6 CD. Splendido cofanetto Atlantic / Rhino che presenta sei dischi fondamentali del grande sassofonista, pubblicati tra la fine dei cinquanta e l'inizio della decade seguente.Sono classici assoluti, opere senza tempo, rimasterizzati ex nova usando i masters originali. E pubblicati in Mono, come erano stati registrati. I dischi: Giant Steps, Bags & Trane ( con Milt Jackson ), Ole' Coltrane, Coltrane Plays The Blues, The Avant Garde ( con Don Cherry). Il sesto LP, The Coltrane Legacy, contiene matrici inedite.
Il nuovo lavoro del trombettista jazz, con Victor Gould, Jonathan Barber, Jacquelene Acevedo e Vicente Archer. Highnote Records, 2017
Il nuovo, attesissimo, lavoro del trio di Mark Turner con Larry Grenadier e Jeff Ballard.
Uno dei classici assoluti della cantante jazz, rimasterizzato e con tre canzoni aggiunte
L\'ex partner di Louis Prima è ancora in pista, come dimostra questo brillante album dal vivo
Recorded after the world premiere performance at the Théâtre du Châtelet, Paris December 2000.
Comes with a 76 pages booklet into an outer card slipcase.
CD1: Recorded at Systems Two Recording Studio, Brooklyn, NY on April 24-27, 1997 and June 9, 10 & 18, 1997. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.
CD2: Recorded at Systems Two Recording Studio, Brooklyn, NY on March 7-10, 1997. Additional recording at Studio Acousti in Paris, France on November 18, 1996. Mixed August 1997 at Systems Two Recording Studio in Brooklyn, NY.
Mastered at Sterling Sound, NYC on August 18, 1997.
? 1997 BMG France © 1997 BMG France.
Manufactured and distributed by BMG Entertainment, New York, NY
Made in USA
Printed in USA
Recorded at VARA studio in Hilversum, Netherlands on June 2, 1964.
Album originally released in 1964.
? 1964 PolyGram International Music B.V. / © 1991 PolyGram International Music B.V.
Track 1-1: Recorded August 9, 1955
Tracks 1-2 to 1-7: Recorded August 15, 1955
Tracks 1-8 to 1-13: Recorded August 19, 1955
Tracks 2-1 to 2-4: Recorded August 19, 1955
Tracks 2-5 to 2-12: Recorded November 24, 1956
Tracks 3-1 to 3-12: Recorded August 2, 1957.
Mastered at PolyGram Studios.
Digitally recorded at WDR studios, Cologne, in May 1991
Digitally mixed in August 1991
A recording by WDR Cologne
The Black Hawk, San Francisco, CA in 1953 (tracks 8 to 14).
San Francisco, CA in 1955 (tracks 6, 7).
Tracks 1 to 7 originally released as [r=5328718]; tracks 8 to 14 on The Charlie Mariano Sextet (Fantasy 3-224).
Additonal info (tracks 6, 7) taken from online discography at jazzdisco (.org).
Total time: 69:06
Remastering, 2000 - Joe Tarantino (Fantasy Studios, Berkeley).
The Mariano cuts are in stereo.
? & © 2001 Fantasy, Inc.
Printed in U.S.A.
Recorded June 17 and 18, 1996 in Paris con il pianista Cesarius Alvim.
678545000221
Sharon Bryant appears courtesy of Mercury Records.
Will Downing appears courtesy of Island Records.
Norman Brown appears courtesy of Motown Records.
Gene Rice appears courtesy of RCA Records.
Robert (Bob) Baldwin appears courtesy of Atlantic Recording Corp.
© 1992 BMG Music. Distributed by BMG, A Bertelsmann Music Group Company. Printed in Germany
Recorded at Kampo Studios, N.Y. 14-15/10 2004
Mixed at Studio Menudio
>Purple Violets< is the first part of a two-CD release.
Recorded on February 2, 1996
Recorded at Birdland, New York, NY on April 25, 1960.
Nuovissimo lavoro, 2008, per il sassofonista di colore.
Sonny Rollins at his best. Milestone 1993, con Clifton Anderson, Tommy Flanagan, Bob Cranshaw e Jack DeJohnette con Jon Faddis, Byron Stripling.
Johnny Hawksworth & Hampton Hawes, inglese il primo, americano il secondo. L'incontro tra due pianisti Jazz, due musicisti di grande esperienza. Hawksworth aveva lavorato con l'orchestra di Ted Heat dal 1951 al 1965. Hampton Hawes, pianista storico, è stato uno dei più prestigiosi pianisti jazz di colore, ed è scomparso nel 1977. Un incontro di grande valore storico.
