Originally released in 1973 [Prestige P 10078].
Recorded during concert performance at the 1973 Montreux (Switzerland) Jazz Festival; Saturday, July 7, 1973.
Remixed at Fantasy Studios, Berkeley, Ca.
Published by:
1 Atlantic Music ( BMI )
2 Warner Bros. ( ASCAP )
3 unknown
4 Mills Music / Famous Music ( ASCAP )
5 Prestige Music ( BMI )
? & © 1973 & 1999 Fantasy Inc.
Recorded live at the TBB Jazzz, Theatre of Boulogne-Billancourt, France on June 4 and 7, 1989: Ron Carter, Johnny Griffin, Roy Haynes, Jackie McLean, Cecil Payne, Don Sickler, Duke Jordan.
Recorded live at the Newport Jazz Festival, Newport, Rhode Island, July 3rd, 1958.
Track 8 (bonus track) recorded in Berlin, Germany, February 22nd, 1958
(c)&(p) Gambit Records D.L. AND 425-2009. Made in the EU
Note: Tracks 4, 5 & 6 are actually studio performances with overdubbed applause, according to Tom Lord's Jazz Discography. If you listen to these tracks on headphones, you will notice the differences in the audio. There were also technical issues with the Duke Ellington set that same year and some of the songs from that set were re-recorded for the LP that was released.
Here is a link to a review of this unofficial CD: https://www.allmusic.com/album/newport-1958-brubeck-plays-ellington-mw0000898412/releases
2CD. John Frigo, Lou Carter, Herb Ellis
Recorded 14-16 January 2011 in New York City
Nel 1985 Miles Davis aveva creato sensazione, quando aveva lasciato la Columbia Records, dopo 30 anni, per firmare con la Warner Bros. Nell'Ottobre di quello stesso anno, Miles Davis ha cominciato a registrare Rubberband a Los Angeles, negli Ameraycan Studios, con i produttori Randy Hall e Zane Giles. La direzione musicale che aveva intrapreso nel corso di quelle sessions era un radicale cambiamente rispetto al suono dell'epoca. Infatti Rubberband era un disco di soul e funk in cui avrebbero dovuto esibirsi, alle voci, Al Jarreau e Chaka Khan. Ma poi il disco è stato accantonato e Davis ha registrato Tutu, lasciando il materiale di Rubberband negli archivi, per oltre 30 anni. L'album è stato ripreso in mano dai produttori orginali, Hall e Giles, assieme al nipote di Davis Vince Wilburn Jr., che aveva suonato la batteria nel corso delle session originali, avvenute nel 1985-86.
Recorded at CBS Studios in Paris on June 2, 1964.
Track 4 previously unissued and does not appear on LP configuration.
Recorded January 17, 1992 at Master Track, Hayward, California.
Recorded Live At Monterey Jazz Festival Sept. 22, 2007.
2 CD. My Favorite Things è uno dei classici assoluti di John Coltrane. Un disco la cui importanza, ma anche bellezza, è pari a quella di A Love Supreme. John suona con il suo quartetto: McCoy Tyner (piano), Steve Davis (contrabbasso) ed Elvin Jones (batteria) ed esegue una bella serie di standard del great American songbook. My Favorite Things di Rodgers & Hammerstain, Ev'ry Time We Say Goodbye di Cole Porter e Summertime e But Not For Me di George & Ira Gershwin. Nuova edizione rimasterizzata, che comprende sia la versione Stereo e quella Mono,
Il primo album su etichetta Vanguard del percussionista, compositore e produttore americano che lavorò con diversi jazzisti tra cui Billy Cobham e John Abercrombie. Il disco è perlopiù in duo con il tastierista Jan Hammer e nell'anno del punk esplora quelle atmosfere fusion che diventeranno molto popolari di lì a qualche tempo.
Tributo a Duke Ellington.
Recorded live at the TBB Jazzz, Theatre of Boulogne Billancourt, France on June 7, 1989. Includes booklet printed in France. Ron Carter, Johnny Griffin, Jackie McLean, Cecil Payne, Roy Haynes, Duke Jordan, Don Sickler
? 1989 Polydor S.A. France.
Recorded March 20, 1961.
Digitally recorded live to Two-Track
Track 1 to 4,6 to 8 Recorded March 24, 1993 in Studio B, WGBH Boston
Track 5,9,10 Recorded March 25, 1993 at Scullers Jazz Club in the Guest Quarters Suite Hotel, Boston Massachusetts by WGBH Radio, Boston
2CD. Recorded at Van Gelder studio, Englewood Cliffs, New Jersey except tracks 1-4, 1-2 and 2-7 recorded at CBS Studios, Paris
• Recorded live at Town Hall, New York City, NY September 23, 1989. con The Philip Morris Superband
• Made in U.S.A.
? © 1989 Rounder Records Corp.
