Recorded December 17, 1996 in New York City.
?&© 2002 Capitol Records, Inc.
Record April 29, 1969, in the East Room of The White House, Washington, D.C.
Il meglio degli Organ Jazz trio con Jimmy McGriff, Joey DeFrancesco, Jimmy Smith, Lonnie Smith, Medeski Martin & Wood, Larry Young e molti altri
2 CD. Ristampa rimasterizzata e potenziata di Blue Train, uno dei dischi più belli e più famosi di John Coltrane. Unico disco di Trane per la Blue Note, Blue Train è stato pubblicato nel 1957. Registrato con una band formidabile ( Lee Morgan, tromba, Curtis Fuller, trombone, Kenny Drew, piano, Paul Chambers, basso, e Philly Joe Jones, batteria ), il disco viene ora ripubblicato per celebrare il suo 65 anniversario. Il disco comprende un secondo CD che contiene outtakes, versioni alternate, ed anche quattro brani completamente inediti. Edizione stampata in Olanda
Il cantante Kevin Mahogany ed il sassofonista Tony Lakatos rileggono le canzoni di John Coltrane e Johnny Hartman
Stefano Benni voce recitante, Paolo Damiani contrabbasso, Diana Torto vocals, Filiberto Palermini sax contralto, Antonio Iasevoli chitarra e Paolo Corsi percussioni.
Recorded at Wesleyan University, October 26, 2002.
Mixed and mastered December 28, 2002.
Compositions by Andrew Cyrille ( Major-A-Music, ASCAP ) and Anthony Braxton ( Synthesis Music, BMI ).
Produced by Intakt Records. Published and Copyright by Intakt Records ( except Water, Water, Water and Excerpt From The Navigator, Composition No 311, Dr. Licks ).
Includes 24 pages booklet.
Recorded at Angel Studios, London
Dates: 30th April, 1st May and 4th August 1993
An ah um Production
© ? 1993 ah um
1-6 probably recorded in 1953 (some sources say March 1954), at Gold Star Studios, Hollywood.
7-15 recorded summer 1954, at Western Recorders, Hollywood.
2LP su 1 CD
Recorded March 1996
© 1996 by SteepleChase Productions ApS
Made in Denmark
© & P 1996
Recorded in New York on October 22-23, 1992
Recorded using the 128x oversampling A to D Mark III converter.
Total Time: 58:36
Compositions by Stephan Micus
for the Resonating Stones of Elmar Daucher
Digital Recording, Ulm Cathedral
On back cover, Nobuko Micus is credited with playing "Resonating Stones" on both Parts 3 and 6, but the more detailed credits in the booklet show "Resonating Stones" being used in Parts 4 and 6.
An ECM Production
? 1989 ECM Records GmbH
© 1989 ECM Records GmbH
? 1960 Ace Records Ltd. except track 12 ? 1996 Ace Records Ltd.
© 1996 Ace Records Ltd.
Originally released as Dooto LP DTL 211; re-release of Boplicity LP BOP 8, 1984.
Recorded live, Malmö, Sweden, October 25, 1973.
From Original Recordings: Donald Byrd, Horace Silver, Art Blakey, Lou Donaldson, Cannonball Adderley e Lee Morgan.
1992, con Marc Johnson
Esordio come solista, via ECM, da parte del bassista straordinario Larry Grenadier. Dedicato al uo mito Oscar pettiford, il disco vede Grenadier interpretare brani di George Gershwin, John Coltrane, Paul Motian, Rebecca Martin e Wolfgang Muthspiel. Un lavoro decisamente personale.
Il nuovo lavoro del chitarrista jazz, con ospiti Nguyèn Lè, David Binney e Jamey Haddad
Nuova jazz singer di colore, 2005
Recorded and mixed at The Hit Factory, New York, NY.
Recorded at iem cube Graz, August 1-6, 2003. Liner notes date from March/April 2004.
2005, 1st edition. Digisleeve.
? + © 2005 Hat Hut Records Ltd.
Made in Switzerland.
The Festival Began in Osaka with two dates, October 19 and 21, continued in Hiroshima, Kurashiki, Tsukuba, Tanabe, Nagoya, Kyoto and Meebashi, with three concluding shows in Tokyo October 31 and November 1, 1978
Tracks dates - 1, 9/9/1960. 7, 1/9/1961. 2-3, 19/10/1961. 4,5 and 6, 1/6/1962. 8, 29/9/1958.
compilation of two Terry Gibbs LPs, " Swingin'" and "plays The Duke" plus tracks from an ABC TV show from1958
This compilation © & ? By Fresh Sound Records
Recorded December 15, 2003: Conrad Herwig (trombone), Brian Lynch (tromba), Mario Rivera (sassofono tenore), Edsel Gomez (piano), John Benitez (basso), Robby Ameen (batteria) e Richie Flores (congas).
