Recorded at Reeves Sound Studios, New York City, February 1957.
Tracks 1 to 12 originally released as [r4671694] (Judson 3004).
Tracks 13 to 24 originally released as [r5895147] (Judson 3005).
Total time: 69:17
? & © 1995 Fantasy, Inc.
3CD.
Tracks 1-1 to 1-11, 3-1 to 3-6 & 3-8 recorded New York City, June 25-27, 1957
Track 3-7 recorded New York City, either August or September, 1957
Tracks 1-12, 1-13, 2-1 to 2-12 recorded Los Angeles, September 4 & 16, 1957
Tracks 2-13 to 2-17 recorded Los Angeles, October 17, 1957
Registrazioni dal vivo del 1969 con Dizzy Gillespie alla tromba, Sonny Stitt al sax, Kay Winding al trombone, Thelonious Monk al piano, Al McKibbon al basso, Art Blakey alla batteria e Alex Cafa alla chitarra.
Recorded September 1997
at the Monastery of St. Gerold
"In Paradisum" combines music from three sources: the Officium Defunctorum of Victoria, polyphony by Palestrina, and Gregorian chant from a 17th century manuscript.
An ECM Production
? 2000 ECM Records GmbH
© 2000 ECM Records GmbH
Tabula Rasa (1977)
for two violins string orchestra and prepared piano
© 1980 Universal Edition A.G.
Company (1983)
for string orchestra
First recording with string orchestra
© 1983 Dunvagen Music Publishers, Inc.
"Come In!" (1988)
for two violins and string orchestra
First recording
© G. Schirmer, Inc. on behalf of R.A.O.
Darf Ich... (1995, rev. 1999)
for violin solo, bell and strings
First recording
© 2000 Universal Edition A.G.
Recorded November 25-27, 1998 at the Historical Museum, Tallinn
Darf ich... recorded September 10, 1999 at the Jesus-Christus-Kirche, Berlin
Nonesuch Records, a Warner Music Group Company.
? & © 2000 Nonesuch Records for the United States and WEA International, Inc. for the world outside of the United States.
Printed in the U.S.A.
Made in U.S.A. by WEA Manufacturing, Inc.
Raccolta di successi della cantante di Harlem.
In trio con l'armonicista Max De Aloe e il contrabbassista Massimo Moriconi.
Recorded at Power Station, NYC on October 9 & 10, 1991
Strings recorded at Sound On Sound, NYC on October 7, 1991.
?,? 1992 Disk Union
Track 5 "Back Talk" is a variation of "Baby Talk" from release [r519346], maybe a typo on this release.
Special Guest Ernestine Anderson
Recorded live at Kan-i Hoken Hall, Tokyo, Japan in November 1987
Diane Reeves, Lou Rawls, Nancy Wilson, Lena Horne, Abbey Lincoln, Sarah Vaughan, Louis Armstrong e altri cantano il repertorio di Duke Ellington e Billy Strayhorn.
Traiettorie funky e astratte nel jazz dal 1965 al 1975: Dr. John, Gene McDaniels, Mongo Santamaria, Shirley Scott, Yusef Lateef, Duke Pearson, Roland Kirk e altri.
Terzo volume di una serie di tre CD, inediti, registrati dal vivo. Questo contiene tre lunghi brani: Make A List ( 24.40), Everything Happens to Me ( 8.36), Arthur's Blues ( 10.27). Registrato in Giappone, 1981, con George Cables, David Williams e Carl Burnett.
Galliano esegue la musica di Astor Piazzolla
Un classico, ristampato e potenziato con diversi brani.
CD. Il combo italiano con ospite Enrico Rava, dal vivo al Festival Jazz di Forlì nel novembre 2024, tra esplorazioni meditative, paesaggi cinematografici e sperimentazioni sonore.
Recorded at Mu Rec Studio, Milan, Italy, on December 19/20, 1993. Disco in classico piano trio evansiano con Paolino Dalla Porta al basso e Aldo Romano alla batteria.
CD 1 recorded live at Rote Fabrik, Zürich on October 21, 1993.
CD 2 recorded at Großer Sendesaal WDR Köln on October 22 & 23, 1993.
Edition of 3000 CDs in digisleeve.
? + © 2004
Made in Switzerland.
Recorded at United Recording, Los Angeles, CA
Strings Recorded at Capitol Studios, Los Angeles, CA
Mixed at Universal Music Studios, Nashville, TN
Mastered at The Bakery, Los Angeles, CA
Piano by Steinway & Sons
A Verve Records release.
?© 2019 Connick Performances, Inc. under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
Universal International Music B.V., Gerrit Van Der Veenlaan 4, 3743 DN, Baarn, Netherlands. Made in the EU.
Originally recorded on December 11, 1960 at the Van Gelder Studio, Englewood Cliffs, New Jersey
All transfers from analog to digital made at 24-bit resolution
Liner photographs from the actual session © Mosaic Images
Originally issued in 1961 as Blue Note BST 84101
Blue Note is a Capitol Music Label. ?© 2007 The copyright in this sound recording is owned by The Blue Note Label Group. © 2007 The Blue Note Label Group.
