Disco che contiene un'intervista esclusiva al leader dei CCR.
Questo CD contiene 24 tracce selezionate tra centinaia di canzoni pubblicate dalla Folkways Records tra la fine degli anni '50 e '60 e 2 nuove canzoni registrate appositamente per questa raccolta.
Tributo con Jackson Browne e Joan Baez, Billy Bragg e Eliza Carthy, Steve Earle, Arlo Guthrie, Eric Andersen e molti altri. Copia non sigillata.
Le tracce da 5 a 8, da 13 a 16, 19 sono inedite. Copia non sigillata.
5CD/Blu-Ray Audio: Original Moondance in alta risoluzione 5.1 e mix stereo
Rilegatura in tessuto strutturato verde.
Libro di 26 pagine, foglio posteriore rimovibile contenente elenchi di tracce per ogni disco e crediti.
Una combinazione di parole e musica con le canzoni dei My Darling Clementine.
Carù consigliaCD/DVD. Bellissimo tributo all'uomo in nero con Lucinda Williams, Willie Nelson, Jamey Johnson, Sheryl Crow, Brandi Carlile e molti altri. Copia non sigillata.
Registrazione presa da una trasmissione radiofonica di un concerto a The Summit, Houston, Texas, 31 Dicembre 1984 con ospiti B.B. King, Johnny Cash, Waylon Jennings, Jessi Colter e Kris Kristofferson..
Copia non sigillata.
Concerto del 1972 con Merl Saunders alle tastiere, John Kahn al basso e Bill Kreutzmann alla batteria. Copia non sigillata.
Concerto dal vivo alla Massey Hall di Toronto nel marzo 1969 con Red Shea alla chitarra e Rick Haynes al basso. Copia non sigillata.
3CD. Pubblicazione non ufficiale con il concerto del Nassau Coliseum di Uniondale, NY del 30 dicembre 1979 con David Goldflies al basso, Dan Toler alla chitarra, Jim Essery all'armonica e Bonnie Bramlett alla voce. Copia non sigillata
Concerto radiofonico registrato nel giorno dell'Indipendenza del 1992. Copia non sigillata.
Concerto radiofonico registrato ai Cherokee Studios di Hollywood in California nel 1985.
WLIR 92,7 FM Broadcast from Ultrasonic Studios, Hemstead, NY, USA, October 17th 1972
3CD. Registrato dal vivo a Oakland in California la notte di Capodanno del 1986. Copia non sigillata.
Presenta il meglio delle loro sessioni di registrazione radiofoniche della BBC dal 1971-1975. L'album, compilato con l'aiuto della band, è composto esclusivamente da registrazioni inedite. Copia non sigillata.
2CD. Concerto radiofonico registrato a Denver in data non precisata. Copia non sigillata.
Trasmissione radiofonica dell'emittente KBPI-FM del concerto dal vivo all'Ebbet's Field di Denver in Colorado dell'8 luglio 1974.
Trasmissione Radiofonica Live At The Paradise, Boston, MA del 16 luglio 1978. Copia non sigillata.
Singolo di 4 brani a scopo benefico.
8CD. Il disco 1 (Red Roses For Me) e 4 (Peace And Love) sono ristampe recentemente remixate dai nastri originali, il disco 8 (Live In London) è inedito. I dischi rimanenti sono stati ristampati utilizzando i mix originali e le rimasterizzazioni del 2004.
3CD. Trasmissione radiofonica dell'emittente KQRS-FM dal Northrop Auditorium, Minneapolis, MN il 19 ottobre 1971. Copia non sigillata.
"Una raccolta dal vivo di canzoni di Buffett nuove e classiche"
La colonna sonora del film del 1961 con musiche del Duca e l'apparizione nella pellicola di Louis Armstrong.
