Tap Dancing in the Sand (2004)
Outcome Inevitable (1991) Chamber orchestra of 8 or more
Hidden Similarities (2005) For Ensemble MAE
in memoriam Esteban Gomez (quartet) (1963)
She Was a Visitor (1967)
Recorded and mixed 23-24 January 2007, MCO Studios, Hilversum, The Netherlands.
Digipak packaging with attached 24-page booklet
All text and music copyright © Robert Ashley. Copyright ©, 2005
Recorded 19, 20 December 1979 at Barigozzi Studios, Milano, Italy.
Recorded in Rome on 22 January 2003 at the Centro Rai di Produzione Radiofonica (Via Asiago - Studio A) and mixed live using Solid State Logic digital multitrack.
Pro Tools mastering at the Mediterranea Studio in Cagliari.
Included 28-page booklet in Italian and English text with credits, a short biography, many photos.
Total time: 61'03".
Recorded, mixed and mastered on December 27th 1995 and January 16th 1996 at Kariang Studios, Bonham Springs, Ocho Rios, Jamaica.
Sequencing & post production services: Sparrow Sound Design, Chicago, IL.
Masks Photos: CD-ROM Arman, collectioneur d'art africain, © Hypervision / Arte Editions / M.A.A.O.A.
Cardboard cover
Recorded live at The Montreux International Jazz Festival July 1974
Remix Engineer: [...], Trackmasters Studio, St. Louis, Missouri
Cover Art: [...], Mutapa Studio, Chicago, Illinois
Original Mastering: [...], Sound Studios, Chicago, Illinois
CD Mastering by [...], Sparrow Sound Design, Chicago
C P AECO Records 1978,1997
All compositions by [...] (Art Ensemble of Chicago Publishing Company, ASCAP)
5CD. Raccolta di incisioni dell'ensemble di Roscoe Mitchell quando si faceva chiamare solo Art Ensemble.
Recorded on September 5,6 & 7, 1991
Mixed on September 21 & 22, 1991
Recorded at Eastside Sound Recording Studio
Mastered on October 6, 1991 at DB Studios
(P) 1992 BMG Victor
Recorded, mixed and mastered in April 1997.
Recording dates:
Tracks 1 to 6 at the Karlaplan Studio, Stockholm, February 19, 1957
Tracks 7, 8 at the Concert Hall, Gothenburg, April 10, 1958
Tracks 9 to 17 at the Concert Hall, Stockholm, April 28, 1957
?&© 1996 Dragon Records AB
Tracks 8, 10, 12 from "Fifth Bandwagon", 20 December 1942
Recorded and mixed on April 12-14, 1996.
Recorded at Fonorama Studio, Milan, Italy, 1968-06-27
Tracks 1-9 recorded July 6-8, 1982 and mixed August 5 & 9, 1982.
Tracks 10-17 recorded & mixed in September 1986
33 funk and soul classics from LA's living legend Roy Ayers.
Recorded October 10-12, 1995 at The Power Station, Studio A, New York City
2 à 11, 13: Musique Originale du Film "La révolte de enfants", réalisé par Gérard Poitou-Weber.
© Hopi Mesa 1991
? Hopi Mesa 1991
Distribution New Rose
Made in France
Fabriqué par M.P.O.
Repress with mould SID code can be found here [r18694984]
Recorded January 22, 1997 in Bologna, Italy.
Recorded, mixed and mastered in May 2017 at Digitube Studio, Mantova
Recorded at Audio for the Arts, Madison, WI, 20-21 October 2007
Mixing & mastering: Rainbow Studio, Oslo
Recorded at Englewood Cliffs, NJ; August 23-25, 1965.
Recorded at Englewood Cliffs, NJ; August 23-25, 1965.
1996, Fantasy, Inc.
Recorded in New York City, April or May 1964.
#1-5: recorded on July 21, 1954 at the Santa Cruz Civic Auditorium, Santa Cruz, CA
#6-9: recorded on August 10, 1954 at the Tiffany Club, Los Angeles
All selections previously issued on Mosaic MR4/MD13-113
?&© 2001 Capitol Records, Inc.
#1-5 recorded on August 12,1953 at the Carlton Theater in Los Angeles (unissued)
#6-14 recorded on May 9, 1954 at the Masonic Temple, Ann Arbor (issued as Jazz at Ann Arbor - Pacific Jazz PJ 1203).