Track 13: Actual duration is 5:58 (CD Player) because there is a 'ghost' incomplete take of "Too Close For Comfort" after eight mute seconds.
In bonus tracks 11, 12 and 13 the composers are uncredited.
Tracks 1 to 7, 10, 11 and 13 recorded January and June 1956 at Fine Sound, New York City; tracks 2 and 3 recorded January 4; tracks 4 and 6 recorded January 5; track 1 recorded June 25; track 5 recorded June 26; tracks 7, 10, 11 and 13 recorded June 27.
Tracks 8, 9 and 12 probably recorded between April 23 and 30, 1957 in Hollywood.
Tracks 1 to 10 original-LP issue: "One O'Clock Jump" Verve MGV-8288 (Tracks 1 to 10 are in their original-LP sequence).
Track 12 original-EP issue: Verve EPV 5062
Tracks 11 and 13 previously unissued.
Master Numbers and Take: #1; 2901-1 #2; 2920-6 #3; 2625-6 #4; 2626-10 #5; 2906-3 #6; 2627-4 #7; 2911-2 #8; 21447 #9; 21448 #10; 2913-2 #11; 2910-5 #12; 21449 #13; 2911-1.
Mastered at PolyGram Studios.
? & © 1999 PolyGram Records, Inc.
Digital recordings: Rainbow Studio, Oslo, 1990-91, except track 8, Trogen, 1990
Mixed at Rainbow Studio
An ECM Production
(C)(P) 1991 ECM Records GmbH
He Needs Me - originally released in 1961 as Everest 1128.
This Little By Of Mine - originally released in 1961 as Everest 1131.
in duo con il pianist aFranco D'Andrea.
In quartetto con John Hicks al piano, Ray Drummond al basso e Andrew Cyrille alla batteria
Recorded December 19, 2001
? 1961/62 by Capitol Records, Inc.
? 1995 BGO Records
This CD compiles two albums originally released in 1962. Remastered at Sound Recording Technology in Cambridge 1995.
Tracks 1-12 recorded in Los Angeles, February 28 & 29 and March 1, 1960. Originally issued in 1962 as Satin Affair (Capitol ST 1628).
Tracks 13-24 recorded in Los Angeles, June 25 & 26, 1961. Originally issues in 1962 as Concerto For My Love (Capitol ST 1755).
?&© 2004 Lone Hill Jazz
All selection composed by Duke Ellington if not otherwise indicated
Includes:
- [m466902]
- [m360292]
#2-3 to 2-12 from the [m304468] sessions are Bonus Tracks
Total time: CD1: 72:13, CD2: 67:26
Rrcording date and location
#1-1 to 1-12: Chicago, February 7&8, 1956
#1-13 to 1-21: Chicago, February, 1956
#2-1 to 2-2: Chicago, February, 1956
#2-3 to 2-4: New York, December 21, 1953
#2-5: Chicago, December 28, 1953
#2-6: Chicago, December 29, 1953
#2-7: Chicago, January 1, 1954
#2-8: Chicago, January 2, 1954
#2-9, 2-10: Chicago, January 17, 1954
#2-11: Chicago, May 18, 1955
#2-12: New York, June 17, 1954
Booklet erroneously reverses recording dates and personnel for tracks 2-11 and 2-12.
Original Liner Notes are included.
Made in EU
Splendido lavoro di musica contemporanea, tra jazz ed musica improvvisata. Jarrett esegue il paino concerto opera 38 di Samuel Barber, il piano concerto n 3 di Bela Bartok. La terza parte parte è un concerto inedito, registrato a Tokyo nel 1985, dove Keith improvvisa su una sua composzione. Nelle due partiture contemporanee Jarrett è accompagnato da due orchestre diverse.
On Impulse!/There Will Never Be Another You, due LP in un CD
Super session dal vivo tra Gary Burton e Pat Metheny, con Steve Swallow e Antonio Sanchez come sezione ritmica.
2 CD. Un famoso doppio dal vivo, edito dalla Columbia. Rimasterizzato e ripubblicato dalla Sony.
Ultimate High Quality CD. Il geniale pianista bebop Bud Powell ha realizzato le sue registrazioni più durature come leader per la Blue Note ed è stato un catalizzatore per il passaggio dell'etichetta dall'hot jazz su cui era stata fondata alla musica moderna prodotta da Powell, Thelonious Monk, Fats Navarro e altri. Le sessioni del quintetto e del trio di Powell del 1949 e del 1951 furono pubblicate per la prima volta nel 1952 come LP da 10 pollici The Amazing Bud Powell, e successivamente ampliate come The Amazing Bud Powell, Vol. 1 (BLP 1503) quando la Blue Note passò al LP da 12 pollici e lanciò la serie 1500 nel 1955. Il quintetto vedeva il pianista affiancato da artisti del calibro del trombettista Fats Navarro, del sassofonista tenore Sonny Rollins, del bassista Tommy Potter e del batterista Roy Haynes, che eseguivano brani originali di Powell come “Dance of the Infidels”, ‘Wail’ e “Bouncing with Bud”. Il trio vedeva il bassista Curly Russell e il batterista Max Roach affiancare Powell nel vivace classico “Un Poco Loco”, qui presentato in tre take in evoluzione, insieme alle intramontabili versioni di “Parisian Thoroughfare” di Powell e “A Night In Tunisia” di Dizzy Gillespie, oltre alla straordinaria performance al pianoforte solista di “It Could Happen To You”.
