Le registrazioni dei due grandi sassofonisti, assieme
Non sigillato
2 CD. Undicesimo volume delle registrazioni inedite del sassofonista, serie curata dalla moglie. Registrato nel Novembre 1980. Con George Cables, Tony Dumas e Carl Burnett.
Interessante trio jazz, con già qualche disco alle spalle, guidato dal geniale pianista Orrin Evans, supportat0o da Eric Revis e Nasheet Waits.
Recorded at "MasterSound Studios", August, 5, 6 & 9, 1993, Queens, NY.
Maracanã is the name of biggest football stadium in Brazil.
It's a name that symbolizes Brazil in a certain way.
It's an anagram of Ana Caram. It's like a reflection of my two sides.
(Ana Caram)
Recorded at Lindström Studios, Cologne, December 2 - 3, 1968.
Digitally remastered... at Emil Berliner Studios, Langenhagen.
Celebri temi di pellicole Disney interpretati da Esperanza Spalding, Roy Hargrove, Dave Brubeck, Joshua Redman, Regina Carter, Diane Reeves, Bad Plus e molti altri jazzisti.
Con Kenny Clarke - Francy Boland Big band. Recorded June 14, 1971 at Cornet Studios, Cologne, Germany.
Tracks 1- 9 recorded at the Newport Jazz Festival, Newport, Rhode Island on July 3, 1967 and were issued on the RCA LP Newport Uproar in January 1968.
Track 10 to 14 recorded June 30, 1956 in Madrid Spain and were issued on the RCA LP Jazz Flamenco in April 1957.
Recorded on November 20, 1952 in Frankfurt, Germany.
T.J. Kirk plays the music of Thelonious Monk, James Brown & Rahsaan Roland Kirk
Jaco Pastroius e la sua band ( Alex Foster, Ron Tooley, Delmar Brown, Kenwood Dennard, Don Alias ), dal vivo a Tokyo, il 22 Maggio 1983. Eccellente broadcast
Nuovo lavoro, 2006, per il violinista, qui accompagnato da John Taylor, Anders Jormin e Tom Rainey
Liebman rilegge il classico di Miles Davis, Porgy & Bess, dal vivo con la Manhattan School of Music Orchestra.
4CD. Il meglio di Count Basie dal vivo, con piccoli gruppi, con Big Bands e con cantanti.
con Archie Shepp al sassofono tenore e Henry Threadgill al sassofono alto
? 1969 MPS Records © 2004 Universal Jazz Germany - a division of Universal Music GmbH.
Made in the EU
Recorded May 28th 1969 at Lindström Studios Cologne.
Musicians listed behind individual tracks below indicate soloists
Recorded in Brooklyn, NY, USA, January 9, 2001
Recorded November 24, 1956 at Radio Recorders, Hollywood
Tracks 1-6 original-LP issue: The Steamer, Verve MGV 8294
Tracks 7-11 original-CD issue: East Of The Sun: The West Coast Sessions, Verve 531 935-2
Registrazione inedita che risale al 1971 per la grande vocalist jazz. Con i Jazz At The Philarmonic All Stars ( Bill Harris, Roy Eldridge, Clark Terry, Eddie Davis, Zoot Sims, Benny Carter, Mundell Lowe, John Lewis e Louie Bellson )
Track 1: Original LP issue: Lester Young: [r=3321603].
Tracks 2 & 9: Original LP issue: Jazz at the Philharmonic All-Stars: [r=3879453].
Track 3: Original LP issue: Jazz at the Philharmonic: [m=674556].
Track 4: Original LP issue: [m=701122].
Track 5: Original LP issue of this reconstructed version: [r=2645562]; original 78-rpm issue in [m=982253].
Track 6: Original LP issue: The Gene Krupa Trio [r=4227013].
Track 7: Original 10" LP: [r=7756540]; original 78-rpm issue in [r=2800663].
Track 8: Original 10" LP issue: Billie Holiday [r=4234840].
Il meglio del periodo Prestige, registrazioni anni cinquanta. 11 brani per 75 minuti di musica.
Il nuovo album, 2017, con la partecipazione di Warren Vachè, Lafayette Harris, Rodney Jones, Matthew Parrish, Vincent Ector.
