In quartetto con John Hicks al piano, Ray Drummond al basso e Andrew Cyrille alla batteria
Recorded December 19, 2001
? 1961/62 by Capitol Records, Inc.
? 1995 BGO Records
This CD compiles two albums originally released in 1962. Remastered at Sound Recording Technology in Cambridge 1995.
Tracks 1-12 recorded in Los Angeles, February 28 & 29 and March 1, 1960. Originally issued in 1962 as Satin Affair (Capitol ST 1628).
Tracks 13-24 recorded in Los Angeles, June 25 & 26, 1961. Originally issues in 1962 as Concerto For My Love (Capitol ST 1755).
?&© 2004 Lone Hill Jazz
All selection composed by Duke Ellington if not otherwise indicated
Includes:
- [m466902]
- [m360292]
#2-3 to 2-12 from the [m304468] sessions are Bonus Tracks
Total time: CD1: 72:13, CD2: 67:26
Rrcording date and location
#1-1 to 1-12: Chicago, February 7&8, 1956
#1-13 to 1-21: Chicago, February, 1956
#2-1 to 2-2: Chicago, February, 1956
#2-3 to 2-4: New York, December 21, 1953
#2-5: Chicago, December 28, 1953
#2-6: Chicago, December 29, 1953
#2-7: Chicago, January 1, 1954
#2-8: Chicago, January 2, 1954
#2-9, 2-10: Chicago, January 17, 1954
#2-11: Chicago, May 18, 1955
#2-12: New York, June 17, 1954
Booklet erroneously reverses recording dates and personnel for tracks 2-11 and 2-12.
Original Liner Notes are included.
Made in EU
Splendido lavoro di musica contemporanea, tra jazz ed musica improvvisata. Jarrett esegue il paino concerto opera 38 di Samuel Barber, il piano concerto n 3 di Bela Bartok. La terza parte parte è un concerto inedito, registrato a Tokyo nel 1985, dove Keith improvvisa su una sua composzione. Nelle due partiture contemporanee Jarrett è accompagnato da due orchestre diverse.
On Impulse!/There Will Never Be Another You, due LP in un CD
Super session dal vivo tra Gary Burton e Pat Metheny, con Steve Swallow e Antonio Sanchez come sezione ritmica.
2 CD. Un famoso doppio dal vivo, edito dalla Columbia. Rimasterizzato e ripubblicato dalla Sony.
Ultimate High Quality CD. Il geniale pianista bebop Bud Powell ha realizzato le sue registrazioni più durature come leader per la Blue Note ed è stato un catalizzatore per il passaggio dell'etichetta dall'hot jazz su cui era stata fondata alla musica moderna prodotta da Powell, Thelonious Monk, Fats Navarro e altri. Le sessioni del quintetto e del trio di Powell del 1949 e del 1951 furono pubblicate per la prima volta nel 1952 come LP da 10 pollici The Amazing Bud Powell, e successivamente ampliate come The Amazing Bud Powell, Vol. 1 (BLP 1503) quando la Blue Note passò al LP da 12 pollici e lanciò la serie 1500 nel 1955. Il quintetto vedeva il pianista affiancato da artisti del calibro del trombettista Fats Navarro, del sassofonista tenore Sonny Rollins, del bassista Tommy Potter e del batterista Roy Haynes, che eseguivano brani originali di Powell come “Dance of the Infidels”, ‘Wail’ e “Bouncing with Bud”. Il trio vedeva il bassista Curly Russell e il batterista Max Roach affiancare Powell nel vivace classico “Un Poco Loco”, qui presentato in tre take in evoluzione, insieme alle intramontabili versioni di “Parisian Thoroughfare” di Powell e “A Night In Tunisia” di Dizzy Gillespie, oltre alla straordinaria performance al pianoforte solista di “It Could Happen To You”.
Gli UHQ-CD riproducono il suono dei nastri master originali nel modo più fedele possibile, utilizzando nuove tecnologie di trasferimento e materiali migliorati per produrre un suono di alta qualità con una migliore rappresentazione dell'intero palcoscenico. Gli UHQ-CD sono conformi agli standard CD e possono essere riprodotti sui lettori esistenti. Ogni titolo è presentato in una custodia UHQ-CD con una striscia obi e le note originali della copertina riprodotte sul retro.
2 CD. Un Cd di brani noti ed un secondo totalmente inedito, con una bella serie di versioni alternate. Coltrane nel 1957.
Recording: May 2000, Teatro dei Rozzi, Siena. Album in trio con Paolino Dalla Porta al basso e Fabrizio Sferra alla batteria.