Pat Metheny registra assieme al trio condotto dal trombettista orientale Cuong Vu. Il jazzista, che nel corso della sua carriera ha suonato con musicsti di vario genere e stile (Laurie Anderson, David Bowie, Dave Douglas, Myra Melford, Cibo Matto e Mitchell Froom) fa un salto di qualità, grazie alla partecipazione del chitarrista statunitense.
Recorded live at the World Fair, Brussels, Belgium, July 29/August 3, 1958.
Bonus Tracks:
10-17: Paris, March 12, 1957.
Recorded in Paramus, New Jersey on October 9, 2000.
Registrazioni dal vivo al Bilzen Festival del 24 agosto 1969 con Charlie Haden al basso, Dewey Redman al sassofono e Ed Blackwell alla batteria.
Recorded July 14-16, 2009 at Studio P4, Berlin
The quartet is in one continous single movement. For ease of navigation and reference, there have been included arbitrary track markers on each CD. For the most part, this has been done in five-page score increments; with exceptions due to the limitations of the CD length.
This complete work lasts 6 hours, 7 minutes and 7 seconds. There is also a DVD version of the complete 5 disc set released under the same catalog number in which one could listen to the complete work uninterrupted.
Recorded at: Crowell Hall, Wesleyan University, Middletown, Connecticut on 15-18 October 2001
This recording was made possible, in part, by the kind generosity of The Aaron Copeland Fund for Music, Inc.
Special Thanks to: Neely Bruce at Wesleyan University and Howard Stokar
32-page booklet includes notes in English, German and French
Made & Printed in USA
2LP su 1 CD: Cool Velvet del 1960 e Voices del 1966.
Deluxe 5 CD package. The 42-page booklet is bound in a cardboard binder with a burlap spine. The CDs are in separate burgundy slipcases, bound in with the booklet in the cardboard binder. Slipped into the binder is a 48 x 72 cm poster. The cardboard binder fits into a carboard slipcase up to the burlap covering around the spine.
The BK01 cat# is on the back of the cardboard binder, while the QS01 cat# is on the back of the slipcase
Sticker on the slipcase box states:
"Over 6 hours of music; most tracks on CD for the first time.
Photographs by noted jazz photographer Herman Leonard.
Reproduction of original LP cover art.
A specially designed color poster.
50-page [sic] booklet with essays by two of the world's most respected jazz critics:
a comprehensive overview of Hampton's life and career by Brian Priestley and
an evaluation of the music heard here by Francis Davis.
2 previously unissued tracks."
Recorded on October 12, 1968 in Rome.
Tracks 1-1 to 1-5 previously released as [m585114].
Tracks 2-1 to 2-5 previously released as [m1017372].
Digitally remastered special edition of 1968 LPs.
Booklet in Italian and English.
© BMG Music ? 1995 BMG Music
? 1977 Sony Music Entertainment 14-468411-10
Recorded:
- Track 1: New York City, May 21, 1948
- Track 2: New York City, January 22, 1947
- Track 3: New York City, October 10, 1949
- Track 4: New York City, April 13, 1949
- Track 5: New York City, April 19, 1957
- Tracks 6 to 8: New York City, April 20, 1957
Recorded 27 Jan, 1988 in Holland
So what ?
Recorded at RKO Pathe Studios, New York City on July 18, 1961 (#1-10).
Digitally remixed from the original 3-track tape.
Track 11: previously unissued bonus track
Roulette® is a registered trademark of Capitol Records, Inc.
©? 1997 Capitol Records, Inc.
The 6-page fold-out leaflet contains 3 pages of liner notes in English from 1989.
The CD is sheltered by a standard jewel case w/ black tray.
3CD. Duke Ellington, Ella Fitzgerald, Oscar Peterson
Il nuovo album del pianista jazz, con Chris Lewis ed Henry Jackson. Smoke Sessions 2020.
Debutto per Blue Note al quarto album a proprio nome per il batterista di Filadelfia Jonathan Blake, uno fra i musicisti più versatili ed apprezzati della scena statunitense, con esperienze a fianco di riferimenti del jazz come Tom Harrell, Kenny Barron, Dr. Lonnie Smith, Maria Schneider e la Mingus Big Band, così come di rapper (Q tips) e musicisti house, che gli hanno procurato, nella stampa oltreoceano, il titolo di “vero modernista”.