?&© 2000 Capitol Records, Inc.
Recorded on August 10, 1954 at the Tiffany Club, Los Angeles
2001 Capitol Records, Inc.
Tracks 1, 6 recorded August 26 to 28, 1987
Tracks 2, 5, 7 recorded January 8-9, 1979
Tracks 3, 4, 8 recorded November 1979
Track 9 recorded August 1993
#1-5: recorded at Studio Pathé-Magellan, Paris, October 11, 1955
#6-9: recorded at Studio Pathé-Magellan, Paris, October 14, 1955
#10-13: recorded at Villa Berg, Stuttgart, October 15, 1955 (Bonus Track)
(P)&(C) 2004 Lone Hill Jazz
Recorded November 1964
Track 11-13 are previously issued bonus tracks from the same sessions.
Track 14 and 15 are previously unissued bonus tracks.
? © 1999 Polygram Records, Inc.
A production of Südwestrundfunk, Stuttgart, Germany.
Recorded on December 9, 1978, at Kulturzentrum Ludwigsburg, Germany.
Digipak with a 12-page booklet.
2CD.
Recorded on September 4 and 5, 1979 at John Melmer Studios, London, UK
Tracks 1-1 to 2-3 recorded live at the "Subway Club", Cologne, Germany, March 22nd, 1980.
Track 2-4 is a bonus track by Chet Baker Quartet (Chet Baker, Enrico Pieranunzi, Massimo Moriconi and John Arnold) live at the "Corto Maltese", Ostia, Italy, November 1987.
"This exceptional release contains the earliest commercially issued recording pk Chet Baker on March 24, 1952, as well as the August 4, 1952 session played with mostly the same cast of musicians. Both recordings are of Jam sessions held at the Trade Winds Club in Inglewood California."
Questa versione contiene le registrazioni complete di Piero Umiliani con Chet Baker registrate tra il 1959 e il 1962.
Originally released as Novus PL 74347 in 1989
"The Original Decca Recordings"
#1-7: Recorded September 23, 1954; probably at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-3.
#8-14: Recorded in 1954-55 at Western Recorders, Hollywood. Originally issued as (10-inch) Nocturne NLP-6.
Recorded March 1-4 1992 using a combination of Neumann M50, TLM 170 and Neumann KM84 microphones.
? & © 1992
Recorded January 17, 1961 in Englewood Cliffs, New Jersey.
In trio con Bill Frisell e Charlie Haden
Con il Denver Jazz Quintet e come ospite il sassofonista James Carter
Duck Baker plays the Music Of Herbie Nichols
Recorded at Englewood Cliffs, NJ; August 23-25, 1965.
Track 1 to 4 and 11 were originally released in [m=954570] (Prestige 7496).
Track 5 to 10 are monophonic and were originally released as [m=515245] (Prestige 7512).
(P)&(C) 1996, Fantasy, Inc.
Registrato dal vivo a Cologna in Germania il 22 marzo 1980
Rimasterizzato con 3 bonus tracks
©1999 Intermedia Film Distribution Ltd, except tracks 4, 9, 13: ©1956 Barclay, Polygram S.A. France
Made in USA.
Tributo a Chet Baker con alla voce Adele Bertei, Alex Chilton, Angel Torsen e James White.
Recorded: Zagreb,Yugoslavia, October 25, 1985.
Total Time: 55:42
Recorded at the Nine Of Cups, Tulsa, Oklahoma, December 24, 1982.
con il vibrafonista Wolfgang Lackerschmid
Recorded in New York; February 20, 1977.
?1980 Chet Baker. © 1984, Fantasy, Inc.
Registrazioni inedite di Chet Baker, Blue Mitchell, Clark Terry, Kenny Dorham e Nat Adderley
The Mariachi Brass con Chet Baker e arrangiamenti di Jack Nitzsche. 2 album su 1 CD con 1 bonus Track.
Recorded in New York: December 23, 1958 (#1-2,9); December 29, 1958 (#3,5-7); December, 30 1958 (#4,8,10).
Digital remastering, 1990 (Fantasy Studios, Berkeley)
A Reissue Of A Great 1982 Studio Session
Originally released by STASH Records in 1994, reissued by Random Chance Records in March, 2003 under licence from Bright Ventures, Inc.
Lament (Track 1) is based on "Sometimes I Feel Like A Motherless Child"
Recorded April, 1982 In NY