Composition N. 247 is dedicated to Oum Kaltsoum
Recorded in Middletown, Connecticut, May 15, 2000
Engineered at LMC Studio, London
The Conga Kings Jazz Descargas.
Recorded at Brewhouse, England on July 22, 1992.
Total time: 73:14
2000 Storyville Records
Recorded at Fairmont Hotel, San Francisco, 1969
Recorded on November 21, 2004 in New York City.
Mixed on January 13 & 14, 2005 in Hamburg, Germany.
Mastered on April 11, 2005 in Hamburg, Germany.
English Carols and Motets
by John Plummer, William Cornysh,
Walter Lambe, Sheryngham, a.o.
Recorded November 2012
Propstei St. Gerold
An ECM Production
? 2014 ECM Records GmbH
© 2014 ECM Records GmbH
Recorded at Sound on Sound, NYC, June 5 and 6, 2000.
Mixed at Sound on Sound June 16, 2000
Recorded at Systems Two Studios in December 1999
PURE DIGITAL! All Telarc Compact Discs are produced exclusively from Digital masters made during the recording sessions.
Issued in standard jewel case, black tray.
Recordings are culled from 7 CD titles released between 1992 to 1998 on Telarc. Collective personnel listed
#1, 2, 8, 10 Recorded at Webster Hall, New York, December 5, 1963
#3, 9, 12 Recorded at Webster Hall, New York, November 18, 1963
#4, 13, 14 Recorded at Webster Hall, New York, November 20, 1963
#5, 11, 15 Recorded New York, April 10, 1963
#6 Recorded at Webster Hall, New York, February 1, 1963
#7 Recorded at Webster Hall, New York, February 6, 1963
Tito Puente e Giovanni Hidalgo
Con Herbie Hancock, Jim Hall, Ron Carter etc.
Rimasterizzato e con tracce aggiunte
? 1993 Prestige Records Limited © 1994 Prestige Records Limited
Recorded live In Milano, January 20, 1979
Engineered at LMC Sound, London
© & ? Golden Years Of New Jazz, 2004, GY 23
In quartetto con Francesco Nastro al piano, Vittorio Pepe al basso e Pietro Iodice alla batteria.
60 ANNIVERSARY EDITION
A MUSICAL HERITAGE
Live at the 1994 Floating Jazz Festival.
1-1 to 1-7: Los Angeles, September 23, 1957.
1-8 to 1-12; 2-1 to 2-3: Los Angeles, September 30, 1957.
2-4 to 2-15: New York, January 15, 1952.
2-16: Los Angeles, October 1946.
Music from a Prague manuscript c 1500
Recorded January 1993
Stadtkirche Gönningen
An ECM Production
©? 1995 ECM Records
Printed in Germany
Recorded at World-Pacific Studios, Hollywood, Calif., June 17 and 18, 1963.
2 CD. Il meglio del periodo d'oro di Brubeck. Contiene classici come Take Five. 31 brani.
Recorded at Sound On Sound, NYC on March 1 & 2, 1991
Mixed at Effanel Towers, NYC on May 30 & 31, 1991
©1991 Disk Union
Recorded November 19 and 25, 1987
?1989 Soul Note / ? 1989 Soulnote
Made in Italy by PhonoComp
Recorded February 1, 4, 6 and March 13, 1963.
This CD contains previously released materiel (CS 8707). Original front cover.
Tracks 5, 8 and 10 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Tuesday, January 30, 1962.
Tracks 4, 9 and 11 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Wednesday, January 31, 1962.
Tracks 1 and 13 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Tuesday, February 27, 1962.
Tracks 3 and 6 were recorded at Columbia Studio, 207 E.30th St., NYC on Thursday, June 21, 1962.
Tracks 2, 7 and 12 were recorded at Columbia Studio, 207 E.30th St., NYC on Tuesday, June 26, 1962.
This was Duke Ellington's final session for Columbia Records.
2CD. Recorded:
#1-1 to 1-7 (October 16, 1958)
#1-8 to 2-6 (November 21, 1960)
#2-7 to 2-15 (June 3, 1956)
Originally released:
#1-1 to 1-7 [r7393865] (Verve 8293)
#1-8 to 2-6 [r5333982] (Verve 1025)
#2-7 to 2-15 [r9630909] (Verve 1010)
Trobettista emergente, uno dei migliori nella scena jazz attuale. Nel disco suonano anche Jeff Jenkins, Seth Lewis e Paa Kow
Registrato assieme al pianista Kevin Hays ed al compositore Patrick Zimmerli, questa nuova opera contiene brani composti dai tre ma anche da Ornette Coleman, Philip Glass e Steve Reich. Un Mehldau diverso, ma sempre molto interessante.