Registrazioni metà anni settanta di Miller con Mongezi Feza, Mike Osborne, Keith Tippett, Nick Evans, Stan Tracey ed altri jazzisti inglesi.
Chris Cheek, affermato tenor sassofonista, accompagnato per l'occasione da Brad Mehldau e dal suo trio. Registrato 2005.
Nuovo lavoro, 2018, per il promettente trombettista ECM, qui supportato da Hakon Aase, violin, Andreas Ulvo, piano, Audun Erlien, basso, Torstein Lofthus, batteria, Helger Andreas Norbakken, batteria.
CD / DVD. Nuovo album, dal vivo, del grande bassista, qui accompagnato da Mulgrew Miller al piano e Russell Malone alla chitarra.Il DVD contiene il concerto, registrato nel Luglio 2012 al festival di San Sebastiano, Spagna.
con Wayne Shorter, Michael Brecker, Kenny Aronoff, Bob Mintzer e molti altri
These recordings are completely "Live" performances, which were recorded directly to 2 track stereo tape masters. Every selection you hear is unedited, and is not re-mixed, nor do they contain over-dubbed or punched-in phrases.
Rarissimo CD di Jack Lemmon, l'attore, che qui fa il crooner, suonando e cantando una serie di standards, accompagnato da un gruppo jazz. Il CD è fuori catalogo da diverso tempo
Featuring Hamza El Din e Paul McCandless degli Oregon.
(C)&(P)1995 LAIKA Records
This Album was recorded live in Germany in:
Baden-Baden (June 1, 1994)
Düsseldorf (June 10, 1994)
Bielefeld (June 12, 1994)
Alcuni deii migliori percussionisti jazz
Digitally recorded on March 18 & 19, 1996. Edited and mastered on April 12, 1996
On front cover:
Music For The New Millennium
Recordings from 1945
Total Time 68:45
Recorded at Clinton Recording Studio, New York City; April 1 and 2, 1997.
Additional engineering Fantasy Studios, Berkeley
Mastering, 1997 (Fantasy)
Recorded at Filmways/Heider Studio, Hollywood, CA, in May 1978.
Tracks published:
1 Bad Dog Music ( BMI )
2 Rit Of Habeas Music ( ASCAP )
3 & 5 Roaring Fork Music ( BMI )
4 & 6 Sttawe Music ( ASCAP )
Total Time 66:20
Recorded at Studio 44, Monster, Holland, 13 January 1992
Steve McCraven misspellt as Steve McRaven
Tracks 13 and 14 are bonus tracks.
Made in Holland.
Rare registrazioni, effettuate alla Capitol di Los Angeles, alla fine degli anni sessanta. Con Bill Henderson ospite.
Nuovo album per il noto batterista jazz, con la Dr. Um Band ( John Beasley, Bob Sheppard e Benjamin Shepherd).
Il grande Paul Motian fa un tributo a Bill Evans, e si fa aiutare da Bill Frisell, Joe Lovano e Marc Johnson.
ECM 2842. In Time Is A Blind Guide è in atto una rara alchimia acustica. I cambiamenti nella formazione hanno guidato e contribuito a plasmare il carattere musicale dell'ensemble del batterista norvegese Thomas Strønen e nella terza registrazione del gruppo assistiamo ancora una volta ad un cambiamento, con Leo Svensson Sander che sostituisce Lucy Railton al violoncello. La nuova voce si fonde perfettamente con il suono tranquillo dell'ensemble, con una Ayumi Tanaka precisissima che si muove con empatia sulla tastiera, rispondendo agli strati percussivi di Strønen, al contrabbasso di Ole Morten Vågan e al violino lirico di Håkon Aase. A volte i tre strumenti a corda del gruppo formano un solido trio che entra in un dialogo riflessivo con il pianoforte e le percussioni, ma per la maggior parte il ritmo del gruppo funziona come un tutt'uno, con ogni strumento che entra ed esce dinamicamente dalla scena, catturato nella ben nota acustica del Rainbow Studio di Oslo, sotto la produzione di Manfred Eicher.
Recorded in concert September 19-24, 2002, at Avery Fisher Hall, Lincoln Center, New York City.
Recorded at Bell Sound, New York City, October 31 (tracks 1, 3, 5, 6) and November 17 (tracks 2, 4, 7 to 9), 1964
2CD.
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