Printed in Canada
Manufactured in USA
Trombonista, Blakeslee è un emegente sulla scena Usa. Questo album, che vede la partecipazione di Chris Coles, Brandon Coleman e Matt Wiles, ha un setting intimista che richiama certe cose di Bob Brookmeyer e Kenny Wheeler, ma con con una intensità moderna ed idee innovative.
Nuovo album, 2011, per la famosa band fusion. Uno dei gruppi storici del genere, dove ritmi caraibici e samba vanno di pari passo con motivi soul e jazz.
Robert Fripp e Theo Travis, nove brani composti dalla coppia, registrati dal vivo. Seguito di Thread, registrato in studio ed edito nel 2008
Questo duo rappresenta un esperimento che spinge i confini della musica stessa. La loro collaborazione non si limita a generi come il free jazz o la musica improvvisativa. Invece, si erge come un'avventura sonora che esplora il potenziale del suono del basso elettrico e percussioni.
Contiene il classico Very Cool, 1957, più Tranquillity, dello stesso anno.
Live at the Left Bank, 1972, con il trio di Cedar Walton. Splendido concerto inedito di una jazz singer poco considerata.
Recorded at CI Recording, New York City; March 18, 19 and 20, 1974.
Remixed at Fantasy Studios, Berkeley
Remastering 2002 - (Fantasy)
- Original CD release mastered and pressed by DADC, no SID codes.
- Issued in standard jewel case with black tray including a 12-page booklet.
- Copies imported and distributed in Canada by Sony Music Canada Inc. have a sticker directly applied on the back inlay, under the plastic case.
- "Nice Price / Joli Prix" round sticker on cellophane.
Digitally remastered directly from the original analog masters.
Digital restoration and engineering at Sony Music New York Studio.
Contains previously released material.
Tracks 1 to 8 from the album [m121539].
Tracks 9 to 12 from the album [m110103].
© 1991 Sony Music Entertainment Inc. / ? 1991 Sony Music Entertainment Inc. / Manufactured by Columbia Records
Tracks 1 to 9 recorded in New York, February 1956
Tracks 10 to 15 recorded in New York January 29 & February 2, 1959
Recorded in New York City; August 27, 1970.
On the original LP, "Rhythm-a-ning" was incorrectly listed as "Straight, No Chaser."
Total Time 37:20
Recorded live at Cotton Club, New York, June 94.
ORIGINAL TELEFUNKEN/DECCA RECORDINGS
1958 to 1963
Larry Goldings ed Harry Allen, con Vince Mendoza ed altri sidemen. 2010.
Uno dei più famosi sassofonisti smooth jazz, con Bob Baldwin ospite.
Quincy Jones e Harry Arnold. Registrazioni 1953 e 1958.
Ristampa di un album edito nel 1990, con Trilok Gurtu e Kai Eckhardt, Winter & Winter 2011
Recorded in Chicago; August 26, 1961. Con Sonny Stitt
Recorded at Webster Hall New York, on September 7, 11 and 25, 1956.
Reissue of LP (1957) with two bonus tracks (7 & 8).
Recorded June 29 & 30, 1957.
Con Max De Aloe, Daniele Di Bonaventura e Featuring Manuela Loddo
Recorded at JaneStudio, Cagliari, in November 2016
Mixed and mastered at Studio della Giraffa, Cagliari, in January 2017
Recorded March 2nd & 3rd 2007 at realistic Sound Studios, Munich
Recorded in Los Angeles, between November & December, 1955.
2CD. Con The Philip Morris Superband. Disc One originally released as "Live at Town Hall, N.Y.C.", CCD-4397, 1989. Recorded 23 September, 1989.
Disc Two originally released as "World Tour 1990", CCD-4443, 1990. Recorded 18 October, 1990 at Studios 301, Sydney Australia.
Recorded on May 19, 1965 at the Van Gelder Studio, Englewood Cliffs, New Jersey
2LP su 1 CD. Recorded at Universal Recorders Chicago, June 17, 1959 Tracks 1 to 5, and February 5 & 8, 1960 Tracks 6 to 12
Tracks from 1 to 5 originally issued on Vee-Jay LP(SR1013)
Tracks from 6 to 12 originally issued on Vee-Jay LP(SR3008)
24bit High Resolution Remastering
Disco del 1990 del progetto del sassofonista Jan Kopinski, un artista le cui influenze spaziano tra free jazz, musiche da colonna sonora e musiche balcaniche.
CD /DVD. Randy Brecker ritrova i suoi vecchi pards e, malgrado Michael Brecker sia morto ormai dal 2007, riunisce il vecchio team dei fratelli Brecker. Riprende i classici della formazione e si fa aiutare da musicisti che, all'epoca, avevano suonato con loro. Mica gente qualunque: David Sanborn, Mike Stern, Will Lee, Dave Weckl, George Whitty, Ada Rovatti. Il CD contiene registrazioni fatte in studio, il DVD è dal vivo.
