Recorded live in concert November 21st, 2014 at the Philharmonie, Köln, Germany; except track 7 recorded live in concert November 22nd, 2014 at the Philharmonie, Essen, Germany
Mixed at Red Zone Studios, Burbank, CA
Recorded at Take One Studios, Burbank, CA
Recorded at Velley Center Studios, Van Nuys, CA
Mastered at Bernie Grundman Mastering Studios, Hollywood, CA
#1-3: Recorded in Los Angeles on November 18, 1955; Originally issued on various Pacific Jazz Anthologies.
#4-11: Recorded at Western Recorders, Los Angeles in the summer, 1954; Originally issued on Jazz West 10" LP-1.
#12-19: Recorded at Capitol Studios, Los Angeles in the spring, 1955; Originally issued on Jazz West 10" LP-2.
©? 1998 Capitol Records, Inc.
Digital recording, March 1988
Rainbow Studio, Oslo
An ECM Production
? 1989 ECM Records GmbH
© 1989 ECM Records GmbH
2004 Storyville Records.
Tracks 1-1 to 1-16 - Treasury Broadcast No. 18, Radio City Studio 6B, NYC, August 11, 1945 (ABC).
Tracks 1-17 to 1-26 - Broadcast from the New Zanzibar, NYC, September 26, 1945 (NBC).
Tracks 2-1 to 2-19 - Treasury Broadcast No. 19, Radio City Studio 6B, NYC, August 18, 1945.
Tracks 2-20 to 2-25 - Broadcast from the 400 Restaurant, NYC, May 4, 1945 (CBS).
Total time:
CD1: 67:05.
CD2: 71:22.
Tracks 2-14 & 2-23 are wrongly attributed to Arthur Schwartz. According to ASCAP, it was written by Simon Schwartz and Milt Orient.
https://www.ascap.com/repertory#ace/search/title/riff%20staccato/performer/duke%20ellington
Charles Williams Sextet, Johnny Coles Sextet, Gene Krupa Sextet, Hank Mobley Sextet, Frank Foster Quintet, The Jazz Messenger e altri
Jazz, soul, electronic music fusi in unico suono, una nuova dimensione jazz. Si tratta di un giovane gruppo ingelse che mette assieme musicisti di varie esperienze, guidati dal pianista Dave Stapleton. Altri musicisti: Deri Roberts, la cantante Dionne Bennett ed il batterista Elliott Bennett. Hanno già un seguito notevole in Inghilterra ed in Germania.
Il meglio, su Blue Note.
Nuova edizione rimasterizzata. con dieci tracce aggiunte.
Recorded, 1993, New York City, USA.
Con Dave Douglas
Recorded in 1996 at the Knitting Factory, New York City
Produced for Splasc(h) Records. a division of Senz'h Scarl
Made in Italy by SPIDERS 2004
2CD.
Tracks 1-1 to 1-10 recorded Savoy Ballroom, New York, January 22, 1940.
Tracks 1-11 to 1-20 recorded Savoy Ballroom, New York, January 25, 1940.
Tracks 2-1 to 2-10 recorded Roseland Ballroom, New York, February 26, 1940.
Tracks 2-11 to 2-20 recorded Roseland Ballroom, New York, March 4, 1940.
1 to 5 originally released as LP " In Pursuit Of Blackness " (Milestone 9034) in 1971.
6 to 10 originally released as LP " Black Is The Color " (Milestone 9040) in 1972.
Tracks 1, 3 and 5 recorded at Decca Studios, New York City, May 12, 1971.
Tracks 2 & 4 recorded at The Lighthouse Cafe, Hermosa Beach, CA, September 25 & 26, 1970. Mixed at Soundwave Studios, New York City.
Tracks 6 to 10 recorded and mixed at Mercury Sound Studios, New York City, March/April 1972.
Tracks published:
1 and 4 to 10 Johen Music ( BMI )
2 EMI Robbins Cat. / Webster Music Corp. ( ASCAP )
3 EMI Unart Cat. ( BMI )
Recorded at Trax Recordings Studios, Hollywood, CA
Computer dumping at Paramount Recording Studios, Hollywood, CA
Mixed at Studio Masters Recording Studio, Hollywood, CA
Mastered at Bernie Grundman Mastering Studio, Hollywood, CA
Originally recorded on September 13, 1967 at the Van Gelder Studio, Englewood Cliffs, New Jersey.
Track 7 is not part of the original LP.
Recorded New York City September 30 & October 1 1996
Split release with McPartland on tracks #1-7 and Shearing on tracks #8-15. This edition has black and white photos of each artist on front cover. Includes folded 4-pages inlay.
Recorded April 21, 1952 (#1 to 4), December 22, 1952 (#5 to 7), February 3, 1947 (#9, 10, 13, 15), December 23, 1947 (#8, 11, 12, 14).
[On disc:]
? 1992.3
MADE IN JAPAN BY NIPPON COLUMBIA Co., LTD.
[On back cover:]
Printed in Japan. Imprimé au Japon.