The Kennedy Suite è uno di quegli album che sono estremamente difficili da descrivere. È un'opera rock, un musical, un ciclo di canzoni, un'esplorazione psicologica melodica delle persone, dei personaggi e degli eventi che circondano l'assassinio di John Kennedy. I Cowboy Junkies non hanno scritto e non eseguono nemmeno tutta la musica dell'album, ma sono orgogliosi di mettere il loro nome e "presentarlo" sulla loro etichetta Latent Recordings. Tra gli artisti coinvolti Doug Paisley, Srah Harmer, Jason Collett e molti altri artisti canadesi.
Il classico album suonato dal vivo in America
2CD. Registrato dal vivo al My Father's Place di Roslyn, NY Il 7 settembre 1979 in trio con Gerry McAvoy al basso e Ted McKenna alla batteria.
Pubblicazione non ufficiale con un concerto registrato a Amsterdam nel 1972. Copia non sigillata.
Formazione texana di blues, r'n'b, funk e rock'n'roll dal potenziale esplosivo con ospiti Marcia Ball, Nick Connolly, Kaz Kazanoff & the Texas Horns e Derek O' Brien.
2CD. Contiene gli album Chuck Berry in Memphis, Live at the Fillmore Auditorium, From St. Louis to Frisco e Concerto in B Goode.
All tracks (p)&(c) 1969 WEA International Inc.
? 1998 Atlantic Recording Corp.
© 1998 Sundazed Music Inc.
Made in the U.S,A.
Recorded at Ultra-Sonic Studios in Hempstead, L.I.
A Phantom Production for ATCO Records
Mixed and mastered at Sundazed Studios, Coxsackkie, NY.
Produced under license from Atlantic Recording Corp.
Photos courtesy of [a420769], Stan Vaughn and the [a3101512].
Written on booklet (rear):
SUNDAZED Presents
The Beat Goes On
Starring: Mark Stein
Tim Bogert
Vinnie Martell
Carmine Appice
Produced and directed by Shadow Morton
Tracks 1- 11 originally released as [url=https://www.discogs.com/release/2869576]ATCO LP 33-237[/url].
Tracks 12 & 13 are bonus cuts included in this special edition.
Track 12: previously unissued
Track 13: [url=https://www.discogs.com//release/1557018]ATCO45-6590[/url] [Mono]
Design & Layout by Didier Scohier for ArtCore
Recorded live during the Crossroads Club Festival Rockpalast (WDR) show
at the Harmonie, in Bonn, Germany, on March 24, 2004.
? 2005 Licensemusic.com Aps © 2007 Music Avenue [Europe] b.v.b.a.
Track 1 wrongly credited on cover as "Good Good Lovin'" instead of "...Livin'"
Track 3, 4, 13, 14 = CD Bonus Tracks
Issued in a right-hand-side hinged double clear tray jewel case with a 20-page booklet, in an embossed card O-card.
Some copies issued with a sticker on the O-card front.