Due classici LP Atlantic in un CD: Western Man, 1971, e Mose in Your Ear, 1972.
Recorded in New York City on May 26 & 27 and September 3, 1958.
Recorded in Paolo Casati's home (Milano) in June 2009
Recorded at MOSCH Studios in San Paulo, Brasil and Roundhouse Recording Studios in London.
Recorded May 13th/14th 1968 at Lindström Studios, Cologne.
Originally released as MPS 15 214.
Comes in mini LP replica with insert.
? 1995 Motown Record Company, L.P.
© 1995 Motown Record Company, L.P.
Distribution: Polydor/PolyGram.
Recorded July 2, 1944 at Philharmonic Auditorium, Hollywood.
Original recording produced by Norman Granz
This landmark concert was Verve Records' founder Norman Granz's first presentation - a concert hall jazz program planned as a jam session. This recording stands as the first recording in Verve's catalog as well - marking its fiftieth anniversary this year [i.e., the year this recording was released]
Total Playing Time 62:41
Tracks 1 & 3: Original 10"-LP issue: "Jazz at Carnegie Hall" Mercury / Clef MG 35005 (although this LP's title referred to Carnegie Hall, this selection came from the Los Angeles concert.)
Tracks 2 & 5: Original 10"-LP issue: "Jazz at the Philharmonic Volume 7" Mercury / Clef MG 35008
Tracks 4, 6 & 7: Original 10"-LP issue: "Jazz at the Philharmonic Volume 5" Mercury / Clef MG 35006
Reissued in 1994 at the time of Verve's 50th Anniversary.
Made in U.S.A.
Printed in the USA.
Produced by Steve Baker Andy Kaufman and Bob Belden. Recorded and edited by David Baker and Katsuhiko Naito.
Recorded on location at Birdland, New York City
Il nuovo lavoro del trombettista jazz, questa volta accompagnato da Matt Mitchell, Rudy Royston, Jon Irabagon e Linda Oh. 2015
Nuovo lavoro per l'Orchestra di Gil Evans, registrato dal vivo. Con John Clark, Mino Cinelu, Mark Egan, Kenwood Dennard, Miles Evans, Alex Foster, Chris Hunter, Pete Levin, David Taylor ed altri. 2019.
Tracks #1-11 originally issued on Roulette SR 52061.
#12 & 13 originally issued as Roulette single 4273.
#14 previously unissued.
Tracks 12 to 14 are bonus tracks.
Recorded at Capitol Studios in New York in July, 1960 (tracks 12 to 14) and January, 1961 (tracks 1 to 11)
Title also appears on the release as “The E.P. Collection”.
Recording locations, recording dates, ? and original [l47558] matrix Nr.:
. Track 1: New York, Jan 10, 1951, ? 1951 GML Inc., K9007-1
. Track 2: New York, Jan 23, 1951, ? 1951 GML Inc., K9018
. Track 3: Los Angeles, Apr 23, 1956, ? 1956 GML Inc., K9756-1
. Track 4: Cincinnati, Oct 4, 1951, ? 1951 GML Inc., K9085
. Track 5: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8202
. Track 6: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9172
. Track 7: New York, Jan 23, 1951, ? 1951 GML Inc., K9020
. Track 8: New York, Dec 17, 1952, ? 1953 GML Inc., K9225
. Track 9: New York, Mar 23, 1950, ? 1950 GML Inc., K5878
. Track 10: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9325
. Track 11: New York, Oct 13, 1950, ? 1950 GML Inc., K5978
. Track 12: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8200
. Track 13: Los Angeles, May 4, 1955, ? 1955 GML Inc., K9628
. Track 14: New York, Jan 23, 1951, ? 1951 GML Inc., K9021
. Track 15: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8203
. Track 16: Cincinnati, Oct 4, 1953, ? 1953 GML Inc., K9341
. Track 17: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8201
. Track 18: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9173
. Track 19: Los Angeles, June 6, 1953, ? 1953 GML Inc., K9294-1