Recorded January 13th and 14th, 1992 at Sear Sound, NYC con Peggy Stern.
1992 Soul Note ? 1992 Soul Note
Recording dates:
Tracks 1, 8: September 21, 1955, New York,
tracks 2, 3: September 22, 1955, New York,
tracks 4, 5, 6, 7: October 31, 1955, New York.
Total time: 44:22
? + © 2005
Recorded at the Music Box Theatre in Los Angeles on February 9 (1-4, 9) and February 16 (5-8), 1956.
Recorded live at “J's,” New York, N.Y.
Tracks 1 to 11: May 1, 1989.
Track 12: April 24, 1989.
Track 12 is listed as "Texarkana", but is actually "Texicana" (originally recorded on [r=2364530]).
The date on this is 1981.
Con Donald Byrd, Johnny Coles, Bob Cranshaw, Walter Perkins. New York 1962.
Nuovo lavoro per il chitarrista jazz. Registrazioni in perfetta solitudine, oppure in duo con il chitarrista ritmico Bobby Rose. Martino mostra, ancora una volta, la sua bravura ed il suo talento unico. Martino è ben noto per i suoi virtuosismi e per la velocità con cui sa rendere ancora più preziose le sue esecuzioni.
In questo nuovo lavoro il jazzista interpreta un serie di nuovi brani di sua composizione, ma anche un classico di Billy Strayhorn: Star Crossed Lovers. Con la sua attuale band, Us Five, Lovano esplora nuovi territori e si inventa ricercate soluzione sonore.La band, composta da musicisti eccellenti, annovera nella sue file talenti quali Esperanza Spalding, Lionel Loueke, James Weidman, Peter Slavov, Otis Brown e Francesco Mela.
Il nuovo album dello straordinario chitarrista del Minnesota in cui si unisce con il vecchio compagno di mille avventure Marc Anderson, il quale si districa tra percussioni, gong e ben strutturati loop, e con il batterista JT Bates. Le 20 tracce dell'album suonano come un'estatica, quasi ieratiforme, suite sulla vicinanza di galassie, universi, mondi e persone in cui la musica più che comporsi, progressivamente succede. Il disco si compone di parchi baluginii di folgori elettriche, come se una parte della cifra stilistica di Jim Hall incontrasse le estetiche di Leo Kottke, Robbie Basho e Jack Rose, sviluppando il tutto alla maniera di Ustad Sultan Khan, che rappresenta una delle fonti ispirative del chitarrista americano.
Recorded at Bell Sound Studios, New York City; January 27 (2-3, 7, 9-10), February 21 (5, 6), and March 13 (1, 4, 8), 1961.
This Edition Is Limited To 10,000 Copies
© 2014 Columbia Records. Contiene 20 classici.
CD 1 recorded live at Rote Fabrik, Zürich on October, 21, 1993
CD 2 recorded at Großer Sendesaal WDR Köln on October 22/23, 1993
?+© 1995
Total times:
CD 61601: 65:00
CD 61601: 65:13
? 1988 Concord Jazz, Inc.
Recorded live at Kan-i-Hoken Hall, Tokyo, Japan November 1987
Remote recording facility furnished by Sound Creators, Inc.
This album was recorded using the SONY 3324 Digital 24 Track Recorded
Recorded December 10 & 12 1959. Recorded at the same session that produced "All the Gin Is Gone" (Delmark 404)
Recorded September - November 1994, NDR Studios Hannover and Hamburg, Germany
12-page booklet with S. Loch and M. Hennessey notes and b/n photographs
Co-production ACT Publishing Ltd. and Norddeutscher Rundfunk, Hamburg, Germany
Reproduction painting 226-1 by Gerhard Richter © 1969
? + © 1995
Manufactured and printed in Germany
Recorded April 1997 con il sassofonista tenore Rich Perry.
Recorded at Loho Studios, Sound Dimensions, Chez Lucas and National Taiwan University, Taipei.
Recording dates
1, 2: Mar 31, '37
2: Mar 31, '37
3 to 7: Jan 11, '39
8, 9: Jan 16, '41
10, 11: Jan 15, '46
12 to 15: Jan 3, '49
This release presents the complete "Jazz Giants '58" album, which is the only recorded testimony of Stan Getz, Gerry Mulligan & Harry "Sweet" Edison collaborating together in a recording studio. As a bonus, two long tracks from a 1953 studio session which also included Getz and Edison.
Both these sessions were organized by producer-impressario Norman Granz.
Total time: 76:06 min.
Tracks #1-5 from "Jazz Giants '58" (Verve MGV 8248). Recorded in Hollywood, on August 1, 1957.
Tracks #6 taken from "Norman Granz' Jam Session #3" (Clef MGC 653).
Tracks #7 taken from "Norman Granz' Jam Session #4" (Clef MGC 654).