Con Sonny Stitt, Brother Jack McDuff e Etta Jones.
Two classic albums on one CD, brand new digital remaster from the original sources and full original album art inside.
This compilation: ? & © 2012 Universal Music Classics & Jazz, a division of Universal Music GmbH.
Tracks 3, 5, 9, 11 Recorded September 24 1956
Tracks 1, 2, 4, 6 to 8, 10, 12 recorded September 25, 1956.
A jazz album featuring one of America's top comedians on vocals.
Features a long string of well-known jazz artists.
Prima pubblicazione su Thirsty Ear, 2006
Recorded at United Recording Studios, Los Angeles, CA; October 13, 1960.
© 1997 Fantasy Inc.
Printed in U.S.A.
4CD: Out of Nowhere, Just Goofin', Abstract e Straight Lines.
2011 Proper Records Ltd.
1-1 to 1-4 London, February, 1954
1-5 to 1-8 London, May 13, 1954
1-9 London, Autumn, 1954
1-10 to 1-13 London, September 22, 1954
1-14 to 1-17 London, December 9, 1954
2-1 London, February 21, 1955
2-2 to 2-5 London, May 17, 1955
2-6, 2-7 London, May 27, 1955
2-8 London, July 29, 1955
2-9 to 2-12 London, August 24, 1955
2-13 to 2-15 London, October 11, 1955
2-16, 2-17 London, July 6, 1956
3-1 to 3-4 London, May 5, 1959
3-5 London, April 8, 1960
3-6 to 3-9 London, April 21, 1960
3-10 to 4-4 London, November 1960
4-5 to 4-12 London, June 20, 1967
Originally released in 1961 as VeeJay LP SR 3014.
Recorded at Universal Recorders, Chicago, May 12, 1960
Part I reissues Purple Rose of Cairo
Part II contains material from The Ragtime Dance
Painista emergente, Martine Verhoeven si esibisce con un quintetto, formato da Gonzalo Almeida, Onno Govaert, Colin Webster e Dirk Serries.
Rare registrazioni Capitol di Miles Davis and Metronome All Stars, Shorty Rogers and His Giants e The Gerry Mulligan Tentette.
Terzo album per il musicista di New York che questa volta si sposta al Sud. Influenzato da Allman Brothers, Johnny Winter e John Fahey, Friedlander ha messo su una nuova band, con il chitarrista Doug Wamble, ed esplora le nuove alchimie tra cello e slide guitar, il tutto immerso in una profonda atmosfera southern.
Il nuovo lavoro di Kamasi Washington, dopo il famoso The Epic. Si tratta di un mini album, 6 canzoni, con brani già noti nelle sue esibizioni Live, come Truth, Desire ed Humility. The Epic è stato una vera rivelazione e Kamasi viene considerato da più parti come il futuro del sax, sia jazz che rock.
2 CD. The Great 1956 Chicago Concert. La versione completa, su due CD, di un famossissimo concerto del grande trombettista jazz. Nella piccola formazione che accompagna Louis Armstrong, troviamo Trummy Young, Edmond Hall, Billy Kyle, Dale Jones, Barrett Deems, Velma Middleton.
Flautista jazz alle prese con la musica latina. Un disco affascinante, arrangiato da Aruan Ortiz.
I Want To Live e Subterraneans, due classiche colonne sonore anni cinquanta, interpretate da Mulligan.
Originally released in 1962 [Prestige ?PRLP 7257 / Mono] & [Prestige ?PRST 7257 / Stereo]
Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey, September 9, 1962
Remastered 1989 by Phil De Lancie (Fantasy Studios, Berkeley, CA)
20 BIT remastered
Tracks published:
1 Arthur Freed Music / Markflite / Highcourt Music / De La Prade Music ( ASCAP )
2 Pru Music ( BMI )
3 Hollis Music, Inc. ( BMI )
4 SBK Robbins Catalog ( ASCAP )
5 Prestige Music ( BMI )
6 Frank Music ( ASCAP )
Count Basie Orchestra, Charlie Parker, Billie Holiday, Sarah Vaughan
1992 EMI Records Ltd.
Recorded at The Monterey Jazz Festival, Monterey, CA (September 18, 1966) and track 5 at The Pacific Jazz Festival, Costa Mesa, CA (October 8, 1966 - incorrectly dated October 18 in the liner notes).
The LP version of Don Ellis "Live At Monterey" contained a version of "Concerto For Trumpet" that was actually recorded at the "Pacific Jazz Festival" in Costa Mesa, California the following month. The Monterey version of "Concerto For Trumpet" must not have been up to Don Ellis' standards, and he and producer Richard Bock substituted the Costa Mesa performance in place of the rejected Monterey performance. The 'Monterey version' of "Concerto For Trumpet" will not be issued.
Original live mono recording by The Danish Broadcasting Corporation at Jazzhus Montmartre, Copenhagen, June 29, 1967.
Previously unreleased recordings.
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