Il re del mambo
2CD: 1-1 to 1-4 recorded live in Rome, Feb 8, 1968
2-1 to 2-3 recorded live in Milan, Teatro Lirico, Feb 5, 1968
Recorded April 11, 1974 at Ronnie Scott's, London
Recorded in Chicago, January 17 (1 to 8) and April 14 (9 to 16), 1961.
Tracks from 1 to 8 originally issued on Vee Jay LP (SR 3016) entitled "Exodus To Jazz".
Tracks from 9 to 16 originally issued on Vee Jay LP (SR 3025) entitled "Mighty Like A Rose".
24 Bit High Resolution Remastering
Recorded at Sear Sound, New York, March 26, 1991.
Recorded at Studio 39, Medley Studio & Easy Sound Recording, Copenhagen
Mixed at Medley Studio and mastered at Sweet Silence
(p) (c) Sonet Dansk Grammofon A/S 1990
Recorded May 24 & 25, 1986 at Englewood Cliffs, NJ.
Con Johnny Hodges.
Reissue of two albums originally released as [m=772518] and [m=354342].
Tracks 1 to 7 recorded in New York, April 14, 1959.
Tracks 8 to 18 recorded in Englewood Cliffs, New Jersey, December 11 & 12, 1961.
Recorded at Baby Moster Studio, New York City, March 5, 6 & 7, 1992.
1971 "stockpile" recordings
All tracks were recorded at National Recording Studio, New York, NY between February 3 - June 29, 1971
Track 8 was recorded on February 3, 1971
Tracks 9 to 11 were recorded on February 23, 1971
Tracks 12 to 15 were recorded on April 28, 1971
Tracks 16 and 17 were recorded on May 13, 1971
Tracks 1 to 3 were recorded on June 28, 1971
Track 4 to 7 were recorded on June 29, 1971
For the 37-piece orchestra and four slide projectors. Recorded by the composers and improvisors [sic] orchestra and dedicated to the master composer Karlheinz Stockhausen
Recorded at the Cornish Institute, Seattle, Washington, May 30, 1981
c & p 1993
Recorded at Atlantic Recording Studios, New York, January 31, 1961.
Track 5 is an outtake recorded during the Ornette! sessions, first issued on Ornette Coleman: Beauty Is A Rare Thing - The Complete Atlantic Recordings, Rhino/Atlantic R2 71410, November 1993.
Original album released as Atlantic SD-1378, February 1962.
? ? 1962/1993/2003 Atlantic Recording Corp. for the United States and WEA International Inc. for the world outside the United States.
2 LP's on 1 CD
? 1973
© 1994
Recorded live in concert November 21st, 2014 at the Philharmonie, Köln, Germany; except track 7 recorded live in concert November 22nd, 2014 at the Philharmonie, Essen, Germany
Mixed at Red Zone Studios, Burbank, CA
Recorded at Take One Studios, Burbank, CA
Recorded at Velley Center Studios, Van Nuys, CA
Mastered at Bernie Grundman Mastering Studios, Hollywood, CA
#1-3: Recorded in Los Angeles on November 18, 1955; Originally issued on various Pacific Jazz Anthologies.
#4-11: Recorded at Western Recorders, Los Angeles in the summer, 1954; Originally issued on Jazz West 10" LP-1.
#12-19: Recorded at Capitol Studios, Los Angeles in the spring, 1955; Originally issued on Jazz West 10" LP-2.
©? 1998 Capitol Records, Inc.
Digital recording, March 1988
Rainbow Studio, Oslo
An ECM Production
? 1989 ECM Records GmbH
© 1989 ECM Records GmbH
2004 Storyville Records.
Tracks 1-1 to 1-16 - Treasury Broadcast No. 18, Radio City Studio 6B, NYC, August 11, 1945 (ABC).
Tracks 1-17 to 1-26 - Broadcast from the New Zanzibar, NYC, September 26, 1945 (NBC).
Tracks 2-1 to 2-19 - Treasury Broadcast No. 19, Radio City Studio 6B, NYC, August 18, 1945.
Tracks 2-20 to 2-25 - Broadcast from the 400 Restaurant, NYC, May 4, 1945 (CBS).
Total time:
CD1: 67:05.
CD2: 71:22.