Recorded in Hollywood, on August 18, 1953.
------------------------------------------------
Notes:
-Jazz Giants '58
"Producer Norman Granz (1918-2001) had an uncanny ability to create really amazing jazz albums by experimenting with the combinative chemistry of musical minds, temperaments, and personalities. While not every Granz session resulted in recordings of equal depth or profundity, the number of artistically rewarding, genre-defining albums that came together under his supervision is almost difficult for the human mind to fully comprehend. One fine example is Jazz Giants '58, a Verve album recorded inside the rented Capitol studios in Hollywood, CA on August 1, 1957 and released almost exactly one year later [...] Although it has since come to be identified mainly with Stan Getz, Jazz Giants '58 feels a lot like a Gerry Mulligan session, with Harry "Sweets" Edison perfectly complementing the other two horns. To support and illuminate the trumpet, tenor, and baritone saxes, Granz used his preferred rhythm trio Oscar Peterson, Herb Ellis, and Ray Brown and added master percussionist Louie Bellson, fully primed after working for his wife Pearl Bailey, his hero Duke Ellington, and with Granz's internationally famous Jazz at the Philharmonic project. This was the blossoming of the great era of long-playing records, and the participants clearly relished the opportunity to stretch out and jam together in a relaxed, intimate studio environment. "Chocolate Sundae," a ten-minute collectively improvised blues of incredible warmth and irresistible texture, is followed by seven- and eight-minute sets of creative variations on a couple of tunes that were in the air during the '50s. The nearly 12-minute manifestation of the patented Norman Granz "Ballad Medley" is especially powerful by virtue of starting out with Billy Strayhorn's "Lush Life." An extended romp through the changes of Dizzy Gillespie's "Woody N You" (a tribute to the progressive sensibilities of bandleader Woody Herman penned during the 1940s) adds pure undiluted pleasure to an album that already sounds and feels like some of the best music ever recorded by any of the participants under any circumstances."
Arwulf Arwulf -All Music Guide
? ? 1989 Capitol Records Inc.
Printed in USA
"Double Play Compact Disc Equivalent To 2 Albums"
Originally released as a 2xLP set. Re-Released in 1996 with another cover.
Recorded live at “J's,” New York, N.Y.,
Tracks 1 to 6: May 1, 1989.
Tracks 7 to 11: April 24, 1989.
2CD. Recorded on August 9, 1959 in Chicago, with microphones over the band.
Sam Woodyard is the drummer when only one is present.
Additional credits added from the liner notes.
Tracks 1-1, 1-2, 1-6, 1-7, 1-10, 1-11 to 1-15, 2-5, 2-7, 2-9 and 2-13 were previously unissued.
Il debutto di Melody Gardot, nuova edizione rimasterizzata 2023.
Il meglio di Sarah Vaughan. 12 canzoni, tra cui Misty, Cherockee, Lullaby of Birdland, Someone To Watch Over Me. Verve Records, Rimasterizzato.
Recorded live at The Jazz Workshop, San Francisco, September 22/23 1962
2001 Capitol Records, Inc.
Recorded at Air Wave Studios, Chicago on February 24, 1997.
Edition of 2000 CDs in Digisleeve.
P + C 1998
Made in Switzerland.
2CD.
con Elan Mehler al piano, Dominique Eade alla voce, John Gunther al sassofono, Simon Willson al basso e Dayeon Seok alla batteria
Recorded at the Alibi Club, Grand Rapids, Michigan,, on December 28, 1978.
Recorded in the Summer of 1988 at Synchro Sound, Boston, Kampo Cultural Centre and Sigma Sound, New York, Yamaha R & D Centre and Livingston 1, London
Mixed at Sigma
Digitally mastered at Tape One, London
Track 5 (bonus track) recorded Sept. 1990, Master Rock Studios, London
Recorded July 7 & 8, 1998.
Recorded March 2002
© & ? 2002
Registrato al Magister Studio, Preganziol, Italia, il 4 e 5 Giugno 2004
2CD. Tracks 1-1 to 1-3: recorded at Phil Turetsky's house, LA, June 10, 1952.
Tracks 1-4 & 1-5: recorded at Phil Turetsky's house, LA, July 9, 1952.
Tracks 1-6 to 1-8: recorded at Phil Turetsky's house, LA, August 16, 1952.
Tracks 1-9 to 1-14: recorded at Gold Star Studios, LA, October 15 and 16, 1952.
Tracks 1-15 to 1-18: recorded live at The Haig, LA, probably early January, 1953.
Tracks 1-19 to 1-22: recorded at Gold Star Studios, LA, February 24, 1953.
Tracks 2-1 to 2-7: recorded at Radio Recorders, LA, April 27, 1953.
Tracks 2-8 to 2-15: recorded at Radio Recorders, LA, April 29 and/or 30, 1953.
