Sunday, April 19th.) That second concert was released in the US on LP by Prestige/Fantasy under the title [m=239126] in the mid-seventies. The release caused some confusion by adding one track from the first concert at the Salle Wagram and then compounding the confusion by mistitling the track. Although the piece was Mingus' farewell song to Eric Dolphy, "So Long Eric," it was for some unfathomable reason given the title of one of Mingus' best known compositions, "Goodbye Pork Pie Hat."

Manufactured and Distributed by M.S. Distributing Co.
? 1996 Jazz Workshop Inc.
© 1996 32 Records.

The tracks of this release can be also found on the 1980s grey market releases [r=2398373] and [r=4402008].

Tracks 1 to 4, 9: Recorded in Hackensack, N.J. October 31, 1954.
Tracks 5 to 8: Recorded in Hackensack, N.J. January 30, 1955.

Tracks taken:
1 to 4, 6 and 7 from [r2104999] (1960).
5 from [r2062878] (1972).

1, 4, 7 recorded New York 13 November 1959.
2, 3, 6 recorded New York 1 November 1959.
5 recorded New York 23 September 1971.

All Digital Engineering and Mastering at CBS Studios, New York.

Published by:
1 to 3, 5 and 6 Jazz Workshop
4 Tempo Music
7 Mills Music, Inc.

© 1988 CBS Records Inc.

Printed in Holland. Made in Austria.

Recorded live by Barclay Studios for Atlantic Records at the Antibes Jazz Festival, Juan-les-Pins, France, July 13, 1960.

(Booklet)
This CD contains the complete program of Mingus At Antibes, first released in 1976 as a double album, Atlantic SD 2-3001.

(Rear cover & disc)
? & © 1976 Atlantic Recording Corp. for the US and WEA International for the rest of the world outside the US.
The Copyright in the sound recording and artwork is owned by Warner Music UK Ltd.
Made in the EU.

Publishers:
Tracks 1 to 3, 5 & 6: Jazz Workshop Inc.
Track 4: Leeds Music Corp.

Packaged in 4-panel clear-tray Digipak including 10-page foldout booklet with liner notes.

Recorded at Nola Penthouse Studios, New York City, November 11th, 1960.