Recorded in New York City on June 24 (#2,3,6-8,10) & 25 (#1,4,5,9,11,12), 1955.
Digital remastering from original master tapes using 20-bit analog to digital converter at La Source Mastering, Paris
?1956 BMG Music
©1997 BMG France
Made in the E.U.
In quartetto con Michael Gassmann alla tromba, Paolino Dalla Porta al contrabbasso e Gianni Bertoncini alla batteria.
Recorded live at "Montmartre," Copenhagen, January 28, 29 & 30, 1977.
Total time (Disc One): 51:27
Total time (Disc Two): 59:08
Liebman rilegge Coltrane con The James Madison University Jazz Ensemble, diretta da Gunnar Mossblad.
Recorded probably 1958 or early 1959.
Readings by Jack Kerouac on The Beat Generation originally released on LP (Verve LP #15005, January 1960).
Released in a custom cut outer card envelope with tab and slot and containing another custom card sleeve insert composed of 9-panels accordion folded.
The 18-page insert contains a CD envelope and Allen Ginsberg's original liner notes on 7 reproduced postcards on one side and photographs and writing on the other side.
Time taken from a computer.
Nominated for the 1999 Grammy award for Best recording package.
? 1958
© 1997 PolyGram Records, Inc.
Manufactured and marketed by Verve Records, a division of PolyGram Classics and Jazz, a division of PolyGram Records, Inc.
Duration of track 4 "History Of Bop" is listed as 10:53
Total playing time: 68:31
Sub-title on the front cover:
Dedicated to Michael Brecker
Recorded in Clinton Recording Studio A in New York City, October 4th to 6th 2007. It was recorded live to 2-channel stereo and surround, but a SACD version is not (yet) available.
Joe Lovano appears courtesy of Blue Note Records; Ravi Coltrane appears courtesy of Savoy Jazz
The woodwind instrument Lovano is playing - aulochrome - is mentioned as aulochrome, and then explained to be a "double soprano saxophone".
Jim Yates is credited as Sonoma engineer, which relates to the digital recording system (Sonoma workstation).
Copyright notices:
? © 2008 Telarc International, a division of Concord Music Group, Inc.
Track 1: Solar Hawk Music (ASCAP)
Tracks 2, 8, 9, 10: Jowcol Music (BMI)
Track 3: Teule Music (BMI)
Track 4: Lemac Music (ASCAP)
Track 5: Bowery Music (BMI)
Track 6: Liebstone Music (BMI)
Track 7: Lovo Music (BMI)
Unofficial release packaged in a jewel case with clear tray, includes 12-pages booklet.
No SID codes on the matrix.
Ristampa rimasterizzata di un capolavoro di Bill Evans, con cinque brani aggiunti (più di mezz'ora di musica). Keepnews collection. Nuova edizione rimasterizzata, stampa giapponese
Omaggio alla grande Lady Day da parte di un musicista eclettico. Jose James rilegge in modo personale, ma con il pieno rispetto dell'artista, 9 canzoni scritte o interpretate da Billie Holiday. Il disco è prodotto dal presidente della Blue Note, Don Was, e vede la partecipazione di un gruppo di musicisti di prima scelta, come backing band : il pianista Jason Moran, il bassista John Patitucci ed il batterista Eric Harland.
Con l'orchestra diretta da Raymond Leppard ed il baritono Edita Gruberova. Musiche di Purcell, Handel, Torelli, Molter ect.
Mitica session del 1959, con Sonny Rollins, Sonny Stitt e Dizzy Gillespie. Ristampa Verve, digipack
Il bassista Michael Benita, a capo del suo quintetto ( con Philippe Garcia, Elvin Aarset, Mieko Miyazaki, Matthieu Michel ). ECM 2016
Un concerto molto raro, registrato all'inizio della carriera del chitarrista Jazz.Bright Size Life era stato da poco pubblicato e, nel corso del suo tour per gli Stati Uniti, Metheny viene a suonare a Boston. E' con il suo quartetto, con cui avrebbe inciso l'anno seguente Watercolors. Il concerto propone brani tratti da entrambi i dischi con Metheny che mostra già di essere in un momento affascinante della sua carriera.
Solo piano, brnai di Ellington
Recorded on February 24 & 25, 1993 at Clinton Studios, N.Y.C.
© 1996 Evidence Music Inc.
Dal vivo a Montreux con Roy Eldridge alla tromba, Zoot Sims al tenore, Clark Terry alla tromba e al flauto, Joe Pass alla chitarra, Tommy Flanagan al piano, Keter Betts al basso e Bobby Durham alla batteria. Prodotto da Norman Granz.
Karin Krog, formidabile jazz singer norvegese, unisce le sue forze con il grande Georgie Fame, per rileggeree le composizioni di Tadd Dameron. Il disco ha già vinto numerosi premi nel nord Europa
? © 1997 32 Jazz
Distributed by M.S. Distributing Co.
Made in U.S.A.
Recorded at Media Sound Studio, NYC, 3/23/73
Mixed at RCA Studio in New York, NY
Mastering Engineer at The Cutting Room, NYC
Series produced for The Masked Announcer.