Recorded at Sage & Sound Recording on September 6-7, 1994, Hollywood, CA
8, 10: Plymouth Music ASCAP
9: Ann Ronell Music/Bourne Co. ASCAP
11: Chappell & Co., Inc./Warner Bros. Music Corp. / L.S.Q. Music Co. ASCAP
12: WB Music Corp. ASCAP
Transfert digital: Studio Translab
Concert inedit
Durée totale 106:48
"Pour ceux qui aiment le Jazz"
(on front sleeve)
2CD:
2005 Fresh Sound Records for Compilation
Tracks 1-1 to 1-4 also issued on RCA NL - 45961"Milt Bernhart And His Orchestra"
Tracks 1-5 to 1-16 also issued on "best from the west" (modern sounds from California Blue Note 5059/5060
Tracks 17 to 20 also issued on Bethlehem BCP 6039 "Music for the birds & hepcats" (Marty Paich Septet 1955) http://www.jazzdisco.org/marty-paich/discography/
Tracks 2-1 to 2-4 also issued on MCA Coral PCO 7300 AK "blow hot - blow cool" Jazz Lab Vol 9
Tracks 2-5 to 2-8 also issued on "Leonard Feather's West Coast Allstars MGM E3390
Tracks 2-9 to 2-18 also issued on "showcase for modern jazz" Decca DL 8679
Blue Note, 1957. Uno dei primi dischi di Sonny Rollins, considerato tra i suoi migliori. Con Wynton Kelly, Doug Watkins, Philly Joe Jones. Rimasterizzato usando le matrici audiofile originali. Lavoro fatto dallo specialista Kevin Gray.
2 CD. Registrato 1950-54 con Charlie Parker, Flip Phillips, Roy Eldridge, Buddy Rich, Machito, Candido, Mario Bauza, Billy Bauer etc.
Recorded September 1999 at Clinton Studio, NYC
Il secondo album della flautista americana
Recorded February 6, 1994 in the Music Theatre at the Arizona State University of Music, Temple [sic], Arizona for Tempest Studios.
#1-8: recorded January 12, 1987 at Concordia College, Bronxville, NY
#9: Recorded February 4, 1987 at RCA Studio A, NYC
Mastered at Amigo Studios, Los Angeles
Recorded at East Side Sound Studio, NYC June 21, 1994 and at Systems Two Recording Studios, Ltd., NYC June 23, 1994.
Recorded at MGM Recording Studios And Group IV In Hollywood, California.
Kenny Garrett sassofoni alto e soprano, Geri Allen al piano, Charnett Moffett al basso e Charles Moffett alla batteria.Recorded on June 19, 1993 at Crossroad Studio, NYC
Recorded at the Van Gelder Studio, Englewood Cliffs, NJ on January 27, 1966.
1990 10 (+1) CD box.
Comes with a 58 page booklet.
Recorded at Chez Sons Franck, Montréal, Canada.
Recorded at Studio de la Grande Armée, Paris, France on February 12/13, 1990
Mastered at TopMaster Studio, Paris, France
Setting: Tygra, France
1: Famous Music, 1930
2: Embassy Music Corp. 1941 USA
Dorsey Brothers Music Ltd. London
3: Chappell and Co. Inc. 1937
4: Mills Music, 1931
5, 6: T.B. Harms and Co. 1933
7: T.B. Harms and Co. 1942
8: Warner Chappell and Co. 1963
Warner Chappell Music, France
9.a: Irving Berlin Music, 1935
9.b: Irving Berlin Music, 1938
10: Harms Inc., 1932
11: 20th Century Music Corp. 1945
12: Dorsey Brothers Music a division of Music Sales Corp., 1946
DDD live recording at Carlos Gomes Theatre August, 1996 con Os Batutas
© 1998 Blue Jackel Entertainment, Inc.
Track 8 is misspelled "Misura E Manda".
Track 1 Universal Edition Wien
Tracks 2, 3, 8 Universal Editions Wien
Track 4 Crawford Music
Tracks 5-7 Kurt Weill Foundation For Music
Track 9 Schott's B. Söhne
20 bit digitally recorded - live to two track - at Power Station, NYC, December 1994.
? & © 1995 Polydor K.K., Tokyo Japan.
JMT Productions, Stefan F. Winter, Postfach 190 925, 80609 München, Germany.
1994 Capitol Records, Inc.
Recorded March 1-3, 1995
Recorded and mixed at Bennett Studios, Englewood, NJ.
Jim McNeely is the composer in residence for the Vanguard Jazz Orchestra.
This recording was made possible through generous grants from: The National Endowment for the Arts; The Aaron Copland Fund for Music; The Mary Flagler Cary Charitable Trust; and The New York State Council of the Arts.
Produced by Sixteen as One Music Inc., The Vanguard Jazz Orchestra.
Total play time: 68.08
©&? 2000 D.E.T.S.
Total time (CD1): 64:36.
Total time (CD2). 59:06.