1-1, 1-2:
[m=116928]
MGM #SE-4663 (3/70)
Recorded at Wally Heider Recording, San Francisco, CA; Crystal Studios, Hollywood, CA
1-3 to 1-6:
[m=116934]
MGM #SE-4710-2 (11/70)
Recorded at Wally Heider Recording, San Francisco, CA; Wally Heider Recording, Hollywood, CA; Crystal Studios, Hollywood, CA and on location with The Far Out Remote
1-7 to 1-11:
[m=116938]
United Artists #UAS-5546 (10/71)
Recorded at Crystal Studios, Hollywood, CA
1-12 to 1-15:
[m=100781]
United Artists #UA-LA128-F (8/73)
Recorded at Crystal Studios, Hollywood, CA; Caribou Ranch, Nederland, CO; Wally Heider Recording, Hollywood, CA; Crystal Studios, Hollywood, CA
1-16:
[url=https://www.discogs.com/master/116980-War-War-Live]WAR Live![/url]
United Artists #UA-LA193-J2 (3/74)
Recorded at The High Chaparral, Chicago, IL
1-17 to 2-5:
[m=116935]
United Artists #UA-LA441-G (6/75)
Recorded at Wally Heider Recording, Hollywood, CA; Crystal Studios, Hollywood, CA; Far Out Studios, Hollywood, CA; Wally Heider Recording, San Francisco, CA
2-6:
[m=116968]
United Artists #UA-LA648-G (8/76)
Various Recording Studios
2-7, 2-8:
[m=118593]
Far Out/Blue Note #BN-LA690-J2 (6/77)
Various Recording Studios
2-9:
[m=116937]
MCA #MCA-3030 (11/77)
Recorded at Far Out Studios, Hollywood, CA; Cherokee Recording Studios, Hollywood, CA; Record Plant, Sausalito, CA; ABC Studios, Hollywood, CA; Sound City, Van Nuys, CA; Crystal Studios, Hollywood, CA. Mixed at Sound City, Van Nuys, CA
2-10:
[url=https://www.discogs.com/master/116966-War-Youngblood-Original-Motion-Picture-Soundtrack]Youngblood: Original Motion Picture Soundtrack[/url]
United Artists #UA-LA904-H (7/78)
Recorded at Cherokee Recording Studios, Hollywood, CA; ABC Studios, Hollywood, CA; Sound City, Van Nuys, CA; Beechwood Studios. Mixed at Sound City, Van Nuys, CA
2-11:
[m=116939]
MCA #MCA-3085 (3/79)
Various Recording Studios
2-12 to 2-15:
[m=116952]
RCA #AFL1-4208 (2/82)
Recorded at Far Out Studios, Hollywood, CA
2-16:
[url=https://www.discogs.com/master/153083-War-Peace-Sign]Avenue maxi-single[/url] [edit] #76024 (5/94)
Recorded at Skywalker Ranch, Nicasio, CA; CAN-Am Recorders, Tarzana, CA; Rumbo Recorders, Canoga Park, CA; Cornerstone Studios, Chatsworth, CA; Crystal Studios, Hollywood, CA. Mixed at Cornerstone Studios, Chatsworth, CA
2-17:
[m=153082]
Avenue #71706 (6/94)
Recorded at Skywalker Ranch, Nicasio, CA; CAN-Am Recorders, Tarzana, CA; Rumbo Recorders, Canoga Park, CA; Cornerstone Studios, Chatsworth, CA; Crystal Studios, Hollywood, CA. Mixed at Cornerstone Studios, Chatsworth, CA
Remastering at Digiprep.
2-9 ? 1977 MCA Records, Inc.; 2-11 ? 1979 MCA Records, Inc., under license from Universal Music Enterprises, a division of UMG Recordings, Inc.
Booklet page 19:
This compilation ? 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1981, 1982, 1994 & 2003 Avenue Records, a Division of Audio Visual Entertainment, Inc.
Booklet page 20:
© 2003 Avenue Records, a Division of Audio Visual Entertainment, Inc.
Disc:
This compilation ? 2003 Avenue Records, a Division of Audio Visual Entertainment, Inc. Made in Germany
O-card, tray inlay:
This compilation ? & © 2003 Avenue Records, a Division of Audio Visual Entertainment, Inc. Manufactured & distributed by Warner Strategic Marketing. Warner Music Group, an AOL Time Warner company.
Made In Germany by [Warner 'W' logo] WARNER MUSIC MANUFACTURING EUROPE.
? 1997 President Records Ltd.
© 1997 President Records Ltd.
Made in Ye Olde England
12-page booklet with liner notes and pics
On back cover:
Tracks 1-1 to 1-10 recorded at The Venue, London, 3rd June, 1982
Tracks 2-7, 2-8, 2-10, 2-11, 2-13 and 2-18 previously unavailable on commercial CD.
This compilation
? 1996 Virgin Records Ltd.
© 1996 Virgin Records Ltd.
Jewel case with 16-page colour booklet featuring rare photos, lyrics, memorabilia and new Autumn 2013 liner notes by Mark Paytress.