Mastered at DB Plus Digital Services, New York NY.
Tracks published by:
2 - EMI Miller Catalog (ASCAP)
3.1 - PIC Corp. (ASCAP)
3.2 - New Thunder Music/MCA Duchess Music (BMI)
3.3 - MCA Duchess Music (BMI)
4 - Chappell & Co., Inc. (ASCAP)
5 - Range Road Music/W.B. Music Corp./Quartet Music Inc. (ASCAP) Druropetal Music (BMI)
6 - 20th Century Music (ASCAP)
7 - W.B. Music Corp. (BMI)
Tracks 1 - 3, 6, 7 & 10 recorded at Classic Sound, NYC January 1986. Additional recording at Red Rock Recording, PA, May 1992 (tracks 4 & 5), July 1994 (tracks 8, 9)
Recorded at Webster Hall, March, 1963.
Track 7: Bonus Track, unreleased before
Con il vibrafonista e pianista Karl Berger.
Disc One recorded live at The Village Vanguard on Saturday, March 12, 1994
Disc Two recorded live at The Village Vanguard on Friday, January 20, 1995 (2-1, 2-2, 2-4 to 2-7) and Sunday, January 22, 1995 (2-3)
John Beasley, dopo due dischi dedicati a Monk ( MONK'estra Vol 1 e 2 ) mette a punto un terzo disco, sempre assecondato dal suo gruppo MONK'estra. Questa volta rilegge le sue composizioni, ma ci aggiunge ancora quattro brani di Monk, uno di Ellington ed uno di Parker.
Concerto di musica classica, con Marsalis che esegue musiche di Franz Joseph Haydn, Hummel e Leopold Mozart. Bonus tracks aggiunte alla ristampa rimasterizzata: Vivaldi, Bach e Michael Haydn.
Il nuovo lavoro di Andrew Cyrille per la ECM, con Bill Frisell, David Virelles, Ben Street. 2022
Dizzy Gillespie And The Mitchell-Ruff Duo
5 CD. Eccellente serie di concerti, registrati a Los Angeles, tra il 24 Gugno ed il 2 Luglio, 1958. Quando Basie e la sua orchestra erano il top.
Luigi Bonafede, Marcello Tonolo & Carla Marcotulli, Paolo Fresu & Paolo Birro, Pietro Tonolo & Luigi Bonafede, Luisa Longo & Marc Abrams, Paolo Fresu & Renato Chicco, David Boato Quintet
Recorded "live" by Andrea Gamba at Teatro Toniolo and Teatro Del Parco, Venezia - Mestre, Italy, on November 12 / 13 / 14, 1998.
Mixed, mastered and edited at Blue Train's Recording Studio, Mira (Venezia), in December 2001.
Recorded by Bob Simpson at RCA Recording Studios, New York City, November 1976.
Recorded In New York City, December 22, (Tracks 4 & 5); December 23, (Tracks 1, 2, 3, 6, 7, 8 & 9), 1954
Tanglewood, Lenox, MA, 2-3, 8, 1966.
Recorded on 20-21 September 1977 in New York City.
Recorded December 15 & 16, 1998 con Greg Osby.
In omaggio al grande Dizzy Gillespie, con Jon Faddis, Cyrus Chestnut, Antonio Hart, etc
con Flavio Boltro alla tromba, Mauro Negri al clarinetto, Lucio Terzano al contrabbasso e Mauro beggin alla batteria.
Original sessions produced by Norman Granz.
Chick Corea & The Spanish Heart Band. Il geniale pianista rilegge brani da due dei suoi dischi più famosi: My Spanish Heart e Touchstone. Con la Spanish Heart Band, un brillante ensemble con cui è in tour a livello mondiale.
Recorded in new York City, May 9 (tracks 1, 4, 6 & 12), May 14 (tracks 2, 8, 9 & 10) & May 16 (tracks 3, 5, 7 & 11) 1955
Digitally Recorded in Paris, France on November 13 & 14, 1994, By Dominique Samarcq at Studio SYSMO, Paris.
Produced by Dany Doriz and by Jean-Michel Proust & Jean-Marc Fritz for Black & Blue Records
"Recorded in New York, summer 1971" [rear tray]
Tracks 6 and 7 are bonus tracks, recorded live at Heidelberger Jazztage, Heidelberg, Germany, June 4, 1972
Recorded March 3rd, 1972 in A&R Studios, New York. A Shadowbrook Production.
Contiene una versione jazz di Fly Like an Eagle della Steve Miller Band.
Recorded March 22, 1993 in Milano, Italy.
Recorded live at Teatro Toniolo, Venice,Italy, on February 5,1995 con Keptorchestra condotta da Mario Raja.
In omaggio al grande Dizzy Gillespie, con Jon Faddis,James Moody, Slide Hampton, Mulgrew Miller, Chuck Loeb etc. 1999
Un classico album dei sessanta, edito dalla Pacific Jazz.
