Con il Toast Man Quartet featuring Flavio Boltro
2LP su 1 CD
Tracks 1-6 recorded October 29-31, 1979 at Sound State Studios, Toronto, Canada, originally released as "Present Perfect."
Tracks 7-10 recorded December 12 & 13, 1980 at McClear Place Studio, Toronto, Canada, originally released as "Tribute."
Con Dizzy Gillespie. Recorded at the Birdland in New York
Track 1-4: March 31, 1951
Track 5-7: Spring 1951
Track 8-9: June 1953
Track 10 to 19 are Bonus Tracks
Celebrazione del centanario del grande chitarrista francese ad opera di Angelo Debarre, Bouloy Ferré, Elios Ferré e Romane.
Recorded in Englewood Cliffs, NJ; November 29, 1960.
Recorded on October 31 and November 1, 1993
Mixed on February 9, 1994 at Mu Rec Studio, Milano
Mastered at PhonoComp, Tribiano - Milano
All compositions by Kenny Wheeler, IREC S.p.A. - PRS MCPS / SIAE, except Nonetheless, Joe La Barbera, Deaver Enterprises - ASCAP, Summer Night, Harry Warren / Al Dubin, Whitmark M. & Sons - ASCAP
© 1997 Soul Note
? 1997 Soul Note
Manufactured in Italy by PhonoComp
Alabama e Impressions registrate a San Francisco il 23 febbraio 1964 e Creation registrata a New York il 2 aprile 1965.
Ultimo disco, in tutti i sensi visto che Allen ci ha lasciato definitivamente il 30 Aprile scorso, per uno dei batteristati jazz, e non solo, più creativi e originali. In questo album Allen suona ogni brano con degli ospiti: Sampa The Great, Lord Jah-Monte Ogbon, Tsunami, Nah Eeto, Zelooperz, Koreatown Oddity, Nate Bone, Marlowe ed altri. Jazz, musica etnica, ritmi alternativi, sonorità innovative. There is No End è proprio come dice il titolo.
3 CD. David Newman aveva tutto: potere, bravura, soul e swing. Antologia sulla carriera per uno dei migliori sassofonisti jazz, con Steve Turre, John Hicks, Cedar Walton, Peter Bernstein, Curtis Fuller etc
Nuovo album per il trombettista di colore: con Dan Nimmer, Carlos Henriquez, Quincy Davis e Riza Hequibal. 2010.
Segnalato come uno dei trombettisti Usa emergenti, Owen si presenta a capo di un quintetto con Jay Thomas, John Hansen, Jon Amar e Phil Parisot
Questo CD contiene circa un terzo delle uscite dell'orchestra Basie durante il periodo formativo di tre anni - 1936 - 39 - in cui hanno registrato per l'etichetta Decca.
Grandi interpreti jazz cantano il repertorio del compositore americano: Cassandra Wilson, Sheila Jordan, Chet Baker, Peggy Lee, Nat King Cole e altri.
In trio con Paolino Dalla Porta al basso e Bill Elgart alla batteria
Incisioni dal vivo effettuate in Svezia tra il 1949 e il 1951 di Stan Getz, James Moody, Lars Gullin e altri.
2CD.
Recorded December 21, 1998.
2-Disc set: CD and DVD
DVD Region: 1, 2, 3, 4, 5, 6
Blue Note Records: ?© 2020 Charles Lloyd under exclusive license to UMG Recordings, Inc.
Il pacchetto è organizzato sotto forma di un libro con copertina rigida che contiene 40 pagine con note di copertina, informazioni e fotografie più due dischi nelle tasche di carta attaccate ai passanti anteriori e posteriori.
Recorded May 26, 27, 1997.
Tracks 1 - 4: Norman Granz Jam Session, Radio Recorders Studios, Hollywood, first half of June 1952.
Tracks 5 - 7: Jazz at Midnight Jam Session, Howard Theater, Washington, D.C. October 17, 1952
Order of soloist:
FUNKY BLUES; Hodges, Parker, Carter, Peterson, Kassel, Shavers, Phillips, Webster, Peterson.
BALLAD MEDLEY: Kessel, Parker, Webster, Hodges, Peterson, Brown, Phillips, Carter.
JAM BLUES: Phillips, Carter, Peterson. Parker, Kessel, Webster, Hodges, Shavers.