Sessions location and date:
# 1-1 to 1-16: Treasury Broadcast No. 1, 400 Restaurant, NYC, April 7th, 1945.
# 1-17 to 1-21: Duke Ellington performing at War Bond Rally, NBC - Studio 6B - Radio City, May 1st, 1943.
# 2-1 to 2-8: Duke Ellington's Treasury Broadcast - 400 Restaurant, NYC, April 14th, 1945.
# 2-9 to 2-16: Treasury Star Parade No. 231 (transcribed in June 1943, NYC).
# 2-17 to 2-24: Treasury Star Parade No. 232 (transcribed in June 1943, NYC).
Duke Ellington is incorrectly credited with co-writing track 2-23. Mercer Ellington wrote this piece alone, with a lyric added later by Ted Persons.
Verified by ASCAP research.
Tracks 1-8: New York City, August 23, 1946
Tracks 9-12: New York City, September 25, 1946
Tracks 13-16: New York City, December 18, 1946
Tracks 17-20: New York City, December 20, 1946
Con Ron Carter, Herbie Hancock, Candido, Thad Jones.
Nuovo album per il pianista, con Gary Versace e Danny Gottlieb. 2007.
2 CD. Registrato dal vivo a Tokyo nel 2002. Keith Jarrett solo al piano tenta di rinnovare i fasti del concerto di Colonia. Genio allo stato puro.
Recorded at Systems Two, Brooklyn, NY in August and December 2000
Digisleeve
? 2001 © 2001
Printed in Canada.
Total Time 52'02
Recorded November 30 and December 1, 2001 by [...] at Radio Studio DRS, Zürich
In duo con Stewart Gillmor al piano, al corno francese e alla tromba
Recorded At System Two Studios, Brooklyn, New York on 12 & 13 December 1997.
Tracks 11 to 14 are the "The Josephine Baker Suite", from the musical, "La Bakair", for which Herb Geller has written the score
Recorded at Sage & Sound Studio, Hollywood, February 25-26, 1997
Editado y distribuido por Blue Moon Producciones Distográfias
5 CD set w/5 original Blue Note albums: Our Thing (1964) In 'N' Out (1964) Inner Urge (1965) The State Of The Tenor: Live At The Village Vanguard Volume 1 (1986) The State Of The Tenor: Live At The Village Vanguard Volume 2 (1987)
Recording location: TELDEC Studio Berlin • April 1996
? 1997 Teldec Classics International GmbH, Hamburg, Germany
© 1997 Teldec Classics International GmbH, Hamburg, Germany
A Warner Music Group Company
Made in Germany
Total Timing: 79.23
CD is packaged in a standard plastic clear-tray jewel case along with a 10-page (10-panel, foldout) booklet, notes in English, German, French; all inside a printed O-Card
The case has Warner logo embossed on the right bottom of the front side.
Track publishers:
Track 1: Edition Peters, Frankfurt
Track 2: Universal-Edition, Wien
Tracks 3-7, 9: Musikverlag Hans Sikorski, Hamburg
Track 8: Schott's Söhne, Mainz
Track 12: Eres Edition, Lilienthal/Brehmen
Corrected track durations:
Track 1: (5:30 » 5:37)
Track 2: (10:57 » 11:03)
Track 9: (27:54 » 28:00)
In duo con Cliff Korman. Live at Cantar Da Costa
Recorded December 1977, Talent Studio, Oslo
Total time: 42:27
An ECM Production
© ? 1979 ECM Records
Printed in Germany
Con Stephane Grappelli. Recorded April 11, 1976; MPS-Studio, Villingen
? 1977 MPS Records GmbH, Villingen
Recorded in Brooklyn, NY, USA, June 6, 2000
Recorded and Mixed at Omega Studios, Rockville, MD
Recorded October 11, 12 and 21, 1957.
?&© 2001 D,E,T,S,
Tracks 1-1 to 1-15 recorded at 400 Restaurant, NYC, April 21st,1945 - Treasury Broadcast No.2
Tracks 2-17 to 2-22 recorded in NYC, June 1943 - Treasury Star Parade No. 233
Tracks 1-16 and 1-23 unknown studio orchestra -
Tracks 2-1 to 2-17 recorded at 400 Restaurant, NYC, April 28th,1945 - Treasury Broadcast No.3
Tracks 2-18 to 2-23 recorded at The New Zanzibar, NYC, October 7th,1943 - Duke Ellington Broadcast From The New Zanzibar (Mutual Broadcasting System)
Made in Denmark.
B sides, bonus cuts & rare remixes from Acid Jazz.
Recorded live in Europe, 1963
Piano e basso, Filippini e Mencarelli si propongono come duo jazz di sicuro avvenire.
Pianista tra i più interessanti dall'attuale scena jazz, dal vivo ad Amsterdam. Uno dei dischi migliori di Hersch
Tributo al grande Elvin Jones, da parte di Chico Freeman. Con Lonnie Plaxico, Winard Harper, George Cables etc. Special guest: Joe Lovano.
Track 1 recorded August 20, 1969; track 2 recorded July 2, 1969. Recorded at Sound Studios, Inc. Track 2 re-mixed from the original master tape.
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