Produced for Straight Ahead Productions Ltd.
Recorded at Trident Studios, London, June-August 1970.
Original release date: December 1970.
Highest UK chart: 13.
? 1970 Straight Ahead Productions Ltd.
? & © 2014 Polydor Ltd. (UK)
Made in the EU.
Similar EDC version found here [r6263975]
Produced for Straight Ahead Productions Ltd.
Recorded at Trident Studios, London, June-August 1970.
Original release date: December 1970.
Highest UK chart: 13.
Digitally remastered at Universal Digital Mastering, London.
Made in the EU
This compilation: ? © 2004 Straight Ahead Productions Ltd.
Track 14 is previously unreleased.
Made in the U.S.A.
Printed in the U.S.A.
Issued in clear jewel case with 10-panel folded insert. Warner lozenge "w" emblem embossed on case back.
Track 15 subtitle on case back: (e.cola mix)
Recorded at Olympic Studios, London during Winter '76 & Spring '77.
Mastered at The Mastering Lab, L.A.
My Baby Gives It Away, Keep Me Turning, Misunderstood, Street In The City and Heart To Hang On Reswot Tunes, Inc. (BMI)
Annie WB Music Corp./ RSO Publishing Inc. (BMI)
Till The Rivers All Run Dry Vogue Music, Inc. (BMI)
Nowhere To Run WB Music Corp. (ASCAP)
Rough Mix Reswot Tunes, Inc. (BMI) / WB Music Corp. (ASCAP)
Tracks 12-14 Originally recorded by Glyn Johns. Mixed in 2006 by Bob Pridden.
DVD Side: Stereo and Surround Sound programs in Dolby and Advanced Resolution
Interviews Video and Photo Gallery
Some matrix data is covered by silkscreening.
Tracks 5 and 15 are wrongly credited to Fats Domino.
Two digipak CDs and a 48-page booklet inside a cardboard slipcase.
Tracks 1.01, 1.06, 1.11, 1.13, 1.17, 1.20 and 2.21 from Flood (January 1990).
Tracks 1.02, 1.22, 2.24 to 2.26 from Lincoln and recorded in (November 1988).
Tracks 1.03 and 1.15 from Don't Let's Start EP (November 1987).
Track 1.04 from Music From Malcolm In The Middle (January 2001).
Track 1.05 from Long Tall Weekend (July 1999)
Tracks 1.07 and 1.16 from Severe Tire Damage (August 1998).
Tracks 1.08, 1.23, 1.26, 2.05, 2.09, 2.11 from Apollo 18 (March 1992).
Track 1.09 from More Music From The Motion Picture Austin Powers: The Spy Who Shagged Me (October 1999).
Tracks 1.10, 2.02, 2.03, 2.06, 2.08, 2.15 and 2.18 from Factory Showroom (October 1996).
Tracks 1.12, 1.14, 1.18, and 1.21 from Mink Car (September 2001).
Tracks 1.19, 2.04, 2.10 and 2.20 from John Henry (September 1994).
Track 1.24 from (She Was A) Hotel Detective EP (June 1988).
Tracks 1.25, 2.01, 2.17, 2.19 from They Might Be Giants (November 1986).
Track 2.07 from No! (June 2002).
Tracks 2.12 (July 16, 2002), and 2.14 (March 10, 1989) are previously unreleased.
Track 2.13 from Why Does The Sun Shine? EP (September 1993) (incorrectly listed as being previously unreleased).
Track 2.16 from Working Undercover For The Man EP (May 2000) (incorrectly listed as being from No!)
Track 2.22 from unreleased Purple Toupee EP (1989).
Track 2.23 from They'll Need A Crane EP (March 1989).
Cardboard Sleeve
CD Deluxe Vinyl Replica
Vinyl LP groove design
Collector Edition
Elektra Entertainment Group,
A Division Of Warner Communications Inc. A Time Warner Company,
75 Rockefeller Plaza, New York, NY 10019. 345 North Maple Drive, Beverly Hills, CA 90210.
?© 1996 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and
WEA International Inc. for the world outside of the United States. All Rights Reserved. Printed in U.S.A.