Nuovo lavoro per Daniel Lanois, questa volta assieme alla band avant garde / jazz Venetian Snares. Un cocktail originale di rock e jazz, gospel e musica elettronica. Fuori da ogni catalogazione.
2CD. Tracks 1-17 to 1-26 and 2-11 to 2-16 are previously unreleased alternative takes.
Recorded "live" at the Famous Ballroom, Baltimore, Maryland, October 27, 1968.
?© 2000 Label M a division of PDSE Records, Inc
Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 29, 1955 (#1-5) and January 30, 1955 (#6-9)
Blue Note is a registered trademark of Capitol Records, Inc. © ? 1987 Manhattan Records, a division of Capitol Records, Inc. Manufactured for Manhattan Records by Capitol Records, Inc.
Made in U.S.A.
Tracks 1 to 6 recorded at 39th Street Music Studio in New York City on October 25 and 26, 1984
Tracks 7 and 8 recorded at Seltzer Sound Studio in New York City on August 4 and 11, 1983
This should be a Joe Carter album. His group plays throughout. Konitz and Farmer play on separate sessions. This album has been long out of print.
? & © 1993 Stash Records
Manufactured in U.S.A.
In quintetto con Jimmy Raney alla chitarra, Horace Silver al piano, Charles Mingus al basso e Connie Kay alla batteria.
con il progetto The Sting che comprende Terry Jenoure (violino e voce), James Emery (chitarra), Brandon Ross (chitarra), Alonzo Gardner (basso) e Kamal Sabir (batteria).
Tracks 1-11: Recorded in Paris, September 17, 1953.
Tracks 12-15: Recorded in Paris, June 5, 1954.
Recorded on April 2000
?&© 2001 Disques Dreyfus
John McLaughlin featuring Trilok Gurtu recorded on February 1994 at Studio Ramses. Paris, France.
Traditional Mongolian songs recorded in November 1992 and July 1993 in Oulan Bator, Mongolia.
Mastered in June 1995 at Top Master, Paris, France.
"Music by John Mc Laughlin and traditional Mongolian songs".
Kenny Burrell in trio, Newport Jazz Festival 1976. Performance inedita, incisione ottima. Burrell si esibisce con Lisle Atkinson, basso, e Freddie Waits, batteria.
Live 1974
Le famose sessions del 1982 di Art Pepper e Bill Watrous, edite solo in Giappone al tempo. Nuova edizione Omnivore Usa, curata da Laurie Pepper, rimasterizzata e con due tracce inedite aggiunte.
Nuovo album per la promettente jazz singer Americana. Con Jimmy Greene, Jason Linder, John Benitez, Luisito Quintero.
Recorded on November 18, 2003
Recorded in Los Angeles late summer 1958.
Originally issued in 1959.
In chronological order:
New York City, August 23, 1946 (tracks 1 to 8).
WOR Studios, New York City, December 27, 1947 (tracks 16 to 19).
New York City, January 25, 1949 (tracks 9 to 11).
Studio Technisonor, Paris, May 15, 1949 (tracks 20 to 23).
New York City, May 26, 1949 (tracks 12 to 15).
Additional information from online discography at jazzdisco.org:
Tracks 1 to 8 were recorded in New York City.
Tracks 16 to 19 were recorded at WOR Studios.
Tracks 20 to 23 were recorded at Studio Technisonor.
Certain artists for tracks.
Track 21 (listed as Baby Sis) is really Maxology. Track 22 (listed as Tomorrow) is really Yesterdays (by Kern and Harbach). Both will be left as listed due to these being issued this way many times before.
Track durations (not listed on CD) taken from Windows Media Player.
Total time: 73:00
CD comes in all-clear jewel case with 4-page booklet.
? & © 1999 by Disconforme
Recorded at Europa Film Studios, Stockholm, 1974.
(P) Sonet Records Ltd. 1976
(C) Sonet Records Ltd. 1990
Recorded at Shadowbrook Studio, Itvington, N.Y. on January 12, 1983
Recorded At BMG Studios, NY On January 30 & 31. March 3, 1992
Recorded at The Studio, New York, June-September 1993
Recorded as Trio on 30 November, 1 & 2 December 1998
Recorded as Trio & Fanfare on 28 & 29 November 1998
Le Destin is dedicated to [a44122]
Members of Aighetta Quartet: Francois Szonyi, Pascal Rabatti, Alexandre Del Fa, Phillipe Loli,
Recorded march 25 thru 28, 1993; Post production at Eclisse Studio, Milan, Italy march 29-30, 1993, digitally mixed and mastered at Pixel Sound, Milan Italy april 30 thru may 5, 1993
2 CD. Secondo show pubblicato del trionfale tour del 2016, dopo quello di Monaco ( Munich) edito giusto un anno fa. Jarrett, solo sul palco, regala una serata straordinaria. Il pianista appare decisamente ispirato ed esegue una increbile suite in cui lascia trasparire le sue varie radici, dalla musica classica al jazz, a Bela Bartok. C'è tutto il microcosmo di Jarrett in questa serata indimenticabile. Due canzoni note, chiudono poi l'esibizione: Answer Me ed It's A Lonesome Old Town.
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