Tracks 2-14 & 2-23 are wrongly attributed to Arthur Schwartz. According to ASCAP, it was written by Simon Schwartz and Milt Orient.
https://www.ascap.com/repertory#ace/search/title/riff%20staccato/performer/duke%20ellington
Charles Williams Sextet, Johnny Coles Sextet, Gene Krupa Sextet, Hank Mobley Sextet, Frank Foster Quintet, The Jazz Messenger e altri
Jazz, soul, electronic music fusi in unico suono, una nuova dimensione jazz. Si tratta di un giovane gruppo ingelse che mette assieme musicisti di varie esperienze, guidati dal pianista Dave Stapleton. Altri musicisti: Deri Roberts, la cantante Dionne Bennett ed il batterista Elliott Bennett. Hanno già un seguito notevole in Inghilterra ed in Germania.
Il meglio, su Blue Note.
Nuova edizione rimasterizzata. con dieci tracce aggiunte.
Recorded, 1993, New York City, USA.
Con Dave Douglas
Recorded in 1996 at the Knitting Factory, New York City
Produced for Splasc(h) Records. a division of Senz'h Scarl
Made in Italy by SPIDERS 2004
2CD.
Tracks 1-1 to 1-10 recorded Savoy Ballroom, New York, January 22, 1940.
Tracks 1-11 to 1-20 recorded Savoy Ballroom, New York, January 25, 1940.
Tracks 2-1 to 2-10 recorded Roseland Ballroom, New York, February 26, 1940.
Tracks 2-11 to 2-20 recorded Roseland Ballroom, New York, March 4, 1940.
1 to 5 originally released as LP " In Pursuit Of Blackness " (Milestone 9034) in 1971.
6 to 10 originally released as LP " Black Is The Color " (Milestone 9040) in 1972.
Tracks 1, 3 and 5 recorded at Decca Studios, New York City, May 12, 1971.
Tracks 2 & 4 recorded at The Lighthouse Cafe, Hermosa Beach, CA, September 25 & 26, 1970. Mixed at Soundwave Studios, New York City.
Tracks 6 to 10 recorded and mixed at Mercury Sound Studios, New York City, March/April 1972.
Tracks published:
1 and 4 to 10 Johen Music ( BMI )
2 EMI Robbins Cat. / Webster Music Corp. ( ASCAP )
3 EMI Unart Cat. ( BMI )
Recorded at Trax Recordings Studios, Hollywood, CA
Computer dumping at Paramount Recording Studios, Hollywood, CA
Mixed at Studio Masters Recording Studio, Hollywood, CA
Mastered at Bernie Grundman Mastering Studio, Hollywood, CA
Originally recorded on September 13, 1967 at the Van Gelder Studio, Englewood Cliffs, New Jersey.
Track 7 is not part of the original LP.
Recorded New York City September 30 & October 1 1996
Split release with McPartland on tracks #1-7 and Shearing on tracks #8-15. This edition has black and white photos of each artist on front cover. Includes folded 4-pages inlay.
Recorded April 21, 1952 (#1 to 4), December 22, 1952 (#5 to 7), February 3, 1947 (#9, 10, 13, 15), December 23, 1947 (#8, 11, 12, 14).
[On disc:]
? 1992.3
MADE IN JAPAN BY NIPPON COLUMBIA Co., LTD.
[On back cover:]
Printed in Japan. Imprimé au Japon.
Recorded at Sage & Sound Recording on September 6-7, 1994, Hollywood, CA
8, 10: Plymouth Music ASCAP
9: Ann Ronell Music/Bourne Co. ASCAP
11: Chappell & Co., Inc./Warner Bros. Music Corp. / L.S.Q. Music Co. ASCAP
12: WB Music Corp. ASCAP
Transfert digital: Studio Translab
Concert inedit
Durée totale 106:48
"Pour ceux qui aiment le Jazz"
(on front sleeve)
2CD:
2005 Fresh Sound Records for Compilation
Tracks 1-1 to 1-4 also issued on RCA NL - 45961"Milt Bernhart And His Orchestra"
Tracks 1-5 to 1-16 also issued on "best from the west" (modern sounds from California Blue Note 5059/5060
Tracks 17 to 20 also issued on Bethlehem BCP 6039 "Music for the birds & hepcats" (Marty Paich Septet 1955) http://www.jazzdisco.org/marty-paich/discography/
Tracks 2-1 to 2-4 also issued on MCA Coral PCO 7300 AK "blow hot - blow cool" Jazz Lab Vol 9
Tracks 2-5 to 2-8 also issued on "Leonard Feather's West Coast Allstars MGM E3390
Tracks 2-9 to 2-18 also issued on "showcase for modern jazz" Decca DL 8679
Blue Note, 1957. Uno dei primi dischi di Sonny Rollins, considerato tra i suoi migliori. Con Wynton Kelly, Doug Watkins, Philly Joe Jones. Rimasterizzato usando le matrici audiofile originali. Lavoro fatto dallo specialista Kevin Gray.