WHAT IS THIS THING CALLED LOVE: Peterson, Webster, Shavers, Hodges, Kessel, Carter, Philliops, Parker, Peterson, Brown followed by 3 chouruses of 4 bars exchanges: Carter, Webster, Hodges, Phillips, Shavers, Parker
Tributo a Django Reinhardt da parte dei chitarristi Sarane & Matelo Ferret.
On tracks 1 to 4,Tony Scott duets with himself.
Recorded at Murec Studio in Milano, Italy
Recorded at Auditorium Giovanni XXIII di Nembro (Bergamo) January 1998
Con John Taylor al pianoforte e Gabriele Mirabassi ospite al clarinetto. Recorded in February 2001 at the Teatro Comunale di Gubbio
Recorded in New York City on October 13, 1958.
NOTE: Before being issued as COLTRANE TIME in 1962, this album appeared on United Artists in 1959 as STEREO DRIVE under Cecil Taylor's leadership. It is the original liner notes from that first issue that are included here.
4 CD. 8 classici album, editi dalla Blue Note, su 4 CD: Open Sesame, Going Up Hub Cap, Ready For Freddie, Hub-Tones, Here to Stay, Breaking Point, Mosaic etc.
Colonna sonora di un film, nuovo di zecca, dedicato a Chet Baker. Le sue canzoni sono interpretate da Ethan Hawke (che fa la parte di Chet Baker nel film) e da David Braid (che suona tutti i brani, molto vicino allo stile di Baker, accompagnato dal suo quartetto). La colonna sonora contiene anche brani di Odetta e Charlie Mingus. Rhino Usa.
Formidabile performance della grade cantante jazz, catturata al festival di Montreux del 1969, quando si è esibita, accompagnata da un trio formato da Tommy Flanagan al piano, Ed Thigpen alla batteria e Frank De La Rosa al contrabbasso. Ella passa dal jazz al rock e mostra una varietà di repertorio incredibile. Infatti oltre a classici standard abituali nel suo repertorio, come That Old Black Magic, Give Me The Simple Life, Love You Madly, The Duke, Alright Okay You Win, abbiamo anche brani come Sunshine of Your Love ( Cream ), Hey Jude ( Beatles ), This Girl's In Love With You ( Burt Bacharach),
Recorded in New York City on May 22 & 24 and July 28, 1959.
Recorded at Sear Sound, NYC in 1994
Mastered at Foothill Digital, NYC
Executive Producer: DIW / Disk Union
Recorded and mixed at RBY Recording Studio, Southbury, Connecticut, between June 1987 and December 1988. (Except track 3 and 5: recorded at RBY in 1985.)
Recorded March 17 & 18 2012.
Recorded live at Keystone Korner, San Francisco (USA) May 11-16,1976
Recorded live on May 16, 2002, at the Teatro Olimpico in Rome
Mixed in the Radio Rai Production Centre
Part One (trio)
Part Two (quartet)
Recorded and Mixed at BMG Studios A & B, NYC
Mastered at Sterling Studio
Recorded May 23-24, 2000 at Reaction Sound, Toronto, Canada.
Con Dizzy Gillespie. Recorded in June 1950.
Registrazioni dal vivo al Festival Newyorkese effettuate tra il 29 novembre e il 2 dicembre 2000. Con Bireli Lagréne, Regina Carter, Bucky Pizzarelli, Babik Reinhardt, Frank Vignola e altri
Con Franco D'Andrea al piano, Attilio Zanchi al basso e Gianni Cazzola alla batteria.
Live at Club Ruby in Jamaica, Queens, NY, May 26, 1968.
24 bit digitally remastered.
Music for Brass Ensemble and Soloists
Recorded September 1997 and January 1998
at Gateway Studio, Kingston
An ECM Production
? 1999 ECM Records GmbH
© 1999 ECM Records GmbH
O-card package with standard jewel case
In Quartetto con McCoy Tyner al piano, Jim Garrison al basso e Elvin Jones alla batteria.
Un classico di Branford, sotto lo pseudonimo di Buckshot Lefonque. 1997
Le registrazioni dei due grandi sassofonisti, assieme
Non sigillato
2 CD. Undicesimo volume delle registrazioni inedite del sassofonista, serie curata dalla moglie. Registrato nel Novembre 1980. Con George Cables, Tony Dumas e Carl Burnett.