. Track 20: Los Angeles, Feb 2, 1957, ? 1957 GML Inc., K9935-4
. Track 21: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10076
. Track 22: New York, Oct 8/9, 1954, ? 1954 GML Inc., K8506-1
. Track 23: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9328
. Track 24: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9439
. Track 25: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9436
. Track 26: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10074
The tracks on this collection are taken from the following EP's:
. Tracks 1, 4 Parlophone Earl Bostic EP GEP 8506
. Tracks 5, 7 Parlophone Earl Bostic EP GEP 8513
. Tracks 6, 8, 10 Parlophone Earl Bostic EP GEP 8520
. Tracks 11, 12, 18 Parlophone EP "Wrap It Up - Chop It Down" GEP 8539
. Tracks 2, 14 Parlophone EP "Earl's Imagination" GEP 8548
. Tracks 9, 15 Parlophone EP "Music A La Bostic" GEP 8571
. Tracks 21, 26 Parlophone EP "Alto Magic" GEP 8754
. Tracks 17, 19 Parlophone EP "Music A La Bostic No.2" GEP 8574
. Tracks 16, 23, 25 Parlophone EP "Music A La Bostic No.3" GEP 8603
. Tracks 3, 13, 20, 22 Parlophone EP "Bostic In Harlem" GEP 8637
. Tracks 24 Parlophone EP "Alto Sax And Mambo Strings" GEP 8565
This compilation:
? 1999 See For Miles Records Ltd. / G.M.L. Inc.
© 1999 See For Miles Records Ltd./ G.M.L. Inc.
Original sound recordings made by G.M.L. Inc.
The trademark Parlophone is the property of EMI Records Ltd. and is used with their kind permission.
Issued in standard jewel case incl. transparent tray and a 10-panel booklet.
Made in the EC.
Country of origin UK
Buddy Miles and Wilber Campbell miscredited on track 4.
Track 8 "Steamwhistle Jump" has unknown Kaye-Mann as writers but it's indeed "Take The A Train" written by Billy Strayhorn.
Total Time: 71:05
Jazz Is Universal originally released in 1962 as CS-1401
After This Message originally released in 1966 as CS-1458
Recorded on June 9, 1993 at Bill Wray's Skyline Studio in Mechanisburg, PA (USA)
Mixed on June 15, 1993 at Sound Techniques in Boston, MA (USA)
Mastered at Phonocomp - Milano (Italy)
Recorded at Fine Sound, NYC: track 4 on April 12; tracks 1-3 and 5-8 on April 13, 1954.
Recorded April 21, 1968 at the Left Bank Jazz Society, Baltimore.
Total playing time 70:49
Recorded Dec 7, 1976 in the Old Town jazz Club Stampen (The Pawnshop), Stockholm, Sweden.
© & ? 1990 & 1992, Proprius Musik AB, Stockholm, Sweden.
La raccolta che comprende materiale edito da Mercury e Verve.
Il trio del pianista Ellis Marsalis con l'esordiente Jason Marsalis,
L'ex Caravan Steve Miller con Elton Dean. Nuove frontiere per il jazz inglese.
2 CD. Live ad Amburgo, 1986, con Gil Evans band leader ed una super band, in cui suonano musicisti del calibro di Lew Soloff, Miles Evans, John Clark, Hiram Bullock, Bill Evans, Mark Egan, Marylin Mazur ed altri.
2 CD. Coleman Hawkins 1927-1956. RCA, per la prima volta su CD.
Recorded in Budapest, Hungary, April 16, 1970.
“The E.P. Collection Vol.2”
High Resolution Technology
128x Oversampling
Originally released as Savoy MG-12007. Printed in Japan.
Denon Digital Remastering
Digitally recorded and mixed at MM Recording Lab (Italy) on March 2,3, 1994
2CD. Recorded live at the Ronnie Scott Club, London, on March 15, 16 & 17 1971.
Track 2-6 Previously unreleased.
Rare registrazioni del 1931
Recorded live at Stampen jazz club in Stockholm, Sweden, December 6–7 1976.
Digitally Remastered in April 1996.
[P] 1996 & [C] 2005 PROPRIUS MUSIC AB
Tracks 1, 16 previously unreleased.