Warning: Unauthorized reproduction of this recording is prohibited by Federal law and subject to criminal prosecution.
WWW.TMBG.COM
"Factory Showroom They Might Be Giants' Sixth Album"
Before the first track on the CD, there is an uncredited, unreleased minute long song that is called "Token Back To Brooklyn" which has appeared on their Dial-a-song answering machine, and also on the "They Got Lost" compilation. This track is not playable on some CD players.
Recorded at River Sound, Hit Factory, Sound on Sound, Clinton Studios, Coyote Studio and The Edison Laboratory
Track 12 "recorded without electricity on a 1898 Edison wax cylinder recording studio phonograph", "produced at the Edison National Historical Site, National Park Service, U.S. Department of Interior in West Orange, NJ"
Mastered at Sterling Sound
For free lyric sheet tour dates and merchandise information write:
Info Club, c/o TMB Productions, PO Box 110535, Williamsburgh Station,
Brooklyn, NY 11211-0003 or call (914) 359-0867 or visit
our web-site at http://www.tmbg.com
Still free, often busy Dial-A-Song (718) 387-6962
Amy Allison appears courtesy of Discovery Records.
All songs published by TMBG Music (BMI) except "New York City" published by Paw-Paw Publishing (ASCAP); and "James K. Polk" admin. Warner-Tamerlane Publishing Corp. (BMI).
© 1996 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Printed in U.S.A.
DIAL-A-SONG
718-387-6962
? 1996 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside of the United States. A Time Warner Company. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in U.S.A. by WEA Manufacturing Inc.
Contains 8-panel folder booklet.
Jewel case with a clear tray
Live recording from
The Boarding House, San Francisco, California 16.9.1978
KSAN FM BROADCAST
Digipack.
USA Version 2009
Recorded Live March 8 & 9, 1974 At The Auditorium Theatre In Chicago.
Recorded Live For Gold Hill Enterprises, Inc. By Bill Halverson/Jordan Productions.
Mixed And Edited At Caribou Ranch, Nederland, Colorado In October 1975.
Digitally Remastered From The Original Master Tapes At Ocean View Digital, October 1991.
Wounded Bird Records Guilderland NY
? 1985, 1988 & 2003 Warner Bros. Records Inc.
Produced under license from Warner Bros. Records Inc.
Manufactured by Rhino Entertainment Company.
© 2003 Wounded Bird Records
A York-Pala Production
Subsidiary of: Greene/Stone Enterprises.
Originally released as ATCO LP 33-183, April, 1966.
Una raccolta con 20 successi del cantante americano con allegato un DVD con performance dell'epoca e un documentario sull'artista.
L'ultimo album della band southern/blues rock giapponese con influenze quali Allman Brothers Band, Lynyrd Skynyrd, Molly Hatchet.
Una selezione di apparizioni al programma televisivo di Jools Holland con Tom Jones, Solomon Burke, Eric Clapton, Michael McDonald, Ruby Turner e altri.
L'ultimo album (2023) del folksinger originario della Hudson Valley nello stato di New York, un artista che vanta una discografia di oltre 20 album e trascorsi accanto a Judy Collins, Odetta, Janis Ian o Tom Paxton. Qualcuno lo definisce una via di mezzo tra l'inventiva di Bob Dylan, la voce melodiosa di John Denver e il senso dello spettacolo dello scrittore Garrison Keillor.
Un album, questo “Dremong”, dove l’inquietudine è musa ispiratrice per quattordici canzoni senza tempo. I suoni delle tastiere vintage si sposano con quelli della chitarra classica, della chitarra elettrica, di strumenti tradizionali come il glockenspiel, la concertina, gli orientali gu-qin e go-zen, i flauti, il violino, la batteria, le percussioni e il basso fretless.