Tracks 2-16 to 2-20: recorded live at The Haig, LA, May 20, 1953.
Tracks 1-1, 1-5 originally issued on Pacific Jazz PJ 8 ([r=1935629]).
Tracks 1-2, 1-3, 1-4, 1-15 to 1-18, 2-2, 2-18 & 2-19 originally issued on Mosaic MR5-102 ([m655102]).
Tracks 1-6 to 1-14 originally released on Pacific Jazz PJ LP 1 ([m422064]).
Tracks 1-19 to 1-22 originally issued on Pacific Jazz PJ LP 2 ([m499613]).
Tracks 2-1, 2-16 & 2-17 originally issued on Pacific Jazz PJ LP 10 ([m670224]).
Tracks 2-3, 2-4, 2-6 to 2-8, 2-11, 2-12, 2-14 & 2-15 originally issued on Pacific Jazz PJ LP 5 ([m783105]).
Tracks 2-5, 2-10 & 2-13 originally issued on World Pacific WP 1207 ([r=4414934]).
Track 2-9 originally issued on Pacific Jazz JWC 500 ([m570080]).
Track 2-20 originally issued on Pacific Jazz PJ 75 ([m534639]).
Duplicates the program of discs 1 and 2 of [r5409743].
#1-1 to 1-10
Recorded at Capitol Studios, Los Angeles on August 1956.
Originally issued on THE RETURN OF ART PEPPER (Jazz West JWLP-10)
#1-11 to 1-15
Recorded at Western Recorders, Los Angeles on January 3, 1957
Originally issued on COLLECTIONS - JOE MORELLO (Intro ILP-608)
#2-1 to 2-5
Recorded at Radio Recorders, Los Angeles on December 28, 1956
#2-6 to 2-10
Recorded at Master Recorder, Los Angeles on January 14, 1957
#2-1 to 2-8 Originally issued on MODERN ART (Intro ILP-606)
#2-9 & 2-10 originally issued on the CD version of MODERN ART (Blue Note B2-46868)
#2-11 to 2-15
Recorded at the Radio Annex Studio in Los Angeles on December 11, 1956
"Angel Eyes", which does not include Pepper, originally issued on SOLO FLIGHT (Pacific Jazz JWC 505)
All others originally issued on JUST FRIENDS - BILL PERKINS Pacific Jazz PJM 401
#3-1 to 3-15
Recorded at Audio Arts, Los Angeles on April 1, 1957
The alternate takes were originally issued on THE ART OF THE ART Nadja (Japan) PA-3140/41.
All others originally issued on THE ART OF PEPPER (Omega reel-to-reel tapes OMT 7020 & ST-2030)
#3-1 to 3-15 are stereo. All others are mono.
Note: The periodic cymbal distortion on #3-1 to 3-15 is in the original tapes, as is the flutter at 1:56 of "Holiday Flight", the drop-out at 5:06 of "Begin The Beguine" and the muffled audio at 3:48 on "Surf City".
LIMITED EDITION: 5,000 SETS
Nancy Wilson & George Shearing
Recorded at Capitol Studios, New York City on June 29, 1960 (#5,8,10,13,15,16), July 5, 1960 (#1,12,14,18), July 6, 1960 (#3,9,11,17) and January 7, 1961 (#2,4,6,7,19,20)
#1-12: originally issued as LP ST-1524
#13,14,20: previously unissued
#15-19: originally issued on CD 7-99190-2
?&© 2004 Blue Note Records
Recorded direct to 2-track analogue tape April 26 & 27, 1999 at Nola Recording Studio, NYC.
Mastered to 24 bit digital at Northeastern Digital Recording, Southborough, Massachusetts.
2001 3-CD compilation of radio transcriptions.
Tracks 1-1 to 1-15 and 3-21 recorded in New York City, March 28, 1946.
Tracks 1-16 to 1-23 recorded in Hollywood, July 11, 1946.
Tracks 2-1 to 2-6 recorded in Hollywood, July 16, 1946.
Tracks 2-7 to 2-16 recorded in Hollywood, July 17, 1946.
Tracks 2-17 to 2-20 and 3-1 to 3-3 recorded in New York City, January 7, 1947.
Tracks 3-4 to 3-13 recorded in New York City, June 9, 1947.
Tracks 3-14 to 3-20 recorded in New York City, June 10, 1947.
2 CD. Registrazione inedita del leggendario batterista Art Blakey, con una formazione classica dei Jazz Messengers: Lee Morgan, Wayne Shorter, Bobby Timmons e Jymie Merritt. Il concerto è stato registrato il 14 Gennaio 1961 presso Hibiya Public Hall a Tokyo, nel corso del primo tour della band in Giappone. Co prodotto da Zev Feldman e David Weiss, che hanno trasferito l'audio dai nastrfi originali. Un concerto splendido.
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