Ultimate High Quality CD. Il tempo e i problemi sembrano dissolversi durante i 15 minuti incantevoli di Idle Moments, il brano di apertura del sublime album di Grant Green dallo stesso titolo del 1963. Mentre il brano si dispiega senza fretta, tutti i colori unici dell'ensemble si presentano con la chitarra soul di Green accompagnata dall'elegante pianoforte di Duke Pearson, dal vibrafono cristallino di Bobby Hutcherson, dal rassicurante contrabbasso di Bob Cranshaw, dalla batteria sottile di Al Harewood e, infine, dal magnifico sassofono tenore di Joe Henderson. Il ritmo accelera per il resto del set, che include l'originale di Green “Jean de Fleur”, una versione blues del classico MJQ di John Lewis ‘Django’ e l'originale di Pearson “Nomad”.
Gli UHQ-CD riproducono il suono dei nastri master originali nel modo più fedele possibile, utilizzando nuove tecnologie di trasferimento e materiali migliorati per produrre un suono di alta qualità con una migliore rappresentazione dell'intero palcoscenico. Gli UHQ-CD sono conformi agli standard CD e possono essere riprodotti sui lettori esistenti. Ogni titolo è presentato in una custodia UHQ-CD con una striscia obi e le note originali della copertina riprodotte sul retro dell'inserto.
Interessante trio jazz, con già qualche disco alle spalle, guidato dal geniale pianista Orrin Evans, supportat0o da Eric Revis e Nasheet Waits.
Recorded at "MasterSound Studios", August, 5, 6 & 9, 1993, Queens, NY.
Maracanã is the name of biggest football stadium in Brazil.
It's a name that symbolizes Brazil in a certain way.
It's an anagram of Ana Caram. It's like a reflection of my two sides.
(Ana Caram)
Recorded at Lindström Studios, Cologne, December 2 - 3, 1968.
Digitally remastered... at Emil Berliner Studios, Langenhagen.
Celebri temi di pellicole Disney interpretati da Esperanza Spalding, Roy Hargrove, Dave Brubeck, Joshua Redman, Regina Carter, Diane Reeves, Bad Plus e molti altri jazzisti.
Con Kenny Clarke - Francy Boland Big band. Recorded June 14, 1971 at Cornet Studios, Cologne, Germany.
Tracks 1- 9 recorded at the Newport Jazz Festival, Newport, Rhode Island on July 3, 1967 and were issued on the RCA LP Newport Uproar in January 1968.
Track 10 to 14 recorded June 30, 1956 in Madrid Spain and were issued on the RCA LP Jazz Flamenco in April 1957.
Recorded on November 20, 1952 in Frankfurt, Germany.
T.J. Kirk plays the music of Thelonious Monk, James Brown & Rahsaan Roland Kirk
Recorded October 11-12, 1996
Dizzy Gillespie, Charlie Parker, Stan Getz. Originally released in 1974 as Vee-Jay International 3056.
3CD. The first disc consists of the recordings Django made with the original [a355185] between 1934 and 1940.
The second disc covers '40 through '47.
The third disc spans '47 through '53, and finds Reinhardt moving away somewhat from his "gypsy jazz" and more toward a mainstream swing sound.
1934-40:
Track 1-1 taken from the [r=4336357] 10" shellac (Ultraphone AP-1422).
Track 1-2 taken from the 10" shellac (Ultraphone AP-1444).
Track 1-3 taken from the [r=11060610] 10" shellac (Ultraphone AP-1479).
Track 1-4 taken from Gramophone K-7706.
Track 1-5 taken from the [r=5256735] 10" shellac (Swing SW 2).
Track 1-6 taken from the [r=15579996] 10" shellac (His Master's Voice B-8737).
Track 1-7 taken from the [r=5257181] 10" shellac (Swing SW 7).
Track 1-8 taken from the [r=5259747] 10" shellac (Swing SW 23).
Track 1-9 taken from the [r=5288074] 10" shellac (Swing SW 77).
Track 1-10 taken from the [r=7973018] 10" shellac (Decca F.6616).
Track 1-11 taken from Decca F.9428.
Track 1-12 taken from Brunswick 505269.