Gli UHQ-CD riproducono il suono dei nastri master originali nel modo più fedele possibile, utilizzando nuove tecnologie di trasferimento e materiali migliorati per produrre un suono di alta qualità con una migliore rappresentazione dell'intero palcoscenico. Gli UHQ-CD sono conformi agli standard CD e possono essere riprodotti sui lettori esistenti. Ogni titolo è presentato in una custodia UHQ-CD con una striscia obi e le note originali della copertina riprodotte sul retro.
2 CD. Un Cd di brani noti ed un secondo totalmente inedito, con una bella serie di versioni alternate. Coltrane nel 1957.
Recording: May 2000, Teatro dei Rozzi, Siena. Album in trio con Paolino Dalla Porta al basso e Fabrizio Sferra alla batteria.
Composition N. 247 is dedicated to Oum Kaltsoum
Recorded in Middletown, Connecticut, May 15, 2000
Engineered at LMC Studio, London
The Conga Kings Jazz Descargas.
Recorded at Brewhouse, England on July 22, 1992.
Total time: 73:14
2000 Storyville Records
Recorded at Fairmont Hotel, San Francisco, 1969
Recorded on November 21, 2004 in New York City.
Mixed on January 13 & 14, 2005 in Hamburg, Germany.
Mastered on April 11, 2005 in Hamburg, Germany.
English Carols and Motets
by John Plummer, William Cornysh,
Walter Lambe, Sheryngham, a.o.
Recorded November 2012
Propstei St. Gerold
An ECM Production
? 2014 ECM Records GmbH
© 2014 ECM Records GmbH
Recorded at Sound on Sound, NYC, June 5 and 6, 2000.
Mixed at Sound on Sound June 16, 2000
Recorded at Systems Two Studios in December 1999
PURE DIGITAL! All Telarc Compact Discs are produced exclusively from Digital masters made during the recording sessions.
Issued in standard jewel case, black tray.
Recordings are culled from 7 CD titles released between 1992 to 1998 on Telarc. Collective personnel listed
#1, 2, 8, 10 Recorded at Webster Hall, New York, December 5, 1963
#3, 9, 12 Recorded at Webster Hall, New York, November 18, 1963
#4, 13, 14 Recorded at Webster Hall, New York, November 20, 1963
#5, 11, 15 Recorded New York, April 10, 1963
#6 Recorded at Webster Hall, New York, February 1, 1963
#7 Recorded at Webster Hall, New York, February 6, 1963
Tito Puente e Giovanni Hidalgo
Con Herbie Hancock, Jim Hall, Ron Carter etc.
? 1993 Prestige Records Limited © 1994 Prestige Records Limited
Recorded live In Milano, January 20, 1979
Engineered at LMC Sound, London
© & ? Golden Years Of New Jazz, 2004, GY 23
In quartetto con Francesco Nastro al piano, Vittorio Pepe al basso e Pietro Iodice alla batteria.
60 ANNIVERSARY EDITION
A MUSICAL HERITAGE
Live at the 1994 Floating Jazz Festival.
1-1 to 1-7: Los Angeles, September 23, 1957.
1-8 to 1-12; 2-1 to 2-3: Los Angeles, September 30, 1957.
2-4 to 2-15: New York, January 15, 1952.
2-16: Los Angeles, October 1946.
Music from a Prague manuscript c 1500
Recorded January 1993
Stadtkirche Gönningen
An ECM Production
©? 1995 ECM Records
Printed in Germany
Recorded at World-Pacific Studios, Hollywood, Calif., June 17 and 18, 1963.
2 CD. Il meglio del periodo d'oro di Brubeck. Contiene classici come Take Five. 31 brani.
Recorded at Sound On Sound, NYC on March 1 & 2, 1991
Mixed at Effanel Towers, NYC on May 30 & 31, 1991
©1991 Disk Union
Recorded November 19 and 25, 1987
?1989 Soul Note / ? 1989 Soulnote
Made in Italy by PhonoComp
Recorded February 1, 4, 6 and March 13, 1963.
This CD contains previously released materiel (CS 8707). Original front cover.
Tracks 5, 8 and 10 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Tuesday, January 30, 1962.
Tracks 4, 9 and 11 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Wednesday, January 31, 1962.
Tracks 1 and 13 were recorded at Columbia Studio A, 799 Seventh Ave., NYC on Tuesday, February 27, 1962.
Tracks 3 and 6 were recorded at Columbia Studio, 207 E.30th St., NYC on Thursday, June 21, 1962.
Tracks 2, 7 and 12 were recorded at Columbia Studio, 207 E.30th St., NYC on Tuesday, June 26, 1962.
This was Duke Ellington's final session for Columbia Records.
Attendere...