2 CD. Registrato 1950-54 con Charlie Parker, Flip Phillips, Roy Eldridge, Buddy Rich, Machito, Candido, Mario Bauza, Billy Bauer etc.
Recorded September 1999 at Clinton Studio, NYC
Il secondo album della flautista americana
Recorded February 6, 1994 in the Music Theatre at the Arizona State University of Music, Temple [sic], Arizona for Tempest Studios.
#1-8: recorded January 12, 1987 at Concordia College, Bronxville, NY
#9: Recorded February 4, 1987 at RCA Studio A, NYC
Mastered at Amigo Studios, Los Angeles
Recorded at East Side Sound Studio, NYC June 21, 1994 and at Systems Two Recording Studios, Ltd., NYC June 23, 1994.
Recorded at MGM Recording Studios And Group IV In Hollywood, California.
Kenny Garrett sassofoni alto e soprano, Geri Allen al piano, Charnett Moffett al basso e Charles Moffett alla batteria.Recorded on June 19, 1993 at Crossroad Studio, NYC
Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on January 27, 1966.
1990 10 (+1) CD box.
Comes with a 58 page booklet.
Recorded at Chez Sons Franck, Montréal, Canada.
Recorded at Studio de la Grande Armée, Paris, France on February 12/13, 1990
Mastered at TopMaster Studio, Paris, France
Setting: Tygra, France
1: Famous Music, 1930
2: Embassy Music Corp. 1941 USA
Dorsey Brothers Music Ltd. London
3: Chappell and Co. Inc. 1937
4: Mills Music, 1931
5, 6: T.B. Harms and Co. 1933
7: T.B. Harms and Co. 1942
8: Warner Chappell and Co. 1963
Warner Chappell Music, France
9.a: Irving Berlin Music, 1935
9.b: Irving Berlin Music, 1938
10: Harms Inc., 1932
11: 20th Century Music Corp. 1945
12: Dorsey Brothers Music a division of Music Sales Corp., 1946
DDD live recording at Carlos Gomes Theatre August, 1996 con Os Batutas
© 1998 Blue Jackel Entertainment, Inc.
Track 8 is misspelled "Misura E Manda".
Track 1 Universal Edition Wien
Tracks 2, 3, 8 Universal Editions Wien
Track 4 Crawford Music
Tracks 5-7 Kurt Weill Foundation For Music
Track 9 Schott's B. Söhne
20 bit digitally recorded - live to two track - at Power Station, NYC, December 1994.
? & © 1995 Polydor K.K., Tokyo Japan.
JMT Productions, Stefan F. Winter, Postfach 190 925, 80609 München, Germany.
1994 Capitol Records, Inc.
Recorded March 1-3, 1995
Recorded and mixed at Bennett Studios, Englewood, NJ.
Jim McNeely is the composer in residence for the Vanguard Jazz Orchestra.
This recording was made possible through generous grants from: The National Endowment for the Arts; The Aaron Copland Fund for Music; The Mary Flagler Cary Charitable Trust; and The New York State Council of the Arts.
Produced by Sixteen as One Music Inc., The Vanguard Jazz Orchestra.
Total play time: 68.08
©&? 2000 D.E.T.S.
Total time (CD1): 64:36.
Total time (CD2). 59:06.
Sessions location and date:
# 1-1 to 1-16: Treasury Broadcast No. 1, 400 Restaurant, NYC, April 7th, 1945.
# 1-17 to 1-21: Duke Ellington performing at War Bond Rally, NBC - Studio 6B - Radio City, May 1st, 1943.
# 2-1 to 2-8: Duke Ellington's Treasury Broadcast - 400 Restaurant, NYC, April 14th, 1945.
# 2-9 to 2-16: Treasury Star Parade No. 231 (transcribed in June 1943, NYC).
# 2-17 to 2-24: Treasury Star Parade No. 232 (transcribed in June 1943, NYC).
Duke Ellington is incorrectly credited with co-writing track 2-23. Mercer Ellington wrote this piece alone, with a lyric added later by Ted Persons.
Verified by ASCAP research.
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