Track 1-13 taken from the [r=10747465] 10" shellac (Decca F.6675).
Track 1-14 taken from the [r=7369389] 10" shellac (Decca F.6875).
Track 1-15 taken from the [r=6230314] 10" shellac (Decca F.6935).
Track 1-16 taken from the [r=13720751] 10" shellac (Decca F.7027).
Track 1-17 taken from the [r=5323107] 10" shellac (Swing SW 211)
Track 1-18 taken from the [r=6904177] 10" shellac (Decca F.7390).
Track 1-19 taken from the [r=9569123] 10" shellac (Swing SW 83).
1940-47:
Track 2-1 taken from the [r=13208705] 10" shellac (Swing SW 88).
Track 2-2 taken from the [r=13615934] 10" shellac (Swing SW 218).
Track 2-3 taken from the [r=5822979] 10" shellac (Swing SW 137).
Track 2-4 taken from the [r=8653176] 10" shellac (Rythme D 5017).
Track 2-5 taken from the [r=5316311] 10" shellac (Swing SW 183).
Track 2-6 taken from the [r=5442463] 10" shellac (Swing SW 158).
Tracks 2-7 and 2-8 taken from the [r=6542521] 10" shellac (Swing SW 254).
Tracks 2-9 and 2-10 taken from the [r=5336873] 10" shellac (Swing SW 229).
Track 2-11 taken from the [r=3665844] 10" shellac (Swing SW 242).
Tracks 2-12 and 2-13 taken from the [r=6564653] 10" shellac (Decca F.8604).
Track 2-14 taken from the [r=5397136] 10" shellac (Swing SW 253).
Track 2-15 taken from Decca (MB) 9243.
Track 2-16 taken from the [r=15275818] 10" shellac (Decca (MB) 9244).
Track 2-17 taken from Blue Star B.S. 37.
Track 2-18 taken from the [r=11845587] 10" shellac (Blue Star B.S. 38).
Track 2-19 has no additional information.
1947-1953:
Track 3-1 taken from the [r=6189674] 10" shellac (Blue Star B.S. 53).
Tracks 3-2 and 3-3 were recorded 11.08 or 11.13.1947 at the Studio Montparnasse, Paris.
Tracks 3-4 and 3-5 taken from the [r=5425117] 10" shellac (Swing SW 270).
Tracks 3-6 and 3-7 were recorded 11.21 or 11.28.1947 at the Studio Montparnasse, Paris.
Tracks 3-8 to 3-13 were recorded January or February 1949 the R.A.I. Studios, Rome.
Track 3-14 was recorded 10.25.1949 at the Radio Geneve Studios.
Tracks 3-15 and 3-16 taken from the [r=12499244] 10" shellac (Decca 21719).
Track 3-17 taken from Decca 36124.
Tracks to 3-20 were recorded 30.01.1953, Paris.
? 1964 / 1965 Polygram Records, Inc.
© 1997 Polygram Records, Inc.
On the CD label it reads: MGM Records - A division of Metro-Goldwyn-Mayer, Inc. This is the former owner of Verve Records (recreation of original LP label art).
Recorded February 1964 In Tokyo (Stereo).
Original LP Issue: "Music For Zen Meditation And Other Joys" Verve V6-8634
Made in Germany by PMDC
The CD comes in a foldout digipack with a separate booklet of 12 pages with new liner notes and the old ones, as well as the original LP cover art. The digipack is not laminated.
VERVE Master Edition Series:
Meticulous restoration using high resolution 20 bit digital transfer.
Included are new liner notes, photographs, but also the original cover art.
Total playing time 41:56 minutes.
Jaco Pastroius e la sua band (Alex Foster, Ron Tooley, Delmar Brown, Kenwood Dennard, Don Alias), dal vivo a Tokyo, il 22 Maggio 1983. Eccellente broadcast
The One More Time Suite was comissioned by The Canada Council For The Arts and The St. Francis Xavier Artist In Residence Program for [a2201179].
Recorded by [...] at Arabia Studios, Helsinki on February 17 & 18, 2000
Mixed and mastered by [...] at Studio LeRoy, Amsterdam
© + ? 2000 A-Records
Nuovo lavoro, 2006, per il violinista, qui accompagnato da John Taylor, Anders Jormin e Tom Rainey
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