Registrato al Juke Joint di GB, Long Island City, NY l'11 e il 12 settembre 2024, l’ultimo progetto del trombettista americano è un album affascinante che fonde aspetti più tradizionali del jazz contemporaneo con le infinite possibilità dei suoni di sintesi elettronica. I brani, per lo più originali, mettono in luce il talento di Pelt come strumentista, ma riescono anche a far spiccare la sua determinazione nel guidare la composizione lungo sentieri più esplorativi del jazz.
Brillante vocalist, con Mike Greenhill al piano e John Witala al basso.
4CD. In quartetto con Marty Ehrlich al sax, Joe Fonda al basso, Arthur Fuller alle percussioni e Anthony Braxton al piano.
Pietro Condorelli alla chitarra, Fabrizio Bosso al flauto. Francesco Nastro al piano, Pietro Ciancaglini al basso e Pietro Iodice alla batteria.
Recorded January 1962 at Webster Hall, New York City.
Tracks 1 - 11: as original 1962 LP issue Rhythm Is My Business VS-4056 (except track 7, which appears in mono as on V-4056, since no stereo tapes survive)
Tracks 12 - 13 are previously unissued.
Recorded at Fantasy Studios, Berkeley, May 9-10, 1986.
Tito Puente Appears Through The Courtesy Of Concord Picante, A Division Of Concord Picante, A Division Of Concord Records.
Two classic Vee Jay LPs on one CD.
Tracks 1 to 7 recorded at Universal Recorders, Chicago, 1960 and originally issued on Vee Jay LP (SR 3017).
Tracks 8 to 12 recorded at Universal Recorders, Chicago, 1958 and originally released on Vee Jay LP (SR 1005).
Track 13 originally released on Vee Jay LP (3024) entitled "Juggin' Around", which also included tracks 8, 10, 11 & 12.
Compiled & reissued by Jordi Pujol (Fresh Sound Records).
24 bit high resolution remastering.
CD comes in all-clear jewel case with 8-page foldout.
Made in Spain.
Recorded November 1993
Hardstudios, Winterthur
An ECM Production
© ? 1994 ECM Records
Dave Holland, Zakir Hussain e Chris Potter, nuovo album 2019, in collaborazione tra tre grandi jazzisti.
2CD. Recorded live at The Village Vanguard, New York, NY, September 22-24, 2000
Mixed at Sear Sound, New York, NY
Mastered at Sterling Sound, New York, NY
Tracks 5 & 6, Disc 2 recorded live to 2-track.
©? 2001 Warner Bros. Records Inc. (USA) and WEA International (outside USA)
Jewel case comes with card oversleeve.
![Dark Star [The Music Of The Grateful Dead®] di David Murray - CD](/cops/big/542272_b.jpg?tit=Dark_Star_%5BThe_Music_Of_The_Grateful_Dead%C2%AE%5D-David_Murray&r=53 "Dark Star [The Music Of The Grateful Dead®] di David Murray - CD")
Recorded at Clinton Studios, NY, January 17-18, 1996.
Mixed at Power Station Studios, NY, February 18-19, 1996.
Mastered at Foothill Digital, NY.
All selections published by Ice Nine Publishing, Inc./ASCAP, except "Shoulda Had Been Me" published by Blue Muse Publishing, Inc./ASCAP.
This high resolution recording is mastered from 20-bit digital sources.
© ? 1996 Astor Place Recordings Inc.
Recorded April, 1995
Recorded April 9 & 10, 1999.
Recorded live at Birdland, New York City in June 1962.
Remixed from the original 3-track master tape to digital at Abbey Road Studios, London in May 1990.
Tracks 11 to 14 previously unissued.
Many sources show Ray Charles as the composer of "Come Back Baby".
Recorded in 1967 in Toronto, Ellington invited by two Canadian composer organizations, working with young Canadian composers and musicians.
Con Don Cherry e Billy Higgins.
Eccellente collaborazione tra i due sassofonisti, con la collaborazione di Mike Ledonne, John Webber e Carl Allen. Registrato dal vivo allo Smoke di New York.
1997, con Lee Konitz e Enrico Rava
Recorded at Ipnocampus Studio, Napoli, Nov 24&25, 2003
Recorded January 31, 2003 and October 27 & 28, 2004.
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