“Dremong” è un disco trasversale: progressive solo nei timbri, nostalgico della world music europea, affamato di accenni rock. In sostanza, è un album fatto da musicisti, con canzoni originali e inconfondibili, realizzate con passione artigianale senza imposizione di confini.
Album del 2019 del bravo cantautore italiano.
Ultimo album di studio (2020) del cantautore californiano. Copia non sigillata.
Live March 29th 1973 At Boston Paul's Mall Club.
Released in a standard jewelbox with an 18 pane single sheet foldout booklet.
Back cover: RHINO logo on upper middle and on spine.
Expanded version of the LP originally released 1978.
With Slipcase.
Made in the EU.
Includes a 10 page booklet with liner notes and photos.
Track 1 ? 1973 PolyGram Records, Inc under license from PolyGram Special Projects
Track 2 ? 1973 Capitol Records, Inc. under license from CEMA Special Markets
Track 3 ? 1973 Warner Bros. Records, Inc. produced under license from Warner Bros. Records Inc.
Track 4 ? 1974 Bearsville Records, Inc. under license from Bearsville Records, Inc.
Track 5 ? 1976 Virgin Records Ltd. licensed from Virgin Records America, Inc.
Track 6 ? 1977 CBS Inc. under license from Sony Music Special Products
Track 7 ? 1979 EMI Records, Ltd. courtesy of EMI Records, Ltd.
Track 8 ? 1979 CBS Inc. under license from Sony Music Special Products
Track 9 ? 1979 A&M Records, Inc. licensed from A&M Records, Inc.
Track 10 ? 1979 Arista Records, Inc. licensed from Arista Records, Inc.
Track 11 ? 1983 EMI Records USA under license from CEMA Special Markets
Track 12 ? 1983 Warner Bros. Records Inc. produced under license from Warner Bros. Records Inc.
Track 13 ? 1983 I.R.S. Inc. licensed from I.R.S. Inc.
Track 14 ? 1986 Virgin Records Ltd.courtesy of Geffen Records
Track 15 ? 1986 PolyGram Records Pty. Ltd. under license from PolyGram Special Projects
Track 16 ? Island Records, Inc. issued under license from Island Records, Inc.
Track 17 ? Chrysalis Records, Inc. licensed from Chrysalis Records, Inc.
Track 18 ? 1990 MCA Records, Inc. courtesy of MCA Records, Inc.
This compilation ? & © 1992 Rhino Records, Inc.
8-page booklet with credits and notes.
Black round custom sticker on the case that says "The Band That Became Neil Young's Crazy Horse EDCD520" (see pic)
On back cover & disc:
? 1968 White Whale Records / Varèse Sarabande
© 1997 Demon Records Ltd.
Manufactured in England
Publishing for original 1968 edition (on back cover):
Songs published by Ishmael Music Inc. / Golden Lizard (BMI) except
1, 2, 9 published by Ishmael Music Inc. / Inherit-Todd-Mark (BMI)
Publishing for this CD 1997 edition (on booklet):
Songs published by Longitude Music Co except
1 published by Chelsea Music Publishing Co. Ltd.
2, 9 published by Inherit Music / Longitude Music Co / Toddmark Pub Co.
Two separate jewel cases.
Recorded by: Hollywood Sound Systems - Jon Leblanc
Mixed at: Oceanway Studios - Richard Bosworth (Engineer), John Tyree (Second)
Production Manager: Walter Stewart
Design: Michelle Ingram
"23 Australian bands pay tribute to the genius of The Replacements" — subtitle from bottom of front sleeve.
See [a268769] for the Minneapolis band that inspired this tribute.
Released: July 26th 1999 (The ARIA Report Issue #491).
Track 8 by Erbs & Pisces combines both sides of The Replacements first single ("[m=838972]"), each song in left and right speaker. Track 8 was also released by [a2756165] on "[r=3610482]" 7-inch.
Track 11 is a live recording from JJJ's "Live At The Wireless".