Tracks 2 to 4 from the album [r471204], Warner Bros. 2918, 1976, recorded, remixed and mastered at Regent Sound Studios, New York.
Tracks 5 to 9 from the album [r2806907], Warner Bros. 2982, 1977.
Tracks 6 to 8 recorded live at the Montreux Jazz Festival, Montreux, Switzerland, remixed and mastered at Regent Sound Studios, New York.
Tracks 10 to 15 from the album [r1170996], Warner Bros. 3085, 1978, recorded and mixed at Regent Sound Studios, New York.
On track 3 the whistler is [a277601] of The Eaton Family of Whistler of Durham, North Carolina.
© 1995 Warner Bros. Records Inc. for the US and WEA International Inc. for the world outside the USA
? 1976, 1977, 1978, 1995 Warner Bros. Records Inc. for the US and WEA International Inc. for the world outside the USA
Made in Germany by Warner Music Manufacturing Europe
Jewel case, white tray and 12-page booklet.
First press released in 1998.
Il classico album di Redman, registrato nel 1983 per la ECM, finalmente edito anche in CD. Con Ed Blackwell, Charles Eubanks e Mark Hellas.
4 CD. The essentiasl Keynote Collection. Registrazioni con Teddy Wilson ed Earl Hines.
Una delle più interessanti voci della attuale scena jazz, con Eric Reed, Hamilton Price e Ralph Penland.
con Helen Humes e Jimmy Rushing
3CD. Recordings in New York, Amsterdam and Bombay
? 1982 Sony BMG Music Entertainment
© 2007 Sony BMG Music Entertainment
Recorded in New York City on May 17, 1950 (tracks 1-7), December 10, 1950 (tracks 8-15), March 1, 1951 (tracks 16-21).
Recorded February 11 & 12, 2004 at Sound On Sound Recording, New York, NY
Original matrix numbers; recording location, date:
1-1: 38160-1; New York, 11-3-1927
1-2: 38496-1; New York, 27-4-1927
1-3: 38496-2; New York, 27-4-1927
1-4: 38497-1; New York, 27-4-1927
1-5: 38497-3; New York, 27-4-1927
1-6: 53066-1; Camden, New Jersey, 29-4-1931
1-7: 53067-1; Camden, New Jersey, 29-4-1931
1-8: 53068-1; Camden, New Jersey, 29-4-1931
1-9: 53069-2; Camden, New Jersey, 29-4-1931
1-10: 70140-1; New York, 31-7-1931
1-11: 70141-1; New York, 31-7-1931
1-12: 70142-1; New York, 31-7-1931
1-13: 70143-1; New York, 31-7-1931
1-14: 71938-1; New York, 10-3-1932
1-15: 71939-1; New York, 10-3-1932
1-16: 71942-1; New York, 10-3-1932
1-17: 71943-1; New York, 10-3-1932
1-18: 81787-1; New York, 6-3-1934
2-1: 81788-2; New York, 6-3-1934
2-2: 81789-2; New York, 6-3-1934
2-3: 81790-1; New York, 6-3-1934
2-4: 100360-1; Chicago, 9-4-1936
2-5: 100361-1; Chicago, 9-4-1936
2-6: 100362-1; Chicago, 9-4-1936
2-7: 100363-1; Chicago, 9-4-1936
2-8: 100557-1; Chicago, 23-5-1936
2-9: 100558-1; Chicago, 23-5-1936
2-10: 100559-1; Chicago, 23-5-1936
2-11: 100560-1; Chicago, 23-5-1936
2-12: 100561-1; Chicago, 23-5-1936
2-13: 100882-1; Chicago, 4-8-1936
2-14: 100883-1; Chicago, 4-8-1936
2-15: 100884-1; Chicago, 4-8-1936
2-16: 100885-1; Chicago, 4-8-1936
2-17: 100886-1; Chicago, 4-8-1936
2-18: 100887-1; Chicago, 4-8-1936
Recorded live at different venues between October 1992 and April 1994.
Tracks 1 to 7 Recorded in New York, November 9, 1956 and originally issued as "Triple Threat"
Tracks 8 to 13 Recorded in Chicago, June 7, 1960 and originally issued as "Introducing Roland Kirk"
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